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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD7772 it is the complementary color #52888D. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD7772. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD7772 shade: #B2776D, #C38980, #D49B93, #E5ADA6 and #F6BFB9

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD7772. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD7772 shade: #AD7772, #9C655F, #8B534C, #7A4139 and #692F26

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD7772 shade: #AB7671 and #AB7171

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD7772 shade: #AB7671, #AB8671, #AB9671, #ABA571 and #A2AB71

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD7772 shade matches the following richer shades: #AB7671, #BE675F, #D0584D, #E2493B and #F43A29

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD7772 shade: #AB7671, #998583, #879495, #75A3A8 and #63B2BA

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD7772 shade: #AB718B, #AB717C, #AB7671, #AB8671 and #AB9571

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD7772 shade: #7F4F4B, #995F5A, #AB7671, #BB8F8B and #CAA8A5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD7772 shade: #AD7772, #9BAB71 and #7184AB

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD7772 shade: #AD7772, #71AB76 and #7671AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD7772 shade: #AD7772, #9BAB71, #71A7AB and #8271AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD7772 shade: #AD7772, #89AB71, #71A7AB and #9371AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 31 / 34 / 32

HEX #AD7772

RGB 173 119 114

HSL 5.08, 0.26%, 0.56%

LAB 55.37, 20.51, 11.3

 

Complementary color

CMYK 42 / 4 / 0 / 45

HEX #52888D

RGB 82 136 141

HSL 185.08, 0.26%, 0.44%

LAB 53.3, -16.5, -8.32

 

CMYK 0 / 33 / 39 / 30

HEX #B2776D

RGB 178 119 109

HSL 8.7, 0.31%, 0.56%

LAB 55.85, 21.87, 14.94

 

CMYK 0 / 30 / 34 / 24

HEX #C38980

RGB 195 137 128

HSL 8.06, 0.36%, 0.63%

LAB 62.55, 20.98, 13.7

 

CMYK 0 / 27 / 31 / 17

HEX #D49B93

RGB 212 155 147

HSL 7.38, 0.43%, 0.7%

LAB 69.15, 20.19, 12.58

 

CMYK 0 / 24 / 28 / 10

HEX #E5ADA6

RGB 229 173 166

HSL 6.67, 0.55%, 0.77%

LAB 75.64, 19.49, 11.56

 

CMYK 0 / 22 / 25 / 4

HEX #F6BFB9

RGB 246 191 185

HSL 5.9, 0.77%, 0.85%

LAB 82.03, 18.85, 10.61

 

CMYK 0 / 31 / 34 / 32

HEX #AD7772

RGB 173 119 114

HSL 5.08, 0.26%, 0.56%

LAB 55.37, 20.51, 11.3

 

CMYK 0 / 35 / 39 / 39

HEX #9C655F

RGB 156 101 95

HSL 5.9, 0.24%, 0.49%

LAB 48.51, 21.44, 12.57

 

CMYK 0 / 40 / 45 / 45

HEX #8B534C

RGB 139 83 76

HSL 6.67, 0.29%, 0.42%

LAB 41.53, 22.51, 14.05

 

CMYK 0 / 47 / 53 / 52

HEX #7A4139

RGB 122 65 57

HSL 7.38, 0.36%, 0.35%

LAB 34.42, 23.74, 15.82

 

CMYK 0 / 55 / 64 / 59

HEX #692F26

RGB 105 47 38

HSL 8.06, 0.47%, 0.28%

LAB 27.23, 25.14, 18.04

 

CMYK 0 / 31 / 34 / 33

HEX #AB7671

RGB 171 118 113

HSL 5.17, 0.26%, 0.56%

LAB 54.87, 20.14, 11.14

 

CMYK 0 / 34 / 34 / 33

HEX #AB7171

RGB 171 113 113

HSL 0, 0.26%, 0.56%

LAB 53.66, 22.96, 9.44

 

CMYK 0 / 31 / 34 / 33

HEX #AB7671

RGB 171 118 113

HSL 5.17, 0.26%, 0.56%

LAB 54.87, 20.14, 11.14

 

CMYK 0 / 22 / 34 / 33

HEX #AB8671

RGB 171 134 113

HSL 21.72, 0.26%, 0.56%

LAB 58.88, 11.11, 16.71

 

CMYK 0 / 12 / 34 / 33

HEX #AB9671

RGB 171 150 113

HSL 38.28, 0.26%, 0.56%

LAB 63.06, 2.2, 22.4

 

CMYK 0 / 4 / 34 / 33

HEX #ABA571

RGB 171 165 113

HSL 53.79, 0.26%, 0.56%

LAB 67.1, -5.94, 27.78

 

CMYK 5 / 0 / 34 / 33

HEX #A2AB71

RGB 162 171 113

HSL 69.31, 0.26%, 0.56%

LAB 68.02, -12.72, 28.86

 

CMYK 0 / 31 / 34 / 33

HEX #AB7671

RGB 171 118 113

HSL 5.17, 0.26%, 0.56%

LAB 54.87, 20.14, 11.14

 

CMYK 0 / 46 / 50 / 25

HEX #BE675F

RGB 190 103 95

HSL 5.05, 0.42%, 0.56%

LAB 53.46, 33.87, 20.07

 

CMYK 0 / 58 / 63 / 18

HEX #D0584D

RGB 208 88 77

HSL 5.04, 0.58%, 0.56%

LAB 52.87, 46.74, 30.24

 

CMYK 0 / 68 / 74 / 11

HEX #E2493B

RGB 226 73 59

HSL 5.03, 0.74%, 0.56%

LAB 53.22, 58.42, 41.51

 

CMYK 0 / 76 / 83 / 4

HEX #F43A29

RGB 244 58 41

HSL 5.02, 0.9%, 0.56%

LAB 54.47, 68.5, 53.09

 

CMYK 0 / 31 / 34 / 33

HEX #AB7671

RGB 171 118 113

HSL 5.17, 0.26%, 0.56%

LAB 54.87, 20.14, 11.14

 

CMYK 0 / 13 / 14 / 40

HEX #998583

RGB 153 133 131

HSL 5.45, 0.1%, 0.56%

LAB 57.26, 7.23, 3.86

 

CMYK 9 / 1 / 0 / 42

HEX #879495

RGB 135 148 149

HSL 184.29, 0.06%, 0.56%

LAB 60.34, -4.44, -2.13

 

CMYK 30 / 3 / 0 / 34

HEX #75A3A8

RGB 117 163 168

HSL 185.88, 0.23%, 0.56%

LAB 64, -14.13, -7.57

 

CMYK 47 / 4 / 0 / 27

HEX #63B2BA

RGB 99 178 186

HSL 185.52, 0.39%, 0.56%

LAB 68.05, -22.12, -11.64

 

CMYK 0 / 34 / 19 / 33

HEX #AB718B

RGB 171 113 139

HSL 333.1, 0.26%, 0.56%

LAB 54.38, 26.79, -4.76

 

CMYK 0 / 34 / 27 / 33

HEX #AB717C

RGB 171 113 124

HSL 348.62, 0.26%, 0.56%

LAB 53.95, 24.48, 3.39

 

CMYK 0 / 31 / 34 / 33

HEX #AB7671

RGB 171 118 113

HSL 5.17, 0.26%, 0.56%

LAB 54.87, 20.14, 11.14

 

CMYK 0 / 22 / 34 / 33

HEX #AB8671

RGB 171 134 113

HSL 21.72, 0.26%, 0.56%

LAB 58.88, 11.11, 16.71

 

CMYK 0 / 13 / 34 / 33

HEX #AB9571

RGB 171 149 113

HSL 37.24, 0.26%, 0.56%

LAB 62.8, 2.75, 22.05

 

CMYK 0 / 38 / 41 / 50

HEX #7F4F4B

RGB 127 79 75

HSL 4.62, 0.26%, 0.4%

LAB 38.92, 19.69, 10.82

 

CMYK 0 / 38 / 41 / 40

HEX #995F5A

RGB 153 95 90

HSL 4.76, 0.26%, 0.48%

LAB 46.57, 23.03, 12.81

 

CMYK 0 / 31 / 34 / 33

HEX #AB7671

RGB 171 118 113

HSL 5.17, 0.26%, 0.56%

LAB 54.87, 20.14, 11.14

 

CMYK 0 / 24 / 26 / 27

HEX #BB8F8B

RGB 187 143 139

HSL 5, 0.26%, 0.64%

LAB 63.4, 16.04, 8.56

 

CMYK 0 / 17 / 18 / 21

HEX #CAA8A5

RGB 202 168 165

HSL 4.86, 0.26%, 0.72%

LAB 71.74, 11.93, 6.19

 

CMYK 0 / 31 / 34 / 32

HEX #AD7772

RGB 173 119 114

HSL 5.08, 0.26%, 0.56%

LAB 55.37, 20.51, 11.3

 

CMYK 9 / 0 / 34 / 33

HEX #9BAB71

RGB 155 171 113

HSL 76.55, 0.26%, 0.56%

LAB 67.49, -15.48, 28.06

 

CMYK 34 / 23 / 0 / 33

HEX #7184AB

RGB 113 132 171

HSL 220.34, 0.26%, 0.56%

LAB 55.02, 2.76, -22.87

 

CMYK 0 / 31 / 34 / 32

HEX #AD7772

RGB 173 119 114

HSL 5.08, 0.26%, 0.56%

LAB 55.37, 20.51, 11.3

 

CMYK 34 / 0 / 31 / 33

HEX #71AB76

RGB 113 171 118

HSL 125.17, 0.26%, 0.56%

LAB 64.92, -29.96, 21.46

 

CMYK 31 / 34 / 0 / 33

HEX #7671AB

RGB 118 113 171

HSL 245.17, 0.26%, 0.56%

LAB 50.22, 15.53, -30.28

 

CMYK 0 / 31 / 34 / 32

HEX #AD7772

RGB 173 119 114

HSL 5.08, 0.26%, 0.56%

LAB 55.37, 20.51, 11.3

 

CMYK 9 / 0 / 34 / 33

HEX #9BAB71

RGB 155 171 113

HSL 76.55, 0.26%, 0.56%

LAB 67.49, -15.48, 28.06

 

CMYK 34 / 2 / 0 / 33

HEX #71A7AB

RGB 113 167 171

HSL 184.14, 0.26%, 0.56%

LAB 65.03, -16.67, -7.74

 

CMYK 24 / 34 / 0 / 33

HEX #8271AB

RGB 130 113 171

HSL 257.59, 0.26%, 0.56%

LAB 51.26, 19.2, -28.58

 

CMYK 0 / 31 / 34 / 32

HEX #AD7772

RGB 173 119 114

HSL 5.08, 0.26%, 0.56%

LAB 55.37, 20.51, 11.3

 

CMYK 20 / 0 / 34 / 33

HEX #89AB71

RGB 137 171 113

HSL 95.17, 0.26%, 0.56%

LAB 66.24, -22.35, 26.18

 

CMYK 34 / 2 / 0 / 33

HEX #71A7AB

RGB 113 167 171

HSL 184.14, 0.26%, 0.56%

LAB 65.03, -16.67, -7.74

 

CMYK 14 / 34 / 0 / 33

HEX #9371AB

RGB 147 113 171

HSL 275.17, 0.26%, 0.56%

LAB 52.9, 24.61, -25.91

 

Description

Color code: HEX #AD7772 | qconv.com Color code: HEX #AD7772 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 119 green and 114 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 119 114 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 31 magenta, 34 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 31% 34% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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