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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7E57 it is the complementary color #5381A8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7E57. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7E57 shade: #B17E52, #C29065, #D3A278, #E4B48B and #F5C69E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7E57. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7E57 shade: #AC7E57, #9B6C44, #8A5A31, #79481E and #68360B

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7E57 shade: #AC7E57, #AC6757 and #AC5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7E57 shade: #AC7E57, #AC9557, #ACAC57, #95AC57 and #7EAC57

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7E57 shade matches the following richer shades: #AC7E57, #C07C43, #D47B2F, #E9791A and #FD7706

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7E57 shade: #AC7E57, #98806B, #848180, #6F8394 and #5B85A8

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7E57 shade: #AC575E, #AC6757, #AC7D57, #AC9457 and #ACAB57

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7E57 shade: #76563A, #926A48, #AC7E57, #BA9373 and #C7A88E

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7E57 shade: #AC7E57, #75AC57 and #5B57AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7E57 shade: #AC7E57, #57AC7D and #7D57AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7E57 shade: #AC7E57, #75AC57, #5786AC and #8E57AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7E57 shade: #AC7E57, #5BAC57, #5786AC and #A857AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 27 / 49 / 33

HEX #AC7E57

RGB 172 126 87

HSL 27.53, 0.34%, 0.51%

LAB 56.47, 13.03, 28.15

 

Complementary color

CMYK 51 / 23 / 0 / 34

HEX #5381A8

RGB 83 129 168

HSL 207.53, 0.34%, 0.49%

LAB 52.25, -4.49, -25.57

 

CMYK 0 / 29 / 54 / 31

HEX #B17E52

RGB 177 126 82

HSL 27.79, 0.38%, 0.51%

LAB 56.96, 14.68, 31.65

 

CMYK 0 / 26 / 48 / 24

HEX #C29065

RGB 194 144 101

HSL 27.74, 0.43%, 0.58%

LAB 63.64, 13.65, 30.17

 

CMYK 0 / 23 / 43 / 17

HEX #D3A278

RGB 211 162 120

HSL 27.69, 0.51%, 0.65%

LAB 70.21, 12.77, 28.81

 

CMYK 0 / 21 / 39 / 11

HEX #E4B48B

RGB 228 180 139

HSL 27.64, 0.62%, 0.72%

LAB 76.68, 12, 27.55

 

CMYK 0 / 19 / 36 / 4

HEX #F5C69E

RGB 245 198 158

HSL 27.59, 0.81%, 0.79%

LAB 83.06, 11.33, 26.37

 

CMYK 0 / 27 / 49 / 33

HEX #AC7E57

RGB 172 126 87

HSL 27.53, 0.34%, 0.51%

LAB 56.47, 13.03, 28.15

 

CMYK 0 / 30 / 56 / 39

HEX #9B6C44

RGB 155 108 68

HSL 27.59, 0.39%, 0.44%

LAB 49.63, 14.13, 29.69

 

CMYK 0 / 35 / 64 / 46

HEX #8A5A31

RGB 138 90 49

HSL 27.64, 0.48%, 0.37%

LAB 42.67, 15.46, 31.35

 

CMYK 0 / 40 / 75 / 53

HEX #79481E

RGB 121 72 30

HSL 27.69, 0.6%, 0.3%

LAB 35.58, 17.09, 33.05

 

CMYK 0 / 48 / 89 / 59

HEX #68360B

RGB 104 54 11

HSL 27.74, 0.81%, 0.23%

LAB 28.39, 19.11, 34.31

 

CMYK 0 / 27 / 49 / 33

HEX #AC7E57

RGB 172 126 87

HSL 27.53, 0.34%, 0.51%

LAB 56.47, 13.03, 28.15

 

CMYK 0 / 40 / 49 / 33

HEX #AC6757

RGB 172 103 87

HSL 11.29, 0.34%, 0.51%

LAB 50.87, 25.95, 20.84

 

CMYK 0 / 49 / 49 / 33

HEX #AC5757

RGB 172 87 87

HSL 0, 0.34%, 0.51%

LAB 47.33, 34.66, 16.07

 

CMYK 0 / 27 / 49 / 33

HEX #AC7E57

RGB 172 126 87

HSL 27.53, 0.34%, 0.51%

LAB 56.47, 13.03, 28.15

 

CMYK 0 / 13 / 49 / 33

HEX #AC9557

RGB 172 149 87

HSL 43.76, 0.34%, 0.51%

LAB 62.47, 0.23, 35.72

 

CMYK 0 / 0 / 49 / 33

HEX #ACAC57

RGB 172 172 87

HSL 60, 0.34%, 0.51%

LAB 68.73, -12.06, 43.31

 

CMYK 13 / 0 / 49 / 33

HEX #95AC57

RGB 149 172 87

HSL 76.24, 0.34%, 0.51%

LAB 66.96, -21.51, 40.77

 

CMYK 27 / 0 / 49 / 33

HEX #7EAC57

RGB 126 172 87

HSL 92.47, 0.34%, 0.51%

LAB 65.46, -30.43, 38.6

 

CMYK 0 / 27 / 49 / 33

HEX #AC7E57

RGB 172 126 87

HSL 27.53, 0.34%, 0.51%

LAB 56.47, 13.03, 28.15

 

CMYK 0 / 35 / 65 / 25

HEX #C07C43

RGB 192 124 67

HSL 27.36, 0.5%, 0.51%

LAB 58.06, 21.04, 41.37

 

CMYK 0 / 42 / 78 / 17

HEX #D47B2F

RGB 212 123 47

HSL 27.64, 0.66%, 0.51%

LAB 60.22, 28.98, 53.92

 

CMYK 0 / 48 / 89 / 9

HEX #E9791A

RGB 233 121 26

HSL 27.54, 0.82%, 0.51%

LAB 62.57, 37.99, 64.65

 

CMYK 0 / 53 / 98 / 1

HEX #FD7706

RGB 253 119 6

HSL 27.45, 0.98%, 0.51%

LAB 65.03, 46.49, 71.78

 

CMYK 0 / 27 / 49 / 33

HEX #AC7E57

RGB 172 126 87

HSL 27.53, 0.34%, 0.51%

LAB 56.47, 13.03, 28.15

 

CMYK 0 / 16 / 30 / 40

HEX #98806B

RGB 152 128 107

HSL 28, 0.18%, 0.51%

LAB 55.25, 5.9, 14.83

 

CMYK 0 / 2 / 3 / 48

HEX #848180

RGB 132 129 128

HSL 15, 0.02%, 0.51%

LAB 54.2, 0.93, 0.93

 

CMYK 25 / 11 / 0 / 42

HEX #6F8394

RGB 111 131 148

HSL 207.57, 0.15%, 0.51%

LAB 53.76, -3.21, -11.52

 

CMYK 46 / 21 / 0 / 34

HEX #5B85A8

RGB 91 133 168

HSL 207.27, 0.31%, 0.51%

LAB 53.84, -4.79, -23.08

 

CMYK 0 / 49 / 45 / 33

HEX #AC575E

RGB 172 87 94

HSL 355.06, 0.34%, 0.51%

LAB 47.49, 35.38, 12.08

 

CMYK 0 / 40 / 49 / 33

HEX #AC6757

RGB 172 103 87

HSL 11.29, 0.34%, 0.51%

LAB 50.87, 25.95, 20.84

 

CMYK 0 / 27 / 49 / 33

HEX #AC7D57

RGB 172 125 87

HSL 26.82, 0.34%, 0.51%

LAB 56.21, 13.59, 27.83

 

CMYK 0 / 14 / 49 / 33

HEX #AC9457

RGB 172 148 87

HSL 43.06, 0.34%, 0.51%

LAB 62.2, 0.78, 35.38

 

CMYK 0 / 1 / 49 / 33

HEX #ACAB57

RGB 172 171 87

HSL 59.29, 0.34%, 0.51%

LAB 68.45, -11.53, 42.98

 

CMYK 0 / 27 / 51 / 54

HEX #76563A

RGB 118 86 58

HSL 28, 0.34%, 0.35%

LAB 39.26, 9.55, 21.44

 

CMYK 0 / 27 / 51 / 43

HEX #926A48

RGB 146 106 72

HSL 27.57, 0.34%, 0.43%

LAB 48.12, 11.71, 25.3

 

CMYK 0 / 27 / 49 / 33

HEX #AC7E57

RGB 172 126 87

HSL 27.53, 0.34%, 0.51%

LAB 56.47, 13.03, 28.15

 

CMYK 0 / 21 / 38 / 27

HEX #BA9373

RGB 186 147 115

HSL 27.04, 0.34%, 0.59%

LAB 63.79, 10.24, 22.53

 

CMYK 0 / 16 / 29 / 22

HEX #C7A88E

RGB 199 168 142

HSL 27.37, 0.34%, 0.67%

LAB 70.94, 7.42, 17.65

 

CMYK 0 / 27 / 49 / 33

HEX #AC7E57

RGB 172 126 87

HSL 27.53, 0.34%, 0.51%

LAB 56.47, 13.03, 28.15

 

CMYK 32 / 0 / 49 / 33

HEX #75AC57

RGB 117 172 87

HSL 98.82, 0.34%, 0.51%

LAB 64.94, -33.7, 37.85

 

CMYK 47 / 49 / 0 / 33

HEX #5B57AC

RGB 91 87 172

HSL 242.82, 0.34%, 0.51%

LAB 41.25, 24.46, -45.19

 

CMYK 0 / 27 / 49 / 33

HEX #AC7E57

RGB 172 126 87

HSL 27.53, 0.34%, 0.51%

LAB 56.47, 13.03, 28.15

 

CMYK 49 / 0 / 27 / 33

HEX #57AC7D

RGB 87 172 125

HSL 146.82, 0.34%, 0.51%

LAB 64.17, -36.79, 16.42

 

CMYK 27 / 49 / 0 / 33

HEX #7D57AC

RGB 125 87 172

HSL 266.82, 0.34%, 0.51%

LAB 44.45, 33.37, -39.89

 

CMYK 0 / 27 / 49 / 33

HEX #AC7E57

RGB 172 126 87

HSL 27.53, 0.34%, 0.51%

LAB 56.47, 13.03, 28.15

 

CMYK 32 / 0 / 49 / 33

HEX #75AC57

RGB 117 172 87

HSL 98.82, 0.34%, 0.51%

LAB 64.94, -33.7, 37.85

 

CMYK 49 / 22 / 0 / 33

HEX #5786AC

RGB 87 134 172

HSL 206.82, 0.34%, 0.51%

LAB 54.09, -5.18, -25.03

 

CMYK 17 / 49 / 0 / 33

HEX #8E57AC

RGB 142 87 172

HSL 278.82, 0.34%, 0.51%

LAB 46.37, 38.19, -36.73

 

CMYK 0 / 27 / 49 / 33

HEX #AC7E57

RGB 172 126 87

HSL 27.53, 0.34%, 0.51%

LAB 56.47, 13.03, 28.15

 

CMYK 47 / 0 / 49 / 33

HEX #5BAC57

RGB 91 172 87

HSL 117.18, 0.34%, 0.51%

LAB 63.69, -42.23, 36.02

 

CMYK 49 / 22 / 0 / 33

HEX #5786AC

RGB 87 134 172

HSL 206.82, 0.34%, 0.51%

LAB 54.09, -5.18, -25.03

 

CMYK 2 / 49 / 0 / 33

HEX #A857AC

RGB 168 87 172

HSL 297.18, 0.34%, 0.51%

LAB 49.64, 45.76, -31.37

 

Description

Color code: HEX #AC7E57 | qconv.com Color code: HEX #AC7E57 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 126 green and 87 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 126 87 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 27 magenta, 49 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 27% 49% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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