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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD134B it is the complementary color #52ECB4. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD134B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD134B shade: #B21346, #C32559, #D4376C, #E5497F and #F65B92

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD134B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD134B shade: #AD134B, #9C0138, #8B0025, #7A0012 and #690000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD134B shade: #AE134B, #AE1321 and #AE1313

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD134B shade: #AE134B, #AE1375, #AE139F, #9313AE and #6913AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD134B shade matches the following richer shades: #AE134B and #BE0347

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD134B shade: #AE134B, #9E2350, #8F3254, #7F4258 and #6F525C

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD134B shade: #AE139E, #AE1375, #AE134C, #AE1322 and #AE2D13

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD134B shade: #640B2B, #890F3B, #AE134B, #D3175B and #E72C70

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD134B shade: #AD134B, #AE9413 and #138AAE

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD134B shade: #AD134B, #4CAE13 and #134CAE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD134B shade: #AD134B, #AE9413, #13AE75 and #132DAE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD134B shade: #AD134B, #99AE13, #13AE75 and #2813AE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 89 / 57 / 32

HEX #AD134B

RGB 173 19 75

HSL 338.18, 0.8%, 0.38%

LAB 37.59, 60.02, 10.14

 

Complementary color

CMYK 65 / 0 / 24 / 7

HEX #52ECB4

RGB 82 236 180

HSL 158.18, 0.8%, 0.62%

LAB 84.52, -53.33, 15.46

 

CMYK 0 / 89 / 61 / 30

HEX #B21346

RGB 178 19 70

HSL 340.75, 0.81%, 0.39%

LAB 38.5, 60.96, 14.78

 

CMYK 0 / 81 / 54 / 24

HEX #C32559

RGB 195 37 89

HSL 340.25, 0.68%, 0.45%

LAB 43.72, 62.81, 10.48

 

CMYK 0 / 74 / 49 / 17

HEX #D4376C

RGB 212 55 108

HSL 339.75, 0.65%, 0.52%

LAB 49.27, 63.68, 7.03

 

CMYK 0 / 68 / 45 / 10

HEX #E5497F

RGB 229 73 127

HSL 339.23, 0.75%, 0.59%

LAB 55.03, 63.89, 4.25

 

CMYK 0 / 63 / 41 / 4

HEX #F65B92

RGB 246 91 146

HSL 338.71, 0.9%, 0.66%

LAB 60.91, 63.68, 1.97

 

CMYK 0 / 89 / 57 / 32

HEX #AD134B

RGB 173 19 75

HSL 338.18, 0.8%, 0.38%

LAB 37.59, 60.02, 10.14

 

CMYK 0 / 99 / 64 / 39

HEX #9C0138

RGB 156 1 56

HSL 338.71, 0.99%, 0.31%

LAB 32.65, 57.08, 15.22

 

CMYK 0 / 100 / 73 / 45

HEX #8B0025

RGB 139 0 37

HSL 344.03, 1%, 0.27%

LAB 28.44, 51.98, 21.68

 

CMYK 0 / 100 / 85 / 52

HEX #7A0012

RGB 122 0 18

HSL 351.15, 1%, 0.24%

LAB 24.26, 46.81, 28.23

 

CMYK 0 / 100 / 100 / 59

HEX #690000

RGB 105 0 0

HSL 0, 1%, 0.21%

LAB 20.06, 41.72, 30.68

 

CMYK 0 / 89 / 57 / 32

HEX #AE134B

RGB 174 19 75

HSL 338.32, 0.8%, 0.38%

LAB 37.79, 60.27, 10.46

 

CMYK 0 / 89 / 81 / 32

HEX #AE1321

RGB 174 19 33

HSL 354.58, 0.8%, 0.38%

LAB 37.07, 58.2, 35.89

 

CMYK 0 / 89 / 89 / 32

HEX #AE1313

RGB 174 19 19

HSL 0, 0.8%, 0.38%

LAB 36.95, 57.86, 43.21

 

CMYK 0 / 89 / 57 / 32

HEX #AE134B

RGB 174 19 75

HSL 338.32, 0.8%, 0.38%

LAB 37.79, 60.27, 10.46

 

CMYK 0 / 89 / 33 / 32

HEX #AE1375

RGB 174 19 117

HSL 322.06, 0.8%, 0.38%

LAB 39.15, 64.05, -14.27

 

CMYK 0 / 89 / 9 / 32

HEX #AE139F

RGB 174 19 159

HSL 305.81, 0.8%, 0.38%

LAB 41.16, 69.4, -36.93

 

CMYK 16 / 89 / 0 / 32

HEX #9313AE

RGB 147 19 174

HSL 289.55, 0.8%, 0.38%

LAB 37.34, 67, -52.3

 

CMYK 40 / 89 / 0 / 32

HEX #6913AE

RGB 105 19 174

HSL 273.29, 0.8%, 0.38%

LAB 30.7, 60.86, -63.41

 

CMYK 0 / 89 / 57 / 32

HEX #AE134B

RGB 174 19 75

HSL 338.32, 0.8%, 0.38%

LAB 37.79, 60.27, 10.46

 

CMYK 0 / 98 / 63 / 25

HEX #BE0347

RGB 190 3 71

HSL 338.18, 0.97%, 0.38%

LAB 40.36, 65.95, 17.07

 

CMYK 0 / 89 / 57 / 32

HEX #AE134B

RGB 174 19 75

HSL 338.32, 0.8%, 0.38%

LAB 37.79, 60.27, 10.46

 

CMYK 0 / 78 / 49 / 38

HEX #9E2350

RGB 158 35 80

HSL 338.05, 0.64%, 0.38%

LAB 36.08, 52.45, 4.37

 

CMYK 0 / 65 / 41 / 44

HEX #8F3254

RGB 143 50 84

HSL 338.06, 0.48%, 0.38%

LAB 35.52, 42.42, 0.63

 

CMYK 0 / 48 / 31 / 50

HEX #7F4258

RGB 127 66 88

HSL 338.36, 0.32%, 0.38%

LAB 36.2, 29.01, -1.23

 

CMYK 0 / 26 / 17 / 56

HEX #6F525C

RGB 111 82 92

HSL 339.31, 0.15%, 0.38%

LAB 38.18, 13.82, -1.09

 

CMYK 0 / 89 / 9 / 32

HEX #AE139E

RGB 174 19 158

HSL 306.19, 0.8%, 0.38%

LAB 41.11, 69.25, -36.41

 

CMYK 0 / 89 / 33 / 32

HEX #AE1375

RGB 174 19 117

HSL 322.06, 0.8%, 0.38%

LAB 39.15, 64.05, -14.27

 

CMYK 0 / 89 / 56 / 32

HEX #AE134C

RGB 174 19 76

HSL 337.94, 0.8%, 0.38%

LAB 37.82, 60.34, 9.85

 

CMYK 0 / 89 / 80 / 32

HEX #AE1322

RGB 174 19 34

HSL 354.19, 0.8%, 0.38%

LAB 37.08, 58.23, 35.32

 

CMYK 0 / 74 / 89 / 32

HEX #AE2D13

RGB 174 45 19

HSL 10.06, 0.8%, 0.38%

LAB 39.45, 50.82, 45.14

 

CMYK 0 / 89 / 57 / 61

HEX #640B2B

RGB 100 11 43

HSL 338.43, 0.8%, 0.22%

LAB 20.53, 39.52, 5.52

 

CMYK 0 / 89 / 57 / 46

HEX #890F3B

RGB 137 15 59

HSL 338.36, 0.8%, 0.3%

LAB 29.35, 50.21, 8.05

 

CMYK 0 / 89 / 57 / 32

HEX #AE134B

RGB 174 19 75

HSL 338.32, 0.8%, 0.38%

LAB 37.79, 60.27, 10.46

 

CMYK 0 / 89 / 57 / 17

HEX #D3175B

RGB 211 23 91

HSL 338.3, 0.8%, 0.46%

LAB 45.93, 69.89, 12.78

 

CMYK 0 / 81 / 52 / 9

HEX #E72C70

RGB 231 44 112

HSL 338.18, 0.8%, 0.54%

LAB 51.79, 72.15, 8.68

 

CMYK 0 / 89 / 57 / 32

HEX #AD134B

RGB 173 19 75

HSL 338.18, 0.8%, 0.38%

LAB 37.59, 60.02, 10.14

 

CMYK 0 / 15 / 89 / 32

HEX #AE9413

RGB 174 148 19

HSL 49.94, 0.8%, 0.38%

LAB 61.85, -2.22, 62.76

 

CMYK 89 / 21 / 0 / 32

HEX #138AAE

RGB 19 138 174

HSL 193.94, 0.8%, 0.38%

LAB 53.35, -17.24, -27.47

 

CMYK 0 / 89 / 57 / 32

HEX #AD134B

RGB 173 19 75

HSL 338.18, 0.8%, 0.38%

LAB 37.59, 60.02, 10.14

 

CMYK 56 / 0 / 89 / 32

HEX #4CAE13

RGB 76 174 19

HSL 97.94, 0.8%, 0.38%

LAB 63.22, -53.11, 61.32

 

CMYK 89 / 56 / 0 / 32

HEX #134CAE

RGB 19 76 174

HSL 217.94, 0.8%, 0.38%

LAB 34.73, 21.2, -57.08

 

CMYK 0 / 89 / 57 / 32

HEX #AD134B

RGB 173 19 75

HSL 338.18, 0.8%, 0.38%

LAB 37.59, 60.02, 10.14

 

CMYK 0 / 15 / 89 / 32

HEX #AE9413

RGB 174 148 19

HSL 49.94, 0.8%, 0.38%

LAB 61.85, -2.22, 62.76

 

CMYK 89 / 0 / 33 / 32

HEX #13AE75

RGB 19 174 117

HSL 157.94, 0.8%, 0.38%

LAB 63.09, -50.54, 19.06

 

CMYK 89 / 74 / 0 / 32

HEX #132DAE

RGB 19 45 174

HSL 229.94, 0.8%, 0.38%

LAB 26.94, 41.53, -69.87

 

CMYK 0 / 89 / 57 / 32

HEX #AD134B

RGB 173 19 75

HSL 338.18, 0.8%, 0.38%

LAB 37.59, 60.02, 10.14

 

CMYK 12 / 0 / 89 / 32

HEX #99AE13

RGB 153 174 19

HSL 68.13, 0.8%, 0.38%

LAB 67.35, -25.02, 66.43

 

CMYK 89 / 0 / 33 / 32

HEX #13AE75

RGB 19 174 117

HSL 157.94, 0.8%, 0.38%

LAB 63.09, -50.54, 19.06

 

CMYK 77 / 89 / 0 / 32

HEX #2813AE

RGB 40 19 174

HSL 248.13, 0.8%, 0.38%

LAB 23.58, 55.14, -75.41

 

Description

Color code: HEX #AD134B | qconv.com Color code: HEX #AD134B | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 19 green and 75 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 19 75 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 89 magenta, 57 yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 89% 57% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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