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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC907B it is the complementary color #536F84. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC907B. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC907B shade: #B19076, #C2A289, #D3B49C, #E4C6AF and #F5D8C2

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC907B. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC907B shade: #AC907B, #9B7E68, #8A6C55, #795A42 and #68482F

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC907B shade: #AC907B, #AC837B and #AC7B7B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC907B shade: #AC907B, #AC9D7B, #ACAA7B, #A0AC7B and #93AC7B

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC907B shade matches the following richer shades: #AC907B, #BD8D69, #CF8B58, #E08847 and #F18635

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC907B shade: #AC907B, #9B928C, #89959D, #7897AF and #679AC0

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC907B shade: #AC7B81, #AC827B, #AC8F7B, #AC9C7B and #ACAA7B

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC907B shade: #836752, #9C7B61, #AC907B, #BCA594 and #CCBAAE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC907B shade: #AC907B, #8EAC7B and #7C7BAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC907B shade: #AC907B, #7BAC8F and #8F7BAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC907B shade: #AC907B, #8EAC7B, #7B98AC and #997BAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC907B shade: #AC907B, #7FAC7B, #7B98AC and #A87BAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 16 / 28 / 33

HEX #AC907B

RGB 172 144 123

HSL 25.71, 0.23%, 0.58%

LAB 61.78, 7.28, 15.09

 

Complementary color

CMYK 37 / 16 / 0 / 48

HEX #536F84

RGB 83 111 132

HSL 205.71, 0.23%, 0.42%

LAB 45.46, -4.58, -14.84

 

CMYK 0 / 19 / 33 / 31

HEX #B19076

RGB 177 144 118

HSL 26.44, 0.27%, 0.58%

LAB 62.17, 8.62, 18.51

 

CMYK 0 / 16 / 29 / 24

HEX #C2A289

RGB 194 162 137

HSL 26.32, 0.32%, 0.65%

LAB 68.84, 8.04, 17.4

 

CMYK 0 / 15 / 26 / 17

HEX #D3B49C

RGB 211 180 156

HSL 26.18, 0.38%, 0.72%

LAB 75.38, 7.53, 16.38

 

CMYK 0 / 13 / 23 / 11

HEX #E4C6AF

RGB 228 198 175

HSL 26.04, 0.5%, 0.79%

LAB 81.83, 7.08, 15.43

 

CMYK 0 / 12 / 21 / 4

HEX #F5D8C2

RGB 245 216 194

HSL 25.88, 0.72%, 0.86%

LAB 88.17, 6.68, 14.53

 

CMYK 0 / 16 / 28 / 33

HEX #AC907B

RGB 172 144 123

HSL 25.71, 0.23%, 0.58%

LAB 61.78, 7.28, 15.09

 

CMYK 0 / 19 / 33 / 39

HEX #9B7E68

RGB 155 126 104

HSL 25.88, 0.2%, 0.51%

LAB 54.96, 7.86, 16.2

 

CMYK 0 / 22 / 38 / 46

HEX #8A6C55

RGB 138 108 85

HSL 26.04, 0.24%, 0.44%

LAB 47.99, 8.55, 17.42

 

CMYK 0 / 26 / 45 / 53

HEX #795A42

RGB 121 90 66

HSL 26.18, 0.29%, 0.37%

LAB 40.85, 9.4, 18.8

 

CMYK 0 / 31 / 55 / 59

HEX #68482F

RGB 104 72 47

HSL 26.32, 0.38%, 0.3%

LAB 33.53, 10.46, 20.37

 

CMYK 0 / 16 / 28 / 33

HEX #AC907B

RGB 172 144 123

HSL 25.71, 0.23%, 0.58%

LAB 61.78, 7.28, 15.09

 

CMYK 0 / 24 / 28 / 33

HEX #AC837B

RGB 172 131 123

HSL 9.8, 0.23%, 0.58%

LAB 58.45, 14.57, 10.42

 

CMYK 0 / 28 / 28 / 33

HEX #AC7B7B

RGB 172 123 123

HSL 0, 0.23%, 0.58%

LAB 56.45, 19.09, 7.59

 

CMYK 0 / 16 / 28 / 33

HEX #AC907B

RGB 172 144 123

HSL 25.71, 0.23%, 0.58%

LAB 61.78, 7.28, 15.09

 

CMYK 0 / 9 / 28 / 33

HEX #AC9D7B

RGB 172 157 123

HSL 41.63, 0.23%, 0.58%

LAB 65.21, 0.11, 19.81

 

CMYK 0 / 1 / 28 / 33

HEX #ACAA7B

RGB 172 170 123

HSL 57.55, 0.23%, 0.58%

LAB 68.72, -6.9, 24.56

 

CMYK 7 / 0 / 28 / 33

HEX #A0AC7B

RGB 160 172 123

HSL 74.69, 0.23%, 0.58%

LAB 68.32, -12.65, 23.86

 

CMYK 15 / 0 / 28 / 33

HEX #93AC7B

RGB 147 172 123

HSL 90.61, 0.23%, 0.58%

LAB 67.38, -17.61, 22.43

 

CMYK 0 / 16 / 28 / 33

HEX #AC907B

RGB 172 144 123

HSL 25.71, 0.23%, 0.58%

LAB 61.78, 7.28, 15.09

 

CMYK 0 / 25 / 44 / 26

HEX #BD8D69

RGB 189 141 105

HSL 25.71, 0.39%, 0.58%

LAB 62.41, 13.65, 26.28

 

CMYK 0 / 33 / 57 / 19

HEX #CF8B58

RGB 207 139 88

HSL 25.71, 0.55%, 0.58%

LAB 63.7, 20.64, 37.55

 

CMYK 0 / 39 / 68 / 12

HEX #E08847

RGB 224 136 71

HSL 25.49, 0.71%, 0.58%

LAB 64.89, 28.14, 48.16

 

CMYK 0 / 44 / 78 / 5

HEX #F18635

RGB 241 134 53

HSL 25.85, 0.87%, 0.58%

LAB 66.53, 35.26, 58.79

 

CMYK 0 / 16 / 28 / 33

HEX #AC907B

RGB 172 144 123

HSL 25.71, 0.23%, 0.58%

LAB 61.78, 7.28, 15.09

 

CMYK 0 / 6 / 10 / 39

HEX #9B928C

RGB 155 146 140

HSL 24, 0.07%, 0.58%

LAB 61.15, 2.23, 4.36

 

CMYK 13 / 5 / 0 / 38

HEX #89959D

RGB 137 149 157

HSL 204, 0.09%, 0.58%

LAB 61, -2.6, -5.68

 

CMYK 31 / 14 / 0 / 31

HEX #7897AF

RGB 120 151 175

HSL 206.18, 0.26%, 0.58%

LAB 60.98, -4.95, -16.03

 

CMYK 46 / 20 / 0 / 25

HEX #679AC0

RGB 103 154 192

HSL 205.62, 0.41%, 0.58%

LAB 61.48, -6.66, -24.93

 

CMYK 0 / 28 / 25 / 33

HEX #AC7B81

RGB 172 123 129

HSL 352.65, 0.23%, 0.58%

LAB 56.61, 19.97, 4.33

 

CMYK 0 / 24 / 28 / 33

HEX #AC827B

RGB 172 130 123

HSL 8.57, 0.23%, 0.58%

LAB 58.19, 15.14, 10.06

 

CMYK 0 / 17 / 28 / 33

HEX #AC8F7B

RGB 172 143 123

HSL 24.49, 0.23%, 0.58%

LAB 61.52, 7.84, 14.72

 

CMYK 0 / 9 / 28 / 33

HEX #AC9C7B

RGB 172 156 123

HSL 40.41, 0.23%, 0.58%

LAB 64.94, 0.65, 19.45

 

CMYK 0 / 1 / 28 / 33

HEX #ACAA7B

RGB 172 170 123

HSL 57.55, 0.23%, 0.58%

LAB 68.72, -6.9, 24.56

 

CMYK 0 / 21 / 37 / 49

HEX #836752

RGB 131 103 82

HSL 25.71, 0.23%, 0.42%

LAB 45.82, 8.08, 16.12

 

CMYK 0 / 21 / 38 / 39

HEX #9C7B61

RGB 156 123 97

HSL 26.44, 0.23%, 0.5%

LAB 54.13, 9.07, 19.1

 

CMYK 0 / 16 / 28 / 33

HEX #AC907B

RGB 172 144 123

HSL 25.71, 0.23%, 0.58%

LAB 61.78, 7.28, 15.09

 

CMYK 0 / 12 / 21 / 26

HEX #BCA594

RGB 188 165 148

HSL 25.5, 0.23%, 0.66%

LAB 69.28, 5.65, 11.88

 

CMYK 0 / 9 / 15 / 20

HEX #CCBAAE

RGB 204 186 174

HSL 24, 0.23%, 0.74%

LAB 76.69, 4.39, 8.39

 

CMYK 0 / 16 / 28 / 33

HEX #AC907B

RGB 172 144 123

HSL 25.71, 0.23%, 0.58%

LAB 61.78, 7.28, 15.09

 

CMYK 17 / 0 / 28 / 33

HEX #8EAC7B

RGB 142 172 123

HSL 96.73, 0.23%, 0.58%

LAB 67.04, -19.47, 21.92

 

CMYK 28 / 28 / 0 / 33

HEX #7C7BAC

RGB 124 123 172

HSL 241.22, 0.23%, 0.58%

LAB 53.42, 11.65, -25.86

 

CMYK 0 / 16 / 28 / 33

HEX #AC907B

RGB 172 144 123

HSL 25.71, 0.23%, 0.58%

LAB 61.78, 7.28, 15.09

 

CMYK 28 / 0 / 17 / 33

HEX #7BAC8F

RGB 123 172 143

HSL 144.49, 0.23%, 0.58%

LAB 66.29, -22.48, 9.73

 

CMYK 17 / 28 / 0 / 33

HEX #8F7BAC

RGB 143 123 172

HSL 264.49, 0.23%, 0.58%

LAB 55.06, 17.7, -23.2

 

CMYK 0 / 16 / 28 / 33

HEX #AC907B

RGB 172 144 123

HSL 25.71, 0.23%, 0.58%

LAB 61.78, 7.28, 15.09

 

CMYK 17 / 0 / 28 / 33

HEX #8EAC7B

RGB 142 172 123

HSL 96.73, 0.23%, 0.58%

LAB 67.04, -19.47, 21.92

 

CMYK 28 / 12 / 0 / 33

HEX #7B98AC

RGB 123 152 172

HSL 204.49, 0.23%, 0.58%

LAB 61.35, -5.35, -13.76

 

CMYK 11 / 28 / 0 / 33

HEX #997BAC

RGB 153 123 172

HSL 276.73, 0.23%, 0.58%

LAB 56, 21, -21.66

 

CMYK 0 / 16 / 28 / 33

HEX #AC907B

RGB 172 144 123

HSL 25.71, 0.23%, 0.58%

LAB 61.78, 7.28, 15.09

 

CMYK 26 / 0 / 28 / 33

HEX #7FAC7B

RGB 127 172 123

HSL 115.1, 0.23%, 0.58%

LAB 66.1, -24.85, 20.47

 

CMYK 28 / 12 / 0 / 33

HEX #7B98AC

RGB 123 152 172

HSL 204.49, 0.23%, 0.58%

LAB 61.35, -5.35, -13.76

 

CMYK 2 / 28 / 0 / 33

HEX #A87BAC

RGB 168 123 172

HSL 295.1, 0.23%, 0.58%

LAB 57.53, 26.04, -19.19

 

Description

Color code: HEX #AC907B | qconv.com Color code: HEX #AC907B | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 144 green and 123 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 144 123 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 16 magenta, 28 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 16% 28% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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