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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC8709 it is the complementary color #5378F6. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC8709. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC8709 shade: #B18704, #C29917, #D3AB2A, #E4BD3D and #F5CF50

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC8709. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC8709 shade: #AC8709, #9B7500, #8A6300, #795100 and #683F00

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC8709 shade: #A98508, #A95908, #A92E08 and #A90808

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC8709 shade: #A98508, #A2A908, #77A908, #4CA908 and #20A908

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC8709 shade matches the following richer shades: #A98508

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC8709 shade: #A98508, #9B7D17, #8C7525, #7E6D34 and #6F6542

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC8709 shade: #A92E08, #A95908, #A98408, #A4A908 and #79A908

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC8709 shade: #5B4704, #826606, #A98508, #D0A30A and #F2BF12

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC8709 shade: #AC8709, #0EA908 and #4308A9

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC8709 shade: #AC8709, #08A984 and #8408A9

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC8709 shade: #AC8709, #0EA908, #082EA9 and #A408A9

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC8709 shade: #AC8709, #08A933, #082EA9 and #A9087E

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 22 / 95 / 33

HEX #AC8709

RGB 172 135 9

HSL 46.38, 0.9%, 0.35%

LAB 58.15, 3.82, 61.67

 

Complementary color

CMYK 66 / 51 / 0 / 4

HEX #5378F6

RGB 83 120 246

HSL 226.38, 0.9%, 0.65%

LAB 53.95, 26.85, -67.1

 

CMYK 0 / 24 / 98 / 31

HEX #B18704

RGB 177 135 4

HSL 45.43, 0.96%, 0.35%

LAB 58.68, 6.04, 63.1

 

CMYK 0 / 21 / 88 / 24

HEX #C29917

RGB 194 153 23

HSL 45.61, 0.79%, 0.43%

LAB 65.21, 4.17, 65.41

 

CMYK 0 / 19 / 80 / 17

HEX #D3AB2A

RGB 211 171 42

HSL 45.8, 0.67%, 0.5%

LAB 71.65, 2.56, 66.28

 

CMYK 0 / 17 / 73 / 11

HEX #E4BD3D

RGB 228 189 61

HSL 45.99, 0.76%, 0.57%

LAB 78.01, 1.18, 66.2

 

CMYK 0 / 16 / 67 / 4

HEX #F5CF50

RGB 245 207 80

HSL 46.18, 0.89%, 0.64%

LAB 84.29, 0, 65.58

 

CMYK 0 / 22 / 95 / 33

HEX #AC8709

RGB 172 135 9

HSL 46.38, 0.9%, 0.35%

LAB 58.15, 3.82, 61.67

 

CMYK 0 / 25 / 100 / 39

HEX #9B7500

RGB 155 117 0

HSL 45.29, 1%, 0.3%

LAB 51.49, 5.9, 57.65

 

CMYK 0 / 28 / 100 / 46

HEX #8A6300

RGB 138 99 0

HSL 43.04, 1%, 0.27%

LAB 44.7, 8.23, 52.08

 

CMYK 0 / 33 / 100 / 53

HEX #795100

RGB 121 81 0

HSL 40.17, 1%, 0.24%

LAB 37.75, 10.69, 46.39

 

CMYK 0 / 39 / 100 / 59

HEX #683F00

RGB 104 63 0

HSL 36.35, 1%, 0.2%

LAB 30.64, 13.31, 40.52

 

CMYK 0 / 21 / 95 / 34

HEX #A98508

RGB 169 133 8

HSL 46.58, 0.91%, 0.35%

LAB 57.3, 3.54, 61.06

 

CMYK 0 / 47 / 95 / 34

HEX #A95908

RGB 169 89 8

HSL 30.19, 0.91%, 0.35%

LAB 46.44, 28.14, 53.29

 

CMYK 0 / 73 / 95 / 34

HEX #A92E08

RGB 169 46 8

HSL 14.16, 0.91%, 0.35%

LAB 38.56, 48.63, 48.1

 

CMYK 0 / 95 / 95 / 34

HEX #A90808

RGB 169 8 8

HSL 0, 0.91%, 0.35%

LAB 35.25, 57.96, 46.13

 

CMYK 0 / 21 / 95 / 34

HEX #A98508

RGB 169 133 8

HSL 46.58, 0.91%, 0.35%

LAB 57.3, 3.54, 61.06

 

CMYK 4 / 0 / 95 / 34

HEX #A2A908

RGB 162 169 8

HSL 62.61, 0.91%, 0.35%

LAB 66.58, -18.82, 67.74

 

CMYK 30 / 0 / 95 / 34

HEX #77A908

RGB 119 169 8

HSL 78.63, 0.91%, 0.35%

LAB 63.6, -36.87, 64.15

 

CMYK 55 / 0 / 95 / 34

HEX #4CA908

RGB 76 169 8

HSL 94.66, 0.91%, 0.35%

LAB 61.59, -51.58, 61.69

 

CMYK 81 / 0 / 95 / 34

HEX #20A908

RGB 32 169 8

HSL 111.06, 0.91%, 0.35%

LAB 60.52, -60.65, 60.36

 

CMYK 0 / 21 / 95 / 34

HEX #A98508

RGB 169 133 8

HSL 46.58, 0.91%, 0.35%

LAB 57.3, 3.54, 61.06

 

CMYK 0 / 21 / 95 / 34

HEX #A98508

RGB 169 133 8

HSL 46.58, 0.91%, 0.35%

LAB 57.3, 3.54, 61.06

 

CMYK 0 / 19 / 85 / 39

HEX #9B7D17

RGB 155 125 23

HSL 46.36, 0.74%, 0.35%

LAB 53.7, 1.85, 54.3

 

CMYK 0 / 16 / 74 / 45

HEX #8C7525

RGB 140 117 37

HSL 46.6, 0.58%, 0.35%

LAB 50.02, -0.04, 45.27

 

CMYK 0 / 13 / 59 / 51

HEX #7E6D34

RGB 126 109 52

HSL 46.22, 0.42%, 0.35%

LAB 46.47, -0.94, 33.83

 

CMYK 0 / 9 / 41 / 56

HEX #6F6542

RGB 111 101 66

HSL 46.67, 0.25%, 0.35%

LAB 42.88, -1.64, 21.27

 

CMYK 0 / 73 / 95 / 34

HEX #A92E08

RGB 169 46 8

HSL 14.16, 0.91%, 0.35%

LAB 38.56, 48.63, 48.1

 

CMYK 0 / 47 / 95 / 34

HEX #A95908

RGB 169 89 8

HSL 30.19, 0.91%, 0.35%

LAB 46.44, 28.14, 53.29

 

CMYK 0 / 22 / 95 / 34

HEX #A98408

RGB 169 132 8

HSL 46.21, 0.91%, 0.35%

LAB 57.03, 4.1, 60.86

 

CMYK 3 / 0 / 95 / 34

HEX #A4A908

RGB 164 169 8

HSL 61.86, 0.91%, 0.35%

LAB 66.74, -17.94, 67.94

 

CMYK 28 / 0 / 95 / 34

HEX #79A908

RGB 121 169 8

HSL 77.89, 0.91%, 0.35%

LAB 63.72, -36.08, 64.29

 

CMYK 0 / 22 / 96 / 64

HEX #5B4704

RGB 91 71 4

HSL 46.21, 0.92%, 0.19%

LAB 31.21, 1.93, 38.57

 

CMYK 0 / 22 / 95 / 49

HEX #826606

RGB 130 102 6

HSL 46.45, 0.91%, 0.27%

LAB 44.61, 2.76, 50.12

 

CMYK 0 / 21 / 95 / 34

HEX #A98508

RGB 169 133 8

HSL 46.58, 0.91%, 0.35%

LAB 57.3, 3.54, 61.06

 

CMYK 0 / 22 / 95 / 18

HEX #D0A30A

RGB 208 163 10

HSL 46.36, 0.91%, 0.43%

LAB 69.2, 4.81, 71.34

 

CMYK 0 / 21 / 93 / 5

HEX #F2BF12

RGB 242 191 18

HSL 46.34, 0.9%, 0.51%

LAB 79.72, 4.98, 79.56

 

CMYK 0 / 22 / 95 / 33

HEX #AC8709

RGB 172 135 9

HSL 46.38, 0.9%, 0.35%

LAB 58.15, 3.82, 61.67

 

CMYK 92 / 0 / 95 / 34

HEX #0EA908

RGB 14 169 8

HSL 117.76, 0.91%, 0.35%

LAB 60.33, -62.36, 60.13

 

CMYK 60 / 95 / 0 / 34

HEX #4308A9

RGB 67 8 169

HSL 261.99, 0.91%, 0.35%

LAB 24.42, 58.32, -70.93

 

CMYK 0 / 22 / 95 / 33

HEX #AC8709

RGB 172 135 9

HSL 46.38, 0.9%, 0.35%

LAB 58.15, 3.82, 61.67

 

CMYK 95 / 0 / 22 / 34

HEX #08A984

RGB 8 169 132

HSL 166.21, 0.91%, 0.35%

LAB 61.73, -45.54, 8.9

 

CMYK 22 / 95 / 0 / 34

HEX #8408A9

RGB 132 8 169

HSL 286.21, 0.91%, 0.35%

LAB 33.87, 65.47, -55.07

 

CMYK 0 / 22 / 95 / 33

HEX #AC8709

RGB 172 135 9

HSL 46.38, 0.9%, 0.35%

LAB 58.15, 3.82, 61.67

 

CMYK 92 / 0 / 95 / 34

HEX #0EA908

RGB 14 169 8

HSL 117.76, 0.91%, 0.35%

LAB 60.33, -62.36, 60.13

 

CMYK 95 / 73 / 0 / 34

HEX #082EA9

RGB 8 46 169

HSL 225.84, 0.91%, 0.35%

LAB 26.36, 38.69, -67.83

 

CMYK 3 / 95 / 0 / 34

HEX #A408A9

RGB 164 8 169

HSL 298.14, 0.91%, 0.35%

LAB 39.46, 70.5, -45.75

 

CMYK 0 / 22 / 95 / 33

HEX #AC8709

RGB 172 135 9

HSL 46.38, 0.9%, 0.35%

LAB 58.15, 3.82, 61.67

 

CMYK 95 / 0 / 70 / 34

HEX #08A933

RGB 8 169 51

HSL 136.02, 0.91%, 0.35%

LAB 60.49, -60.17, 48.52

 

CMYK 95 / 73 / 0 / 34

HEX #082EA9

RGB 8 46 169

HSL 225.84, 0.91%, 0.35%

LAB 26.36, 38.69, -67.83

 

CMYK 0 / 95 / 25 / 34

HEX #A9087E

RGB 169 8 126

HSL 316.02, 0.91%, 0.35%

LAB 38.05, 65.49, -21.68

 

Description

Color code: HEX #AC8709 | qconv.com Color code: HEX #AC8709 | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 135 green and 9 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 135 9 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 22 magenta, 95 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 22% 95% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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