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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD2375 it is the complementary color #52DC8A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD2375. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD2375 shade: #B22370, #C33583, #D44796, #E559A9 and #F66BBC

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD2375. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD2375 shade: #AD2375, #9C1162, #8B004F, #7A003C and #690029

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD2375 shade: #AD2375, #AD2350, #AD232B and #AD2323

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD2375 shade: #AD2375, #AD239A, #9B23AD, #7523AD and #5023AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD2375 shade matches the following richer shades: #AD2375, #BE1278 and #CF017B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD2375 shade: #AD2375, #9C3472, #8B456F, #7A566B and #696768

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD2375 shade: #9B23AD, #AD239B, #AD2376, #AD2351 and #AD232C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD2375 shade: #691547, #8B1C5E, #AD2375, #CF2A8C and #D9499F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD2375 shade: #AD2375, #AD7623 and #23ADAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD2375 shade: #AD2375, #76AD23 and #2376AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD2375 shade: #AD2375, #AD7623, #23AD5A and #235AAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD2375 shade: #AD2375, #AD9F23, #23AD5A and #2331AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 80 / 32 / 32

HEX #AD2375

RGB 173 35 117

HSL 324.35, 0.66%, 0.41%

LAB 40.2, 60.26, -12.7

 

Complementary color

CMYK 63 / 0 / 37 / 14

HEX #52DC8A

RGB 82 220 138

HSL 144.35, 0.66%, 0.59%

LAB 78.93, -55.45, 29.54

 

CMYK 0 / 80 / 37 / 30

HEX #B22370

RGB 178 35 112

HSL 327.69, 0.67%, 0.42%

LAB 40.96, 60.96, -8.34

 

CMYK 0 / 73 / 33 / 24

HEX #C33583

RGB 195 53 131

HSL 327.04, 0.57%, 0.49%

LAB 46.69, 61.97, -11.11

 

CMYK 0 / 67 / 29 / 17

HEX #D44796

RGB 212 71 150

HSL 326.38, 0.62%, 0.55%

LAB 52.63, 62.27, -13.27

 

CMYK 0 / 61 / 26 / 10

HEX #E559A9

RGB 229 89 169

HSL 325.71, 0.73%, 0.62%

LAB 58.67, 62.14, -15

 

CMYK 0 / 57 / 24 / 4

HEX #F66BBC

RGB 246 107 188

HSL 325.04, 0.89%, 0.69%

LAB 64.75, 61.75, -16.42

 

CMYK 0 / 80 / 32 / 32

HEX #AD2375

RGB 173 35 117

HSL 324.35, 0.66%, 0.41%

LAB 40.2, 60.26, -12.7

 

CMYK 0 / 89 / 37 / 39

HEX #9C1162

RGB 156 17 98

HSL 325.04, 0.8%, 0.34%

LAB 34.7, 58.19, -9.31

 

CMYK 0 / 100 / 43 / 45

HEX #8B004F

RGB 139 0 79

HSL 325.9, 1%, 0.27%

LAB 29.55, 54.92, -4.99

 

CMYK 0 / 100 / 51 / 52

HEX #7A003C

RGB 122 0 60

HSL 330.49, 1%, 0.24%

LAB 25.15, 49.19, 0.94

 

CMYK 0 / 100 / 61 / 59

HEX #690029

RGB 105 0 41

HSL 336.57, 1%, 0.21%

LAB 20.69, 43.42, 7.33

 

CMYK 0 / 80 / 32 / 32

HEX #AD2375

RGB 173 35 117

HSL 324.35, 0.66%, 0.41%

LAB 40.2, 60.26, -12.7

 

CMYK 0 / 80 / 54 / 32

HEX #AD2350

RGB 173 35 80

HSL 340.43, 0.66%, 0.41%

LAB 39.01, 56.68, 8.93

 

CMYK 0 / 80 / 75 / 32

HEX #AD232B

RGB 173 35 43

HSL 356.52, 0.66%, 0.41%

LAB 38.31, 54.48, 31.26

 

CMYK 0 / 80 / 80 / 32

HEX #AD2323

RGB 173 35 35

HSL 0, 0.66%, 0.41%

LAB 38.21, 54.19, 35.84

 

CMYK 0 / 80 / 32 / 32

HEX #AD2375

RGB 173 35 117

HSL 324.35, 0.66%, 0.41%

LAB 40.2, 60.26, -12.7

 

CMYK 0 / 80 / 11 / 32

HEX #AD239A

RGB 173 35 154

HSL 308.26, 0.66%, 0.41%

LAB 41.88, 65.1, -32.8

 

CMYK 10 / 80 / 0 / 32

HEX #9B23AD

RGB 155 35 173

HSL 292.17, 0.66%, 0.41%

LAB 39.89, 64.49, -47.53

 

CMYK 32 / 80 / 0 / 32

HEX #7523AD

RGB 117 35 173

HSL 275.65, 0.66%, 0.41%

LAB 33.99, 57.6, -57.37

 

CMYK 54 / 80 / 0 / 32

HEX #5023AD

RGB 80 35 173

HSL 259.57, 0.66%, 0.41%

LAB 29.22, 52.04, -65.36

 

CMYK 0 / 80 / 32 / 32

HEX #AD2375

RGB 173 35 117

HSL 324.35, 0.66%, 0.41%

LAB 40.2, 60.26, -12.7

 

CMYK 0 / 91 / 37 / 25

HEX #BE1278

RGB 190 18 120

HSL 324.42, 0.83%, 0.41%

LAB 42.36, 68.12, -10.98

 

CMYK 0 / 100 / 41 / 19

HEX #CF017B

RGB 207 1 123

HSL 324.47, 0.99%, 0.41%

LAB 45.24, 73.85, -8.16

 

CMYK 0 / 80 / 32 / 32

HEX #AD2375

RGB 173 35 117

HSL 324.35, 0.66%, 0.41%

LAB 40.2, 60.26, -12.7

 

CMYK 0 / 67 / 27 / 39

HEX #9C3472

RGB 156 52 114

HSL 324.23, 0.5%, 0.41%

LAB 39.14, 49.34, -12.73

 

CMYK 0 / 50 / 20 / 45

HEX #8B456F

RGB 139 69 111

HSL 324, 0.34%, 0.41%

LAB 39.4, 35.23, -10.72

 

CMYK 0 / 30 / 12 / 52

HEX #7A566B

RGB 122 86 107

HSL 325, 0.17%, 0.41%

LAB 40.98, 18.48, -6.09

 

CMYK 0 / 2 / 1 / 59

HEX #696768

RGB 105 103 104

HSL 330, 0.01%, 0.41%

LAB 43.8, 0.99, -0.29

 

CMYK 10 / 80 / 0 / 32

HEX #9B23AD

RGB 155 35 173

HSL 292.17, 0.66%, 0.41%

LAB 39.89, 64.49, -47.53

 

CMYK 0 / 80 / 10 / 32

HEX #AD239B

RGB 173 35 155

HSL 307.83, 0.66%, 0.41%

LAB 41.93, 65.25, -33.32

 

CMYK 0 / 80 / 32 / 32

HEX #AD2376

RGB 173 35 118

HSL 323.91, 0.66%, 0.41%

LAB 40.24, 60.37, -13.26

 

CMYK 0 / 80 / 53 / 32

HEX #AD2351

RGB 173 35 81

HSL 340, 0.66%, 0.41%

LAB 39.04, 56.76, 8.33

 

CMYK 0 / 80 / 75 / 32

HEX #AD232C

RGB 173 35 44

HSL 356.09, 0.66%, 0.41%

LAB 38.32, 54.53, 30.67

 

CMYK 0 / 80 / 32 / 59

HEX #691547

RGB 105 21 71

HSL 324.29, 0.67%, 0.25%

LAB 23.65, 40.95, -9.2

 

CMYK 0 / 80 / 32 / 45

HEX #8B1C5E

RGB 139 28 94

HSL 324.32, 0.66%, 0.33%

LAB 32.1, 50.85, -11

 

CMYK 0 / 80 / 32 / 32

HEX #AD2375

RGB 173 35 117

HSL 324.35, 0.66%, 0.41%

LAB 40.2, 60.26, -12.7

 

CMYK 0 / 80 / 32 / 19

HEX #CF2A8C

RGB 207 42 140

HSL 324.36, 0.66%, 0.49%

LAB 48.03, 69.28, -14.33

 

CMYK 0 / 66 / 27 / 15

HEX #D9499F

RGB 217 73 159

HSL 324.17, 0.65%, 0.57%

LAB 54.05, 63.99, -16.35

 

CMYK 0 / 80 / 32 / 32

HEX #AD2375

RGB 173 35 117

HSL 324.35, 0.66%, 0.41%

LAB 40.2, 60.26, -12.7

 

CMYK 0 / 32 / 80 / 32

HEX #AD7623

RGB 173 118 35

HSL 36.09, 0.66%, 0.41%

LAB 53.99, 14.43, 51.2

 

CMYK 80 / 0 / 0 / 32

HEX #23ADAD

RGB 35 173 173

HSL 180, 0.66%, 0.41%

LAB 64.37, -34.05, -10.11

 

CMYK 0 / 80 / 32 / 32

HEX #AD2375

RGB 173 35 117

HSL 324.35, 0.66%, 0.41%

LAB 40.2, 60.26, -12.7

 

CMYK 32 / 0 / 80 / 32

HEX #76AD23

RGB 118 173 35

HSL 83.91, 0.66%, 0.41%

LAB 64.85, -38.2, 59.55

 

CMYK 80 / 32 / 0 / 32

HEX #2376AD

RGB 35 118 173

HSL 203.91, 0.66%, 0.41%

LAB 47.41, -4.83, -36.17

 

CMYK 0 / 80 / 32 / 32

HEX #AD2375

RGB 173 35 117

HSL 324.35, 0.66%, 0.41%

LAB 40.2, 60.26, -12.7

 

CMYK 0 / 32 / 80 / 32

HEX #AD7623

RGB 173 118 35

HSL 36.09, 0.66%, 0.41%

LAB 53.99, 14.43, 51.2

 

CMYK 80 / 0 / 48 / 32

HEX #23AD5A

RGB 35 173 90

HSL 143.91, 0.66%, 0.41%

LAB 62.49, -53.98, 32.66

 

CMYK 80 / 48 / 0 / 32

HEX #235AAD

RGB 35 90 173

HSL 216.09, 0.66%, 0.41%

LAB 39.05, 12.8, -49.48

 

CMYK 0 / 80 / 32 / 32

HEX #AD2375

RGB 173 35 117

HSL 324.35, 0.66%, 0.41%

LAB 40.2, 60.26, -12.7

 

CMYK 0 / 8 / 80 / 32

HEX #AD9F23

RGB 173 159 35

HSL 53.91, 0.66%, 0.41%

LAB 64.8, -8.11, 61.01

 

CMYK 80 / 0 / 48 / 32

HEX #23AD5A

RGB 35 173 90

HSL 143.91, 0.66%, 0.41%

LAB 62.49, -53.98, 32.66

 

CMYK 80 / 72 / 0 / 32

HEX #2331AD

RGB 35 49 173

HSL 233.91, 0.66%, 0.41%

LAB 28.3, 39.72, -67

 

Description

Color code: HEX #AD2375 | qconv.com Color code: HEX #AD2375 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 35 green and 117 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 35 117 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 80 magenta, 32 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 80% 32% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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