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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ADA73D it is the complementary color #5258C2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ADA73D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ADA73D shade: #B2A738, #C3B94B, #D4CB5E, #E5DD71 and #F6EF84

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ADA73D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ADA73D shade: #ADA73D, #9C952A, #8B8317, #7A7104 and #695F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ADA73D shade: #ADA73C, #AD893C, #AD6A3C, #AD4C3C and #AD3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ADA73D shade: #ADA73C, #95AD3C, #76AD3C, #58AD3C and #3CAD3F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ADA73D shade matches the following richer shades: #ADA73C, #C0B82A, #D3C917 and #E6DA04

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ADA73D shade: #ADA73C, #9A964F, #878562, #747475 and #616388

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ADA73D shade: #AD6A3C, #AD883C, #ADA63C, #97AD3C and #79AD3C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ADA73D shade: #706C27, #8F8A32, #ADA73C, #C2BC51 and #CCC770

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ADA73D shade: #ADA73D, #3CAD4C and #793CAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ADA73D shade: #ADA73D, #3CADA6 and #A63CAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ADA73D shade: #ADA73D, #3CAD4C, #3C44AD and #AD3C9E

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ADA73D shade: #ADA73D, #3CAD6D, #3C44AD and #AD3C7C

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 3 / 65 / 32

HEX #ADA73D

RGB 173 167 61

HSL 56.79, 0.48%, 0.46%

LAB 67.17, -11.04, 53.62

 

Complementary color

CMYK 58 / 55 / 0 / 24

HEX #5258C2

RGB 82 88 194

HSL 236.79, 0.48%, 0.54%

LAB 42.26, 28.97, -56.49

 

CMYK 0 / 6 / 69 / 30

HEX #B2A738

RGB 178 167 56

HSL 54.59, 0.52%, 0.46%

LAB 67.57, -9.16, 56.24

 

CMYK 0 / 5 / 62 / 24

HEX #C3B94B

RGB 195 185 75

HSL 55, 0.5%, 0.53%

LAB 74.07, -10.05, 55.5

 

CMYK 0 / 4 / 56 / 17

HEX #D4CB5E

RGB 212 203 94

HSL 55.42, 0.58%, 0.6%

LAB 80.47, -10.77, 54.51

 

CMYK 0 / 3 / 51 / 10

HEX #E5DD71

RGB 229 221 113

HSL 55.86, 0.69%, 0.67%

LAB 86.78, -11.39, 53.41

 

CMYK 0 / 3 / 46 / 4

HEX #F6EF84

RGB 246 239 132

HSL 56.32, 0.86%, 0.74%

LAB 93.01, -11.9, 52.26

 

CMYK 0 / 3 / 65 / 32

HEX #ADA73D

RGB 173 167 61

HSL 56.79, 0.48%, 0.46%

LAB 67.17, -11.04, 53.62

 

CMYK 0 / 4 / 73 / 39

HEX #9C952A

RGB 156 149 42

HSL 56.32, 0.58%, 0.39%

LAB 60.54, -10.1, 54.11

 

CMYK 0 / 6 / 83 / 45

HEX #8B8317

RGB 139 131 23

HSL 55.86, 0.72%, 0.32%

LAB 53.8, -8.91, 53.75

 

CMYK 0 / 7 / 97 / 52

HEX #7A7104

RGB 122 113 4

HSL 55.42, 0.94%, 0.25%

LAB 46.92, -7.43, 51.94

 

CMYK 0 / 10 / 100 / 59

HEX #695F00

RGB 105 95 0

HSL 54.29, 1%, 0.21%

LAB 39.89, -5.53, 47.01

 

CMYK 0 / 3 / 65 / 32

HEX #ADA73C

RGB 173 167 60

HSL 56.81, 0.48%, 0.46%

LAB 67.16, -11.1, 54.04

 

CMYK 0 / 21 / 65 / 32

HEX #AD893C

RGB 173 137 60

HSL 40.88, 0.48%, 0.46%

LAB 59.07, 5.09, 45.37

 

CMYK 0 / 39 / 65 / 32

HEX #AD6A3C

RGB 173 106 60

HSL 24.42, 0.48%, 0.46%

LAB 51.29, 22.46, 36.59

 

CMYK 0 / 56 / 65 / 32

HEX #AD4C3C

RGB 173 76 60

HSL 8.5, 0.48%, 0.46%

LAB 44.77, 38.55, 28.83

 

CMYK 0 / 65 / 65 / 32

HEX #AD3C3C

RGB 173 60 60

HSL 0, 0.48%, 0.46%

LAB 41.91, 46.11, 25.29

 

CMYK 0 / 3 / 65 / 32

HEX #ADA73C

RGB 173 167 60

HSL 56.81, 0.48%, 0.46%

LAB 67.16, -11.1, 54.04

 

CMYK 14 / 0 / 65 / 32

HEX #95AD3C

RGB 149 173 60

HSL 72.74, 0.48%, 0.46%

LAB 66.98, -24.36, 53.26

 

CMYK 32 / 0 / 65 / 32

HEX #76AD3C

RGB 118 173 60

HSL 89.2, 0.48%, 0.46%

LAB 65.01, -36.58, 50.58

 

CMYK 49 / 0 / 65 / 32

HEX #58AD3C

RGB 88 173 60

HSL 105.13, 0.48%, 0.46%

LAB 63.58, -46.7, 48.61

 

CMYK 65 / 0 / 64 / 32

HEX #3CAD3F

RGB 60 173 63

HSL 121.59, 0.48%, 0.46%

LAB 62.68, -53.59, 46.05

 

CMYK 0 / 3 / 65 / 32

HEX #ADA73C

RGB 173 167 60

HSL 56.81, 0.48%, 0.46%

LAB 67.16, -11.1, 54.04

 

CMYK 0 / 4 / 78 / 25

HEX #C0B82A

RGB 192 184 42

HSL 56.8, 0.64%, 0.46%

LAB 73.32, -12.52, 67.1

 

CMYK 0 / 5 / 89 / 17

HEX #D3C917

RGB 211 201 23

HSL 56.81, 0.8%, 0.46%

LAB 79.43, -13.44, 77.31

 

CMYK 0 / 5 / 98 / 10

HEX #E6DA04

RGB 230 218 4

HSL 56.81, 0.97%, 0.46%

LAB 85.49, -14.03, 84.75

 

CMYK 0 / 3 / 65 / 32

HEX #ADA73C

RGB 173 167 60

HSL 56.81, 0.48%, 0.46%

LAB 67.16, -11.1, 54.04

 

CMYK 0 / 3 / 49 / 40

HEX #9A964F

RGB 154 150 79

HSL 56.8, 0.32%, 0.46%

LAB 61, -8.81, 37.7

 

CMYK 0 / 1 / 27 / 47

HEX #878562

RGB 135 133 98

HSL 56.76, 0.16%, 0.46%

LAB 54.87, -5.23, 19.2

 

CMYK 1 / 1 / 0 / 54

HEX #747475

RGB 116 116 117

HSL 240, 0%, 0.46%

LAB 48.87, 0.21, -0.56

 

CMYK 29 / 27 / 0 / 47

HEX #616388

RGB 97 99 136

HSL 236.92, 0.17%, 0.46%

LAB 43.13, 8.16, -20.72

 

CMYK 0 / 39 / 65 / 32

HEX #AD6A3C

RGB 173 106 60

HSL 24.42, 0.48%, 0.46%

LAB 51.29, 22.46, 36.59

 

CMYK 0 / 21 / 65 / 32

HEX #AD883C

RGB 173 136 60

HSL 40.35, 0.48%, 0.46%

LAB 58.81, 5.65, 45.08

 

CMYK 0 / 4 / 65 / 32

HEX #ADA63C

RGB 173 166 60

HSL 56.28, 0.48%, 0.46%

LAB 66.89, -10.58, 53.75

 

CMYK 13 / 0 / 65 / 32

HEX #97AD3C

RGB 151 173 60

HSL 71.68, 0.48%, 0.46%

LAB 67.12, -23.53, 53.46

 

CMYK 30 / 0 / 65 / 32

HEX #79AD3C

RGB 121 173 60

HSL 87.61, 0.48%, 0.46%

LAB 65.18, -35.47, 50.82

 

CMYK 0 / 4 / 65 / 56

HEX #706C27

RGB 112 108 39

HSL 56.71, 0.48%, 0.3%

LAB 44.68, -7.9, 37.98

 

CMYK 0 / 3 / 65 / 44

HEX #8F8A32

RGB 143 138 50

HSL 56.77, 0.48%, 0.38%

LAB 56.33, -9.55, 46.18

 

CMYK 0 / 3 / 65 / 32

HEX #ADA73C

RGB 173 167 60

HSL 56.81, 0.48%, 0.46%

LAB 67.16, -11.1, 54.04

 

CMYK 0 / 3 / 58 / 24

HEX #C2BC51

RGB 194 188 81

HSL 56.81, 0.48%, 0.54%

LAB 74.84, -11.59, 53.66

 

CMYK 0 / 2 / 45 / 20

HEX #CCC770

RGB 204 199 112

HSL 56.74, 0.47%, 0.62%

LAB 78.96, -10.44, 43.97

 

CMYK 0 / 3 / 65 / 32

HEX #ADA73D

RGB 173 167 61

HSL 56.79, 0.48%, 0.46%

LAB 67.17, -11.04, 53.62

 

CMYK 65 / 0 / 56 / 32

HEX #3CAD4C

RGB 60 173 76

HSL 128.5, 0.48%, 0.46%

LAB 62.82, -52.01, 40.17

 

CMYK 30 / 65 / 0 / 32

HEX #793CAD

RGB 121 60 173

HSL 272.39, 0.48%, 0.46%

LAB 38.4, 47.47, -50.19

 

CMYK 0 / 3 / 65 / 32

HEX #ADA73D

RGB 173 167 61

HSL 56.79, 0.48%, 0.46%

LAB 67.17, -11.04, 53.62

 

CMYK 65 / 0 / 4 / 32

HEX #3CADA6

RGB 60 173 166

HSL 176.28, 0.48%, 0.46%

LAB 64.64, -32.94, -5.75

 

CMYK 4 / 65 / 0 / 32

HEX #A63CAD

RGB 166 60 173

HSL 296.28, 0.48%, 0.46%

LAB 44.74, 58.06, -39.69

 

CMYK 0 / 3 / 65 / 32

HEX #ADA73D

RGB 173 167 61

HSL 56.79, 0.48%, 0.46%

LAB 67.17, -11.04, 53.62

 

CMYK 65 / 0 / 56 / 32

HEX #3CAD4C

RGB 60 173 76

HSL 128.5, 0.48%, 0.46%

LAB 62.82, -52.01, 40.17

 

CMYK 65 / 61 / 0 / 32

HEX #3C44AD

RGB 60 68 173

HSL 235.75, 0.48%, 0.46%

LAB 34.22, 30.66, -57.25

 

CMYK 0 / 65 / 9 / 32

HEX #AD3C9E

RGB 173 60 158

HSL 307.96, 0.48%, 0.46%

LAB 45.06, 57.26, -30.2

 

CMYK 0 / 3 / 65 / 32

HEX #ADA73D

RGB 173 167 61

HSL 56.79, 0.48%, 0.46%

LAB 67.17, -11.04, 53.62

 

CMYK 65 / 0 / 37 / 32

HEX #3CAD6D

RGB 60 173 109

HSL 146.02, 0.48%, 0.46%

LAB 63.3, -46.59, 23.8

 

CMYK 65 / 61 / 0 / 32

HEX #3C44AD

RGB 60 68 173

HSL 235.75, 0.48%, 0.46%

LAB 34.22, 30.66, -57.25

 

CMYK 0 / 65 / 28 / 32

HEX #AD3C7C

RGB 173 60 124

HSL 326.02, 0.48%, 0.46%

LAB 43.61, 52.3, -11.86

 

Description

Color code: HEX #ADA73D | qconv.com Color code: HEX #ADA73D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 167 green and 61 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 167 61 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 3 magenta, 65 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 3% 65% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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