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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AD06AE it is the complementary color #52F951. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AD06AE. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AD06AE shade: #B206A9, #C318BC, #D42ACF, #E53CE2 and #F64EF5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AD06AE. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AD06AE shade: #AD06AE, #9C009B, #8B0088, #7A0075 and #690062

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AD06AE shade: #AB06AC, #AC0680, #AC0653, #AC0626 and #AC0606

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AD06AE shade: #AB06AC, #7E06AC, #5106AC, #2406AC and #0606AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AD06AE shade matches the following richer shades: #AB06AC

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AD06AE shade: #AB06AC, #9C149D, #8E238F, #803180 and #724072

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AD06AE shade: #5006AC, #7D06AC, #A906AC, #AC0682 and #AC0656

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AD06AE shade: #5C035C, #830484, #AB06AC, #D207D4 and #F40EF6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AD06AE shade: #AD06AE, #AC2406 and #06AC67

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AD06AE shade: #AD06AE, #ACA906 and #06ACA9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AD06AE shade: #AD06AE, #AC2406, #09AC06 and #068DAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AD06AE shade: #AD06AE, #AC5606, #09AC06 and #065CAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 1 / 97 / 0 / 32

HEX #AD06AE

RGB 173 6 174

HSL 299.64, 0.93%, 0.35%

LAB 41.33, 72.99, -45.65

 

Complementary color

CMYK 67 / 0 / 67 / 2

HEX #52F951

RGB 82 249 81

HSL 119.64, 0.93%, 0.65%

LAB 87.07, -73.21, 65.4

 

CMYK 0 / 97 / 5 / 30

HEX #B206A9

RGB 178 6 169

HSL 303.14, 0.93%, 0.36%

LAB 41.94, 73.11, -41.65

 

CMYK 0 / 88 / 4 / 24

HEX #C318BC

RGB 195 24 188

HSL 302.46, 0.78%, 0.43%

LAB 46.82, 76.71, -44.91

 

CMYK 0 / 80 / 2 / 17

HEX #D42ACF

RGB 212 42 207

HSL 301.76, 0.67%, 0.5%

LAB 52.02, 79.14, -47.47

 

CMYK 0 / 74 / 1 / 10

HEX #E53CE2

RGB 229 60 226

HSL 301.07, 0.76%, 0.57%

LAB 57.44, 80.65, -49.48

 

CMYK 0 / 68 / 0 / 4

HEX #F64EF5

RGB 246 78 245

HSL 300.36, 0.9%, 0.64%

LAB 63.04, 81.48, -51.06

 

CMYK 1 / 97 / 0 / 32

HEX #AD06AE

RGB 173 6 174

HSL 299.64, 0.93%, 0.35%

LAB 41.33, 72.99, -45.65

 

CMYK 0 / 100 / 1 / 39

HEX #9C009B

RGB 156 0 155

HSL 300.38, 1%, 0.31%

LAB 36.81, 67.91, -41.64

 

CMYK 0 / 100 / 2 / 45

HEX #8B0088

RGB 139 0 136

HSL 301.29, 1%, 0.27%

LAB 32.41, 62.1, -37.19

 

CMYK 0 / 100 / 4 / 52

HEX #7A0075

RGB 122 0 117

HSL 302.46, 1%, 0.24%

LAB 27.9, 56.16, -32.59

 

CMYK 0 / 100 / 7 / 59

HEX #690062

RGB 105 0 98

HSL 304, 1%, 0.21%

LAB 23.29, 50.05, -27.84

 

CMYK 1 / 97 / 0 / 33

HEX #AB06AC

RGB 171 6 172

HSL 299.64, 0.93%, 0.35%

LAB 40.84, 72.35, -45.26

 

CMYK 0 / 97 / 26 / 33

HEX #AC0680

RGB 172 6 128

HSL 315.9, 0.93%, 0.35%

LAB 38.65, 66.57, -21.93

 

CMYK 0 / 97 / 52 / 33

HEX #AC0653

RGB 172 6 83

HSL 332.17, 0.93%, 0.35%

LAB 36.98, 62.15, 4.09

 

CMYK 0 / 97 / 78 / 33

HEX #AC0626

RGB 172 6 38

HSL 348.43, 0.93%, 0.35%

LAB 36.06, 59.65, 31.73

 

CMYK 0 / 97 / 97 / 33

HEX #AC0606

RGB 172 6 6

HSL 0, 0.93%, 0.35%

LAB 35.82, 58.97, 47.58

 

CMYK 1 / 97 / 0 / 33

HEX #AB06AC

RGB 171 6 172

HSL 299.64, 0.93%, 0.35%

LAB 40.84, 72.35, -45.26

 

CMYK 27 / 97 / 0 / 33

HEX #7E06AC

RGB 126 6 172

HSL 283.37, 0.93%, 0.35%

LAB 33.02, 65.47, -58.3

 

CMYK 53 / 97 / 0 / 33

HEX #5106AC

RGB 81 6 172

HSL 267.11, 0.93%, 0.35%

LAB 26.33, 60.51, -69.53

 

CMYK 79 / 97 / 0 / 33

HEX #2406AC

RGB 36 6 172

HSL 250.84, 0.93%, 0.35%

LAB 21.89, 57.98, -77.04

 

CMYK 97 / 97 / 0 / 33

HEX #0606AC

RGB 6 6 172

HSL 240, 0.93%, 0.35%

LAB 20.63, 57.41, -79.18

 

CMYK 1 / 97 / 0 / 33

HEX #AB06AC

RGB 171 6 172

HSL 299.64, 0.93%, 0.35%

LAB 40.84, 72.35, -45.26

 

CMYK 1 / 97 / 0 / 33

HEX #AB06AC

RGB 171 6 172

HSL 299.64, 0.93%, 0.35%

LAB 40.84, 72.35, -45.26

 

CMYK 1 / 87 / 0 / 38

HEX #9C149D

RGB 156 20 157

HSL 299.56, 0.77%, 0.35%

LAB 37.85, 65.53, -41.19

 

CMYK 1 / 76 / 0 / 44

HEX #8E238F

RGB 142 35 143

HSL 299.44, 0.61%, 0.35%

LAB 35.86, 56.59, -35.97

 

CMYK 0 / 62 / 0 / 50

HEX #803180

RGB 128 49 128

HSL 300, 0.45%, 0.35%

LAB 34.69, 44.92, -28.71

 

CMYK 0 / 44 / 0 / 55

HEX #724072

RGB 114 64 114

HSL 300, 0.28%, 0.35%

LAB 34.92, 30.01, -19.75

 

CMYK 53 / 97 / 0 / 33

HEX #5006AC

RGB 80 6 172

HSL 266.75, 0.93%, 0.35%

LAB 26.2, 60.43, -69.75

 

CMYK 27 / 97 / 0 / 33

HEX #7D06AC

RGB 125 6 172

HSL 283.01, 0.93%, 0.35%

LAB 32.85, 65.33, -58.57

 

CMYK 2 / 97 / 0 / 33

HEX #A906AC

RGB 169 6 172

HSL 298.92, 0.93%, 0.35%

LAB 40.48, 72.02, -45.86

 

CMYK 0 / 97 / 24 / 33

HEX #AC0682

RGB 172 6 130

HSL 315.18, 0.93%, 0.35%

LAB 38.75, 66.81, -23.03

 

CMYK 0 / 97 / 50 / 33

HEX #AC0656

RGB 172 6 86

HSL 331.08, 0.93%, 0.35%

LAB 37.06, 62.38, 2.28

 

CMYK 0 / 97 / 0 / 64

HEX #5C035C

RGB 92 3 92

HSL 300, 0.94%, 0.19%

LAB 20.49, 45.89, -28.48

 

CMYK 1 / 97 / 0 / 48

HEX #830484

RGB 131 4 132

HSL 299.53, 0.94%, 0.27%

LAB 30.83, 59.48, -37.3

 

CMYK 1 / 97 / 0 / 33

HEX #AB06AC

RGB 171 6 172

HSL 299.64, 0.93%, 0.35%

LAB 40.84, 72.35, -45.26

 

CMYK 1 / 97 / 0 / 17

HEX #D207D4

RGB 210 7 212

HSL 299.41, 0.94%, 0.43%

LAB 50.22, 84.62, -53.22

 

CMYK 1 / 94 / 0 / 4

HEX #F40EF6

RGB 244 14 246

HSL 299.48, 0.93%, 0.51%

LAB 58.23, 94.43, -59.3

 

CMYK 1 / 97 / 0 / 32

HEX #AD06AE

RGB 173 6 174

HSL 299.64, 0.93%, 0.35%

LAB 41.33, 72.99, -45.65

 

CMYK 0 / 79 / 97 / 33

HEX #AC2406

RGB 172 36 6

HSL 10.84, 0.93%, 0.35%

LAB 37.92, 52.97, 48.72

 

CMYK 97 / 0 / 40 / 33

HEX #06AC67

RGB 6 172 103

HSL 155.06, 0.93%, 0.35%

LAB 62.1, -53.42, 25.28

 

CMYK 1 / 97 / 0 / 32

HEX #AD06AE

RGB 173 6 174

HSL 299.64, 0.93%, 0.35%

LAB 41.33, 72.99, -45.65

 

CMYK 0 / 2 / 97 / 33

HEX #ACA906

RGB 172 169 6

HSL 58.92, 0.93%, 0.35%

LAB 67.4, -14.43, 68.98

 

CMYK 97 / 0 / 2 / 33

HEX #06ACA9

RGB 6 172 169

HSL 178.92, 0.93%, 0.35%

LAB 63.68, -36.5, -8.94

 

CMYK 1 / 97 / 0 / 32

HEX #AD06AE

RGB 173 6 174

HSL 299.64, 0.93%, 0.35%

LAB 41.33, 72.99, -45.65

 

CMYK 0 / 79 / 97 / 33

HEX #AC2406

RGB 172 36 6

HSL 10.84, 0.93%, 0.35%

LAB 37.92, 52.97, 48.72

 

CMYK 95 / 0 / 97 / 33

HEX #09AC06

RGB 9 172 6

HSL 118.92, 0.93%, 0.35%

LAB 61.29, -63.55, 61.18

 

CMYK 97 / 18 / 0 / 33

HEX #068DAC

RGB 6 141 172

HSL 191.2, 0.93%, 0.35%

LAB 54.1, -20.18, -25.18

 

CMYK 1 / 97 / 0 / 32

HEX #AD06AE

RGB 173 6 174

HSL 299.64, 0.93%, 0.35%

LAB 41.33, 72.99, -45.65

 

CMYK 0 / 50 / 97 / 33

HEX #AC5606

RGB 172 86 6

HSL 28.92, 0.93%, 0.35%

LAB 46.23, 31, 53.84

 

CMYK 95 / 0 / 97 / 33

HEX #09AC06

RGB 9 172 6

HSL 118.92, 0.93%, 0.35%

LAB 61.29, -63.55, 61.18

 

CMYK 97 / 47 / 0 / 33

HEX #065CAC

RGB 6 92 172

HSL 208.92, 0.93%, 0.35%

LAB 39.02, 9.05, -48.96

 

Description

Color code: HEX #AD06AE | qconv.com Color code: HEX #AD06AE | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 173 red, 6 green and 174 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
173 6 174 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 1 cyan, 97 magenta, none yellow and 32 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
1% 97% 0% 32% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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