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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD563E it is the complementary color #52A9C1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD563E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD563E shade: #B25639, #C3684C, #D47A5F, #E58C72 and #F69E85

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD563E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD563E shade: #AD563E, #9C442B, #8B3218, #7A2005 and #690E00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD563E shade: #AC563E and #AC3E3E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD563E shade: #AC563E, #AC733E, #AC913E, #A9AC3E and #8BAC3E

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD563E shade matches the following richer shades: #AC563E, #BF4B2B, #D24018 and #E53505

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD563E shade: #AC563E, #996051, #866B64, #737677 and #60818A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD563E shade: #AC3E62, #AC3E45, #AC543E, #AC713E and #AC8F3E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD563E shade: #6F3728, #8E4633, #AC563E, #C06A52 and #CB8471

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD563E shade: #AD563E, #80AC3E and #3E54AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD563E shade: #AD563E, #3EAC54 and #543EAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD563E shade: #AD563E, #80AC3E, #3E96AC and #6A3EAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD563E shade: #AD563E, #5FAC3E, #3E96AC and #8B3EAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 50 / 64 / 32

HEX #AD563E

RGB 173 86 62

HSL 12.97, 0.47%, 0.46%

LAB 46.83, 33.52, 30.18

 

Complementary color

CMYK 58 / 12 / 0 / 24

HEX #52A9C1

RGB 82 169 193

HSL 192.97, 0.47%, 0.54%

LAB 64.98, -19.18, -20.22

 

CMYK 0 / 52 / 68 / 30

HEX #B25639

RGB 178 86 57

HSL 14.38, 0.51%, 0.46%

LAB 47.52, 35.19, 34.01

 

CMYK 0 / 47 / 61 / 24

HEX #C3684C

RGB 195 104 76

HSL 14.12, 0.5%, 0.53%

LAB 54.05, 33.73, 31.85

 

CMYK 0 / 42 / 55 / 17

HEX #D47A5F

RGB 212 122 95

HSL 13.85, 0.58%, 0.6%

LAB 60.55, 32.38, 29.93

 

CMYK 0 / 39 / 50 / 10

HEX #E58C72

RGB 229 140 114

HSL 13.57, 0.69%, 0.67%

LAB 67, 31.16, 28.22

 

CMYK 0 / 36 / 46 / 4

HEX #F69E85

RGB 246 158 133

HSL 13.27, 0.86%, 0.74%

LAB 73.38, 30.06, 26.69

 

CMYK 0 / 50 / 64 / 32

HEX #AD563E

RGB 173 86 62

HSL 12.97, 0.47%, 0.46%

LAB 46.83, 33.52, 30.18

 

CMYK 0 / 56 / 72 / 39

HEX #9C442B

RGB 156 68 43

HSL 13.27, 0.57%, 0.39%

LAB 40.21, 35.03, 32.56

 

CMYK 0 / 64 / 83 / 45

HEX #8B3218

RGB 139 50 24

HSL 13.57, 0.71%, 0.32%

LAB 33.64, 36.54, 35.14

 

CMYK 0 / 74 / 96 / 52

HEX #7A2005

RGB 122 32 5

HSL 13.85, 0.92%, 0.25%

LAB 27.25, 37.8, 37.08

 

CMYK 0 / 87 / 100 / 59

HEX #690E00

RGB 105 14 0

HSL 8, 1%, 0.21%

LAB 21.27, 38.24, 32.03

 

CMYK 0 / 50 / 64 / 33

HEX #AC563E

RGB 172 86 62

HSL 13.09, 0.47%, 0.46%

LAB 46.68, 33.12, 29.96

 

CMYK 0 / 64 / 64 / 33

HEX #AC3E3E

RGB 172 62 62

HSL 0, 0.47%, 0.46%

LAB 42.1, 45, 24.28

 

CMYK 0 / 50 / 64 / 33

HEX #AC563E

RGB 172 86 62

HSL 13.09, 0.47%, 0.46%

LAB 46.68, 33.12, 29.96

 

CMYK 0 / 33 / 64 / 33

HEX #AC733E

RGB 172 115 62

HSL 28.91, 0.47%, 0.46%

LAB 53.36, 17.11, 37.9

 

CMYK 0 / 16 / 64 / 33

HEX #AC913E

RGB 172 145 62

HSL 45.27, 0.47%, 0.46%

LAB 61.11, 0.37, 46.63

 

CMYK 2 / 0 / 64 / 33

HEX #A9AC3E

RGB 169 172 62

HSL 61.64, 0.47%, 0.46%

LAB 68.23, -15.29, 54.21

 

CMYK 19 / 0 / 64 / 33

HEX #8BAC3E

RGB 139 172 62

HSL 78, 0.47%, 0.46%

LAB 66.01, -27.82, 51.18

 

CMYK 0 / 50 / 64 / 33

HEX #AC563E

RGB 172 86 62

HSL 13.09, 0.47%, 0.46%

LAB 46.68, 33.12, 29.96

 

CMYK 0 / 61 / 77 / 25

HEX #BF4B2B

RGB 191 75 43

HSL 12.97, 0.63%, 0.46%

LAB 47.34, 44.91, 41.96

 

CMYK 0 / 70 / 89 / 18

HEX #D24018

RGB 210 64 24

HSL 12.9, 0.79%, 0.46%

LAB 48.8, 55.64, 53.24

 

CMYK 0 / 77 / 98 / 10

HEX #E53505

RGB 229 53 5

HSL 12.86, 0.96%, 0.46%

LAB 50.94, 65.06, 61.94

 

CMYK 0 / 50 / 64 / 33

HEX #AC563E

RGB 172 86 62

HSL 13.09, 0.47%, 0.46%

LAB 46.68, 33.12, 29.96

 

CMYK 0 / 37 / 47 / 40

HEX #996051

RGB 153 96 81

HSL 12.5, 0.31%, 0.46%

LAB 46.62, 21.43, 18.25

 

CMYK 0 / 20 / 25 / 47

HEX #866B64

RGB 134 107 100

HSL 12.35, 0.15%, 0.46%

LAB 47.63, 9.59, 7.98

 

CMYK 3 / 1 / 0 / 53

HEX #737677

RGB 115 118 119

HSL 195, 0.02%, 0.46%

LAB 49.42, -0.92, -0.95

 

CMYK 30 / 7 / 0 / 46

HEX #60818A

RGB 96 129 138

HSL 192.86, 0.18%, 0.46%

LAB 51.86, -9.36, -8.65

 

CMYK 0 / 64 / 43 / 33

HEX #AC3E62

RGB 172 62 98

HSL 340.36, 0.47%, 0.46%

LAB 42.91, 48.06, 3.14

 

CMYK 0 / 64 / 60 / 33

HEX #AC3E45

RGB 172 62 69

HSL 356.18, 0.47%, 0.46%

LAB 42.22, 45.48, 20.16

 

CMYK 0 / 51 / 64 / 33

HEX #AC543E

RGB 172 84 62

HSL 12, 0.47%, 0.46%

LAB 46.26, 34.18, 29.45

 

CMYK 0 / 34 / 64 / 33

HEX #AC713E

RGB 172 113 62

HSL 27.82, 0.47%, 0.46%

LAB 52.87, 18.24, 37.33

 

CMYK 0 / 17 / 64 / 33

HEX #AC8F3E

RGB 172 143 62

HSL 44.18, 0.47%, 0.46%

LAB 60.57, 1.47, 46.05

 

CMYK 0 / 50 / 64 / 56

HEX #6F3728

RGB 111 55 40

HSL 12.68, 0.47%, 0.3%

LAB 30.07, 23.29, 20.55

 

CMYK 0 / 51 / 64 / 44

HEX #8E4633

RGB 142 70 51

HSL 12.53, 0.47%, 0.38%

LAB 38.5, 28.79, 25.34

 

CMYK 0 / 50 / 64 / 33

HEX #AC563E

RGB 172 86 62

HSL 13.09, 0.47%, 0.46%

LAB 46.68, 33.12, 29.96

 

CMYK 0 / 45 / 57 / 25

HEX #C06A52

RGB 192 106 82

HSL 13.09, 0.47%, 0.54%

LAB 54.16, 31.92, 28.51

 

CMYK 0 / 35 / 44 / 20

HEX #CB8471

RGB 203 132 113

HSL 12.67, 0.46%, 0.62%

LAB 61.99, 25.13, 21.54

 

CMYK 0 / 50 / 64 / 32

HEX #AD563E

RGB 173 86 62

HSL 12.97, 0.47%, 0.46%

LAB 46.83, 33.52, 30.18

 

CMYK 26 / 0 / 64 / 33

HEX #80AC3E

RGB 128 172 62

HSL 84, 0.47%, 0.46%

LAB 65.31, -32.17, 50.22

 

CMYK 64 / 51 / 0 / 33

HEX #3E54AC

RGB 62 84 172

HSL 228, 0.47%, 0.46%

LAB 38.45, 20.26, -49.79

 

CMYK 0 / 50 / 64 / 32

HEX #AD563E

RGB 173 86 62

HSL 12.97, 0.47%, 0.46%

LAB 46.83, 33.52, 30.18

 

CMYK 64 / 0 / 51 / 33

HEX #3EAC54

RGB 62 172 84

HSL 132, 0.47%, 0.46%

LAB 62.65, -50.08, 36.03

 

CMYK 51 / 64 / 0 / 33

HEX #543EAC

RGB 84 62 172

HSL 252, 0.47%, 0.46%

LAB 34.62, 38.28, -55.92

 

CMYK 0 / 50 / 64 / 32

HEX #AD563E

RGB 173 86 62

HSL 12.97, 0.47%, 0.46%

LAB 46.83, 33.52, 30.18

 

CMYK 26 / 0 / 64 / 33

HEX #80AC3E

RGB 128 172 62

HSL 84, 0.47%, 0.46%

LAB 65.31, -32.17, 50.22

 

CMYK 64 / 13 / 0 / 33

HEX #3E96AC

RGB 62 150 172

HSL 192, 0.47%, 0.46%

LAB 57.86, -19.3, -19.32

 

CMYK 38 / 64 / 0 / 33

HEX #6A3EAC

RGB 106 62 172

HSL 264, 0.47%, 0.46%

LAB 36.91, 42.83, -52.1

 

CMYK 0 / 50 / 64 / 32

HEX #AD563E

RGB 173 86 62

HSL 12.97, 0.47%, 0.46%

LAB 46.83, 33.52, 30.18

 

CMYK 45 / 0 / 64 / 33

HEX #5FAC3E

RGB 95 172 62

HSL 102, 0.47%, 0.46%

LAB 63.58, -43.93, 47.83

 

CMYK 64 / 13 / 0 / 33

HEX #3E96AC

RGB 62 150 172

HSL 192, 0.47%, 0.46%

LAB 57.86, -19.3, -19.32

 

CMYK 19 / 64 / 0 / 33

HEX #8B3EAC

RGB 139 62 172

HSL 282, 0.47%, 0.46%

LAB 41.08, 50.46, -45.17

 

Description

Color code: HEX #AD563E | qconv.com Color code: HEX #AD563E | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 86 green and 62 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 86 62 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 50 magenta, 64 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 50% 64% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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