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Color name
HEX #AD9952

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD9952 it is the complementary color #5266AD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD9952. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD9952 shade: #B2994D, #C3AB60, #D4BD73, #E5CF86 and #F6E199

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD9952. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD9952 shade: #AD9952, #9C873F, #8B752C, #7A6319 and #695106

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD9952 shade: #AD9951, #AD8051, #AD6751 and #AD5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD9952 shade: #AD9951, #A8AD51, #90AD51, #77AD51 and #5EAD51

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD9952 shade matches the following richer shades: #AD9951, #C2A43C, #D6B028 and #EBBB13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD9952 shade: #AD9951, #988D66, #84827A, #6F768F and #5A6AA4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD9952 shade: #AD6751, #AD7F51, #AD9751, #AAAD51 and #91AD51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD9952 shade: #756737, #918044, #AD9951, #BAA96D and #C7BA89

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD9952 shade: #AD9952, #54AD51 and #7351AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD9952 shade: #AD9952, #51AD97 and #9751AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD9952 shade: #AD9952, #54AD51, #5167AD and #AA51AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD9952 shade: #AD9952, #51AD6A, #5167AD and #AD5194

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 53 / 32

HEX #AD9952

RGB 173 153 82

HSL 46.81, 0.36%, 0.5%

LAB 63.57, -1.98, 39.67

 

Complementary color

CMYK 53 / 41 / 0 / 32

HEX #5266AD

RGB 82 102 173

HSL 226.81, 0.36%, 0.5%

LAB 44.68, 13.22, -40.35

 

CMYK 0 / 14 / 57 / 30

HEX #B2994D

RGB 178 153 77

HSL 45.15, 0.4%, 0.5%

LAB 63.99, -0.25, 42.79

 

CMYK 0 / 12 / 51 / 24

HEX #C3AB60

RGB 195 171 96

HSL 45.45, 0.45%, 0.57%

LAB 70.58, -1.05, 41.52

 

CMYK 0 / 11 / 46 / 17

HEX #D4BD73

RGB 212 189 115

HSL 45.77, 0.53%, 0.64%

LAB 77.06, -1.72, 40.25

 

CMYK 0 / 10 / 41 / 10

HEX #E5CF86

RGB 229 207 134

HSL 46.11, 0.65%, 0.71%

LAB 83.44, -2.29, 39.03

 

CMYK 0 / 9 / 38 / 4

HEX #F6E199

RGB 246 225 153

HSL 46.45, 0.84%, 0.78%

LAB 89.74, -2.78, 37.85

 

CMYK 0 / 12 / 53 / 32

HEX #AD9952

RGB 173 153 82

HSL 46.81, 0.36%, 0.5%

LAB 63.57, -1.98, 39.67

 

CMYK 0 / 13 / 60 / 39

HEX #9C873F

RGB 156 135 63

HSL 46.45, 0.42%, 0.43%

LAB 56.84, -1.15, 40.93

 

CMYK 0 / 16 / 68 / 45

HEX #8B752C

RGB 139 117 44

HSL 46.11, 0.52%, 0.36%

LAB 49.97, -0.1, 42.06

 

CMYK 0 / 19 / 80 / 52

HEX #7A6319

RGB 122 99 25

HSL 45.77, 0.66%, 0.29%

LAB 42.96, 1.23, 42.72

 

CMYK 0 / 23 / 94 / 59

HEX #695106

RGB 105 81 6

HSL 45.45, 0.89%, 0.22%

LAB 35.79, 2.96, 42.15

 

CMYK 0 / 12 / 53 / 32

HEX #AD9951

RGB 173 153 81

HSL 46.96, 0.36%, 0.5%

LAB 63.56, -2.07, 40.16

 

CMYK 0 / 26 / 53 / 32

HEX #AD8051

RGB 173 128 81

HSL 30.65, 0.36%, 0.5%

LAB 56.99, 11.76, 32.14

 

CMYK 0 / 40 / 53 / 32

HEX #AD6751

RGB 173 103 81

HSL 14.35, 0.36%, 0.5%

LAB 50.9, 25.78, 24.37

 

CMYK 0 / 53 / 53 / 32

HEX #AD5151

RGB 173 81 81

HSL 0, 0.36%, 0.5%

LAB 46.13, 37.62, 18.08

 

CMYK 0 / 12 / 53 / 32

HEX #AD9951

RGB 173 153 81

HSL 46.96, 0.36%, 0.5%

LAB 63.56, -2.07, 40.16

 

CMYK 3 / 0 / 53 / 32

HEX #A8AD51

RGB 168 173 81

HSL 63.26, 0.36%, 0.5%

LAB 68.61, -14.79, 46.01

 

CMYK 17 / 0 / 53 / 32

HEX #90AD51

RGB 144 173 81

HSL 78.91, 0.36%, 0.5%

LAB 66.83, -24.62, 43.48

 

CMYK 31 / 0 / 53 / 32

HEX #77AD51

RGB 119 173 81

HSL 95.22, 0.36%, 0.5%

LAB 65.28, -34.16, 41.26

 

CMYK 46 / 0 / 53 / 32

HEX #5EAD51

RGB 94 173 81

HSL 111.52, 0.36%, 0.5%

LAB 64.05, -42.55, 39.49

 

CMYK 0 / 12 / 53 / 32

HEX #AD9951

RGB 173 153 81

HSL 46.96, 0.36%, 0.5%

LAB 63.56, -2.07, 40.16

 

CMYK 0 / 15 / 69 / 24

HEX #C2A43C

RGB 194 164 60

HSL 46.57, 0.53%, 0.5%

LAB 68.28, -0.36, 55.79

 

CMYK 0 / 18 / 81 / 16

HEX #D6B028

RGB 214 176 40

HSL 46.9, 0.69%, 0.5%

LAB 73.22, 1.16, 68.38

 

CMYK 0 / 20 / 92 / 8

HEX #EBBB13

RGB 235 187 19

HSL 46.67, 0.85%, 0.5%

LAB 78.02, 4.06, 77.83

 

CMYK 0 / 12 / 53 / 32

HEX #AD9951

RGB 173 153 81

HSL 46.96, 0.36%, 0.5%

LAB 63.56, -2.07, 40.16

 

CMYK 0 / 7 / 33 / 40

HEX #988D66

RGB 152 141 102

HSL 46.8, 0.2%, 0.5%

LAB 58.68, -2.09, 22.33

 

CMYK 0 / 2 / 8 / 48

HEX #84827A

RGB 132 130 122

HSL 48, 0.04%, 0.5%

LAB 54.32, -0.77, 4.59

 

CMYK 22 / 17 / 0 / 44

HEX #6F768F

RGB 111 118 143

HSL 226.88, 0.13%, 0.5%

LAB 49.88, 3.12, -14.46

 

CMYK 45 / 35 / 0 / 36

HEX #5A6AA4

RGB 90 106 164

HSL 227.03, 0.29%, 0.5%

LAB 45.86, 9.87, -33.17

 

CMYK 0 / 40 / 53 / 32

HEX #AD6751

RGB 173 103 81

HSL 14.35, 0.36%, 0.5%

LAB 50.9, 25.78, 24.37

 

CMYK 0 / 27 / 53 / 32

HEX #AD7F51

RGB 173 127 81

HSL 30, 0.36%, 0.5%

LAB 56.74, 12.32, 31.82

 

CMYK 0 / 13 / 53 / 32

HEX #AD9751

RGB 173 151 81

HSL 45.65, 0.36%, 0.5%

LAB 63.02, -0.99, 39.52

 

CMYK 2 / 0 / 53 / 32

HEX #AAAD51

RGB 170 173 81

HSL 61.96, 0.36%, 0.5%

LAB 68.77, -13.95, 46.24

 

CMYK 16 / 0 / 53 / 32

HEX #91AD51

RGB 145 173 81

HSL 78.26, 0.36%, 0.5%

LAB 66.9, -24.22, 43.58

 

CMYK 0 / 12 / 53 / 54

HEX #756737

RGB 117 103 55

HSL 46.45, 0.36%, 0.34%

LAB 43.88, -1.33, 28.91

 

CMYK 0 / 12 / 53 / 43

HEX #918044

RGB 145 128 68

HSL 46.75, 0.36%, 0.42%

LAB 53.89, -1.71, 34.65

 

CMYK 0 / 12 / 53 / 32

HEX #AD9951

RGB 173 153 81

HSL 46.96, 0.36%, 0.5%

LAB 63.56, -2.07, 40.16

 

CMYK 0 / 9 / 41 / 27

HEX #BAA96D

RGB 186 169 109

HSL 46.75, 0.36%, 0.58%

LAB 69.41, -2.42, 33.17

 

CMYK 0 / 7 / 31 / 22

HEX #C7BA89

RGB 199 186 137

HSL 47.42, 0.36%, 0.66%

LAB 75.49, -2.86, 26.55

 

CMYK 0 / 12 / 53 / 32

HEX #AD9952

RGB 173 153 82

HSL 46.81, 0.36%, 0.5%

LAB 63.57, -1.98, 39.67

 

CMYK 51 / 0 / 53 / 32

HEX #54AD51

RGB 84 173 81

HSL 118.04, 0.36%, 0.5%

LAB 63.64, -45.48, 38.9

 

CMYK 34 / 53 / 0 / 32

HEX #7351AD

RGB 115 81 173

HSL 262.17, 0.36%, 0.5%

LAB 42.07, 34.44, -44.34

 

CMYK 0 / 12 / 53 / 32

HEX #AD9952

RGB 173 153 82

HSL 46.81, 0.36%, 0.5%

LAB 63.57, -1.98, 39.67

 

CMYK 53 / 0 / 13 / 32

HEX #51AD97

RGB 81 173 151

HSL 165.65, 0.36%, 0.5%

LAB 64.86, -32.84, 2.99

 

CMYK 13 / 53 / 0 / 32

HEX #9751AD

RGB 151 81 173

HSL 285.65, 0.36%, 0.5%

LAB 46.29, 44.22, -37.38

 

CMYK 0 / 12 / 53 / 32

HEX #AD9952

RGB 173 153 82

HSL 46.81, 0.36%, 0.5%

LAB 63.57, -1.98, 39.67

 

CMYK 51 / 0 / 53 / 32

HEX #54AD51

RGB 84 173 81

HSL 118.04, 0.36%, 0.5%

LAB 63.64, -45.48, 38.9

 

CMYK 53 / 40 / 0 / 32

HEX #5167AD

RGB 81 103 173

HSL 225.65, 0.36%, 0.5%

LAB 44.9, 12.36, -40.01

 

CMYK 2 / 53 / 0 / 32

HEX #AA51AD

RGB 170 81 173

HSL 298.04, 0.36%, 0.5%

LAB 48.82, 49.54, -33.22

 

CMYK 0 / 12 / 53 / 32

HEX #AD9952

RGB 173 153 82

HSL 46.81, 0.36%, 0.5%

LAB 63.57, -1.98, 39.67

 

CMYK 53 / 0 / 39 / 32

HEX #51AD6A

RGB 81 173 106

HSL 136.3, 0.36%, 0.5%

LAB 63.9, -42.41, 26.31

 

CMYK 53 / 40 / 0 / 32

HEX #5167AD

RGB 81 103 173

HSL 225.65, 0.36%, 0.5%

LAB 44.9, 12.36, -40.01

 

CMYK 0 / 53 / 14 / 32

HEX #AD5194

RGB 173 81 148

HSL 316.3, 0.36%, 0.5%

LAB 48.14, 46.09, -19.46

 

Description

Color code: HEX #AD9952 | qconv.com Color code: HEX #AD9952 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 153 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 153 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 53 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 53% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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