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Color name
HEX #AC9720

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC9720 it is the complementary color #5368DF. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC9720. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC9720 shade: #B1971B, #C2A92E, #D3BB41, #E4CD54 and #F5DF67

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC9720. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC9720 shade: #AC9720, #9B850D, #8A7300, #796100 and #684F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC9720 shade: #AC971F, #AC711F, #AC4B1F, #AC251F and #AC1F1F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC9720 shade: #AC971F, #9BAC1F, #75AC1F, #4FAC1F and #29AC1F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC9720 shade matches the following richer shades: #AC971F and #BCA20F

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC9720 shade: #AC971F, #9B8B30, #8B8040, #7A7451 and #6A6961

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC9720 shade: #AC4C1F, #AC711F, #AC971F, #9BAC1F and #76AC1F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC9720 shade: #665A12, #897819, #AC971F, #CFB526 and #DCC542

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC9720 shade: #AC9720, #1FAC26 and #5E1FAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC9720 shade: #AC9720, #1FAC97 and #971FAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC9720 shade: #AC9720, #1FAC26, #1F34AC and #AC1FA5

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC9720 shade: #AC9720, #1FAC50, #1F34AC and #AC1F7B

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 12 / 81 / 33

HEX #AC9720

RGB 172 151 32

HSL 51, 0.69%, 0.4%

LAB 62.51, -4.39, 59.87

 

Complementary color

CMYK 63 / 53 / 0 / 13

HEX #5368DF

RGB 83 104 223

HSL 231, 0.69%, 0.6%

LAB 48.34, 28.89, -63.27

 

CMYK 0 / 15 / 85 / 31

HEX #B1971B

RGB 177 151 27

HSL 49.6, 0.74%, 0.4%

LAB 62.98, -2.29, 61.88

 

CMYK 0 / 13 / 76 / 24

HEX #C2A92E

RGB 194 169 46

HSL 49.86, 0.62%, 0.47%

LAB 69.5, -3.68, 62.38

 

CMYK 0 / 11 / 69 / 17

HEX #D3BB41

RGB 211 187 65

HSL 50.14, 0.62%, 0.54%

LAB 75.93, -4.85, 62.07

 

CMYK 0 / 10 / 63 / 11

HEX #E4CD54

RGB 228 205 84

HSL 50.42, 0.73%, 0.61%

LAB 82.27, -5.84, 61.31

 

CMYK 0 / 9 / 58 / 4

HEX #F5DF67

RGB 245 223 103

HSL 50.7, 0.88%, 0.68%

LAB 88.53, -6.69, 60.34

 

CMYK 0 / 12 / 81 / 33

HEX #AC9720

RGB 172 151 32

HSL 51, 0.69%, 0.4%

LAB 62.51, -4.39, 59.87

 

CMYK 0 / 14 / 92 / 39

HEX #9B850D

RGB 155 133 13

HSL 50.7, 0.85%, 0.33%

LAB 55.86, -2.85, 58.47

 

CMYK 0 / 17 / 100 / 46

HEX #8A7300

RGB 138 115 0

HSL 50, 1%, 0.27%

LAB 49.09, -0.99, 55.12

 

CMYK 0 / 20 / 100 / 53

HEX #796100

RGB 121 97 0

HSL 48.1, 1%, 0.24%

LAB 42.18, 1.18, 49.41

 

CMYK 0 / 24 / 100 / 59

HEX #684F00

RGB 104 79 0

HSL 45.58, 1%, 0.2%

LAB 35.07, 3.5, 43.56

 

CMYK 0 / 12 / 82 / 33

HEX #AC971F

RGB 172 151 31

HSL 51.06, 0.69%, 0.4%

LAB 62.51, -4.42, 60.16

 

CMYK 0 / 34 / 82 / 33

HEX #AC711F

RGB 172 113 31

HSL 34.89, 0.69%, 0.4%

LAB 52.6, 16.65, 51.42

 

CMYK 0 / 56 / 82 / 33

HEX #AC4B1F

RGB 172 75 31

HSL 18.72, 0.69%, 0.4%

LAB 44.09, 37.27, 43.62

 

CMYK 0 / 78 / 82 / 33

HEX #AC251F

RGB 172 37 31

HSL 2.55, 0.69%, 0.4%

LAB 38.19, 53.16, 37.99

 

CMYK 0 / 82 / 82 / 33

HEX #AC1F1F

RGB 172 31 31

HSL 0, 0.69%, 0.4%

LAB 37.57, 54.89, 37.38

 

CMYK 0 / 12 / 82 / 33

HEX #AC971F

RGB 172 151 31

HSL 51.06, 0.69%, 0.4%

LAB 62.51, -4.42, 60.16

 

CMYK 10 / 0 / 82 / 33

HEX #9BAC1F

RGB 155 172 31

HSL 67.23, 0.69%, 0.4%

LAB 66.96, -22.84, 63.47

 

CMYK 32 / 0 / 82 / 33

HEX #75AC1F

RGB 117 172 31

HSL 83.4, 0.69%, 0.4%

LAB 64.47, -38.31, 60.33

 

CMYK 54 / 0 / 82 / 33

HEX #4FAC1F

RGB 79 172 31

HSL 99.57, 0.69%, 0.4%

LAB 62.73, -51.04, 58.1

 

CMYK 76 / 0 / 82 / 33

HEX #29AC1F

RGB 41 172 31

HSL 115.74, 0.69%, 0.4%

LAB 61.72, -59.41, 56.8

 

CMYK 0 / 12 / 82 / 33

HEX #AC971F

RGB 172 151 31

HSL 51.06, 0.69%, 0.4%

LAB 62.51, -4.42, 60.16

 

CMYK 0 / 14 / 92 / 26

HEX #BCA20F

RGB 188 162 15

HSL 50.98, 0.85%, 0.4%

LAB 66.95, -3.5, 68.06

 

CMYK 0 / 12 / 82 / 33

HEX #AC971F

RGB 172 151 31

HSL 51.06, 0.69%, 0.4%

LAB 62.51, -4.42, 60.16

 

CMYK 0 / 10 / 69 / 39

HEX #9B8B30

RGB 155 139 48

HSL 51.03, 0.53%, 0.4%

LAB 57.7, -4.82, 48.83

 

CMYK 0 / 8 / 54 / 45

HEX #8B8040

RGB 139 128 64

HSL 51.2, 0.37%, 0.4%

LAB 53.27, -4.75, 35.86

 

CMYK 0 / 5 / 34 / 52

HEX #7A7451

RGB 122 116 81

HSL 51.22, 0.2%, 0.4%

LAB 48.54, -3.52, 20.21

 

CMYK 0 / 1 / 8 / 58

HEX #6A6961

RGB 106 105 97

HSL 53.33, 0.04%, 0.4%

LAB 44.28, -1.19, 4.63

 

CMYK 0 / 56 / 82 / 33

HEX #AC4C1F

RGB 172 76 31

HSL 19.15, 0.69%, 0.4%

LAB 44.29, 36.76, 43.81

 

CMYK 0 / 34 / 82 / 33

HEX #AC711F

RGB 172 113 31

HSL 34.89, 0.69%, 0.4%

LAB 52.6, 16.65, 51.42

 

CMYK 0 / 12 / 82 / 33

HEX #AC971F

RGB 172 151 31

HSL 51.06, 0.69%, 0.4%

LAB 62.51, -4.42, 60.16

 

CMYK 10 / 0 / 82 / 33

HEX #9BAC1F

RGB 155 172 31

HSL 67.23, 0.69%, 0.4%

LAB 66.96, -22.84, 63.47

 

CMYK 31 / 0 / 82 / 33

HEX #76AC1F

RGB 118 172 31

HSL 82.98, 0.69%, 0.4%

LAB 64.53, -37.93, 60.4

 

CMYK 0 / 12 / 82 / 60

HEX #665A12

RGB 102 90 18

HSL 51.43, 0.7%, 0.24%

LAB 38.16, -3.52, 40.18

 

CMYK 0 / 12 / 82 / 46

HEX #897819

RGB 137 120 25

HSL 50.89, 0.69%, 0.32%

LAB 50.48, -3.68, 50.16

 

CMYK 0 / 12 / 82 / 33

HEX #AC971F

RGB 172 151 31

HSL 51.06, 0.69%, 0.4%

LAB 62.51, -4.42, 60.16

 

CMYK 0 / 13 / 82 / 19

HEX #CFB526

RGB 207 181 38

HSL 50.77, 0.69%, 0.48%

LAB 73.84, -4.57, 69.23

 

CMYK 0 / 10 / 70 / 14

HEX #DCC542

RGB 220 197 66

HSL 51.04, 0.69%, 0.56%

LAB 79.35, -6.13, 65.38

 

CMYK 0 / 12 / 81 / 33

HEX #AC9720

RGB 172 151 32

HSL 51, 0.69%, 0.4%

LAB 62.51, -4.39, 59.87

 

CMYK 82 / 0 / 78 / 33

HEX #1FAC26

RGB 31 172 38

HSL 122.98, 0.69%, 0.4%

LAB 61.6, -60.33, 54.5

 

CMYK 45 / 82 / 0 / 33

HEX #5E1FAC

RGB 94 31 172

HSL 266.81, 0.69%, 0.4%

LAB 30.25, 55.27, -63.01

 

CMYK 0 / 12 / 81 / 33

HEX #AC9720

RGB 172 151 32

HSL 51, 0.69%, 0.4%

LAB 62.51, -4.39, 59.87

 

CMYK 82 / 0 / 12 / 33

HEX #1FAC97

RGB 31 172 151

HSL 171.06, 0.69%, 0.4%

LAB 63.37, -40.3, 0.68

 

CMYK 12 / 82 / 0 / 33

HEX #971FAC

RGB 151 31 172

HSL 291.06, 0.69%, 0.4%

LAB 38.79, 64.65, -48.74

 

CMYK 0 / 12 / 81 / 33

HEX #AC9720

RGB 172 151 32

HSL 51, 0.69%, 0.4%

LAB 62.51, -4.39, 59.87

 

CMYK 82 / 0 / 78 / 33

HEX #1FAC26

RGB 31 172 38

HSL 122.98, 0.69%, 0.4%

LAB 61.6, -60.33, 54.5

 

CMYK 82 / 70 / 0 / 33

HEX #1F34AC

RGB 31 52 172

HSL 231.06, 0.69%, 0.4%

LAB 28.71, 37.18, -65.73

 

CMYK 0 / 82 / 4 / 33

HEX #AC1FA5

RGB 172 31 165

HSL 302.98, 0.69%, 0.4%

LAB 41.95, 67.54, -39.3

 

CMYK 0 / 12 / 81 / 33

HEX #AC9720

RGB 172 151 32

HSL 51, 0.69%, 0.4%

LAB 62.51, -4.39, 59.87

 

CMYK 82 / 0 / 53 / 33

HEX #1FAC50

RGB 31 172 80

HSL 140.85, 0.69%, 0.4%

LAB 61.98, -55.7, 37.06

 

CMYK 82 / 70 / 0 / 33

HEX #1F34AC

RGB 31 52 172

HSL 231.06, 0.69%, 0.4%

LAB 28.71, 37.18, -65.73

 

CMYK 0 / 82 / 28 / 33

HEX #AC1F7B

RGB 172 31 123

HSL 320.85, 0.69%, 0.4%

LAB 39.88, 61.77, -16.93

 

Description

Color code: HEX #AC9720 | qconv.com Color code: HEX #AC9720 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 151 green and 32 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 151 32 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 12 magenta, 81 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 12% 81% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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