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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD8B7E it is the complementary color #527481. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD8B7E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD8B7E shade: #B28B79, #C39D8C, #D4AF9F, #E5C1B2 and #F6D3C5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD8B7E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD8B7E shade: #AD8B7E, #9C796B, #8B6758, #7A5545 and #694332

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD8B7E shade: #AD8C7F, #AD7F7F and #AD7F7F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD8B7E shade: #AD8C7F, #AD987F, #ADA47F, #A9AD7F and #9DAD7F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD8B7E shade matches the following richer shades: #AD8C7F, #BE846E, #CF7D5D, #E0754C and #F16D3B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD8B7E shade: #AD8C7F, #9C9390, #8B9BA1, #7AA2B2 and #69AAC3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD8B7E shade: #AD7F8B, #AD7F7F, #AD8B7F, #AD977F and #ADA47F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD8B7E shade: #856255, #9D7566, #AD8C7F, #BDA298 and #CDB9B1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD8B7E shade: #AD8B7E, #97AD7F and #7F85AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD8B7E shade: #AD8B7E, #7FAD8B and #8B7FAD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD8B7E shade: #AD8B7E, #97AD7F, #7FA1AD and #947FAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD8B7E shade: #AD8B7E, #8AAD7F, #7FA1AD and #A27FAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 20 / 27 / 32

HEX #AD8B7E

RGB 173 139 126

HSL 16.6, 0.22%, 0.59%

LAB 60.65, 10.9, 11.83

 

Complementary color

CMYK 36 / 10 / 0 / 49

HEX #527481

RGB 82 116 129

HSL 196.6, 0.22%, 0.41%

LAB 46.8, -8.62, -11.02

 

CMYK 0 / 22 / 32 / 30

HEX #B28B79

RGB 178 139 121

HSL 18.95, 0.27%, 0.59%

LAB 61.05, 12.2, 15.3

 

CMYK 0 / 19 / 28 / 24

HEX #C39D8C

RGB 195 157 140

HSL 18.55, 0.31%, 0.66%

LAB 67.73, 11.57, 14.22

 

CMYK 0 / 17 / 25 / 17

HEX #D4AF9F

RGB 212 175 159

HSL 18.11, 0.38%, 0.73%

LAB 74.29, 11.02, 13.23

 

CMYK 0 / 16 / 22 / 10

HEX #E5C1B2

RGB 229 193 178

HSL 17.65, 0.5%, 0.8%

LAB 80.75, 10.52, 12.31

 

CMYK 0 / 14 / 20 / 4

HEX #F6D3C5

RGB 246 211 197

HSL 17.14, 0.73%, 0.87%

LAB 87.1, 10.08, 11.44

 

CMYK 0 / 20 / 27 / 32

HEX #AD8B7E

RGB 173 139 126

HSL 16.6, 0.22%, 0.59%

LAB 60.65, 10.9, 11.83

 

CMYK 0 / 22 / 31 / 39

HEX #9C796B

RGB 156 121 107

HSL 17.14, 0.2%, 0.52%

LAB 53.82, 11.54, 12.9

 

CMYK 0 / 26 / 37 / 45

HEX #8B6758

RGB 139 103 88

HSL 17.65, 0.22%, 0.45%

LAB 46.84, 12.3, 14.1

 

CMYK 0 / 30 / 43 / 52

HEX #7A5545

RGB 122 85 69

HSL 18.11, 0.28%, 0.37%

LAB 39.69, 13.2, 15.46

 

CMYK 0 / 36 / 52 / 59

HEX #694332

RGB 105 67 50

HSL 18.55, 0.35%, 0.3%

LAB 32.36, 14.32, 17.05

 

CMYK 0 / 19 / 27 / 32

HEX #AD8C7F

RGB 173 140 127

HSL 16.96, 0.22%, 0.59%

LAB 60.93, 10.49, 11.66

 

CMYK 0 / 27 / 27 / 32

HEX #AD7F7F

RGB 173 127 127

HSL 0, 0.22%, 0.59%

LAB 57.65, 17.8, 7

 

CMYK 0 / 27 / 27 / 32

HEX #AD7F7F

RGB 173 127 127

HSL 0, 0.22%, 0.59%

LAB 57.65, 17.8, 7

 

CMYK 0 / 19 / 27 / 32

HEX #AD8C7F

RGB 173 140 127

HSL 16.96, 0.22%, 0.59%

LAB 60.93, 10.49, 11.66

 

CMYK 0 / 12 / 27 / 32

HEX #AD987F

RGB 173 152 127

HSL 32.61, 0.22%, 0.59%

LAB 64.06, 3.81, 16.02

 

CMYK 0 / 5 / 27 / 32

HEX #ADA47F

RGB 173 164 127

HSL 48.26, 0.22%, 0.59%

LAB 67.25, -2.73, 20.41

 

CMYK 2 / 0 / 27 / 32

HEX #A9AD7F

RGB 169 173 127

HSL 65.22, 0.22%, 0.59%

LAB 69.37, -9.11, 23.23

 

CMYK 9 / 0 / 27 / 32

HEX #9DAD7F

RGB 157 173 127

HSL 80.87, 0.22%, 0.59%

LAB 68.45, -13.74, 21.84

 

CMYK 0 / 19 / 27 / 32

HEX #AD8C7F

RGB 173 140 127

HSL 16.96, 0.22%, 0.59%

LAB 60.93, 10.49, 11.66

 

CMYK 0 / 31 / 42 / 25

HEX #BE846E

RGB 190 132 110

HSL 16.5, 0.38%, 0.59%

LAB 60.41, 19.59, 20.83

 

CMYK 0 / 40 / 55 / 19

HEX #CF7D5D

RGB 207 125 93

HSL 16.84, 0.54%, 0.59%

LAB 60.54, 28.63, 30.89

 

CMYK 0 / 48 / 66 / 12

HEX #E0754C

RGB 224 117 76

HSL 16.62, 0.7%, 0.59%

LAB 60.86, 38.35, 41.02

 

CMYK 0 / 55 / 76 / 5

HEX #F16D3B

RGB 241 109 59

HSL 16.48, 0.87%, 0.59%

LAB 61.61, 47.9, 51.19

 

CMYK 0 / 19 / 27 / 32

HEX #AD8C7F

RGB 173 140 127

HSL 16.96, 0.22%, 0.59%

LAB 60.93, 10.49, 11.66

 

CMYK 0 / 6 / 8 / 39

HEX #9C9390

RGB 156 147 144

HSL 15, 0.06%, 0.59%

LAB 61.61, 2.77, 2.77

 

CMYK 14 / 4 / 0 / 37

HEX #8B9BA1

RGB 139 155 161

HSL 196.36, 0.1%, 0.59%

LAB 62.93, -4.38, -5.07

 

CMYK 31 / 9 / 0 / 30

HEX #7AA2B2

RGB 122 162 178

HSL 197.14, 0.27%, 0.59%

LAB 64.32, -9.65, -12.67

 

CMYK 46 / 13 / 0 / 24

HEX #69AAC3

RGB 105 170 195

HSL 196.67, 0.43%, 0.59%

LAB 66.28, -14.05, -19.26

 

CMYK 0 / 27 / 20 / 32

HEX #AD7F8B

RGB 173 127 139

HSL 344.35, 0.22%, 0.59%

LAB 57.97, 19.64, 0.53

 

CMYK 0 / 27 / 27 / 32

HEX #AD7F7F

RGB 173 127 127

HSL 0, 0.22%, 0.59%

LAB 57.65, 17.8, 7

 

CMYK 0 / 20 / 27 / 32

HEX #AD8B7F

RGB 173 139 127

HSL 15.65, 0.22%, 0.59%

LAB 60.68, 11.05, 11.29

 

CMYK 0 / 13 / 27 / 32

HEX #AD977F

RGB 173 151 127

HSL 31.3, 0.22%, 0.59%

LAB 63.79, 4.37, 15.65

 

CMYK 0 / 5 / 27 / 32

HEX #ADA47F

RGB 173 164 127

HSL 48.26, 0.22%, 0.59%

LAB 67.25, -2.73, 20.41

 

CMYK 0 / 26 / 36 / 48

HEX #856255

RGB 133 98 85

HSL 16.25, 0.22%, 0.43%

LAB 44.77, 12.29, 12.94

 

CMYK 0 / 25 / 35 / 38

HEX #9D7566

RGB 157 117 102

HSL 16.36, 0.22%, 0.51%

LAB 52.78, 13.57, 14.39

 

CMYK 0 / 19 / 27 / 32

HEX #AD8C7F

RGB 173 140 127

HSL 16.96, 0.22%, 0.59%

LAB 60.93, 10.49, 11.66

 

CMYK 0 / 14 / 20 / 26

HEX #BDA298

RGB 189 162 152

HSL 16.22, 0.22%, 0.67%

LAB 68.7, 8.28, 8.85

 

CMYK 0 / 10 / 14 / 20

HEX #CDB9B1

RGB 205 185 177

HSL 17.14, 0.22%, 0.75%

LAB 76.59, 5.78, 6.63

 

CMYK 0 / 20 / 27 / 32

HEX #AD8B7E

RGB 173 139 126

HSL 16.6, 0.22%, 0.59%

LAB 60.65, 10.9, 11.83

 

CMYK 13 / 0 / 27 / 32

HEX #97AD7F

RGB 151 173 127

HSL 88.7, 0.22%, 0.59%

LAB 68.02, -16, 21.18

 

CMYK 27 / 23 / 0 / 32

HEX #7F85AD

RGB 127 133 173

HSL 232.17, 0.22%, 0.59%

LAB 56.39, 6.97, -21.84

 

CMYK 0 / 20 / 27 / 32

HEX #AD8B7E

RGB 173 139 126

HSL 16.6, 0.22%, 0.59%

LAB 60.65, 10.9, 11.83

 

CMYK 27 / 0 / 20 / 32

HEX #7FAD8B

RGB 127 173 139

HSL 135.65, 0.22%, 0.59%

LAB 66.72, -22.46, 12.58

 

CMYK 20 / 27 / 0 / 32

HEX #8B7FAD

RGB 139 127 173

HSL 255.65, 0.22%, 0.59%

LAB 55.77, 14.3, -22.7

 

CMYK 0 / 20 / 27 / 32

HEX #AD8B7E

RGB 173 139 126

HSL 16.6, 0.22%, 0.59%

LAB 60.65, 10.9, 11.83

 

CMYK 13 / 0 / 27 / 32

HEX #97AD7F

RGB 151 173 127

HSL 88.7, 0.22%, 0.59%

LAB 68.02, -16, 21.18

 

CMYK 27 / 7 / 0 / 32

HEX #7FA1AD

RGB 127 161 173

HSL 195.65, 0.22%, 0.59%

LAB 64.18, -8.83, -10.05

 

CMYK 14 / 27 / 0 / 32

HEX #947FAD

RGB 148 127 173

HSL 267.39, 0.22%, 0.59%

LAB 56.58, 17.25, -21.4

 

CMYK 0 / 20 / 27 / 32

HEX #AD8B7E

RGB 173 139 126

HSL 16.6, 0.22%, 0.59%

LAB 60.65, 10.9, 11.83

 

CMYK 20 / 0 / 27 / 32

HEX #8AAD7F

RGB 138 173 127

HSL 105.65, 0.22%, 0.59%

LAB 67.14, -20.79, 19.84

 

CMYK 27 / 7 / 0 / 32

HEX #7FA1AD

RGB 127 161 173

HSL 195.65, 0.22%, 0.59%

LAB 64.18, -8.83, -10.05

 

CMYK 6 / 27 / 0 / 32

HEX #A27FAD

RGB 162 127 173

HSL 285.65, 0.22%, 0.59%

LAB 57.92, 21.93, -19.23

 

Description

Color code: HEX #AD8B7E | qconv.com Color code: HEX #AD8B7E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 139 green and 126 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 139 126 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 20 magenta, 27 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 20% 27% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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