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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD62CF it is the complementary color #529D30. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD62CF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD62CF shade: #B262CA, #C374DD, #D486F0, #E598FF and #F6AAFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD62CF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD62CF shade: #AD62CF, #9C50BC, #8B3EA9, #7A2C96 and #691A83

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD62CF shade: #AD62CF, #CA62CF, #CF62B6, #CF6299 and #CF627C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD62CF shade: #AD62CF, #9062CF, #7362CF and #6262CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD62CF shade matches the following richer shades: #AD62CF, #B352DF and #B941F0

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD62CF shade: #AD62CF, #A773BE, #A083AE, #9A949D and #94A48D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD62CF shade: #7362CF, #8F62CF, #AC62CF, #C962CF and #CF62B7

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD62CF shade: #8634AA, #9C43C5, #AD62CF, #BD82D8 and #CEA2E2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD62CF shade: #AD62CF, #CF626F and #62CF81

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD62CF shade: #AD62CF, #CFAC62 and #62CFAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD62CF shade: #AD62CF, #CF626F, #85CF62 and #62CFC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD62CF shade: #AD62CF, #CF7662, #85CF62 and #62BBCF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 16 / 53 / 0 / 19

HEX #AD62CF

RGB 173 98 207

HSL 281.28, 0.53%, 0.6%

LAB 54.16, 48.53, -44.42

 

Complementary color

CMYK 48 / 0 / 69 / 38

HEX #529D30

RGB 82 157 48

HSL 101.28, 0.53%, 0.4%

LAB 58.15, -43.14, 47.76

 

CMYK 12 / 51 / 0 / 21

HEX #B262CA

RGB 178 98 202

HSL 286.15, 0.5%, 0.59%

LAB 54.52, 48.84, -40.97

 

CMYK 12 / 48 / 0 / 13

HEX #C374DD

RGB 195 116 221

HSL 285.14, 0.61%, 0.66%

LAB 61.06, 48.1, -41.27

 

CMYK 12 / 44 / 0 / 6

HEX #D486F0

RGB 212 134 240

HSL 284.15, 0.78%, 0.73%

LAB 67.53, 47.33, -41.52

 

CMYK 10 / 40 / 0 / 0

HEX #E598FF

RGB 229 152 255

HSL 284.85, 1%, 0.8%

LAB 73.76, 45.77, -39.84

 

CMYK 4 / 33 / 0 / 0

HEX #F6AAFF

RGB 246 170 255

HSL 293.65, 1%, 0.83%

LAB 79.36, 41.41, -31.03

 

CMYK 16 / 53 / 0 / 19

HEX #AD62CF

RGB 173 98 207

HSL 281.28, 0.53%, 0.6%

LAB 54.16, 48.53, -44.42

 

CMYK 17 / 57 / 0 / 26

HEX #9C50BC

RGB 156 80 188

HSL 282.22, 0.45%, 0.53%

LAB 47.54, 49.25, -44.12

 

CMYK 18 / 63 / 0 / 34

HEX #8B3EA9

RGB 139 62 169

HSL 283.18, 0.46%, 0.45%

LAB 40.89, 49.82, -43.68

 

CMYK 19 / 71 / 0 / 41

HEX #7A2C96

RGB 122 44 150

HSL 284.15, 0.55%, 0.38%

LAB 34.27, 50.04, -42.97

 

CMYK 20 / 80 / 0 / 49

HEX #691A83

RGB 105 26 131

HSL 285.14, 0.67%, 0.31%

LAB 27.79, 49.55, -41.8

 

CMYK 16 / 53 / 0 / 19

HEX #AD62CF

RGB 173 98 207

HSL 281.28, 0.53%, 0.6%

LAB 54.16, 48.53, -44.42

 

CMYK 2 / 53 / 0 / 19

HEX #CA62CF

RGB 202 98 207

HSL 297.25, 0.53%, 0.6%

LAB 57.84, 56.36, -38.37

 

CMYK 0 / 53 / 12 / 19

HEX #CF62B6

RGB 207 98 182

HSL 313.76, 0.53%, 0.6%

LAB 57.44, 53.53, -24.66

 

CMYK 0 / 53 / 26 / 19

HEX #CF6299

RGB 207 98 153

HSL 329.72, 0.53%, 0.6%

LAB 56.39, 49.24, -9.45

 

CMYK 0 / 53 / 40 / 19

HEX #CF627C

RGB 207 98 124

HSL 345.69, 0.53%, 0.6%

LAB 55.54, 45.66, 6.31

 

CMYK 16 / 53 / 0 / 19

HEX #AD62CF

RGB 173 98 207

HSL 281.28, 0.53%, 0.6%

LAB 54.16, 48.53, -44.42

 

CMYK 30 / 53 / 0 / 19

HEX #9062CF

RGB 144 98 207

HSL 265.32, 0.53%, 0.6%

LAB 50.89, 40.92, -49.83

 

CMYK 44 / 53 / 0 / 19

HEX #7362CF

RGB 115 98 207

HSL 249.36, 0.53%, 0.6%

LAB 48.12, 33.86, -54.42

 

CMYK 53 / 53 / 0 / 19

HEX #6262CF

RGB 98 98 207

HSL 240, 0.53%, 0.6%

LAB 46.76, 30.15, -56.67

 

CMYK 16 / 53 / 0 / 19

HEX #AD62CF

RGB 173 98 207

HSL 281.28, 0.53%, 0.6%

LAB 54.16, 48.53, -44.42

 

CMYK 20 / 63 / 0 / 13

HEX #B352DF

RGB 179 82 223

HSL 281.28, 0.69%, 0.6%

LAB 52.89, 61.19, -55.48

 

CMYK 23 / 73 / 0 / 6

HEX #B941F0

RGB 185 65 240

HSL 281.14, 0.85%, 0.6%

LAB 52.27, 72.86, -66

 

CMYK 16 / 53 / 0 / 19

HEX #AD62CF

RGB 173 98 207

HSL 281.28, 0.53%, 0.6%

LAB 54.16, 48.53, -44.42

 

CMYK 12 / 39 / 0 / 25

HEX #A773BE

RGB 167 115 190

HSL 281.6, 0.37%, 0.6%

LAB 56.28, 33.94, -31.44

 

CMYK 8 / 25 / 0 / 32

HEX #A083AE

RGB 160 131 174

HSL 280.47, 0.21%, 0.6%

LAB 58.75, 19.18, -18.55

 

CMYK 2 / 6 / 0 / 38

HEX #9A949D

RGB 154 148 157

HSL 280, 0.04%, 0.6%

LAB 62.07, 3.93, -3.95

 

CMYK 10 / 0 / 14 / 36

HEX #94A48D

RGB 148 164 141

HSL 101.74, 0.11%, 0.6%

LAB 65.57, -10.04, 10.04

 

CMYK 44 / 53 / 0 / 19

HEX #7362CF

RGB 115 98 207

HSL 249.36, 0.53%, 0.6%

LAB 48.12, 33.86, -54.42

 

CMYK 31 / 53 / 0 / 19

HEX #8F62CF

RGB 143 98 207

HSL 264.77, 0.53%, 0.6%

LAB 50.78, 40.67, -50

 

CMYK 17 / 53 / 0 / 19

HEX #AC62CF

RGB 172 98 207

HSL 280.73, 0.53%, 0.6%

LAB 54.04, 48.26, -44.62

 

CMYK 3 / 53 / 0 / 19

HEX #C962CF

RGB 201 98 207

HSL 296.7, 0.53%, 0.6%

LAB 57.71, 56.09, -38.59

 

CMYK 0 / 53 / 12 / 19

HEX #CF62B7

RGB 207 98 183

HSL 313.21, 0.53%, 0.6%

LAB 57.48, 53.69, -25.17

 

CMYK 21 / 69 / 0 / 33

HEX #8634AA

RGB 134 52 170

HSL 281.69, 0.53%, 0.44%

LAB 38.6, 53.46, -48

 

CMYK 21 / 66 / 0 / 23

HEX #9C43C5

RGB 156 67 197

HSL 281.08, 0.53%, 0.52%

LAB 45.79, 57.39, -52.15

 

CMYK 16 / 53 / 0 / 19

HEX #AD62CF

RGB 173 98 207

HSL 281.28, 0.53%, 0.6%

LAB 54.16, 48.53, -44.42

 

CMYK 13 / 40 / 0 / 15

HEX #BD82D8

RGB 189 130 216

HSL 281.16, 0.52%, 0.68%

LAB 63.13, 37.83, -35.29

 

CMYK 9 / 28 / 0 / 11

HEX #CEA2E2

RGB 206 162 226

HSL 281.25, 0.52%, 0.76%

LAB 72.53, 27.61, -26.15

 

CMYK 16 / 53 / 0 / 19

HEX #AD62CF

RGB 173 98 207

HSL 281.28, 0.53%, 0.6%

LAB 54.16, 48.53, -44.42

 

CMYK 0 / 53 / 46 / 19

HEX #CF626F

RGB 207 98 111

HSL 352.84, 0.53%, 0.6%

LAB 55.22, 44.31, 13.51

 

CMYK 53 / 0 / 38 / 19

HEX #62CF81

RGB 98 207 129

HSL 137.06, 0.53%, 0.6%

LAB 75.33, -48.34, 29.47

 

CMYK 16 / 53 / 0 / 19

HEX #AD62CF

RGB 173 98 207

HSL 281.28, 0.53%, 0.6%

LAB 54.16, 48.53, -44.42

 

CMYK 0 / 17 / 53 / 19

HEX #CFAC62

RGB 207 172 98

HSL 40.73, 0.53%, 0.6%

LAB 72, 3.62, 42.5

 

CMYK 53 / 0 / 17 / 19

HEX #62CFAC

RGB 98 207 172

HSL 160.73, 0.53%, 0.6%

LAB 76.19, -39.7, 7.92

 

CMYK 16 / 53 / 0 / 19

HEX #AD62CF

RGB 173 98 207

HSL 281.28, 0.53%, 0.6%

LAB 54.16, 48.53, -44.42

 

CMYK 0 / 53 / 46 / 19

HEX #CF626F

RGB 207 98 111

HSL 352.84, 0.53%, 0.6%

LAB 55.22, 44.31, 13.51

 

CMYK 36 / 0 / 53 / 19

HEX #85CF62

RGB 133 207 98

HSL 100.73, 0.53%, 0.6%

LAB 76.37, -42.56, 46.53

 

CMYK 53 / 0 / 6 / 19

HEX #62CFC2

RGB 98 207 194

HSL 172.84, 0.53%, 0.6%

LAB 76.75, -34.41, -3.09

 

CMYK 16 / 53 / 0 / 19

HEX #AD62CF

RGB 173 98 207

HSL 281.28, 0.53%, 0.6%

LAB 54.16, 48.53, -44.42

 

CMYK 0 / 43 / 53 / 19

HEX #CF7662

RGB 207 118 98

HSL 11.01, 0.53%, 0.6%

LAB 59.07, 32.79, 26.2

 

CMYK 36 / 0 / 53 / 19

HEX #85CF62

RGB 133 207 98

HSL 100.73, 0.53%, 0.6%

LAB 76.37, -42.56, 46.53

 

CMYK 53 / 10 / 0 / 19

HEX #62BBCF

RGB 98 187 207

HSL 191.01, 0.53%, 0.6%

LAB 71.31, -21.16, -18.27

 

Description

Color code: HEX #AD62CF | qconv.com Color code: HEX #AD62CF | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 98 green and 207 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 98 207 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 16 cyan, 53 magenta, none yellow and 19 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
16% 53% 0% 19% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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