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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD6244 it is the complementary color #529DBB. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD6244. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD6244 shade: #B2623F, #C37452, #D48665, #E59878 and #F6AA8B

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD6244. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD6244 shade: #AD6244, #9C5031, #8B3E1E, #7A2C0B and #691A00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD6244 shade: #AC6143, #AC4443 and #AC4343

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD6244 shade: #AC6143, #AC7D43, #AC9A43, #A2AC43 and #86AC43

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD6244 shade matches the following richer shades: #AC6143, #BF582F, #D3501C and #E64808

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD6244 shade: #AC6143, #996956, #857169, #727A7D and #5F8290

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD6244 shade: #AC435D, #AC4443, #AC6043, #AC7D43 and #AC9943

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD6244 shade: #713F2C, #8E5037, #AC6143, #BE765A and #CA8F77

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD6244 shade: #AD6244, #79AC43 and #434FAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD6244 shade: #AD6244, #43AC60 and #6043AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD6244 shade: #AD6244, #79AC43, #438EAC and #7643AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD6244 shade: #AD6244, #59AC43, #438EAC and #9543AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 43 / 61 / 32

HEX #AD6244

RGB 173 98 68

HSL 17.14, 0.44%, 0.47%

LAB 49.54, 27.46, 30.09

 

Complementary color

CMYK 56 / 16 / 0 / 27

HEX #529DBB

RGB 82 157 187

HSL 197.14, 0.44%, 0.53%

LAB 61.22, -14.59, -22.61

 

CMYK 0 / 45 / 65 / 30

HEX #B2623F

RGB 178 98 63

HSL 18.26, 0.48%, 0.47%

LAB 50.17, 29.17, 33.81

 

CMYK 0 / 41 / 58 / 24

HEX #C37452

RGB 195 116 82

HSL 18.05, 0.48%, 0.54%

LAB 56.78, 27.74, 31.91

 

CMYK 0 / 37 / 52 / 17

HEX #D48665

RGB 212 134 101

HSL 17.84, 0.56%, 0.61%

LAB 63.33, 26.48, 30.19

 

CMYK 0 / 34 / 48 / 10

HEX #E59878

RGB 229 152 120

HSL 17.61, 0.68%, 0.68%

LAB 69.8, 25.35, 28.64

 

CMYK 0 / 31 / 43 / 4

HEX #F6AA8B

RGB 246 170 139

HSL 17.38, 0.86%, 0.75%

LAB 76.2, 24.35, 27.23

 

CMYK 0 / 43 / 61 / 32

HEX #AD6244

RGB 173 98 68

HSL 17.14, 0.44%, 0.47%

LAB 49.54, 27.46, 30.09

 

CMYK 0 / 49 / 69 / 39

HEX #9C5031

RGB 156 80 49

HSL 17.38, 0.52%, 0.4%

LAB 42.8, 28.98, 32.15

 

CMYK 0 / 55 / 78 / 45

HEX #8B3E1E

RGB 139 62 30

HSL 17.61, 0.64%, 0.33%

LAB 36.04, 30.67, 34.38

 

CMYK 0 / 64 / 91 / 52

HEX #7A2C0B

RGB 122 44 11

HSL 17.84, 0.83%, 0.26%

LAB 29.32, 32.45, 36.34

 

CMYK 0 / 75 / 100 / 59

HEX #691A00

RGB 105 26 0

HSL 14.86, 1%, 0.21%

LAB 22.8, 33.98, 33.65

 

CMYK 0 / 44 / 61 / 33

HEX #AC6143

RGB 172 97 67

HSL 17.14, 0.44%, 0.47%

LAB 49.16, 27.52, 30.16

 

CMYK 0 / 60 / 61 / 33

HEX #AC4443

RGB 172 68 67

HSL 0.57, 0.44%, 0.47%

LAB 43.23, 42.57, 22.69

 

CMYK 0 / 61 / 61 / 33

HEX #AC4343

RGB 172 67 67

HSL 0, 0.44%, 0.47%

LAB 43.05, 43.04, 22.46

 

CMYK 0 / 44 / 61 / 33

HEX #AC6143

RGB 172 97 67

HSL 17.14, 0.44%, 0.47%

LAB 49.16, 27.52, 30.16

 

CMYK 0 / 27 / 61 / 33

HEX #AC7D43

RGB 172 125 67

HSL 33.14, 0.44%, 0.47%

LAB 55.93, 11.84, 38.29

 

CMYK 0 / 10 / 61 / 33

HEX #AC9A43

RGB 172 154 67

HSL 49.71, 0.44%, 0.47%

LAB 63.58, -4.17, 47.02

 

CMYK 6 / 0 / 61 / 33

HEX #A2AC43

RGB 162 172 67

HSL 65.71, 0.44%, 0.47%

LAB 67.72, -17.92, 51.34

 

CMYK 22 / 0 / 61 / 33

HEX #86AC43

RGB 134 172 67

HSL 81.71, 0.44%, 0.47%

LAB 65.73, -29.4, 48.59

 

CMYK 0 / 44 / 61 / 33

HEX #AC6143

RGB 172 97 67

HSL 17.14, 0.44%, 0.47%

LAB 49.16, 27.52, 30.16

 

CMYK 0 / 54 / 75 / 25

HEX #BF582F

RGB 191 88 47

HSL 17.08, 0.61%, 0.47%

LAB 49.81, 38.76, 42.47

 

CMYK 0 / 62 / 87 / 17

HEX #D3501C

RGB 211 80 28

HSL 17.05, 0.77%, 0.47%

LAB 51.46, 49.43, 53.85

 

CMYK 0 / 69 / 97 / 10

HEX #E64808

RGB 230 72 8

HSL 17.3, 0.93%, 0.47%

LAB 53.47, 58.94, 62.69

 

CMYK 0 / 44 / 61 / 33

HEX #AC6143

RGB 172 97 67

HSL 17.14, 0.44%, 0.47%

LAB 49.16, 27.52, 30.16

 

CMYK 0 / 31 / 44 / 40

HEX #996956

RGB 153 105 86

HSL 17.01, 0.28%, 0.47%

LAB 48.94, 16.82, 18.42

 

CMYK 0 / 15 / 21 / 48

HEX #857169

RGB 133 113 105

HSL 17.14, 0.12%, 0.47%

LAB 49.27, 6.46, 7.33

 

CMYK 9 / 2 / 0 / 51

HEX #727A7D

RGB 114 122 125

HSL 196.36, 0.05%, 0.47%

LAB 50.66, -2.34, -2.67

 

CMYK 34 / 10 / 0 / 44

HEX #5F8290

RGB 95 130 144

HSL 197.14, 0.21%, 0.47%

LAB 52.3, -8.67, -11.5

 

CMYK 0 / 61 / 46 / 33

HEX #AC435D

RGB 172 67 93

HSL 345.14, 0.44%, 0.47%

LAB 43.62, 45.28, 7.25

 

CMYK 0 / 60 / 61 / 33

HEX #AC4443

RGB 172 68 67

HSL 0.57, 0.44%, 0.47%

LAB 43.23, 42.57, 22.69

 

CMYK 0 / 44 / 61 / 33

HEX #AC6043

RGB 172 96 67

HSL 16.57, 0.44%, 0.47%

LAB 48.94, 28.07, 29.88

 

CMYK 0 / 27 / 61 / 33

HEX #AC7D43

RGB 172 125 67

HSL 33.14, 0.44%, 0.47%

LAB 55.93, 11.84, 38.29

 

CMYK 0 / 11 / 61 / 33

HEX #AC9943

RGB 172 153 67

HSL 49.14, 0.44%, 0.47%

LAB 63.31, -3.63, 46.72

 

CMYK 0 / 44 / 61 / 56

HEX #713F2C

RGB 113 63 44

HSL 16.52, 0.44%, 0.31%

LAB 32.36, 19.79, 21

 

CMYK 0 / 44 / 61 / 44

HEX #8E5037

RGB 142 80 55

HSL 17.24, 0.44%, 0.39%

LAB 40.84, 23.48, 25.86

 

CMYK 0 / 44 / 61 / 33

HEX #AC6143

RGB 172 97 67

HSL 17.14, 0.44%, 0.47%

LAB 49.16, 27.52, 30.16

 

CMYK 0 / 38 / 53 / 25

HEX #BE765A

RGB 190 118 90

HSL 16.8, 0.43%, 0.55%

LAB 56.73, 25.29, 27.23

 

CMYK 0 / 29 / 41 / 21

HEX #CA8F77

RGB 202 143 119

HSL 17.35, 0.44%, 0.63%

LAB 64.59, 19.38, 21.68

 

CMYK 0 / 43 / 61 / 32

HEX #AD6244

RGB 173 98 68

HSL 17.14, 0.44%, 0.47%

LAB 49.54, 27.46, 30.09

 

CMYK 30 / 0 / 61 / 33

HEX #79AC43

RGB 121 172 67

HSL 89.14, 0.44%, 0.47%

LAB 64.94, -34.4, 47.49

 

CMYK 61 / 54 / 0 / 33

HEX #434FAC

RGB 67 79 172

HSL 233.14, 0.44%, 0.47%

LAB 37.42, 24.42, -51.45

 

CMYK 0 / 43 / 61 / 32

HEX #AD6244

RGB 173 98 68

HSL 17.14, 0.44%, 0.47%

LAB 49.54, 27.46, 30.09

 

CMYK 61 / 0 / 44 / 33

HEX #43AC60

RGB 67 172 96

HSL 136.57, 0.44%, 0.47%

LAB 62.96, -47.09, 30.29

 

CMYK 44 / 61 / 0 / 33

HEX #6043AC

RGB 96 67 172

HSL 256.57, 0.44%, 0.47%

LAB 36.89, 37.81, -52.17

 

CMYK 0 / 43 / 61 / 32

HEX #AD6244

RGB 173 98 68

HSL 17.14, 0.44%, 0.47%

LAB 49.54, 27.46, 30.09

 

CMYK 30 / 0 / 61 / 33

HEX #79AC43

RGB 121 172 67

HSL 89.14, 0.44%, 0.47%

LAB 64.94, -34.4, 47.49

 

CMYK 61 / 17 / 0 / 33

HEX #438EAC

RGB 67 142 172

HSL 197.14, 0.44%, 0.47%

LAB 55.6, -14.06, -22.76

 

CMYK 31 / 61 / 0 / 33

HEX #7643AC

RGB 118 67 172

HSL 269.14, 0.44%, 0.47%

LAB 39.32, 42.86, -48.14

 

CMYK 0 / 43 / 61 / 32

HEX #AD6244

RGB 173 98 68

HSL 17.14, 0.44%, 0.47%

LAB 49.54, 27.46, 30.09

 

CMYK 48 / 0 / 61 / 33

HEX #59AC43

RGB 89 172 67

HSL 107.43, 0.44%, 0.47%

LAB 63.37, -45.29, 45.29

 

CMYK 61 / 17 / 0 / 33

HEX #438EAC

RGB 67 142 172

HSL 197.14, 0.44%, 0.47%

LAB 55.6, -14.06, -22.76

 

CMYK 13 / 61 / 0 / 33

HEX #9543AC

RGB 149 67 172

HSL 286.86, 0.44%, 0.47%

LAB 43.33, 50.54, -41.49

 

Description

Color code: HEX #AD6244 | qconv.com Color code: HEX #AD6244 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 98 green and 68 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 98 68 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 43 magenta, 61 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 43% 61% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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