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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADCDD5 it is the complementary color #52322A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADCDD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADCDD5 shade: #B2CDD0, #C3DFE3, #D4F1F6, #E5FFFF and #F6FFFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADCDD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADCDD5 shade: #ADCDD5, #9CBBC2, #8BA9AF, #7A979C and #698589

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADCDD5 shade: #AECDD5, #AEC2D5, #AEB8D5, #AEAED5 and #B9AED5

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADCDD5 shade: #AECDD5, #AEC2D5, #AEB8D5 and #AEAED5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADCDD5 shade matches the following richer shades: #AECDD5, #A4D3DF, #9AD9E9, #90DFF3 and #86E5FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADCDD5 shade: #AECDD5, #B8C7CB, #C2C1C1, #CBBBB7 and #D5B5AD

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADCDD5 shade: #AED5C8, #AED5D2, #AECDD5, #AEC3D5 and #AEB8D5

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADCDD5 shade: #77ACB9, #92BCC7, #AECDD5, #C9DEE3 and #E4EEF1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADCDD5 shade: #ADCDD5, #BDAED5 and #D5CDAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADCDD5 shade: #ADCDD5, #D5AECD and #CDD5AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADCDD5 shade: #ADCDD5, #BDAED5, #D5B6AE and #C5D5AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADCDD5 shade: #ADCDD5, #C9AED5, #D5B6AE and #B9D5AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 4 / 0 / 16

HEX #ADCDD5

RGB 173 205 213

HSL 192, 0.32%, 0.76%

LAB 80.38, -8.92, -7.53

 

Complementary color

CMYK 0 / 39 / 49 / 68

HEX #52322A

RGB 82 50 42

HSL 12, 0.32%, 0.24%

LAB 24.46, 13.44, 11.12

 

CMYK 14 / 1 / 0 / 18

HEX #B2CDD0

RGB 178 205 208

HSL 186, 0.24%, 0.76%

LAB 80.56, -8.39, -4.54

 

CMYK 14 / 2 / 0 / 11

HEX #C3DFE3

RGB 195 223 227

HSL 187.5, 0.36%, 0.83%

LAB 86.96, -8.4, -5.08

 

CMYK 14 / 2 / 0 / 4

HEX #D4F1F6

RGB 212 241 246

HSL 188.82, 0.65%, 0.9%

LAB 93.26, -8.41, -5.61

 

CMYK 10 / 0 / 0 / 0

HEX #E5FFFF

RGB 229 255 255

HSL 180, 1%, 0.95%

LAB 98.19, -8.37, -2.87

 

CMYK 4 / 0 / 0 / 0

HEX #F6FFFF

RGB 246 255 255

HSL 180, 1%, 0.98%

LAB 99.35, -2.94, -1.04

 

CMYK 19 / 4 / 0 / 16

HEX #ADCDD5

RGB 173 205 213

HSL 192, 0.32%, 0.76%

LAB 80.38, -8.92, -7.53

 

CMYK 20 / 4 / 0 / 24

HEX #9CBBC2

RGB 156 187 194

HSL 191.05, 0.24%, 0.69%

LAB 73.87, -8.92, -7.03

 

CMYK 21 / 3 / 0 / 31

HEX #8BA9AF

RGB 139 169 175

HSL 190, 0.18%, 0.62%

LAB 67.25, -8.92, -6.51

 

CMYK 22 / 3 / 0 / 39

HEX #7A979C

RGB 122 151 156

HSL 188.82, 0.15%, 0.55%

LAB 60.49, -8.94, -5.99

 

CMYK 23 / 3 / 0 / 46

HEX #698589

RGB 105 133 137

HSL 187.5, 0.13%, 0.47%

LAB 53.58, -8.97, -5.44

 

CMYK 18 / 4 / 0 / 16

HEX #AECDD5

RGB 174 205 213

HSL 192.31, 0.32%, 0.76%

LAB 80.44, -8.6, -7.43

 

CMYK 18 / 9 / 0 / 16

HEX #AEC2D5

RGB 174 194 213

HSL 209.23, 0.32%, 0.76%

LAB 77.51, -2.81, -11.79

 

CMYK 18 / 14 / 0 / 16

HEX #AEB8D5

RGB 174 184 213

HSL 224.62, 0.32%, 0.76%

LAB 74.88, 2.57, -15.74

 

CMYK 18 / 18 / 0 / 16

HEX #AEAED5

RGB 174 174 213

HSL 240, 0.32%, 0.76%

LAB 72.28, 8.03, -19.67

 

CMYK 13 / 18 / 0 / 16

HEX #B9AED5

RGB 185 174 213

HSL 256.92, 0.32%, 0.76%

LAB 73.15, 11.56, -18.27

 

CMYK 18 / 4 / 0 / 16

HEX #AECDD5

RGB 174 205 213

HSL 192.31, 0.32%, 0.76%

LAB 80.44, -8.6, -7.43

 

CMYK 18 / 9 / 0 / 16

HEX #AEC2D5

RGB 174 194 213

HSL 209.23, 0.32%, 0.76%

LAB 77.51, -2.81, -11.79

 

CMYK 18 / 14 / 0 / 16

HEX #AEB8D5

RGB 174 184 213

HSL 224.62, 0.32%, 0.76%

LAB 74.88, 2.57, -15.74

 

CMYK 18 / 18 / 0 / 16

HEX #AEAED5

RGB 174 174 213

HSL 240, 0.32%, 0.76%

LAB 72.28, 8.03, -19.67

 

CMYK 18 / 4 / 0 / 16

HEX #AECDD5

RGB 174 205 213

HSL 192.31, 0.32%, 0.76%

LAB 80.44, -8.6, -7.43

 

CMYK 26 / 5 / 0 / 13

HEX #A4D3DF

RGB 164 211 223

HSL 192.2, 0.48%, 0.76%

LAB 81.73, -12.53, -10.92

 

CMYK 34 / 7 / 0 / 9

HEX #9AD9E9

RGB 154 217 233

HSL 192.15, 0.64%, 0.76%

LAB 83.11, -16.07, -14.23

 

CMYK 41 / 8 / 0 / 5

HEX #90DFF3

RGB 144 223 243

HSL 192.12, 0.8%, 0.76%

LAB 84.57, -19.22, -17.39

 

CMYK 47 / 9 / 0 / 1

HEX #86E5FC

RGB 134 229 252

HSL 191.69, 0.95%, 0.76%

LAB 86.07, -22.26, -19.91

 

CMYK 18 / 4 / 0 / 16

HEX #AECDD5

RGB 174 205 213

HSL 192.31, 0.32%, 0.76%

LAB 80.44, -8.6, -7.43

 

CMYK 9 / 2 / 0 / 20

HEX #B8C7CB

RGB 184 199 203

HSL 192.63, 0.15%, 0.76%

LAB 79.24, -4.3, -3.76

 

CMYK 0 / 1 / 1 / 24

HEX #C2C1C1

RGB 194 193 193

HSL 0, 0.01%, 0.76%

LAB 78.15, 0.35, 0.11

 

CMYK 0 / 8 / 10 / 20

HEX #CBBBB7

RGB 203 187 183

HSL 12, 0.16%, 0.76%

LAB 77.07, 4.97, 4.06

 

CMYK 0 / 15 / 19 / 16

HEX #D5B5AD

RGB 213 181 173

HSL 12, 0.32%, 0.76%

LAB 76.2, 10.24, 8.34

 

CMYK 18 / 0 / 6 / 16

HEX #AED5C8

RGB 174 213 200

HSL 160, 0.32%, 0.76%

LAB 82.25, -15.4, 2.17

 

CMYK 18 / 0 / 1 / 16

HEX #AED5D2

RGB 174 213 210

HSL 175.38, 0.32%, 0.76%

LAB 82.51, -13.36, -2.78

 

CMYK 18 / 4 / 0 / 16

HEX #AECDD5

RGB 174 205 213

HSL 192.31, 0.32%, 0.76%

LAB 80.44, -8.6, -7.43

 

CMYK 18 / 8 / 0 / 16

HEX #AEC3D5

RGB 174 195 213

HSL 207.69, 0.32%, 0.76%

LAB 77.78, -3.34, -11.4

 

CMYK 18 / 14 / 0 / 16

HEX #AEB8D5

RGB 174 184 213

HSL 224.62, 0.32%, 0.76%

LAB 74.88, 2.57, -15.74

 

CMYK 36 / 7 / 0 / 27

HEX #77ACB9

RGB 119 172 185

HSL 191.82, 0.32%, 0.6%

LAB 67.22, -14.12, -12.22

 

CMYK 27 / 6 / 0 / 22

HEX #92BCC7

RGB 146 188 199

HSL 192.45, 0.32%, 0.68%

LAB 73.68, -11.38, -10.11

 

CMYK 18 / 4 / 0 / 16

HEX #AECDD5

RGB 174 205 213

HSL 192.31, 0.32%, 0.76%

LAB 80.44, -8.6, -7.43

 

CMYK 11 / 2 / 0 / 11

HEX #C9DEE3

RGB 201 222 227

HSL 191.54, 0.32%, 0.84%

LAB 87.1, -5.97, -4.83

 

CMYK 5 / 1 / 0 / 5

HEX #E4EEF1

RGB 228 238 241

HSL 193.85, 0.32%, 0.92%

LAB 93.45, -2.75, -2.61

 

CMYK 19 / 4 / 0 / 16

HEX #ADCDD5

RGB 173 205 213

HSL 192, 0.32%, 0.76%

LAB 80.38, -8.92, -7.53

 

CMYK 11 / 18 / 0 / 16

HEX #BDAED5

RGB 189 174 213

HSL 263.08, 0.32%, 0.76%

LAB 73.48, 12.86, -17.74

 

CMYK 0 / 4 / 18 / 16

HEX #D5CDAE

RGB 213 205 174

HSL 47.69, 0.32%, 0.76%

LAB 82.31, -2.3, 16.44

 

CMYK 19 / 4 / 0 / 16

HEX #ADCDD5

RGB 173 205 213

HSL 192, 0.32%, 0.76%

LAB 80.38, -8.92, -7.53

 

CMYK 0 / 18 / 4 / 16

HEX #D5AECD

RGB 213 174 205

HSL 312.31, 0.32%, 0.76%

LAB 75.34, 19.36, -10.36

 

CMYK 4 / 0 / 18 / 16

HEX #CDD5AE

RGB 205 213 174

HSL 72.31, 0.32%, 0.76%

LAB 83.77, -9.36, 18.4

 

CMYK 19 / 4 / 0 / 16

HEX #ADCDD5

RGB 173 205 213

HSL 192, 0.32%, 0.76%

LAB 80.38, -8.92, -7.53

 

CMYK 11 / 18 / 0 / 16

HEX #BDAED5

RGB 189 174 213

HSL 263.08, 0.32%, 0.76%

LAB 73.48, 12.86, -17.74

 

CMYK 0 / 15 / 18 / 16

HEX #D5B6AE

RGB 213 182 174

HSL 12.31, 0.32%, 0.76%

LAB 76.47, 9.85, 8.18

 

CMYK 8 / 0 / 18 / 16

HEX #C5D5AE

RGB 197 213 174

HSL 84.62, 0.32%, 0.76%

LAB 83.19, -12.24, 17.5

 

CMYK 19 / 4 / 0 / 16

HEX #ADCDD5

RGB 173 205 213

HSL 192, 0.32%, 0.76%

LAB 80.38, -8.92, -7.53

 

CMYK 6 / 18 / 0 / 16

HEX #C9AED5

RGB 201 174 213

HSL 281.54, 0.32%, 0.76%

LAB 74.5, 16.81, -16.09

 

CMYK 0 / 15 / 18 / 16

HEX #D5B6AE

RGB 213 182 174

HSL 12.31, 0.32%, 0.76%

LAB 76.47, 9.85, 8.18

 

CMYK 13 / 0 / 18 / 16

HEX #B9D5AE

RGB 185 213 174

HSL 103.08, 0.32%, 0.76%

LAB 82.36, -16.48, 16.21

 

Description

Color code: HEX #ADCDD5 | qconv.com Color code: HEX #ADCDD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 205 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 205 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 4 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 4% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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