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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD29EA it is the complementary color #52D615. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD29EA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD29EA shade: #B229E5, #C33BF8, #D44DFF, #E55FFF and #F671FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD29EA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD29EA shade: #AD29EA, #9C17D7, #8B05C4, #7A00B1 and #69009E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD29EA shade: #AD29E9, #E029E9, #E929BE, #E9298B and #E92957

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD29EA shade: #AD29E9, #7929E9, #4529E9 and #2929E9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD29EA shade matches the following richer shades: #AD29E9 and #B416FC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD29EA shade: #AD29E9, #A63CD6, #9F4FC3, #9862B0 and #91759D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD29EA shade: #4629E9, #7929E9, #AC29E9, #E029E9 and #E929C0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD29EA shade: #7D11AF, #9815D5, #AD29E9, #BB4FED and #C974F1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD29EA shade: #AD29EA, #E9293F and #29E960

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD29EA shade: #AD29EA, #E9AC29 and #29E9AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD29EA shade: #AD29EA, #E9293F, #66E929 and #29E9D3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD29EA shade: #AD29EA, #E94C29, #66E929 and #29C6E9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 26 / 82 / 0 / 8

HEX #AD29EA

RGB 173 41 234

HSL 281.04, 0.82%, 0.54%

LAB 47.51, 77.24, -70.43

 

Complementary color

CMYK 62 / 0 / 90 / 16

HEX #52D615

RGB 82 214 21

HSL 101.04, 0.82%, 0.46%

LAB 76.03, -65.35, 71.91

 

CMYK 22 / 82 / 0 / 10

HEX #B229E5

RGB 178 41 229

HSL 283.72, 0.78%, 0.53%

LAB 47.89, 77.08, -66.94

 

CMYK 21 / 76 / 0 / 3

HEX #C33BF8

RGB 195 59 248

HSL 283.17, 0.93%, 0.6%

LAB 53.5, 78.26, -68.42

 

CMYK 17 / 70 / 0 / 0

HEX #D44DFF

RGB 212 77 255

HSL 285.51, 1%, 0.65%

LAB 58.53, 76.51, -64.07

 

CMYK 10 / 63 / 0 / 0

HEX #E55FFF

RGB 229 95 255

HSL 290.25, 1%, 0.69%

LAB 63.39, 73.06, -56.17

 

CMYK 4 / 56 / 0 / 0

HEX #F671FF

RGB 246 113 255

HSL 296.2, 1%, 0.72%

LAB 68.48, 69.41, -47.97

 

CMYK 26 / 82 / 0 / 8

HEX #AD29EA

RGB 173 41 234

HSL 281.04, 0.82%, 0.54%

LAB 47.51, 77.24, -70.43

 

CMYK 27 / 89 / 0 / 16

HEX #9C17D7

RGB 156 23 215

HSL 281.56, 0.81%, 0.47%

LAB 42.13, 75.17, -68.46

 

CMYK 29 / 97 / 0 / 23

HEX #8B05C4

RGB 139 5 196

HSL 282.09, 0.95%, 0.39%

LAB 37.08, 71.85, -65.79

 

CMYK 31 / 100 / 0 / 31

HEX #7A00B1

RGB 122 0 177

HSL 281.36, 1%, 0.35%

LAB 32.51, 66.78, -62.15

 

CMYK 34 / 100 / 0 / 38

HEX #69009E

RGB 105 0 158

HSL 279.87, 1%, 0.31%

LAB 28.04, 60.99, -58.1

 

CMYK 26 / 82 / 0 / 9

HEX #AD29E9

RGB 173 41 233

HSL 281.25, 0.81%, 0.54%

LAB 47.43, 77.05, -69.98

 

CMYK 4 / 82 / 0 / 9

HEX #E029E9

RGB 224 41 233

HSL 297.19, 0.81%, 0.54%

LAB 55.4, 85.5, -56.73

 

CMYK 0 / 82 / 18 / 9

HEX #E929BE

RGB 233 41 190

HSL 313.44, 0.81%, 0.54%

LAB 54.69, 81.2, -33.23

 

CMYK 0 / 82 / 40 / 9

HEX #E9298B

RGB 233 41 139

HSL 329.38, 0.81%, 0.54%

LAB 52.7, 75.6, -6.23

 

CMYK 0 / 82 / 63 / 9

HEX #E92957

RGB 233 41 87

HSL 345.63, 0.81%, 0.54%

LAB 51.38, 71.73, 23.32

 

CMYK 26 / 82 / 0 / 9

HEX #AD29E9

RGB 173 41 233

HSL 281.25, 0.81%, 0.54%

LAB 47.43, 77.05, -69.98

 

CMYK 48 / 82 / 0 / 9

HEX #7929E9

RGB 121 41 233

HSL 265, 0.81%, 0.54%

LAB 40.47, 69.92, -81.66

 

CMYK 70 / 82 / 0 / 9

HEX #4529E9

RGB 69 41 233

HSL 248.75, 0.81%, 0.54%

LAB 35.47, 65.05, -90.09

 

CMYK 82 / 82 / 0 / 9

HEX #2929E9

RGB 41 41 233

HSL 240, 0.81%, 0.54%

LAB 33.86, 63.54, -92.81

 

CMYK 26 / 82 / 0 / 9

HEX #AD29E9

RGB 173 41 233

HSL 281.25, 0.81%, 0.54%

LAB 47.43, 77.05, -69.98

 

CMYK 29 / 91 / 0 / 1

HEX #B416FC

RGB 180 22 252

HSL 281.22, 0.97%, 0.54%

LAB 48.64, 85.4, -78.65

 

CMYK 26 / 82 / 0 / 9

HEX #AD29E9

RGB 173 41 233

HSL 281.25, 0.81%, 0.54%

LAB 47.43, 77.05, -69.98

 

CMYK 22 / 72 / 0 / 16

HEX #A63CD6

RGB 166 60 214

HSL 281.3, 0.65%, 0.54%

LAB 47.23, 65.92, -59.55

 

CMYK 18 / 59 / 0 / 24

HEX #9F4FC3

RGB 159 79 195

HSL 281.38, 0.49%, 0.54%

LAB 48.14, 52, -47.21

 

CMYK 14 / 44 / 0 / 31

HEX #9862B0

RGB 152 98 176

HSL 281.54, 0.33%, 0.54%

LAB 50.15, 35.88, -33.05

 

CMYK 8 / 25 / 0 / 38

HEX #91759D

RGB 145 117 157

HSL 282, 0.17%, 0.54%

LAB 53.14, 18.55, -17.42

 

CMYK 70 / 82 / 0 / 9

HEX #4629E9

RGB 70 41 233

HSL 249.06, 0.81%, 0.54%

LAB 35.54, 65.12, -89.96

 

CMYK 48 / 82 / 0 / 9

HEX #7929E9

RGB 121 41 233

HSL 265, 0.81%, 0.54%

LAB 40.47, 69.92, -81.66

 

CMYK 26 / 82 / 0 / 9

HEX #AC29E9

RGB 172 41 233

HSL 280.94, 0.81%, 0.54%

LAB 47.29, 76.9, -70.23

 

CMYK 4 / 82 / 0 / 9

HEX #E029E9

RGB 224 41 233

HSL 297.19, 0.81%, 0.54%

LAB 55.4, 85.5, -56.73

 

CMYK 0 / 82 / 18 / 9

HEX #E929C0

RGB 233 41 192

HSL 312.81, 0.81%, 0.54%

LAB 54.78, 81.45, -34.24

 

CMYK 29 / 90 / 0 / 31

HEX #7D11AF

RGB 125 17 175

HSL 281.01, 0.82%, 0.38%

LAB 33.68, 64.19, -59.01

 

CMYK 29 / 90 / 0 / 16

HEX #9815D5

RGB 152 21 213

HSL 280.94, 0.82%, 0.46%

LAB 41.24, 74.6, -68.79

 

CMYK 26 / 82 / 0 / 9

HEX #AD29E9

RGB 173 41 233

HSL 281.25, 0.81%, 0.54%

LAB 47.43, 77.05, -69.98

 

CMYK 21 / 67 / 0 / 7

HEX #BB4FED

RGB 187 79 237

HSL 281.01, 0.81%, 0.62%

LAB 54.31, 67.12, -61.02

 

CMYK 17 / 52 / 0 / 5

HEX #C974F1

RGB 201 116 241

HSL 280.8, 0.82%, 0.7%

LAB 62.73, 53.82, -49.72

 

CMYK 26 / 82 / 0 / 8

HEX #AD29EA

RGB 173 41 234

HSL 281.04, 0.82%, 0.54%

LAB 47.51, 77.24, -70.43

 

CMYK 0 / 82 / 73 / 9

HEX #E9293F

RGB 233 41 63

HSL 353.13, 0.81%, 0.54%

LAB 51, 70.59, 37.11

 

CMYK 82 / 0 / 59 / 9

HEX #29E960

RGB 41 233 96

HSL 137.19, 0.81%, 0.54%

LAB 81.62, -72.33, 52.98

 

CMYK 26 / 82 / 0 / 8

HEX #AD29EA

RGB 173 41 234

HSL 281.04, 0.82%, 0.54%

LAB 47.51, 77.24, -70.43

 

CMYK 0 / 26 / 82 / 9

HEX #E9AC29

RGB 233 172 41

HSL 40.94, 0.81%, 0.54%

LAB 74.18, 11.54, 69.68

 

CMYK 82 / 0 / 26 / 9

HEX #29E9AC

RGB 41 233 172

HSL 160.94, 0.81%, 0.54%

LAB 82.77, -59.01, 17.06

 

CMYK 26 / 82 / 0 / 8

HEX #AD29EA

RGB 173 41 234

HSL 281.04, 0.82%, 0.54%

LAB 47.51, 77.24, -70.43

 

CMYK 0 / 82 / 73 / 9

HEX #E9293F

RGB 233 41 63

HSL 353.13, 0.81%, 0.54%

LAB 51, 70.59, 37.11

 

CMYK 56 / 0 / 82 / 9

HEX #66E929

RGB 102 233 41

HSL 100.94, 0.81%, 0.54%

LAB 82.52, -66.21, 73.77

 

CMYK 82 / 0 / 9 / 9

HEX #29E9D3

RGB 41 233 211

HSL 173.13, 0.81%, 0.54%

LAB 83.68, -49.39, -2.12

 

CMYK 26 / 82 / 0 / 8

HEX #AD29EA

RGB 173 41 234

HSL 281.04, 0.82%, 0.54%

LAB 47.51, 77.24, -70.43

 

CMYK 0 / 67 / 82 / 9

HEX #E94C29

RGB 233 76 41

HSL 10.94, 0.81%, 0.54%

LAB 54.71, 58.93, 52.56

 

CMYK 56 / 0 / 82 / 9

HEX #66E929

RGB 102 233 41

HSL 100.94, 0.81%, 0.54%

LAB 82.52, -66.21, 73.77

 

CMYK 82 / 15 / 0 / 9

HEX #29C6E9

RGB 41 198 233

HSL 190.94, 0.81%, 0.54%

LAB 74.02, -26.89, -28.38

 

Description

Color code: HEX #AD29EA | qconv.com Color code: HEX #AD29EA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 41 green and 234 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 41 234 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 26 cyan, 82 magenta, none yellow and 8 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
26% 82% 0% 8% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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