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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC9980 it is the complementary color #53667F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC9980. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC9980 shade: #B1997B, #C2AB8E, #D3BDA1, #E4CFB4 and #F5E1C7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC9980. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC9980 shade: #AC9980, #9B876D, #8A755A, #796347 and #685134

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC9980 shade: #AC9980, #AC8D80, #AC8180 and #AC8080

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC9980 shade: #AC9980, #ACA580, #A7AC80, #9BAC80 and #90AC80

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC9980 shade matches the following richer shades: #AC9980, #BD9B6F, #CE9E5E, #DFA04D and #F0A23C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC9980 shade: #AC9980, #9B9791, #8A94A2, #7992B3 and #6890C4

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC9980 shade: #AC8180, #AC8D80, #AC9980, #ACA580 and #A8AC80

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC9980 shade: #847056, #9C8567, #AC9980, #BCAD99 and #CDC1B2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC9980 shade: #AC9980, #8AAC80 and #8780AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC9980 shade: #AC9980, #80AC99 and #9980AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC9980 shade: #AC9980, #8AAC80, #8093AC and #A280AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC9980 shade: #AC9980, #80AC83, #8093AC and #AC80A9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 11 / 26 / 33

HEX #AC9980

RGB 172 153 128

HSL 34.09, 0.21%, 0.59%

LAB 64.25, 3.01, 15.72

 

Complementary color

CMYK 35 / 20 / 0 / 50

HEX #53667F

RGB 83 102 127

HSL 214.09, 0.21%, 0.41%

LAB 42.57, -0.6, -16.24

 

CMYK 0 / 14 / 31 / 31

HEX #B1997B

RGB 177 153 123

HSL 33.33, 0.26%, 0.59%

LAB 64.61, 4.31, 19.06

 

CMYK 0 / 12 / 27 / 24

HEX #C2AB8E

RGB 194 171 142

HSL 33.46, 0.3%, 0.66%

LAB 71.25, 3.84, 18

 

CMYK 0 / 10 / 24 / 17

HEX #D3BDA1

RGB 211 189 161

HSL 33.6, 0.36%, 0.73%

LAB 77.77, 3.44, 17.01

 

CMYK 0 / 9 / 21 / 11

HEX #E4CFB4

RGB 228 207 180

HSL 33.75, 0.47%, 0.8%

LAB 84.18, 3.08, 16.08

 

CMYK 0 / 8 / 19 / 4

HEX #F5E1C7

RGB 245 225 199

HSL 33.91, 0.7%, 0.87%

LAB 90.5, 2.76, 15.2

 

CMYK 0 / 11 / 26 / 33

HEX #AC9980

RGB 172 153 128

HSL 34.09, 0.21%, 0.59%

LAB 64.25, 3.01, 15.72

 

CMYK 0 / 13 / 30 / 39

HEX #9B876D

RGB 155 135 109

HSL 33.91, 0.19%, 0.52%

LAB 57.46, 3.46, 16.78

 

CMYK 0 / 15 / 35 / 46

HEX #8A755A

RGB 138 117 90

HSL 33.75, 0.21%, 0.45%

LAB 50.53, 3.99, 17.95

 

CMYK 0 / 18 / 41 / 53

HEX #796347

RGB 121 99 71

HSL 33.6, 0.26%, 0.38%

LAB 43.42, 4.64, 19.23

 

CMYK 0 / 22 / 50 / 59

HEX #685134

RGB 104 81 52

HSL 33.46, 0.33%, 0.31%

LAB 36.13, 5.47, 20.67

 

CMYK 0 / 11 / 26 / 33

HEX #AC9980

RGB 172 153 128

HSL 34.09, 0.21%, 0.59%

LAB 64.25, 3.01, 15.72

 

CMYK 0 / 18 / 26 / 33

HEX #AC8D80

RGB 172 141 128

HSL 17.73, 0.21%, 0.59%

LAB 61.11, 9.68, 11.33

 

CMYK 0 / 25 / 26 / 33

HEX #AC8180

RGB 172 129 128

HSL 1.36, 0.21%, 0.59%

LAB 58.07, 16.43, 7

 

CMYK 0 / 26 / 26 / 33

HEX #AC8080

RGB 172 128 128

HSL 0, 0.21%, 0.59%

LAB 57.82, 16.99, 6.65

 

CMYK 0 / 11 / 26 / 33

HEX #AC9980

RGB 172 153 128

HSL 34.09, 0.21%, 0.59%

LAB 64.25, 3.01, 15.72

 

CMYK 0 / 4 / 26 / 33

HEX #ACA580

RGB 172 165 128

HSL 50.45, 0.21%, 0.59%

LAB 67.46, -3.52, 20.13

 

CMYK 3 / 0 / 26 / 33

HEX #A7AC80

RGB 167 172 128

HSL 66.82, 0.21%, 0.59%

LAB 68.95, -9.22, 22.1

 

CMYK 10 / 0 / 26 / 33

HEX #9BAC80

RGB 155 172 128

HSL 83.18, 0.21%, 0.59%

LAB 68.04, -13.82, 20.72

 

CMYK 16 / 0 / 26 / 33

HEX #90AC80

RGB 144 172 128

HSL 98.18, 0.21%, 0.59%

LAB 67.27, -17.93, 19.53

 

CMYK 0 / 11 / 26 / 33

HEX #AC9980

RGB 172 153 128

HSL 34.09, 0.21%, 0.59%

LAB 64.25, 3.01, 15.72

 

CMYK 0 / 18 / 41 / 26

HEX #BD9B6F

RGB 189 155 111

HSL 33.85, 0.37%, 0.59%

LAB 66.07, 6.61, 27.81

 

CMYK 0 / 23 / 54 / 19

HEX #CE9E5E

RGB 206 158 94

HSL 34.29, 0.53%, 0.59%

LAB 68.3, 10.39, 40.02

 

CMYK 0 / 28 / 65 / 13

HEX #DFA04D

RGB 223 160 77

HSL 34.11, 0.7%, 0.59%

LAB 70.43, 15.24, 51.38

 

CMYK 0 / 33 / 75 / 6

HEX #F0A23C

RGB 240 162 60

HSL 34, 0.86%, 0.59%

LAB 72.69, 20.46, 61.83

 

CMYK 0 / 11 / 26 / 33

HEX #AC9980

RGB 172 153 128

HSL 34.09, 0.21%, 0.59%

LAB 64.25, 3.01, 15.72

 

CMYK 0 / 3 / 6 / 39

HEX #9B9791

RGB 155 151 145

HSL 36, 0.05%, 0.59%

LAB 62.63, 0.35, 3.67

 

CMYK 15 / 9 / 0 / 36

HEX #8A94A2

RGB 138 148 162

HSL 215, 0.11%, 0.59%

LAB 60.95, -0.61, -8.58

 

CMYK 32 / 18 / 0 / 30

HEX #7992B3

RGB 121 146 179

HSL 214.14, 0.28%, 0.59%

LAB 59.78, -0.81, -20.11

 

CMYK 47 / 27 / 0 / 23

HEX #6890C4

RGB 104 144 196

HSL 213.91, 0.44%, 0.59%

LAB 58.86, 0.43, -31.23

 

CMYK 0 / 25 / 26 / 33

HEX #AC8180

RGB 172 129 128

HSL 1.36, 0.21%, 0.59%

LAB 58.07, 16.43, 7

 

CMYK 0 / 18 / 26 / 33

HEX #AC8D80

RGB 172 141 128

HSL 17.73, 0.21%, 0.59%

LAB 61.11, 9.68, 11.33

 

CMYK 0 / 11 / 26 / 33

HEX #AC9980

RGB 172 153 128

HSL 34.09, 0.21%, 0.59%

LAB 64.25, 3.01, 15.72

 

CMYK 0 / 4 / 26 / 33

HEX #ACA580

RGB 172 165 128

HSL 50.45, 0.21%, 0.59%

LAB 67.46, -3.52, 20.13

 

CMYK 2 / 0 / 26 / 33

HEX #A8AC80

RGB 168 172 128

HSL 65.45, 0.21%, 0.59%

LAB 69.03, -8.83, 22.22

 

CMYK 0 / 15 / 35 / 48

HEX #847056

RGB 132 112 86

HSL 33.91, 0.21%, 0.43%

LAB 48.47, 3.78, 17.38

 

CMYK 0 / 15 / 34 / 39

HEX #9C8567

RGB 156 133 103

HSL 33.96, 0.21%, 0.51%

LAB 56.9, 4.18, 19.43

 

CMYK 0 / 11 / 26 / 33

HEX #AC9980

RGB 172 153 128

HSL 34.09, 0.21%, 0.59%

LAB 64.25, 3.01, 15.72

 

CMYK 0 / 8 / 19 / 26

HEX #BCAD99

RGB 188 173 153

HSL 34.29, 0.21%, 0.67%

LAB 71.47, 2.08, 12.22

 

CMYK 0 / 6 / 13 / 20

HEX #CDC1B2

RGB 205 193 178

HSL 33.33, 0.21%, 0.75%

LAB 78.66, 1.68, 9.05

 

CMYK 0 / 11 / 26 / 33

HEX #AC9980

RGB 172 153 128

HSL 34.09, 0.21%, 0.59%

LAB 64.25, 3.01, 15.72

 

CMYK 20 / 0 / 26 / 33

HEX #8AAC80

RGB 138 172 128

HSL 106.36, 0.21%, 0.59%

LAB 66.88, -20.11, 18.93

 

CMYK 22 / 26 / 0 / 33

HEX #8780AC

RGB 135 128 172

HSL 249.55, 0.21%, 0.59%

LAB 55.65, 12.18, -22.34

 

CMYK 0 / 11 / 26 / 33

HEX #AC9980

RGB 172 153 128

HSL 34.09, 0.21%, 0.59%

LAB 64.25, 3.01, 15.72

 

CMYK 26 / 0 / 11 / 33

HEX #80AC99

RGB 128 172 153

HSL 154.09, 0.21%, 0.59%

LAB 66.82, -18.82, 5

 

CMYK 11 / 26 / 0 / 33

HEX #9980AC

RGB 153 128 172

HSL 274.09, 0.21%, 0.59%

LAB 57.26, 18.11, -19.74

 

CMYK 0 / 11 / 26 / 33

HEX #AC9980

RGB 172 153 128

HSL 34.09, 0.21%, 0.59%

LAB 64.25, 3.01, 15.72

 

CMYK 20 / 0 / 26 / 33

HEX #8AAC80

RGB 138 172 128

HSL 106.36, 0.21%, 0.59%

LAB 66.88, -20.11, 18.93

 

CMYK 26 / 15 / 0 / 33

HEX #8093AC

RGB 128 147 172

HSL 214.09, 0.21%, 0.59%

LAB 60.28, -0.99, -15.34

 

CMYK 6 / 26 / 0 / 33

HEX #A280AC

RGB 162 128 172

HSL 286.36, 0.21%, 0.59%

LAB 58.13, 21.15, -18.33

 

CMYK 0 / 11 / 26 / 33

HEX #AC9980

RGB 172 153 128

HSL 34.09, 0.21%, 0.59%

LAB 64.25, 3.01, 15.72

 

CMYK 26 / 0 / 24 / 33

HEX #80AC83

RGB 128 172 131

HSL 124.09, 0.21%, 0.59%

LAB 66.32, -23.1, 16.42

 

CMYK 26 / 15 / 0 / 33

HEX #8093AC

RGB 128 147 172

HSL 214.09, 0.21%, 0.59%

LAB 60.28, -0.99, -15.34

 

CMYK 0 / 26 / 2 / 33

HEX #AC80A9

RGB 172 128 169

HSL 304.09, 0.21%, 0.59%

LAB 59.04, 23.99, -15.14

 

Description

Color code: HEX #AC9980 | qconv.com Color code: HEX #AC9980 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 153 green and 128 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 153 128 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 11 magenta, 26 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 11% 26% 33% C M Y K



Brands

This color is used by at least one manufactures. Here you can see which:

19% - ::::.... DRACRUZ ......
Link: http://www.dracruz.com.bo

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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