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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADC727 it is the complementary color #5238D8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADC727. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADC727 shade: #B2C722, #C3D935, #D4EB48, #E5FD5B and #F6FF6E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADC727. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADC727 shade: #ADC727, #9CB514, #8BA301, #7A9100 and #697F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADC727 shade: #AEC827, #C8B627, #C88B27, #C86027 and #C83527

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADC727 shade: #AEC827, #82C827, #57C827, #2CC827 and #27C84E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADC727 shade matches the following richer shades: #AEC827, #BBDB14 and #C8EE00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADC727 shade: #AEC827, #A0B43A, #93A14E, #868D61 and #797A75

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADC727 shade: #C88A27, #C8B527, #B0C827, #85C827 and #5AC827

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADC727 shade: #728319, #90A520, #AEC827, #C0D93F and #CBE062

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADC727 shade: #ADC727, #27C85F and #9F27C8

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADC727 shade: #ADC727, #27B0C8 and #C827B0

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADC727 shade: #ADC727, #27C85F, #3F27C8 and #C8278F

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADC727 shade: #ADC727, #27C88F, #3F27C8 and #C8275F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 0 / 80 / 22

HEX #ADC727

RGB 173 199 39

HSL 69.75, 0.67%, 0.47%

LAB 75.99, -28.11, 69.77

 

Complementary color

CMYK 62 / 74 / 0 / 15

HEX #5238D8

RGB 82 56 216

HSL 249.75, 0.67%, 0.53%

LAB 37.08, 54.51, -77.67

 

CMYK 11 / 0 / 83 / 22

HEX #B2C722

RGB 178 199 34

HSL 67.64, 0.71%, 0.46%

LAB 76.33, -26.2, 71.47

 

CMYK 10 / 0 / 76 / 15

HEX #C3D935

RGB 195 217 53

HSL 68.05, 0.68%, 0.53%

LAB 82.64, -27.1, 72.33

 

CMYK 10 / 0 / 69 / 8

HEX #D4EB48

RGB 212 235 72

HSL 68.47, 0.8%, 0.6%

LAB 88.87, -27.84, 72.41

 

CMYK 9 / 0 / 64 / 1

HEX #E5FD5B

RGB 229 253 91

HSL 68.89, 0.98%, 0.67%

LAB 95.02, -28.45, 72.02

 

CMYK 4 / 0 / 57 / 0

HEX #F6FF6E

RGB 246 255 110

HSL 63.72, 1%, 0.72%

LAB 96.92, -21.45, 66.72

 

CMYK 13 / 0 / 80 / 22

HEX #ADC727

RGB 173 199 39

HSL 69.75, 0.67%, 0.47%

LAB 75.99, -28.11, 69.77

 

CMYK 14 / 0 / 89 / 29

HEX #9CB514

RGB 156 181 20

HSL 69.32, 0.8%, 0.39%

LAB 69.59, -27.12, 68.16

 

CMYK 15 / 0 / 99 / 36

HEX #8BA301

RGB 139 163 1

HSL 68.89, 0.99%, 0.32%

LAB 63.08, -25.94, 65.24

 

CMYK 16 / 0 / 100 / 43

HEX #7A9100

RGB 122 145 0

HSL 69.52, 1%, 0.28%

LAB 56.47, -24.46, 59.88

 

CMYK 17 / 0 / 100 / 50

HEX #697F00

RGB 105 127 0

HSL 70.39, 1%, 0.25%

LAB 49.72, -22.93, 54.25

 

CMYK 13 / 0 / 81 / 22

HEX #AEC827

RGB 174 200 39

HSL 69.69, 0.67%, 0.47%

LAB 76.35, -28.17, 70.11

 

CMYK 0 / 9 / 81 / 22

HEX #C8B627

RGB 200 182 39

HSL 53.29, 0.67%, 0.47%

LAB 73.47, -8.12, 68.38

 

CMYK 0 / 31 / 81 / 22

HEX #C88B27

RGB 200 139 39

HSL 37.27, 0.67%, 0.47%

LAB 62.42, 14.9, 58.58

 

CMYK 0 / 52 / 81 / 22

HEX #C86027

RGB 200 96 39

HSL 21.24, 0.67%, 0.47%

LAB 52.72, 37.94, 49.66

 

CMYK 0 / 74 / 81 / 22

HEX #C83527

RGB 200 53 39

HSL 5.22, 0.67%, 0.47%

LAB 45.6, 56.81, 42.81

 

CMYK 13 / 0 / 81 / 22

HEX #AEC827

RGB 174 200 39

HSL 69.69, 0.67%, 0.47%

LAB 76.35, -28.17, 70.11

 

CMYK 35 / 0 / 81 / 22

HEX #82C827

RGB 130 200 39

HSL 86.09, 0.67%, 0.47%

LAB 73.68, -45.25, 66.71

 

CMYK 57 / 0 / 81 / 22

HEX #57C827

RGB 87 200 39

HSL 102.11, 0.67%, 0.47%

LAB 71.88, -58.65, 64.41

 

CMYK 78 / 0 / 81 / 22

HEX #2CC827

RGB 44 200 39

HSL 118.14, 0.67%, 0.47%

LAB 70.86, -67.15, 63.09

 

CMYK 81 / 0 / 61 / 22

HEX #27C84E

RGB 39 200 78

HSL 134.53, 0.67%, 0.47%

LAB 71.07, -64.33, 48.78

 

CMYK 13 / 0 / 81 / 22

HEX #AEC827

RGB 174 200 39

HSL 69.69, 0.67%, 0.47%

LAB 76.35, -28.17, 70.11

 

CMYK 15 / 0 / 91 / 14

HEX #BBDB14

RGB 187 219 20

HSL 69.65, 0.83%, 0.47%

LAB 82.53, -32.27, 79.44

 

CMYK 16 / 0 / 100 / 7

HEX #C8EE00

RGB 200 238 0

HSL 69.58, 1%, 0.47%

LAB 88.65, -35.96, 86.43

 

CMYK 13 / 0 / 81 / 22

HEX #AEC827

RGB 174 200 39

HSL 69.69, 0.67%, 0.47%

LAB 76.35, -28.17, 70.11

 

CMYK 11 / 0 / 68 / 29

HEX #A0B43A

RGB 160 180 58

HSL 69.84, 0.51%, 0.47%

LAB 69.77, -23.38, 57.22

 

CMYK 9 / 0 / 52 / 37

HEX #93A14E

RGB 147 161 78

HSL 70.12, 0.35%, 0.47%

LAB 63.54, -17.65, 41.11

 

CMYK 5 / 0 / 31 / 45

HEX #868D61

RGB 134 141 97

HSL 69.55, 0.18%, 0.47%

LAB 57.06, -10.18, 22.67

 

CMYK 1 / 0 / 4 / 52

HEX #797A75

RGB 121 122 117

HSL 72, 0.02%, 0.47%

LAB 51, -1.36, 2.6

 

CMYK 0 / 31 / 81 / 22

HEX #C88A27

RGB 200 138 39

HSL 36.89, 0.67%, 0.47%

LAB 62.17, 15.45, 58.36

 

CMYK 0 / 10 / 81 / 22

HEX #C8B527

RGB 200 181 39

HSL 52.92, 0.67%, 0.47%

LAB 73.2, -7.6, 68.15

 

CMYK 12 / 0 / 81 / 22

HEX #B0C827

RGB 176 200 39

HSL 68.94, 0.67%, 0.47%

LAB 76.49, -27.35, 70.29

 

CMYK 34 / 0 / 81 / 22

HEX #85C827

RGB 133 200 39

HSL 84.97, 0.67%, 0.47%

LAB 73.83, -44.17, 66.91

 

CMYK 55 / 0 / 81 / 22

HEX #5AC827

RGB 90 200 39

HSL 100.99, 0.67%, 0.47%

LAB 71.98, -57.85, 64.53

 

CMYK 13 / 0 / 81 / 49

HEX #728319

RGB 114 131 25

HSL 69.62, 0.68%, 0.31%

LAB 51.7, -20.23, 50.5

 

CMYK 13 / 0 / 81 / 35

HEX #90A520

RGB 144 165 32

HSL 69.47, 0.68%, 0.39%

LAB 64.12, -24.04, 60.38

 

CMYK 13 / 0 / 81 / 22

HEX #AEC827

RGB 174 200 39

HSL 69.69, 0.67%, 0.47%

LAB 76.35, -28.17, 70.11

 

CMYK 12 / 0 / 71 / 15

HEX #C0D93F

RGB 192 217 63

HSL 69.74, 0.67%, 0.55%

LAB 82.48, -27.85, 68.82

 

CMYK 9 / 0 / 56 / 12

HEX #CBE062

RGB 203 224 98

HSL 70, 0.67%, 0.63%

LAB 85.45, -24.47, 58.18

 

CMYK 13 / 0 / 80 / 22

HEX #ADC727

RGB 173 199 39

HSL 69.75, 0.67%, 0.47%

LAB 75.99, -28.11, 69.77

 

CMYK 81 / 0 / 53 / 22

HEX #27C85F

RGB 39 200 95

HSL 140.87, 0.67%, 0.47%

LAB 71.26, -62.05, 41.09

 

CMYK 21 / 81 / 0 / 22

HEX #9F27C8

RGB 159 39 200

HSL 284.72, 0.67%, 0.47%

LAB 42.75, 69.03, -58.76

 

CMYK 13 / 0 / 80 / 22

HEX #ADC727

RGB 173 199 39

HSL 69.75, 0.67%, 0.47%

LAB 75.99, -28.11, 69.77

 

CMYK 81 / 12 / 0 / 22

HEX #27B0C8

RGB 39 176 200

HSL 188.94, 0.67%, 0.47%

LAB 66.25, -26.72, -22.26

 

CMYK 0 / 81 / 12 / 22

HEX #C827B0

RGB 200 39 176

HSL 308.94, 0.67%, 0.47%

LAB 48.09, 72.96, -35.81

 

CMYK 13 / 0 / 80 / 22

HEX #ADC727

RGB 173 199 39

HSL 69.75, 0.67%, 0.47%

LAB 75.99, -28.11, 69.77

 

CMYK 81 / 0 / 53 / 22

HEX #27C85F

RGB 39 200 95

HSL 140.87, 0.67%, 0.47%

LAB 71.26, -62.05, 41.09

 

CMYK 69 / 81 / 0 / 22

HEX #3F27C8

RGB 63 39 200

HSL 248.94, 0.67%, 0.47%

LAB 31.06, 56.08, -78.37

 

CMYK 0 / 81 / 29 / 22

HEX #C8278F

RGB 200 39 143

HSL 321.24, 0.67%, 0.47%

LAB 46.6, 68.73, -18.44

 

CMYK 13 / 0 / 80 / 22

HEX #ADC727

RGB 173 199 39

HSL 69.75, 0.67%, 0.47%

LAB 75.99, -28.11, 69.77

 

CMYK 81 / 0 / 29 / 22

HEX #27C88F

RGB 39 200 143

HSL 158.76, 0.67%, 0.47%

LAB 72.04, -53.06, 17.41

 

CMYK 69 / 81 / 0 / 22

HEX #3F27C8

RGB 63 39 200

HSL 248.94, 0.67%, 0.47%

LAB 31.06, 56.08, -78.37

 

CMYK 0 / 81 / 53 / 22

HEX #C8275F

RGB 200 39 95

HSL 339.13, 0.67%, 0.47%

LAB 45.02, 64.07, 8.7

 

Description

Color code: HEX #ADC727 | qconv.com Color code: HEX #ADC727 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 199 green and 39 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 199 39 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, none magenta, 80 yellow and 22 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 0% 80% 22% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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