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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD3D93 it is the complementary color #52C26C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD3D93. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD3D93 shade: #B23D8E, #C34FA1, #D461B4, #E573C7 and #F685DA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD3D93. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD3D93 shade: #AD3D93, #9C2B80, #8B196D, #7A075A and #690047

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD3D93 shade: #AD3C93, #AD3C75, #AD3C56 and #AD3C3C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD3D93 shade: #AD3C93, #A93CAD, #8B3CAD, #6C3CAD and #4E3CAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD3D93 shade matches the following richer shades: #AD3C93, #C02A9D, #D317A7 and #E604B1

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD3D93 shade: #AD3C93, #9A4F89, #87627F, #747574 and #61886A

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD3D93 shade: #893CAD, #A73CAD, #AD3C95, #AD3C77 and #AD3C59

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD3D93 shade: #70275F, #8F3279, #AD3C93, #C251A8 and #CC70B7

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD3D93 shade: #AD3D93, #AD6B3C and #3CAD98

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD3D93 shade: #AD3D93, #95AD3C and #3C95AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD3D93 shade: #AD3D93, #AD6B3C, #3CAD55 and #3C7EAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD3D93 shade: #AD3D93, #AD8D3C, #3CAD55 and #3C5CAD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 65 / 15 / 32

HEX #AD3D93

RGB 173 61 147

HSL 313.93, 0.48%, 0.46%

LAB 44.7, 55.13, -24.17

 

Complementary color

CMYK 58 / 0 / 44 / 24

HEX #52C26C

RGB 82 194 108

HSL 133.93, 0.48%, 0.54%

LAB 70.5, -50.44, 33.86

 

CMYK 0 / 66 / 20 / 30

HEX #B23D8E

RGB 178 61 142

HSL 318.46, 0.49%, 0.47%

LAB 45.3, 55.77, -20.16

 

CMYK 0 / 59 / 17 / 24

HEX #C34FA1

RGB 195 79 161

HSL 317.59, 0.49%, 0.54%

LAB 51.57, 55.61, -21.61

 

CMYK 0 / 54 / 15 / 17

HEX #D461B4

RGB 212 97 180

HSL 316.7, 0.57%, 0.61%

LAB 57.89, 55.17, -22.76

 

CMYK 0 / 50 / 13 / 10

HEX #E573C7

RGB 229 115 199

HSL 315.79, 0.69%, 0.67%

LAB 64.2, 54.57, -23.71

 

CMYK 0 / 46 / 11 / 4

HEX #F685DA

RGB 246 133 218

HSL 314.87, 0.86%, 0.74%

LAB 70.48, 53.9, -24.51

 

CMYK 0 / 65 / 15 / 32

HEX #AD3D93

RGB 173 61 147

HSL 313.93, 0.48%, 0.46%

LAB 44.7, 55.13, -24.17

 

CMYK 0 / 72 / 18 / 39

HEX #9C2B80

RGB 156 43 128

HSL 314.87, 0.57%, 0.39%

LAB 38.47, 54.82, -22.45

 

CMYK 0 / 82 / 22 / 45

HEX #8B196D

RGB 139 25 109

HSL 315.79, 0.7%, 0.32%

LAB 32.45, 53.66, -20.09

 

CMYK 0 / 94 / 26 / 52

HEX #7A075A

RGB 122 7 90

HSL 316.7, 0.89%, 0.25%

LAB 26.81, 51.09, -16.78

 

CMYK 0 / 100 / 32 / 59

HEX #690047

RGB 105 0 71

HSL 319.43, 1%, 0.21%

LAB 21.79, 46.31, -12.04

 

CMYK 0 / 65 / 15 / 32

HEX #AD3C93

RGB 173 60 147

HSL 313.81, 0.48%, 0.46%

LAB 44.55, 55.54, -24.4

 

CMYK 0 / 65 / 32 / 32

HEX #AD3C75

RGB 173 60 117

HSL 329.73, 0.48%, 0.46%

LAB 43.36, 51.41, -7.93

 

CMYK 0 / 65 / 50 / 32

HEX #AD3C56

RGB 173 60 86

HSL 346.19, 0.48%, 0.46%

LAB 42.44, 48.09, 9.96

 

CMYK 0 / 65 / 65 / 32

HEX #AD3C3C

RGB 173 60 60

HSL 0, 0.48%, 0.46%

LAB 41.91, 46.11, 25.29

 

CMYK 0 / 65 / 15 / 32

HEX #AD3C93

RGB 173 60 147

HSL 313.81, 0.48%, 0.46%

LAB 44.55, 55.54, -24.4

 

CMYK 2 / 65 / 0 / 32

HEX #A93CAD

RGB 169 60 173

HSL 297.88, 0.48%, 0.46%

LAB 45.2, 58.78, -38.94

 

CMYK 20 / 65 / 0 / 32

HEX #8B3CAD

RGB 139 60 173

HSL 281.95, 0.48%, 0.46%

LAB 40.8, 51.62, -46.21

 

CMYK 38 / 65 / 0 / 32

HEX #6C3CAD

RGB 108 60 173

HSL 265.49, 0.48%, 0.46%

LAB 36.81, 44.61, -52.83

 

CMYK 55 / 65 / 0 / 32

HEX #4E3CAD

RGB 78 60 173

HSL 249.56, 0.48%, 0.46%

LAB 33.71, 38.65, -58.02

 

CMYK 0 / 65 / 15 / 32

HEX #AD3C93

RGB 173 60 147

HSL 313.81, 0.48%, 0.46%

LAB 44.55, 55.54, -24.4

 

CMYK 0 / 78 / 18 / 25

HEX #C02A9D

RGB 192 42 157

HSL 314, 0.64%, 0.46%

LAB 46.04, 67.85, -27.84

 

CMYK 0 / 89 / 21 / 17

HEX #D317A7

RGB 211 23 167

HSL 314.04, 0.8%, 0.46%

LAB 48.58, 77.1, -29.58

 

CMYK 0 / 98 / 23 / 10

HEX #E604B1

RGB 230 4 177

HSL 314.07, 0.97%, 0.46%

LAB 51.93, 83.79, -29.99

 

CMYK 0 / 65 / 15 / 32

HEX #AD3C93

RGB 173 60 147

HSL 313.81, 0.48%, 0.46%

LAB 44.55, 55.54, -24.4

 

CMYK 0 / 49 / 11 / 40

HEX #9A4F89

RGB 154 79 137

HSL 313.6, 0.32%, 0.46%

LAB 44.62, 39.25, -18.5

 

CMYK 0 / 27 / 6 / 47

HEX #87627F

RGB 135 98 127

HSL 312.97, 0.16%, 0.46%

LAB 46.2, 20.03, -10.28

 

CMYK 1 / 0 / 1 / 54

HEX #747574

RGB 116 117 116

HSL 120, 0%, 0.46%

LAB 49.13, -0.58, 0.41

 

CMYK 29 / 0 / 22 / 47

HEX #61886A

RGB 97 136 106

HSL 133.85, 0.17%, 0.46%

LAB 53.16, -20.1, 11.83

 

CMYK 21 / 65 / 0 / 32

HEX #893CAD

RGB 137 60 173

HSL 280.88, 0.48%, 0.46%

LAB 40.52, 51.15, -46.67

 

CMYK 3 / 65 / 0 / 32

HEX #A73CAD

RGB 167 60 173

HSL 296.81, 0.48%, 0.46%

LAB 44.89, 58.3, -39.44

 

CMYK 0 / 65 / 14 / 32

HEX #AD3C95

RGB 173 60 149

HSL 312.74, 0.48%, 0.46%

LAB 44.64, 55.85, -25.46

 

CMYK 0 / 65 / 31 / 32

HEX #AD3C77

RGB 173 60 119

HSL 328.67, 0.48%, 0.46%

LAB 43.43, 51.66, -9.06

 

CMYK 0 / 65 / 49 / 32

HEX #AD3C59

RGB 173 60 89

HSL 344.6, 0.48%, 0.46%

LAB 42.52, 48.37, 8.2

 

CMYK 0 / 65 / 15 / 56

HEX #70275F

RGB 112 39 95

HSL 313.97, 0.48%, 0.3%

LAB 28.7, 39.15, -17.28

 

CMYK 0 / 65 / 15 / 44

HEX #8F3279

RGB 143 50 121

HSL 314.19, 0.48%, 0.38%

LAB 36.93, 47.46, -20.66

 

CMYK 0 / 65 / 15 / 32

HEX #AD3C93

RGB 173 60 147

HSL 313.81, 0.48%, 0.46%

LAB 44.55, 55.54, -24.4

 

CMYK 0 / 58 / 13 / 24

HEX #C251A8

RGB 194 81 168

HSL 313.81, 0.48%, 0.54%

LAB 52.04, 55.49, -25.01

 

CMYK 0 / 45 / 10 / 20

HEX #CC70B7

RGB 204 112 183

HSL 313.7, 0.47%, 0.62%

LAB 59.75, 45.82, -21.73

 

CMYK 0 / 65 / 15 / 32

HEX #AD3D93

RGB 173 61 147

HSL 313.93, 0.48%, 0.46%

LAB 44.7, 55.13, -24.17

 

CMYK 0 / 38 / 65 / 32

HEX #AD6B3C

RGB 173 107 60

HSL 24.96, 0.48%, 0.46%

LAB 51.53, 21.9, 36.86

 

CMYK 65 / 0 / 12 / 32

HEX #3CAD98

RGB 60 173 152

HSL 168.85, 0.48%, 0.46%

LAB 64.25, -36.73, 1.48

 

CMYK 0 / 65 / 15 / 32

HEX #AD3D93

RGB 173 61 147

HSL 313.93, 0.48%, 0.46%

LAB 44.7, 55.13, -24.17

 

CMYK 14 / 0 / 65 / 32

HEX #95AD3C

RGB 149 173 60

HSL 72.74, 0.48%, 0.46%

LAB 66.98, -24.36, 53.26

 

CMYK 65 / 14 / 0 / 32

HEX #3C95AD

RGB 60 149 173

HSL 192.74, 0.48%, 0.46%

LAB 57.53, -18.8, -20.4

 

CMYK 0 / 65 / 15 / 32

HEX #AD3D93

RGB 173 61 147

HSL 313.93, 0.48%, 0.46%

LAB 44.7, 55.13, -24.17

 

CMYK 0 / 38 / 65 / 32

HEX #AD6B3C

RGB 173 107 60

HSL 24.96, 0.48%, 0.46%

LAB 51.53, 21.9, 36.86

 

CMYK 65 / 0 / 51 / 32

HEX #3CAD55

RGB 60 173 85

HSL 133.27, 0.48%, 0.46%

LAB 62.93, -50.73, 35.86

 

CMYK 65 / 27 / 0 / 32

HEX #3C7EAD

RGB 60 126 173

HSL 204.96, 0.48%, 0.46%

LAB 50.57, -5.96, -31.15

 

CMYK 0 / 65 / 15 / 32

HEX #AD3D93

RGB 173 61 147

HSL 313.93, 0.48%, 0.46%

LAB 44.7, 55.13, -24.17

 

CMYK 0 / 18 / 65 / 32

HEX #AD8D3C

RGB 173 141 60

HSL 43.01, 0.48%, 0.46%

LAB 60.12, 2.88, 46.53

 

CMYK 65 / 0 / 51 / 32

HEX #3CAD55

RGB 60 173 85

HSL 133.27, 0.48%, 0.46%

LAB 62.93, -50.73, 35.86

 

CMYK 65 / 47 / 0 / 32

HEX #3C5CAD

RGB 60 92 173

HSL 223.01, 0.48%, 0.46%

LAB 40.63, 15.07, -46.89

 

Description

Color code: HEX #AD3D93 | qconv.com Color code: HEX #AD3D93 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 61 green and 147 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 61 147 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 65 magenta, 15 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 65% 15% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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