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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADBCB5 it is the complementary color #52434A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADBCB5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADBCB5 shade: #B2BCB0, #C3CEC3, #D4E0D6, #E5F2E9 and #F6FFFC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADBCB5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADBCB5 shade: #ADBCB5, #9CAAA2, #8B988F, #7A867C and #697469

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADBCB5 shade: #ADBCB5, #ADBCB1, #ADBCAD, #B1BCAD and #B5BCAD

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADBCB5 shade: #ADBCB5, #ADBCB9, #ADBBBC, #ADB7BC and #ADB3BC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADBCB5 shade matches the following richer shades: #ADBCB5, #A1C8B6, #95D4B7, #89E0B7 and #7DECB8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADBCB5 shade: #ADBCB5, #B9B0B4, #C5A4B3, #D198B3 and #DD8CB2

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADBCB5 shade: #ADBCAD, #ADBCB1, #ADBCB5, #ADBCB9 and #ADBBBC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADBCB5 shade: #80978C, #96A9A1, #ADBCB5, #C4CFCA and #DBE1DE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADBCB5 shade: #ADBCB5, #ADB1BC and #BCAFAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADBCB5 shade: #ADBCB5, #B5ADBC and #BCB5AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADBCB5 shade: #ADBCB5, #ADB1BC, #BCADB4 and #BCB8AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADBCB5 shade: #ADBCB5, #AEADBC, #BCADB4 and #BBBCAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

Complementary color

CMYK 0 / 18 / 10 / 68

HEX #52434A

RGB 82 67 74

HSL 332, 0.1%, 0.29%

LAB 30.16, 7.8, -1.81

 

CMYK 5 / 0 / 6 / 26

HEX #B2BCB0

RGB 178 188 176

HSL 110, 0.08%, 0.71%

LAB 75.18, -5.7, 4.87

 

CMYK 5 / 0 / 5 / 19

HEX #C3CEC3

RGB 195 206 195

HSL 120, 0.1%, 0.79%

LAB 81.67, -5.77, 4.17

 

CMYK 5 / 0 / 4 / 12

HEX #D4E0D6

RGB 212 224 214

HSL 130, 0.16%, 0.85%

LAB 88.05, -5.84, 3.49

 

CMYK 5 / 0 / 4 / 5

HEX #E5F2E9

RGB 229 242 233

HSL 138.46, 0.33%, 0.92%

LAB 94.33, -5.91, 2.85

 

CMYK 4 / 0 / 1 / 0

HEX #F6FFFC

RGB 246 255 252

HSL 160, 1%, 0.98%

LAB 99.28, -3.48, 0.39

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

CMYK 8 / 0 / 5 / 33

HEX #9CAAA2

RGB 156 170 162

HSL 145.71, 0.08%, 0.64%

LAB 68.33, -6.47, 2.43

 

CMYK 9 / 0 / 6 / 40

HEX #8B988F

RGB 139 152 143

HSL 138.46, 0.06%, 0.57%

LAB 61.59, -6.44, 3.14

 

CMYK 9 / 0 / 7 / 47

HEX #7A867C

RGB 122 134 124

HSL 130, 0.05%, 0.5%

LAB 54.7, -6.42, 3.88

 

CMYK 9 / 0 / 9 / 55

HEX #697469

RGB 105 116 105

HSL 120, 0.05%, 0.43%

LAB 47.64, -6.41, 4.67

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

CMYK 8 / 0 / 6 / 26

HEX #ADBCB1

RGB 173 188 177

HSL 136, 0.1%, 0.71%

LAB 74.84, -7.26, 3.79

 

CMYK 8 / 0 / 8 / 26

HEX #ADBCAD

RGB 173 188 173

HSL 120, 0.1%, 0.71%

LAB 74.74, -8.01, 5.82

 

CMYK 6 / 0 / 8 / 26

HEX #B1BCAD

RGB 177 188 173

HSL 104, 0.1%, 0.71%

LAB 75.03, -6.6, 6.27

 

CMYK 4 / 0 / 8 / 26

HEX #B5BCAD

RGB 181 188 173

HSL 88, 0.1%, 0.71%

LAB 75.33, -5.18, 6.74

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

CMYK 8 / 0 / 2 / 26

HEX #ADBCB9

RGB 173 188 185

HSL 168, 0.1%, 0.71%

LAB 75.05, -5.73, -0.26

 

CMYK 8 / 1 / 0 / 26

HEX #ADBBBC

RGB 173 187 188

HSL 184, 0.1%, 0.71%

LAB 74.86, -4.61, -2.17

 

CMYK 8 / 3 / 0 / 26

HEX #ADB7BC

RGB 173 183 188

HSL 200, 0.1%, 0.71%

LAB 73.79, -2.48, -3.74

 

CMYK 8 / 5 / 0 / 26

HEX #ADB3BC

RGB 173 179 188

HSL 216, 0.1%, 0.71%

LAB 72.73, -0.32, -5.31

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

CMYK 20 / 0 / 9 / 22

HEX #A1C8B6

RGB 161 200 182

HSL 152.31, 0.26%, 0.71%

LAB 77.44, -16.56, 4.73

 

CMYK 30 / 0 / 14 / 17

HEX #95D4B7

RGB 149 212 183

HSL 152.38, 0.42%, 0.71%

LAB 80.12, -26.11, 7.97

 

CMYK 39 / 0 / 18 / 12

HEX #89E0B7

RGB 137 224 183

HSL 151.72, 0.58%, 0.71%

LAB 82.94, -35.27, 11.91

 

CMYK 47 / 0 / 22 / 7

HEX #7DECB8

RGB 125 236 184

HSL 151.89, 0.74%, 0.71%

LAB 85.91, -43.6, 15.51

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

CMYK 0 / 5 / 3 / 27

HEX #B9B0B4

RGB 185 176 180

HSL 333.33, 0.06%, 0.71%

LAB 72.67, 3.93, -0.9

 

CMYK 0 / 17 / 9 / 23

HEX #C5A4B3

RGB 197 164 179

HSL 332.73, 0.22%, 0.71%

LAB 70.65, 14.59, -3.19

 

CMYK 0 / 27 / 14 / 18

HEX #D198B3

RGB 209 152 179

HSL 331.58, 0.38%, 0.71%

LAB 68.94, 25.45, -5.57

 

CMYK 0 / 37 / 19 / 13

HEX #DD8CB2

RGB 221 140 178

HSL 331.85, 0.54%, 0.71%

LAB 67.53, 35.98, -6.95

 

CMYK 8 / 0 / 8 / 26

HEX #ADBCAD

RGB 173 188 173

HSL 120, 0.1%, 0.71%

LAB 74.74, -8.01, 5.82

 

CMYK 8 / 0 / 6 / 26

HEX #ADBCB1

RGB 173 188 177

HSL 136, 0.1%, 0.71%

LAB 74.84, -7.26, 3.79

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

CMYK 8 / 0 / 2 / 26

HEX #ADBCB9

RGB 173 188 185

HSL 168, 0.1%, 0.71%

LAB 75.05, -5.73, -0.26

 

CMYK 8 / 1 / 0 / 26

HEX #ADBBBC

RGB 173 187 188

HSL 184, 0.1%, 0.71%

LAB 74.86, -4.61, -2.17

 

CMYK 15 / 0 / 7 / 41

HEX #80978C

RGB 128 151 140

HSL 151.3, 0.1%, 0.55%

LAB 60.44, -10.4, 3.07

 

CMYK 11 / 0 / 5 / 34

HEX #96A9A1

RGB 150 169 161

HSL 154.74, 0.1%, 0.63%

LAB 67.6, -8.22, 1.87

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

CMYK 5 / 0 / 2 / 19

HEX #C4CFCA

RGB 196 207 202

HSL 152.73, 0.1%, 0.79%

LAB 82.18, -4.66, 1.18

 

CMYK 3 / 0 / 1 / 12

HEX #DBE1DE

RGB 219 225 222

HSL 150, 0.09%, 0.87%

LAB 89.01, -2.55, 0.75

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

CMYK 8 / 6 / 0 / 26

HEX #ADB1BC

RGB 173 177 188

HSL 224, 0.1%, 0.71%

LAB 72.2, 0.76, -6.09

 

CMYK 0 / 7 / 8 / 26

HEX #BCAFAD

RGB 188 175 173

HSL 8, 0.1%, 0.71%

LAB 72.47, 4.3, 2.69

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

CMYK 4 / 8 / 0 / 26

HEX #B5ADBC

RGB 181 173 188

HSL 272, 0.1%, 0.71%

LAB 71.79, 5.68, -6.63

 

CMYK 0 / 4 / 8 / 26

HEX #BCB5AD

RGB 188 181 173

HSL 32, 0.1%, 0.71%

LAB 74.03, 1.06, 4.94

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

CMYK 8 / 6 / 0 / 26

HEX #ADB1BC

RGB 173 177 188

HSL 224, 0.1%, 0.71%

LAB 72.2, 0.76, -6.09

 

CMYK 0 / 8 / 4 / 26

HEX #BCADB4

RGB 188 173 180

HSL 332, 0.1%, 0.71%

LAB 72.14, 6.63, -1.64

 

CMYK 0 / 2 / 8 / 26

HEX #BCB8AD

RGB 188 184 173

HSL 44, 0.1%, 0.71%

LAB 74.82, -0.54, 6.07

 

CMYK 8 / 0 / 4 / 26

HEX #ADBCB5

RGB 173 188 181

HSL 152, 0.1%, 0.71%

LAB 74.94, -6.51, 1.76

 

CMYK 7 / 8 / 0 / 26

HEX #AEADBC

RGB 174 173 188

HSL 244, 0.1%, 0.71%

LAB 71.23, 3.28, -7.53

 

CMYK 0 / 8 / 4 / 26

HEX #BCADB4

RGB 188 173 180

HSL 332, 0.1%, 0.71%

LAB 72.14, 6.63, -1.64

 

CMYK 1 / 0 / 8 / 26

HEX #BBBCAD

RGB 187 188 173

HSL 64, 0.1%, 0.71%

LAB 75.79, -3.03, 7.46

 

Description

Color code: HEX #ADBCB5 | qconv.com Color code: HEX #ADBCB5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 188 green and 181 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 188 181 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 8 cyan, none magenta, 4 yellow and 26 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
8% 0% 4% 26% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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