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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADD037 it is the complementary color #522FC8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADD037. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADD037 shade: #B2D032, #C3E245, #D4F458, #E5FF6B and #F6FF7E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADD037. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADD037 shade: #ADD037, #9CBE24, #8BAC11, #7A9A00 and #698800

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADD037 shade: #ADD038, #D0CA38, #D0A138, #D07838 and #D04F38

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADD037 shade: #ADD038, #84D038, #5BD038, #38D03E and #38D067

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADD037 shade matches the following richer shades: #ADD038, #B8E424 and #C3F811

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADD037 shade: #ADD038, #A3BC4C, #98A860, #8D9574 and #828187

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADD037 shade: #D0A038, #D0C838, #AFD038, #87D038 and #5ED038

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADD037 shade: #7A9322, #95B52A, #ADD038, #BBD85A and #C9E07B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADD037 shade: #ADD037, #38D077 and #B438D0

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADD037 shade: #ADD037, #38AFD0 and #D038AF

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADD037 shade: #ADD037, #38D077, #5938D0 and #D03891

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADD037 shade: #ADD037, #38D0A5, #5938D0 and #D03863

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 0 / 74 / 18

HEX #ADD037

RGB 173 208 55

HSL 73.73, 0.62%, 0.52%

LAB 78.62, -31.66, 67.36

 

Complementary color

CMYK 59 / 77 / 0 / 22

HEX #522FC8

RGB 82 47 200

HSL 253.73, 0.62%, 0.48%

LAB 33.98, 54.31, -73.5

 

CMYK 14 / 0 / 76 / 18

HEX #B2D032

RGB 178 208 50

HSL 71.39, 0.63%, 0.51%

LAB 78.93, -29.89, 69.38

 

CMYK 14 / 0 / 69 / 11

HEX #C3E245

RGB 195 226 69

HSL 71.85, 0.73%, 0.58%

LAB 85.21, -30.56, 69.46

 

CMYK 13 / 0 / 64 / 4

HEX #D4F458

RGB 212 244 88

HSL 72.31, 0.88%, 0.65%

LAB 91.42, -31.09, 69.05

 

CMYK 10 / 0 / 58 / 0

HEX #E5FF6B

RGB 229 255 107

HSL 70.54, 1%, 0.71%

LAB 95.68, -28.29, 66.27

 

CMYK 4 / 0 / 51 / 0

HEX #F6FF7E

RGB 246 255 126

HSL 64.19, 1%, 0.75%

LAB 97.07, -20.2, 59.9

 

CMYK 17 / 0 / 74 / 18

HEX #ADD037

RGB 173 208 55

HSL 73.73, 0.62%, 0.52%

LAB 78.62, -31.66, 67.36

 

CMYK 18 / 0 / 81 / 25

HEX #9CBE24

RGB 156 190 36

HSL 73.25, 0.68%, 0.44%

LAB 72.24, -30.93, 66.81

 

CMYK 19 / 0 / 90 / 33

HEX #8BAC11

RGB 139 172 17

HSL 72.77, 0.82%, 0.37%

LAB 65.78, -29.99, 65.1

 

CMYK 21 / 0 / 100 / 40

HEX #7A9A00

RGB 122 154 0

HSL 72.47, 1%, 0.3%

LAB 59.2, -28.85, 61.94

 

CMYK 23 / 0 / 100 / 47

HEX #698800

RGB 105 136 0

HSL 73.68, 1%, 0.27%

LAB 52.52, -27.39, 56.37

 

CMYK 17 / 0 / 73 / 18

HEX #ADD038

RGB 173 208 56

HSL 73.82, 0.62%, 0.52%

LAB 78.63, -31.61, 67.03

 

CMYK 0 / 3 / 73 / 18

HEX #D0CA38

RGB 208 202 56

HSL 57.63, 0.62%, 0.52%

LAB 79.58, -14.22, 68.86

 

CMYK 0 / 23 / 73 / 18

HEX #D0A138

RGB 208 161 56

HSL 41.45, 0.62%, 0.52%

LAB 68.89, 7.15, 58.51

 

CMYK 0 / 42 / 73 / 18

HEX #D07838

RGB 208 120 56

HSL 25.26, 0.62%, 0.52%

LAB 59.09, 29.31, 48.54

 

CMYK 0 / 62 / 73 / 18

HEX #D04F38

RGB 208 79 56

HSL 9.08, 0.62%, 0.52%

LAB 51.02, 49.73, 39.84

 

CMYK 17 / 0 / 73 / 18

HEX #ADD038

RGB 173 208 56

HSL 73.82, 0.62%, 0.52%

LAB 78.63, -31.61, 67.03

 

CMYK 37 / 0 / 73 / 18

HEX #84D038

RGB 132 208 56

HSL 90, 0.62%, 0.52%

LAB 76.25, -46.99, 63.91

 

CMYK 56 / 0 / 73 / 18

HEX #5BD038

RGB 91 208 56

HSL 106.18, 0.62%, 0.52%

LAB 74.59, -59.42, 61.7

 

CMYK 73 / 0 / 70 / 18

HEX #38D03E

RGB 56 208 62

HSL 122.37, 0.62%, 0.52%

LAB 73.74, -66.21, 58.37

 

CMYK 73 / 0 / 50 / 18

HEX #38D067

RGB 56 208 103

HSL 138.55, 0.62%, 0.52%

LAB 74.15, -61.36, 40.82

 

CMYK 17 / 0 / 73 / 18

HEX #ADD038

RGB 173 208 56

HSL 73.82, 0.62%, 0.52%

LAB 78.63, -31.61, 67.03

 

CMYK 19 / 0 / 84 / 11

HEX #B8E424

RGB 184 228 36

HSL 73.75, 0.78%, 0.52%

LAB 84.9, -37.2, 78.47

 

CMYK 21 / 0 / 93 / 3

HEX #C3F811

RGB 195 248 17

HSL 73.77, 0.94%, 0.52%

LAB 91.13, -42.18, 86.8

 

CMYK 17 / 0 / 73 / 18

HEX #ADD038

RGB 173 208 56

HSL 73.82, 0.62%, 0.52%

LAB 78.63, -31.61, 67.03

 

CMYK 13 / 0 / 60 / 26

HEX #A3BC4C

RGB 163 188 76

HSL 73.39, 0.46%, 0.52%

LAB 72.41, -24.79, 52.53

 

CMYK 10 / 0 / 43 / 34

HEX #98A860

RGB 152 168 96

HSL 73.33, 0.29%, 0.52%

LAB 66.16, -17.27, 35.25

 

CMYK 5 / 0 / 22 / 42

HEX #8D9574

RGB 141 149 116

HSL 74.55, 0.13%, 0.52%

LAB 60.27, -8.86, 16.5

 

CMYK 4 / 4 / 0 / 47

HEX #828187

RGB 130 129 135

HSL 250, 0.02%, 0.52%

LAB 54.23, 1.58, -3.11

 

CMYK 0 / 23 / 73 / 18

HEX #D0A038

RGB 208 160 56

HSL 41.05, 0.62%, 0.52%

LAB 68.63, 7.69, 58.26

 

CMYK 0 / 4 / 73 / 18

HEX #D0C838

RGB 208 200 56

HSL 56.84, 0.62%, 0.52%

LAB 79.04, -13.22, 68.35

 

CMYK 16 / 0 / 73 / 18

HEX #AFD038

RGB 175 208 56

HSL 73.03, 0.62%, 0.52%

LAB 78.76, -30.81, 67.21

 

CMYK 35 / 0 / 73 / 18

HEX #87D038

RGB 135 208 56

HSL 88.82, 0.62%, 0.52%

LAB 76.4, -45.95, 64.11

 

CMYK 55 / 0 / 73 / 18

HEX #5ED038

RGB 94 208 56

HSL 105, 0.62%, 0.52%

LAB 74.68, -58.64, 61.83

 

CMYK 17 / 0 / 77 / 42

HEX #7A9322

RGB 122 147 34

HSL 73.27, 0.62%, 0.35%

LAB 57.19, -24.43, 52.83

 

CMYK 18 / 0 / 77 / 29

HEX #95B52A

RGB 149 181 42

HSL 73.81, 0.62%, 0.44%

LAB 69.19, -29.28, 62.11

 

CMYK 17 / 0 / 73 / 18

HEX #ADD038

RGB 173 208 56

HSL 73.82, 0.62%, 0.52%

LAB 78.63, -31.61, 67.03

 

CMYK 13 / 0 / 58 / 15

HEX #BBD85A

RGB 187 216 90

HSL 73.81, 0.62%, 0.6%

LAB 82.06, -27.59, 57.58

 

CMYK 10 / 0 / 45 / 12

HEX #C9E07B

RGB 201 224 123

HSL 73.66, 0.62%, 0.68%

LAB 85.58, -22.93, 46.7

 

CMYK 17 / 0 / 74 / 18

HEX #ADD037

RGB 173 208 55

HSL 73.73, 0.62%, 0.52%

LAB 78.62, -31.66, 67.36

 

CMYK 73 / 0 / 43 / 18

HEX #38D077

RGB 56 208 119

HSL 144.87, 0.62%, 0.52%

LAB 74.37, -58.76, 33.13

 

CMYK 13 / 73 / 0 / 18

HEX #B438D0

RGB 180 56 208

HSL 288.95, 0.62%, 0.52%

LAB 48.37, 69.01, -54.17

 

CMYK 17 / 0 / 74 / 18

HEX #ADD037

RGB 173 208 55

HSL 73.73, 0.62%, 0.52%

LAB 78.62, -31.66, 67.36

 

CMYK 73 / 16 / 0 / 18

HEX #38AFD0

RGB 56 175 208

HSL 193.03, 0.62%, 0.52%

LAB 66.56, -21.81, -26.17

 

CMYK 0 / 73 / 16 / 18

HEX #D038AF

RGB 208 56 175

HSL 313.03, 0.62%, 0.52%

LAB 51.07, 69.83, -30.44

 

CMYK 17 / 0 / 74 / 18

HEX #ADD037

RGB 173 208 55

HSL 73.73, 0.62%, 0.52%

LAB 78.62, -31.66, 67.36

 

CMYK 73 / 0 / 43 / 18

HEX #38D077

RGB 56 208 119

HSL 144.87, 0.62%, 0.52%

LAB 74.37, -58.76, 33.13

 

CMYK 57 / 73 / 0 / 18

HEX #5938D0

RGB 89 56 208

HSL 253.03, 0.62%, 0.52%

LAB 36.94, 53.07, -73.25

 

CMYK 0 / 73 / 30 / 18

HEX #D03891

RGB 208 56 145

HSL 324.87, 0.62%, 0.52%

LAB 49.84, 65.99, -14.58

 

CMYK 17 / 0 / 74 / 18

HEX #ADD037

RGB 173 208 55

HSL 73.73, 0.62%, 0.52%

LAB 78.62, -31.66, 67.36

 

CMYK 73 / 0 / 21 / 18

HEX #38D0A5

RGB 56 208 165

HSL 163.03, 0.62%, 0.52%

LAB 75.25, -49.2, 10.18

 

CMYK 57 / 73 / 0 / 18

HEX #5938D0

RGB 89 56 208

HSL 253.03, 0.62%, 0.52%

LAB 36.94, 53.07, -73.25

 

CMYK 0 / 73 / 52 / 18

HEX #D03863

RGB 208 56 99

HSL 343.03, 0.62%, 0.52%

LAB 48.43, 61.48, 11.25

 

Description

Color code: HEX #ADD037 | qconv.com Color code: HEX #ADD037 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 208 green and 55 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 208 55 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, none magenta, 74 yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 0% 74% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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