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Color name
HEX #AC938A

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC938A it is the complementary color #536C75. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC938A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC938A shade: #B19385, #C2A598, #D3B7AB, #E4C9BE and #F5DBD1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC938A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC938A shade: #AC938A, #9B8177, #8A6F64, #795D51 and #684B3E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC938A shade: #AC938A and #AC8A8A

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC938A shade: #AC938A, #AC9C8A, #ACA58A, #A9AC8A and #A0AC8A

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC938A shade matches the following richer shades: #AC938A, #BC8C7A, #CC846A, #DC7C5A and #EC754A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC938A shade: #AC938A, #9C9B9A, #8CA2AA, #7CAABA and #6CB1CB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC938A shade: #AC8A94, #AC8A8B, #AC938A, #AC9C8A and #ACA58A

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC938A shade: #85695E, #9B7D72, #AC938A, #BDA9A2 and #CEC0BA

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC938A shade: #AC938A, #9DAC8A and #8A8FAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC938A shade: #AC938A, #8AAC93 and #938AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC938A shade: #AC938A, #9DAC8A, #8AA4AC and #998AAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC938A shade: #AC938A, #93AC8A, #8AA4AC and #A48AAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 15 / 20 / 33

HEX #AC938A

RGB 172 147 138

HSL 15.88, 0.17%, 0.61%

LAB 62.9, 7.85, 8.21

 

Complementary color

CMYK 29 / 8 / 0 / 54

HEX #536C75

RGB 83 108 117

HSL 195.88, 0.17%, 0.39%

LAB 44.01, -6.88, -8.02

 

CMYK 0 / 17 / 25 / 31

HEX #B19385

RGB 177 147 133

HSL 19.09, 0.22%, 0.61%

LAB 63.27, 9.04, 11.61

 

CMYK 0 / 15 / 22 / 24

HEX #C2A598

RGB 194 165 152

HSL 18.57, 0.26%, 0.68%

LAB 69.93, 8.55, 10.67

 

CMYK 0 / 13 / 19 / 17

HEX #D3B7AB

RGB 211 183 171

HSL 18, 0.31%, 0.75%

LAB 76.47, 8.11, 9.79

 

CMYK 0 / 12 / 17 / 11

HEX #E4C9BE

RGB 228 201 190

HSL 17.37, 0.41%, 0.82%

LAB 82.91, 7.72, 8.96

 

CMYK 0 / 11 / 15 / 4

HEX #F5DBD1

RGB 245 219 209

HSL 16.67, 0.64%, 0.89%

LAB 89.24, 7.37, 8.18

 

CMYK 0 / 15 / 20 / 33

HEX #AC938A

RGB 172 147 138

HSL 15.88, 0.17%, 0.61%

LAB 62.9, 7.85, 8.21

 

CMYK 0 / 17 / 23 / 39

HEX #9B8177

RGB 155 129 119

HSL 16.67, 0.15%, 0.54%

LAB 56.09, 8.33, 9.14

 

CMYK 0 / 20 / 28 / 46

HEX #8A6F64

RGB 138 111 100

HSL 17.37, 0.16%, 0.47%

LAB 49.12, 8.9, 10.15

 

CMYK 0 / 23 / 33 / 53

HEX #795D51

RGB 121 93 81

HSL 18, 0.2%, 0.4%

LAB 41.98, 9.56, 11.28

 

CMYK 0 / 28 / 40 / 59

HEX #684B3E

RGB 104 75 62

HSL 18.57, 0.25%, 0.33%

LAB 34.65, 10.39, 12.57

 

CMYK 0 / 15 / 20 / 33

HEX #AC938A

RGB 172 147 138

HSL 15.88, 0.17%, 0.61%

LAB 62.9, 7.85, 8.21

 

CMYK 0 / 20 / 20 / 33

HEX #AC8A8A

RGB 172 138 138

HSL 0, 0.17%, 0.61%

LAB 60.59, 12.89, 4.89

 

CMYK 0 / 15 / 20 / 33

HEX #AC938A

RGB 172 147 138

HSL 15.88, 0.17%, 0.61%

LAB 62.9, 7.85, 8.21

 

CMYK 0 / 9 / 20 / 33

HEX #AC9C8A

RGB 172 156 138

HSL 31.76, 0.17%, 0.61%

LAB 65.27, 2.87, 11.56

 

CMYK 0 / 4 / 20 / 33

HEX #ACA58A

RGB 172 165 138

HSL 47.65, 0.17%, 0.61%

LAB 67.66, -2.04, 14.92

 

CMYK 2 / 0 / 20 / 33

HEX #A9AC8A

RGB 169 172 138

HSL 65.29, 0.17%, 0.61%

LAB 69.31, -6.95, 17.17

 

CMYK 7 / 0 / 20 / 33

HEX #A0AC8A

RGB 160 172 138

HSL 81.18, 0.17%, 0.61%

LAB 68.62, -10.36, 16.11

 

CMYK 0 / 15 / 20 / 33

HEX #AC938A

RGB 172 147 138

HSL 15.88, 0.17%, 0.61%

LAB 62.9, 7.85, 8.21

 

CMYK 0 / 26 / 35 / 26

HEX #BC8C7A

RGB 188 140 122

HSL 16.36, 0.33%, 0.61%

LAB 62.38, 15.79, 16.74

 

CMYK 0 / 35 / 48 / 20

HEX #CC846A

RGB 204 132 106

HSL 15.92, 0.49%, 0.61%

LAB 61.98, 24.81, 25.47

 

CMYK 0 / 44 / 59 / 14

HEX #DC7C5A

RGB 220 124 90

HSL 15.69, 0.65%, 0.61%

LAB 61.97, 34.09, 34.7

 

CMYK 0 / 50 / 69 / 7

HEX #EC754A

RGB 236 117 74

HSL 15.93, 0.81%, 0.61%

LAB 62.55, 42.83, 44.45

 

CMYK 0 / 15 / 20 / 33

HEX #AC938A

RGB 172 147 138

HSL 15.88, 0.17%, 0.61%

LAB 62.9, 7.85, 8.21

 

CMYK 0 / 1 / 1 / 39

HEX #9C9B9A

RGB 156 155 154

HSL 30, 0.01%, 0.61%

LAB 64.03, 0.17, 0.64

 

CMYK 18 / 5 / 0 / 33

HEX #8CA2AA

RGB 140 162 170

HSL 196, 0.15%, 0.61%

LAB 65.21, -5.92, -6.73

 

CMYK 33 / 9 / 0 / 27

HEX #7CAABA

RGB 124 170 186

HSL 195.48, 0.31%, 0.61%

LAB 66.96, -11.39, -13.15

 

CMYK 47 / 13 / 0 / 20

HEX #6CB1CB

RGB 108 177 203

HSL 196.42, 0.48%, 0.61%

LAB 68.71, -14.83, -19.98

 

CMYK 0 / 20 / 14 / 33

HEX #AC8A94

RGB 172 138 148

HSL 342.35, 0.17%, 0.61%

LAB 60.86, 14.54, -0.42

 

CMYK 0 / 20 / 19 / 33

HEX #AC8A8B

RGB 172 138 139

HSL 358.24, 0.17%, 0.61%

LAB 60.62, 13.05, 4.36

 

CMYK 0 / 15 / 20 / 33

HEX #AC938A

RGB 172 147 138

HSL 15.88, 0.17%, 0.61%

LAB 62.9, 7.85, 8.21

 

CMYK 0 / 9 / 20 / 33

HEX #AC9C8A

RGB 172 156 138

HSL 31.76, 0.17%, 0.61%

LAB 65.27, 2.87, 11.56

 

CMYK 0 / 4 / 20 / 33

HEX #ACA58A

RGB 172 165 138

HSL 47.65, 0.17%, 0.61%

LAB 67.66, -2.04, 14.92

 

CMYK 0 / 21 / 29 / 48

HEX #85695E

RGB 133 105 94

HSL 16.92, 0.17%, 0.45%

LAB 46.84, 9.43, 10.43

 

CMYK 0 / 19 / 26 / 39

HEX #9B7D72

RGB 155 125 114

HSL 16.1, 0.17%, 0.53%

LAB 54.92, 9.86, 10.37

 

CMYK 0 / 15 / 20 / 33

HEX #AC938A

RGB 172 147 138

HSL 15.88, 0.17%, 0.61%

LAB 62.9, 7.85, 8.21

 

CMYK 0 / 11 / 14 / 26

HEX #BDA9A2

RGB 189 169 162

HSL 15.56, 0.17%, 0.69%

LAB 70.74, 6.06, 6.24

 

CMYK 0 / 7 / 10 / 19

HEX #CEC0BA

RGB 206 192 186

HSL 18, 0.17%, 0.77%

LAB 78.67, 3.89, 4.78

 

CMYK 0 / 15 / 20 / 33

HEX #AC938A

RGB 172 147 138

HSL 15.88, 0.17%, 0.61%

LAB 62.9, 7.85, 8.21

 

CMYK 9 / 0 / 20 / 33

HEX #9DAC8A

RGB 157 172 138

HSL 86.47, 0.17%, 0.61%

LAB 68.39, -11.48, 15.76

 

CMYK 20 / 17 / 0 / 33

HEX #8A8FAC

RGB 138 143 172

HSL 231.18, 0.17%, 0.61%

LAB 59.91, 4.49, -15.82

 

CMYK 0 / 15 / 20 / 33

HEX #AC938A

RGB 172 147 138

HSL 15.88, 0.17%, 0.61%

LAB 62.9, 7.85, 8.21

 

CMYK 20 / 0 / 15 / 33

HEX #8AAC93

RGB 138 172 147

HSL 135.88, 0.17%, 0.61%

LAB 67.29, -16.69, 9.07

 

CMYK 15 / 20 / 0 / 33

HEX #938AAC

RGB 147 138 172

HSL 255.88, 0.17%, 0.61%

LAB 59.3, 10.34, -16.68

 

CMYK 0 / 15 / 20 / 33

HEX #AC938A

RGB 172 147 138

HSL 15.88, 0.17%, 0.61%

LAB 62.9, 7.85, 8.21

 

CMYK 9 / 0 / 20 / 33

HEX #9DAC8A

RGB 157 172 138

HSL 86.47, 0.17%, 0.61%

LAB 68.39, -11.48, 15.76

 

CMYK 20 / 5 / 0 / 33

HEX #8AA4AC

RGB 138 164 172

HSL 194.12, 0.17%, 0.61%

LAB 65.7, -7.22, -7.15

 

CMYK 11 / 20 / 0 / 33

HEX #998AAC

RGB 153 138 172

HSL 266.47, 0.17%, 0.61%

LAB 59.82, 12.36, -15.84

 

CMYK 0 / 15 / 20 / 33

HEX #AC938A

RGB 172 147 138

HSL 15.88, 0.17%, 0.61%

LAB 62.9, 7.85, 8.21

 

CMYK 15 / 0 / 20 / 33

HEX #93AC8A

RGB 147 172 138

HSL 104.12, 0.17%, 0.61%

LAB 67.68, -15.15, 14.66

 

CMYK 20 / 5 / 0 / 33

HEX #8AA4AC

RGB 138 164 172

HSL 194.12, 0.17%, 0.61%

LAB 65.7, -7.22, -7.15

 

CMYK 5 / 20 / 0 / 33

HEX #A48AAC

RGB 164 138 172

HSL 285.88, 0.17%, 0.61%

LAB 60.82, 16.13, -14.23

 

Description

Color code: HEX #AC938A | qconv.com Color code: HEX #AC938A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 147 green and 138 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 147 138 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 15 magenta, 20 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 15% 20% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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