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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADC585 it is the complementary color #523A7A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADC585. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADC585 shade: #B2C580, #C3D793, #D4E9A6, #E5FBB9 and #F6FFCC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADC585. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADC585 shade: #ADC585, #9CB372, #8BA15F, #7A8F4C and #697D39

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADC585 shade: #ADC585, #BFC585, #C5BB85, #C5A985 and #C59885

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADC585 shade: #ADC585, #9CC585, #8BC585, #85C591 and #85C5A2

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADC585 shade matches the following richer shades: #ADC585, #B1D477, #B5E268 and #B8F15A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADC585 shade: #ADC585, #AAB794, #A6A8A2, #A29AB0 and #9F8CBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADC585 shade: #C5BB85, #BFC585, #AEC585, #9DC585 and #8CC585

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADC585 shade: #87A94F, #9BB869, #ADC585, #C0D3A1 and #D3E0BD

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADC585 shade: #ADC585, #85C5AA and #C385C5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADC585 shade: #ADC585, #85AEC5 and #C585AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADC585 shade: #ADC585, #85C5AA, #9D85C5 and #C585A1

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADC585 shade: #ADC585, #85C5BD, #9D85C5 and #C5858E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 12 / 0 / 32 / 23

HEX #ADC585

RGB 173 197 133

HSL 82.5, 0.36%, 0.65%

LAB 76.38, -19.08, 29.49

 

Complementary color

CMYK 33 / 52 / 0 / 52

HEX #523A7A

RGB 82 58 122

HSL 262.5, 0.36%, 0.35%

LAB 29.97, 25.48, -32.82

 

CMYK 10 / 0 / 35 / 23

HEX #B2C580

RGB 178 197 128

HSL 76.52, 0.37%, 0.64%

LAB 76.65, -17.85, 32.51

 

CMYK 9 / 0 / 32 / 16

HEX #C3D793

RGB 195 215 147

HSL 77.65, 0.46%, 0.71%

LAB 83.08, -17.93, 31.4

 

CMYK 9 / 0 / 29 / 9

HEX #D4E9A6

RGB 212 233 166

HSL 78.81, 0.6%, 0.78%

LAB 89.41, -17.99, 30.34

 

CMYK 9 / 0 / 26 / 2

HEX #E5FBB9

RGB 229 251 185

HSL 80, 0.89%, 0.85%

LAB 95.65, -18.03, 29.32

 

CMYK 4 / 0 / 20 / 0

HEX #F6FFCC

RGB 246 255 204

HSL 70.59, 1%, 0.9%

LAB 98.22, -11.25, 23.43

 

CMYK 12 / 0 / 32 / 23

HEX #ADC585

RGB 173 197 133

HSL 82.5, 0.36%, 0.65%

LAB 76.38, -19.08, 29.49

 

CMYK 13 / 0 / 36 / 30

HEX #9CB372

RGB 156 179 114

HSL 81.23, 0.3%, 0.57%

LAB 69.84, -19.05, 30.63

 

CMYK 14 / 0 / 41 / 37

HEX #8BA15F

RGB 139 161 95

HSL 80, 0.26%, 0.5%

LAB 63.18, -19, 31.81

 

CMYK 15 / 0 / 47 / 44

HEX #7A8F4C

RGB 122 143 76

HSL 78.81, 0.31%, 0.43%

LAB 56.39, -18.89, 33.04

 

CMYK 16 / 0 / 54 / 51

HEX #697D39

RGB 105 125 57

HSL 77.65, 0.37%, 0.36%

LAB 49.45, -18.72, 34.26

 

CMYK 12 / 0 / 32 / 23

HEX #ADC585

RGB 173 197 133

HSL 82.5, 0.36%, 0.65%

LAB 76.38, -19.08, 29.49

 

CMYK 3 / 0 / 32 / 23

HEX #BFC585

RGB 191 197 133

HSL 65.63, 0.36%, 0.65%

LAB 77.7, -12.21, 31.47

 

CMYK 0 / 5 / 32 / 23

HEX #C5BB85

RGB 197 187 133

HSL 50.63, 0.36%, 0.65%

LAB 75.52, -4.68, 28.67

 

CMYK 0 / 14 / 32 / 23

HEX #C5A985

RGB 197 169 133

HSL 33.75, 0.36%, 0.65%

LAB 70.83, 4.9, 22.37

 

CMYK 0 / 23 / 32 / 23

HEX #C59885

RGB 197 152 133

HSL 17.81, 0.36%, 0.65%

LAB 66.54, 14.16, 16.47

 

CMYK 12 / 0 / 32 / 23

HEX #ADC585

RGB 173 197 133

HSL 82.5, 0.36%, 0.65%

LAB 76.38, -19.08, 29.49

 

CMYK 21 / 0 / 32 / 23

HEX #9CC585

RGB 156 197 133

HSL 98.44, 0.36%, 0.65%

LAB 75.26, -25.31, 27.8

 

CMYK 29 / 0 / 32 / 23

HEX #8BC585

RGB 139 197 133

HSL 114.38, 0.36%, 0.65%

LAB 74.26, -31.21, 26.29

 

CMYK 32 / 0 / 26 / 23

HEX #85C591

RGB 133 197 145

HSL 131.25, 0.36%, 0.65%

LAB 74.17, -31.12, 19.74

 

CMYK 32 / 0 / 18 / 23

HEX #85C5A2

RGB 133 197 162

HSL 147.19, 0.36%, 0.65%

LAB 74.53, -27.9, 11.13

 

CMYK 12 / 0 / 32 / 23

HEX #ADC585

RGB 173 197 133

HSL 82.5, 0.36%, 0.65%

LAB 76.38, -19.08, 29.49

 

CMYK 17 / 0 / 44 / 17

HEX #B1D477

RGB 177 212 119

HSL 82.58, 0.52%, 0.65%

LAB 80.61, -26.7, 42.12

 

CMYK 20 / 0 / 54 / 11

HEX #B5E268

RGB 181 226 104

HSL 82.13, 0.68%, 0.65%

LAB 84.59, -33.36, 54.13

 

CMYK 24 / 0 / 63 / 5

HEX #B8F15A

RGB 184 241 90

HSL 82.65, 0.84%, 0.65%

LAB 88.85, -40.2, 64.98

 

CMYK 12 / 0 / 32 / 23

HEX #ADC585

RGB 173 197 133

HSL 82.5, 0.36%, 0.65%

LAB 76.38, -19.08, 29.49

 

CMYK 7 / 0 / 19 / 28

HEX #AAB794

RGB 170 183 148

HSL 82.29, 0.2%, 0.65%

LAB 72.6, -10.79, 16.31

 

CMYK 1 / 0 / 4 / 34

HEX #A6A8A2

RGB 166 168 162

HSL 80, 0.03%, 0.65%

LAB 68.55, -1.83, 2.84

HEX #A6A8A2

CMYK 8 / 13 / 0 / 31

HEX #A29AB0

RGB 162 154 176

HSL 261.82, 0.12%, 0.65%

LAB 64.9, 7.22, -10.38

HEX #A29AB0

CMYK 17 / 27 / 0 / 25

HEX #9F8CBF

RGB 159 140 191

HSL 262.35, 0.28%, 0.65%

LAB 61.56, 17.4, -23.92

HEX #9F8CBF

CMYK 0 / 5 / 32 / 23

HEX #C5BB85

RGB 197 187 133

HSL 50.63, 0.36%, 0.65%

LAB 75.52, -4.68, 28.67

 

CMYK 3 / 0 / 32 / 23

HEX #BFC585

RGB 191 197 133

HSL 65.63, 0.36%, 0.65%

LAB 77.7, -12.21, 31.47

 

CMYK 12 / 0 / 32 / 23

HEX #AEC585

RGB 174 197 133

HSL 81.56, 0.36%, 0.65%

LAB 76.45, -18.7, 29.6

 

CMYK 20 / 0 / 32 / 23

HEX #9DC585

RGB 157 197 133

HSL 97.5, 0.36%, 0.65%

LAB 75.32, -24.95, 27.89

 

CMYK 29 / 0 / 32 / 23

HEX #8CC585

RGB 140 197 133

HSL 113.44, 0.36%, 0.65%

LAB 74.32, -30.87, 26.37

 

CMYK 20 / 0 / 53 / 34

HEX #87A94F

RGB 135 169 79

HSL 82.67, 0.36%, 0.49%

LAB 65.04, -26.43, 42.18

 

CMYK 16 / 0 / 43 / 28

HEX #9BB869

RGB 155 184 105

HSL 82.03, 0.36%, 0.57%

LAB 71.06, -23.08, 36.84

 

CMYK 12 / 0 / 32 / 23

HEX #ADC585

RGB 173 197 133

HSL 82.5, 0.36%, 0.65%

LAB 76.38, -19.08, 29.49

 

CMYK 9 / 0 / 24 / 17

HEX #C0D3A1

RGB 192 211 161

HSL 82.8, 0.36%, 0.73%

LAB 82.04, -15.04, 22.69

 

CMYK 6 / 0 / 16 / 12

HEX #D3E0BD

RGB 211 224 189

HSL 82.29, 0.36%, 0.81%

LAB 87.4, -10.44, 15.68

 

CMYK 12 / 0 / 32 / 23

HEX #ADC585

RGB 173 197 133

HSL 82.5, 0.36%, 0.65%

LAB 76.38, -19.08, 29.49

 

CMYK 32 / 0 / 14 / 23

HEX #85C5AA

RGB 133 197 170

HSL 154.69, 0.36%, 0.65%

LAB 74.71, -26.26, 7.08

 

CMYK 1 / 32 / 0 / 23

HEX #C385C5

RGB 195 133 197

HSL 298.13, 0.36%, 0.65%

LAB 63.68, 34.26, -23.74

 

CMYK 12 / 0 / 32 / 23

HEX #ADC585

RGB 173 197 133

HSL 82.5, 0.36%, 0.65%

LAB 76.38, -19.08, 29.49

 

CMYK 32 / 12 / 0 / 23

HEX #85AEC5

RGB 133 174 197

HSL 201.56, 0.36%, 0.65%

LAB 68.96, -8.21, -16.17

 

CMYK 0 / 32 / 12 / 23

HEX #C585AE

RGB 197 133 174

HSL 321.56, 0.36%, 0.65%

LAB 63.1, 30.79, -11.61

 

CMYK 12 / 0 / 32 / 23

HEX #ADC585

RGB 173 197 133

HSL 82.5, 0.36%, 0.65%

LAB 76.38, -19.08, 29.49

 

CMYK 32 / 0 / 14 / 23

HEX #85C5AA

RGB 133 197 170

HSL 154.69, 0.36%, 0.65%

LAB 74.71, -26.26, 7.08

 

CMYK 20 / 32 / 0 / 23

HEX #9D85C5

RGB 157 133 197

HSL 262.5, 0.36%, 0.65%

LAB 59.87, 22.16, -29.93

 

CMYK 0 / 32 / 18 / 23

HEX #C585A1

RGB 197 133 161

HSL 333.75, 0.36%, 0.65%

LAB 62.69, 28.66, -4.83

 

CMYK 12 / 0 / 32 / 23

HEX #ADC585

RGB 173 197 133

HSL 82.5, 0.36%, 0.65%

LAB 76.38, -19.08, 29.49

 

CMYK 32 / 0 / 4 / 23

HEX #85C5BD

RGB 133 197 189

HSL 172.5, 0.36%, 0.65%

LAB 75.2, -22.11, -2.5

 

CMYK 20 / 32 / 0 / 23

HEX #9D85C5

RGB 157 133 197

HSL 262.5, 0.36%, 0.65%

LAB 59.87, 22.16, -29.93

 

CMYK 0 / 32 / 28 / 23

HEX #C5858E

RGB 197 133 142

HSL 351.56, 0.36%, 0.65%

LAB 62.17, 25.82, 5.23

 

Description

Color code: HEX #ADC585 | qconv.com Color code: HEX #ADC585 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 197 green and 133 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 197 133 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 12 cyan, none magenta, 32 yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
12% 0% 32% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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