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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD6A61 it is the complementary color #52959E. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD6A61. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD6A61 shade: #B26A5C, #C37C6F, #D48E82, #E5A095 and #F6B2A8

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD6A61. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD6A61 shade: #AD6A61, #9C584E, #8B463B, #7A3428 and #692215

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD6A61 shade: #AD6960 and #AD6060

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD6A61 shade: #AD6960, #AD7E60, #AD9360, #ADA760 and #9EAD60

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD6A61 shade matches the following richer shades: #AD6960, #C05B4D, #D44C3A, #E73D26 and #FB2E13

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD6A61 shade: #AD6960, #9A7874, #868787, #73969A and #5FA5AE

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD6A61 shade: #AD6080, #AD606C, #AD6960, #AD7E60 and #AD9260

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD6A61 shade: #7B463F, #97564D, #AD6960, #BB837C and #C99D97

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD6A61 shade: #AD6A61, #95AD60 and #6076AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD6A61 shade: #AD6A61, #60AD69 and #6960AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD6A61 shade: #AD6A61, #95AD60, #60A4AD and #7960AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD6A61 shade: #AD6A61, #7EAD60, #60A4AD and #9060AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 39 / 44 / 32

HEX #AD6A61

RGB 173 106 97

HSL 7.11, 0.32%, 0.53%

LAB 51.9, 25.73, 16.4

 

Complementary color

CMYK 48 / 6 / 0 / 38

HEX #52959E

RGB 82 149 158

HSL 187.11, 0.32%, 0.47%

LAB 57.81, -18.77, -11.36

 

CMYK 0 / 40 / 48 / 30

HEX #B26A5C

RGB 178 106 92

HSL 9.77, 0.36%, 0.53%

LAB 52.45, 27.22, 20.17

 

CMYK 0 / 36 / 43 / 24

HEX #C37C6F

RGB 195 124 111

HSL 9.29, 0.41%, 0.6%

LAB 59.13, 26.11, 18.63

 

CMYK 0 / 33 / 39 / 17

HEX #D48E82

RGB 212 142 130

HSL 8.78, 0.49%, 0.67%

LAB 65.71, 25.13, 17.26

 

CMYK 0 / 30 / 35 / 10

HEX #E5A095

RGB 229 160 149

HSL 8.25, 0.61%, 0.74%

LAB 72.21, 24.25, 16.04

 

CMYK 0 / 28 / 32 / 4

HEX #F6B2A8

RGB 246 178 168

HSL 7.69, 0.81%, 0.81%

LAB 78.61, 23.46, 14.92

 

CMYK 0 / 39 / 44 / 32

HEX #AD6A61

RGB 173 106 97

HSL 7.11, 0.32%, 0.53%

LAB 51.9, 25.73, 16.4

 

CMYK 0 / 44 / 50 / 39

HEX #9C584E

RGB 156 88 78

HSL 7.69, 0.33%, 0.46%

LAB 45.08, 26.89, 18.04

 

CMYK 0 / 50 / 58 / 45

HEX #8B463B

RGB 139 70 59

HSL 8.25, 0.4%, 0.39%

LAB 38.17, 28.19, 19.99

 

CMYK 0 / 57 / 67 / 52

HEX #7A3428

RGB 122 52 40

HSL 8.78, 0.51%, 0.32%

LAB 31.22, 29.6, 22.37

 

CMYK 0 / 68 / 80 / 59

HEX #692215

RGB 105 34 21

HSL 9.29, 0.67%, 0.25%

LAB 24.33, 30.99, 25.32

 

CMYK 0 / 39 / 45 / 32

HEX #AD6960

RGB 173 105 96

HSL 7.01, 0.32%, 0.53%

LAB 51.65, 26.18, 16.64

 

CMYK 0 / 45 / 45 / 32

HEX #AD6060

RGB 173 96 96

HSL 0, 0.32%, 0.53%

LAB 49.61, 31.14, 13.84

 

CMYK 0 / 39 / 45 / 32

HEX #AD6960

RGB 173 105 96

HSL 7.01, 0.32%, 0.53%

LAB 51.65, 26.18, 16.64

 

CMYK 0 / 27 / 45 / 32

HEX #AD7E60

RGB 173 126 96

HSL 23.38, 0.32%, 0.53%

LAB 56.73, 14.39, 23.48

 

CMYK 0 / 15 / 45 / 32

HEX #AD9360

RGB 173 147 96

HSL 39.74, 0.32%, 0.53%

LAB 62.17, 2.67, 30.56

 

CMYK 0 / 3 / 45 / 32

HEX #ADA760

RGB 173 167 96

HSL 55.32, 0.32%, 0.53%

LAB 67.55, -8.13, 37.36

 

CMYK 9 / 0 / 45 / 32

HEX #9EAD60

RGB 158 173 96

HSL 71.69, 0.32%, 0.53%

LAB 68.02, -17.41, 37.68

 

CMYK 0 / 39 / 45 / 32

HEX #AD6960

RGB 173 105 96

HSL 7.01, 0.32%, 0.53%

LAB 51.65, 26.18, 16.64

 

CMYK 0 / 53 / 60 / 25

HEX #C05B4D

RGB 192 91 77

HSL 7.3, 0.48%, 0.53%

LAB 50.95, 39.37, 27.29

 

CMYK 0 / 64 / 73 / 17

HEX #D44C3A

RGB 212 76 58

HSL 7.01, 0.64%, 0.53%

LAB 51.23, 52.51, 39.17

 

CMYK 0 / 74 / 84 / 9

HEX #E73D26

RGB 231 61 38

HSL 7.15, 0.8%, 0.53%

LAB 52.36, 63.64, 51.71

 

CMYK 0 / 82 / 92 / 2

HEX #FB2E13

RGB 251 46 19

HSL 6.98, 0.97%, 0.53%

LAB 54.56, 73.26, 62.58

 

CMYK 0 / 39 / 45 / 32

HEX #AD6960

RGB 173 105 96

HSL 7.01, 0.32%, 0.53%

LAB 51.65, 26.18, 16.64

 

CMYK 0 / 22 / 25 / 40

HEX #9A7874

RGB 154 120 116

HSL 6.32, 0.16%, 0.53%

LAB 53.56, 12.62, 7.27

 

CMYK 1 / 0 / 0 / 47

HEX #868787

RGB 134 135 135

HSL 180, 0%, 0.53%

LAB 56.23, -0.37, -0.14

 

CMYK 25 / 3 / 0 / 40

HEX #73969A

RGB 115 150 154

HSL 186.15, 0.16%, 0.53%

LAB 59.7, -11.1, -6.07

 

CMYK 45 / 5 / 0 / 32

HEX #5FA5AE

RGB 95 165 174

HSL 186.84, 0.33%, 0.53%

LAB 63.67, -19.61, -11.54

 

CMYK 0 / 45 / 26 / 32

HEX #AD6080

RGB 173 96 128

HSL 335.06, 0.32%, 0.53%

LAB 50.46, 35.21, -4.03

 

CMYK 0 / 45 / 38 / 32

HEX #AD606C

RGB 173 96 108

HSL 350.65, 0.32%, 0.53%

LAB 49.9, 32.53, 7.09

 

CMYK 0 / 39 / 45 / 32

HEX #AD6960

RGB 173 105 96

HSL 7.01, 0.32%, 0.53%

LAB 51.65, 26.18, 16.64

 

CMYK 0 / 27 / 45 / 32

HEX #AD7E60

RGB 173 126 96

HSL 23.38, 0.32%, 0.53%

LAB 56.73, 14.39, 23.48

 

CMYK 0 / 16 / 45 / 32

HEX #AD9260

RGB 173 146 96

HSL 38.96, 0.32%, 0.53%

LAB 61.9, 3.22, 30.22

 

CMYK 0 / 43 / 49 / 52

HEX #7B463F

RGB 123 70 63

HSL 7, 0.32%, 0.36%

LAB 35.89, 21.88, 14.05

 

CMYK 0 / 43 / 49 / 41

HEX #97564D

RGB 151 86 77

HSL 7.3, 0.32%, 0.45%

LAB 43.9, 25.87, 16.94

 

CMYK 0 / 39 / 45 / 32

HEX #AD6960

RGB 173 105 96

HSL 7.01, 0.32%, 0.53%

LAB 51.65, 26.18, 16.64

 

CMYK 0 / 30 / 34 / 27

HEX #BB837C

RGB 187 131 124

HSL 6.67, 0.32%, 0.61%

LAB 60.12, 20.64, 12.43

 

CMYK 0 / 22 / 25 / 21

HEX #C99D97

RGB 201 157 151

HSL 7.2, 0.32%, 0.69%

LAB 68.58, 15.45, 9.4

 

CMYK 0 / 39 / 44 / 32

HEX #AD6A61

RGB 173 106 97

HSL 7.11, 0.32%, 0.53%

LAB 51.9, 25.73, 16.4

 

CMYK 14 / 0 / 45 / 32

HEX #95AD60

RGB 149 173 96

HSL 78.7, 0.32%, 0.53%

LAB 67.37, -21.01, 36.72

 

CMYK 45 / 32 / 0 / 32

HEX #6076AD

RGB 96 118 173

HSL 222.86, 0.32%, 0.53%

LAB 50.05, 6.86, -31.83

 

CMYK 0 / 39 / 44 / 32

HEX #AD6A61

RGB 173 106 97

HSL 7.11, 0.32%, 0.53%

LAB 51.9, 25.73, 16.4

 

CMYK 45 / 0 / 39 / 32

HEX #60AD69

RGB 96 173 105

HSL 127.01, 0.32%, 0.53%

LAB 64.48, -38.43, 27.72

 

CMYK 39 / 45 / 0 / 32

HEX #6960AD

RGB 105 96 173

HSL 247.01, 0.32%, 0.53%

LAB 44.78, 22.74, -40.08

 

CMYK 0 / 39 / 44 / 32

HEX #AD6A61

RGB 173 106 97

HSL 7.11, 0.32%, 0.53%

LAB 51.9, 25.73, 16.4

 

CMYK 14 / 0 / 45 / 32

HEX #95AD60

RGB 149 173 96

HSL 78.7, 0.32%, 0.53%

LAB 67.37, -21.01, 36.72

 

CMYK 45 / 5 / 0 / 32

HEX #60A4AD

RGB 96 164 173

HSL 187.01, 0.32%, 0.53%

LAB 63.39, -19.11, -11.4

 

CMYK 30 / 45 / 0 / 32

HEX #7960AD

RGB 121 96 173

HSL 259.48, 0.32%, 0.53%

LAB 46.24, 27.17, -37.68

 

CMYK 0 / 39 / 44 / 32

HEX #AD6A61

RGB 173 106 97

HSL 7.11, 0.32%, 0.53%

LAB 51.9, 25.73, 16.4

 

CMYK 27 / 0 / 45 / 32

HEX #7EAD60

RGB 126 173 96

HSL 96.62, 0.32%, 0.53%

LAB 65.88, -29.78, 34.54

 

CMYK 45 / 5 / 0 / 32

HEX #60A4AD

RGB 96 164 173

HSL 187.01, 0.32%, 0.53%

LAB 63.39, -19.11, -11.4

 

CMYK 17 / 45 / 0 / 32

HEX #9060AD

RGB 144 96 173

HSL 277.4, 0.32%, 0.53%

LAB 48.65, 33.93, -33.72

 

Description

Color code: HEX #AD6A61 | qconv.com Color code: HEX #AD6A61 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 106 green and 97 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 106 97 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 39 magenta, 44 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 39% 44% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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