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Color name
HEX #AD9722

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD9722 it is the complementary color #5268DD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD9722. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD9722 shade: #B2971D, #C3A930, #D4BB43, #E5CD56 and #F6DF69

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD9722. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD9722 shade: #AD9722, #9C850F, #8B7300, #7A6100 and #694F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD9722 shade: #AE9822, #AE7222, #AE4C22, #AE2722 and #AE2222

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD9722 shade: #AE9822, #9FAE22, #79AE22, #53AE22 and #2DAE22

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD9722 shade matches the following richer shades: #AE9822, #BFA311 and #D0AF00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD9722 shade: #AE9822, #9D8C33, #8C8144, #7B7555 and #6A6A66

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD9722 shade: #AE4C22, #AE7122, #AE9722, #A0AE22 and #7BAE22

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD9722 shade: #695C14, #8C7A1B, #AE9822, #D1B629 and #DAC348

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD9722 shade: #AD9722, #22AE27 and #5F22AE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD9722 shade: #AD9722, #22AE97 and #9722AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD9722 shade: #AD9722, #22AE27, #2239AE and #AE22A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD9722 shade: #AD9722, #22AE51, #2239AE and #AE227F

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 13 / 80 / 32

HEX #AD9722

RGB 173 151 34

HSL 50.5, 0.67%, 0.41%

LAB 62.62, -3.87, 59.38

 

Complementary color

CMYK 63 / 53 / 0 / 13

HEX #5268DD

RGB 82 104 221

HSL 230.5, 0.67%, 0.59%

LAB 48.15, 28.04, -62.45

 

CMYK 0 / 15 / 84 / 30

HEX #B2971D

RGB 178 151 29

HSL 49.13, 0.72%, 0.41%

LAB 63.08, -1.78, 61.46

 

CMYK 0 / 13 / 75 / 24

HEX #C3A930

RGB 195 169 48

HSL 49.39, 0.6%, 0.48%

LAB 69.61, -3.16, 61.81

 

CMYK 0 / 12 / 68 / 17

HEX #D4BB43

RGB 212 187 67

HSL 49.66, 0.63%, 0.55%

LAB 76.03, -4.32, 61.4

 

CMYK 0 / 10 / 62 / 10

HEX #E5CD56

RGB 229 205 86

HSL 49.93, 0.73%, 0.62%

LAB 82.37, -5.3, 60.59

 

CMYK 0 / 9 / 57 / 4

HEX #F6DF69

RGB 246 223 105

HSL 50.21, 0.89%, 0.69%

LAB 88.63, -6.14, 59.59

 

CMYK 0 / 13 / 80 / 32

HEX #AD9722

RGB 173 151 34

HSL 50.5, 0.67%, 0.41%

LAB 62.62, -3.87, 59.38

 

CMYK 0 / 15 / 90 / 39

HEX #9C850F

RGB 156 133 15

HSL 50.21, 0.82%, 0.34%

LAB 55.96, -2.34, 58.2

 

CMYK 0 / 17 / 100 / 45

HEX #8B7300

RGB 139 115 0

HSL 49.64, 1%, 0.27%

LAB 49.19, -0.52, 55.24

 

CMYK 0 / 20 / 100 / 52

HEX #7A6100

RGB 122 97 0

HSL 47.7, 1%, 0.24%

LAB 42.29, 1.67, 49.54

 

CMYK 0 / 25 / 100 / 59

HEX #694F00

RGB 105 79 0

HSL 45.14, 1%, 0.21%

LAB 35.19, 4, 43.7

 

CMYK 0 / 13 / 80 / 32

HEX #AE9822

RGB 174 152 34

HSL 50.57, 0.67%, 0.41%

LAB 62.99, -3.96, 59.74

 

CMYK 0 / 34 / 80 / 32

HEX #AE7222

RGB 174 114 34

HSL 34.29, 0.67%, 0.41%

LAB 53.11, 17.08, 50.82

 

CMYK 0 / 56 / 80 / 32

HEX #AE4C22

RGB 174 76 34

HSL 18, 0.67%, 0.41%

LAB 44.64, 37.65, 42.83

 

CMYK 0 / 78 / 80 / 32

HEX #AE2722

RGB 174 39 34

HSL 2.14, 0.67%, 0.41%

LAB 38.84, 53.24, 37.11

 

CMYK 0 / 80 / 80 / 32

HEX #AE2222

RGB 174 34 34

HSL 0, 0.67%, 0.41%

LAB 38.3, 54.74, 36.57

 

CMYK 0 / 13 / 80 / 32

HEX #AE9822

RGB 174 152 34

HSL 50.57, 0.67%, 0.41%

LAB 62.99, -3.96, 59.74

 

CMYK 9 / 0 / 80 / 32

HEX #9FAE22

RGB 159 174 34

HSL 66.43, 0.67%, 0.41%

LAB 67.84, -22.01, 63.55

 

CMYK 30 / 0 / 80 / 32

HEX #79AE22

RGB 121 174 34

HSL 82.71, 0.67%, 0.41%

LAB 65.32, -37.55, 60.34

 

CMYK 52 / 0 / 80 / 32

HEX #53AE22

RGB 83 174 34

HSL 99, 0.67%, 0.41%

LAB 63.53, -50.49, 58.03

 

CMYK 74 / 0 / 80 / 32

HEX #2DAE22

RGB 45 174 34

HSL 115.29, 0.67%, 0.41%

LAB 62.46, -59.23, 56.65

 

CMYK 0 / 13 / 80 / 32

HEX #AE9822

RGB 174 152 34

HSL 50.57, 0.67%, 0.41%

LAB 62.99, -3.96, 59.74

 

CMYK 0 / 15 / 91 / 25

HEX #BFA311

RGB 191 163 17

HSL 50.34, 0.84%, 0.41%

LAB 67.51, -2.66, 68.28

 

CMYK 0 / 16 / 100 / 18

HEX #D0AF00

RGB 208 175 0

HSL 50.48, 1%, 0.41%

LAB 72.28, -1.66, 74.73

 

CMYK 0 / 13 / 80 / 32

HEX #AE9822

RGB 174 152 34

HSL 50.57, 0.67%, 0.41%

LAB 62.99, -3.96, 59.74

 

CMYK 0 / 11 / 68 / 38

HEX #9D8C33

RGB 157 140 51

HSL 50.38, 0.51%, 0.41%

LAB 58.19, -4.29, 48.09

 

CMYK 0 / 8 / 51 / 45

HEX #8C8144

RGB 140 129 68

HSL 50.83, 0.35%, 0.41%

LAB 53.7, -4.49, 34.3

 

CMYK 0 / 5 / 31 / 52

HEX #7B7555

RGB 123 117 85

HSL 50.53, 0.18%, 0.41%

LAB 48.99, -3.1, 18.53

 

CMYK 0 / 0 / 4 / 58

HEX #6A6A66

RGB 106 106 102

HSL 60, 0.02%, 0.41%

LAB 44.7, -0.81, 2.24

 

CMYK 0 / 56 / 80 / 32

HEX #AE4C22

RGB 174 76 34

HSL 18, 0.67%, 0.41%

LAB 44.64, 37.65, 42.83

 

CMYK 0 / 35 / 80 / 32

HEX #AE7122

RGB 174 113 34

HSL 33.86, 0.67%, 0.41%

LAB 52.87, 17.64, 50.6

 

CMYK 0 / 13 / 80 / 32

HEX #AE9722

RGB 174 151 34

HSL 50.14, 0.67%, 0.41%

LAB 62.72, -3.42, 59.5

 

CMYK 8 / 0 / 80 / 32

HEX #A0AE22

RGB 160 174 34

HSL 66, 0.67%, 0.41%

LAB 67.92, -21.58, 63.64

 

CMYK 29 / 0 / 80 / 32

HEX #7BAE22

RGB 123 174 34

HSL 81.86, 0.67%, 0.41%

LAB 65.43, -36.78, 60.48

 

CMYK 0 / 12 / 81 / 59

HEX #695C14

RGB 105 92 20

HSL 50.82, 0.68%, 0.25%

LAB 39.08, -3.14, 40.39

 

CMYK 0 / 13 / 81 / 45

HEX #8C7A1B

RGB 140 122 27

HSL 50.44, 0.68%, 0.33%

LAB 51.35, -3.32, 50.38

 

CMYK 0 / 13 / 80 / 32

HEX #AE9822

RGB 174 152 34

HSL 50.57, 0.67%, 0.41%

LAB 62.99, -3.96, 59.74

 

CMYK 0 / 13 / 80 / 18

HEX #D1B629

RGB 209 182 41

HSL 50.36, 0.67%, 0.49%

LAB 74.3, -4.13, 68.84

 

CMYK 0 / 11 / 67 / 15

HEX #DAC348

RGB 218 195 72

HSL 50.55, 0.66%, 0.57%

LAB 78.7, -5.63, 62.28

 

CMYK 0 / 13 / 80 / 32

HEX #AD9722

RGB 173 151 34

HSL 50.5, 0.67%, 0.41%

LAB 62.62, -3.87, 59.38

 

CMYK 80 / 0 / 78 / 32

HEX #22AE27

RGB 34 174 39

HSL 122.14, 0.67%, 0.41%

LAB 62.3, -60.51, 54.87

 

CMYK 45 / 80 / 0 / 32

HEX #5F22AE

RGB 95 34 174

HSL 266.14, 0.67%, 0.41%

LAB 30.96, 54.76, -63.04

 

CMYK 0 / 13 / 80 / 32

HEX #AD9722

RGB 173 151 34

HSL 50.5, 0.67%, 0.41%

LAB 62.62, -3.87, 59.38

 

CMYK 80 / 0 / 13 / 32

HEX #22AE97

RGB 34 174 151

HSL 170.14, 0.67%, 0.41%

LAB 64.04, -40.89, 1.66

 

CMYK 13 / 80 / 0 / 32

HEX #9722AE

RGB 151 34 174

HSL 290.14, 0.67%, 0.41%

LAB 39.21, 64.19, -49.26

 

CMYK 0 / 13 / 80 / 32

HEX #AD9722

RGB 173 151 34

HSL 50.5, 0.67%, 0.41%

LAB 62.62, -3.87, 59.38

 

CMYK 80 / 0 / 78 / 32

HEX #22AE27

RGB 34 174 39

HSL 122.14, 0.67%, 0.41%

LAB 62.3, -60.51, 54.87

 

CMYK 80 / 67 / 0 / 32

HEX #2239AE

RGB 34 57 174

HSL 230.14, 0.67%, 0.41%

LAB 30.21, 34.97, -64.45

 

CMYK 0 / 80 / 3 / 32

HEX #AE22A9

RGB 174 34 169

HSL 302.14, 0.67%, 0.41%

LAB 42.77, 67.83, -40.36

 

CMYK 0 / 13 / 80 / 32

HEX #AD9722

RGB 173 151 34

HSL 50.5, 0.67%, 0.41%

LAB 62.62, -3.87, 59.38

 

CMYK 80 / 0 / 53 / 32

HEX #22AE51

RGB 34 174 81

HSL 140.14, 0.67%, 0.41%

LAB 62.68, -55.89, 37.44

 

CMYK 80 / 67 / 0 / 32

HEX #2239AE

RGB 34 57 174

HSL 230.14, 0.67%, 0.41%

LAB 30.21, 34.97, -64.45

 

CMYK 0 / 80 / 27 / 32

HEX #AE227F

RGB 174 34 127

HSL 320.14, 0.67%, 0.41%

LAB 40.69, 61.96, -18.13

 

Description

Color code: HEX #AD9722 | qconv.com Color code: HEX #AD9722 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 151 green and 34 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 151 34 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 13 magenta, 80 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 13% 80% 32% C M Y K

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Provide designers and agencies with accurate color values.

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