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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7C60 it is the complementary color #53839F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7C60. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7C60 shade: #B17C5B, #C28E6E, #D3A081, #E4B294 and #F5C4A7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7C60. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7C60 shade: #AC7C60, #9B6A4D, #8A583A, #794627 and #683414

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7C60 shade: #AC7D61, #AC6961 and #AC6161

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7C60 shade: #AC7D61, #AC9161, #ACA561, #9FAC61 and #8BAC61

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7C60 shade matches the following richer shades: #AC7D61, #BF784E, #D3733B, #E66E27 and #F96814

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7C60 shade: #AC7D61, #988275, #858788, #728C9C and #5E91AF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7C60 shade: #AC616E, #AC6961, #AC7D61, #AC9161 and #ACA461

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7C60 shade: #7A5640, #96694F, #AC7D61, #BA937D and #C8AA98

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7C60 shade: #AC7C60, #82AC61 and #6164AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7C60 shade: #AC7C60, #61AC7D and #7D61AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7C60 shade: #AC7C60, #82AC61, #6191AC and #8C61AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7C60 shade: #AC7C60, #6BAC61, #6191AC and #A261AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 28 / 44 / 33

HEX #AC7C60

RGB 172 124 96

HSL 22.11, 0.31%, 0.53%

LAB 56.12, 15.1, 22.64

 

Complementary color

CMYK 48 / 18 / 0 / 38

HEX #53839F

RGB 83 131 159

HSL 202.11, 0.31%, 0.47%

LAB 52.48, -8.36, -20

 

CMYK 0 / 30 / 49 / 31

HEX #B17C5B

RGB 177 124 91

HSL 23.02, 0.36%, 0.53%

LAB 56.6, 16.66, 26.2

 

CMYK 0 / 27 / 43 / 24

HEX #C28E6E

RGB 194 142 110

HSL 22.86, 0.41%, 0.6%

LAB 63.29, 15.69, 24.78

 

CMYK 0 / 24 / 39 / 17

HEX #D3A081

RGB 211 160 129

HSL 22.68, 0.48%, 0.67%

LAB 69.88, 14.85, 23.49

 

CMYK 0 / 22 / 35 / 11

HEX #E4B294

RGB 228 178 148

HSL 22.5, 0.6%, 0.74%

LAB 76.36, 14.12, 22.3

 

CMYK 0 / 20 / 32 / 4

HEX #F5C4A7

RGB 245 196 167

HSL 22.31, 0.8%, 0.81%

LAB 82.74, 13.47, 21.19

 

CMYK 0 / 28 / 44 / 33

HEX #AC7C60

RGB 172 124 96

HSL 22.11, 0.31%, 0.53%

LAB 56.12, 15.1, 22.64

 

CMYK 0 / 32 / 50 / 39

HEX #9B6A4D

RGB 155 106 77

HSL 22.31, 0.34%, 0.45%

LAB 49.27, 16.12, 24.12

 

CMYK 0 / 36 / 58 / 46

HEX #8A583A

RGB 138 88 58

HSL 22.5, 0.41%, 0.38%

LAB 42.29, 17.35, 25.79

 

CMYK 0 / 42 / 68 / 53

HEX #794627

RGB 121 70 39

HSL 22.68, 0.51%, 0.31%

LAB 35.19, 18.84, 27.66

 

CMYK 0 / 50 / 81 / 59

HEX #683414

RGB 104 52 20

HSL 22.86, 0.68%, 0.24%

LAB 27.98, 20.65, 29.63

 

CMYK 0 / 27 / 44 / 33

HEX #AC7D61

RGB 172 125 97

HSL 22.4, 0.31%, 0.53%

LAB 56.39, 14.64, 22.43

 

CMYK 0 / 39 / 44 / 33

HEX #AC6961

RGB 172 105 97

HSL 6.4, 0.31%, 0.53%

LAB 51.54, 25.89, 15.88

 

CMYK 0 / 44 / 44 / 33

HEX #AC6161

RGB 172 97 97

HSL 0, 0.31%, 0.53%

LAB 49.72, 30.31, 13.37

 

CMYK 0 / 27 / 44 / 33

HEX #AC7D61

RGB 172 125 97

HSL 22.4, 0.31%, 0.53%

LAB 56.39, 14.64, 22.43

 

CMYK 0 / 16 / 44 / 33

HEX #AC9161

RGB 172 145 97

HSL 38.4, 0.31%, 0.53%

LAB 61.55, 3.46, 29.21

 

CMYK 0 / 4 / 44 / 33

HEX #ACA561

RGB 172 165 97

HSL 54.4, 0.31%, 0.53%

LAB 66.93, -7.38, 36.05

 

CMYK 8 / 0 / 44 / 33

HEX #9FAC61

RGB 159 172 97

HSL 70.4, 0.31%, 0.53%

LAB 67.83, -16.38, 36.94

 

CMYK 19 / 0 / 44 / 33

HEX #8BAC61

RGB 139 172 97

HSL 86.4, 0.31%, 0.53%

LAB 66.41, -24.29, 34.86

 

CMYK 0 / 27 / 44 / 33

HEX #AC7D61

RGB 172 125 97

HSL 22.4, 0.31%, 0.53%

LAB 56.39, 14.64, 22.43

 

CMYK 0 / 37 / 59 / 25

HEX #BF784E

RGB 191 120 78

HSL 22.3, 0.47%, 0.53%

LAB 57.13, 23.6, 34.42

 

CMYK 0 / 45 / 72 / 17

HEX #D3733B

RGB 211 115 59

HSL 22.11, 0.63%, 0.53%

LAB 58.44, 33.32, 46.51

 

CMYK 0 / 52 / 83 / 10

HEX #E66E27

RGB 230 110 39

HSL 22.3, 0.79%, 0.53%

LAB 60, 42.61, 57.94

 

CMYK 0 / 58 / 92 / 2

HEX #F96814

RGB 249 104 20

HSL 22.01, 0.95%, 0.53%

LAB 61.73, 52.16, 66.75

 

CMYK 0 / 27 / 44 / 33

HEX #AC7D61

RGB 172 125 97

HSL 22.4, 0.31%, 0.53%

LAB 56.39, 14.64, 22.43

 

CMYK 0 / 14 / 23 / 40

HEX #988275

RGB 152 130 117

HSL 22.29, 0.15%, 0.53%

LAB 56.01, 6.25, 10.14

 

CMYK 2 / 1 / 0 / 47

HEX #858788

RGB 133 135 136

HSL 200, 0.01%, 0.53%

LAB 56.18, -0.54, -0.8

 

CMYK 27 / 10 / 0 / 39

HEX #728C9C

RGB 114 140 156

HSL 202.86, 0.18%, 0.53%

LAB 56.82, -5.39, -11.53

 

CMYK 46 / 17 / 0 / 31

HEX #5E91AF

RGB 94 145 175

HSL 202.22, 0.34%, 0.53%

LAB 57.78, -8.79, -21.04

 

CMYK 0 / 44 / 36 / 33

HEX #AC616E

RGB 172 97 110

HSL 349.6, 0.31%, 0.53%

LAB 50.03, 31.86, 6.07

 

CMYK 0 / 39 / 44 / 33

HEX #AC6961

RGB 172 105 97

HSL 6.4, 0.31%, 0.53%

LAB 51.54, 25.89, 15.88

 

CMYK 0 / 27 / 44 / 33

HEX #AC7D61

RGB 172 125 97

HSL 22.4, 0.31%, 0.53%

LAB 56.39, 14.64, 22.43

 

CMYK 0 / 16 / 44 / 33

HEX #AC9161

RGB 172 145 97

HSL 38.4, 0.31%, 0.53%

LAB 61.55, 3.46, 29.21

 

CMYK 0 / 5 / 44 / 33

HEX #ACA461

RGB 172 164 97

HSL 53.6, 0.31%, 0.53%

LAB 66.66, -6.85, 35.71

 

CMYK 0 / 30 / 48 / 52

HEX #7A5640

RGB 122 86 64

HSL 22.76, 0.31%, 0.36%

LAB 39.85, 12.01, 18.71

 

CMYK 0 / 30 / 47 / 41

HEX #96694F

RGB 150 105 79

HSL 21.97, 0.31%, 0.45%

LAB 48.45, 14.76, 21.79

 

CMYK 0 / 27 / 44 / 33

HEX #AC7D61

RGB 172 125 97

HSL 22.4, 0.31%, 0.53%

LAB 56.39, 14.64, 22.43

 

CMYK 0 / 21 / 33 / 27

HEX #BA937D

RGB 186 147 125

HSL 21.64, 0.31%, 0.61%

LAB 63.99, 11.49, 17.23

 

CMYK 0 / 15 / 24 / 22

HEX #C8AA98

RGB 200 170 152

HSL 22.5, 0.3%, 0.69%

LAB 71.76, 8.13, 13.33

 

CMYK 0 / 28 / 44 / 33

HEX #AC7C60

RGB 172 124 96

HSL 22.11, 0.31%, 0.53%

LAB 56.12, 15.1, 22.64

 

CMYK 24 / 0 / 44 / 33

HEX #82AC61

RGB 130 172 97

HSL 93.6, 0.31%, 0.53%

LAB 65.84, -27.69, 34.02

 

CMYK 44 / 42 / 0 / 33

HEX #6164AC

RGB 97 100 172

HSL 237.6, 0.31%, 0.53%

LAB 45.13, 17.86, -38.98

 

CMYK 0 / 28 / 44 / 33

HEX #AC7C60

RGB 172 124 96

HSL 22.11, 0.31%, 0.53%

LAB 56.12, 15.1, 22.64

 

CMYK 44 / 0 / 27 / 33

HEX #61AC7D

RGB 97 172 125

HSL 142.4, 0.31%, 0.53%

LAB 64.59, -34.05, 17.06

 

CMYK 27 / 44 / 0 / 33

HEX #7D61AC

RGB 125 97 172

HSL 262.4, 0.31%, 0.53%

LAB 46.83, 27.47, -36.14

 

CMYK 0 / 28 / 44 / 33

HEX #AC7C60

RGB 172 124 96

HSL 22.11, 0.31%, 0.53%

LAB 56.12, 15.1, 22.64

 

CMYK 24 / 0 / 44 / 33

HEX #82AC61

RGB 130 172 97

HSL 93.6, 0.31%, 0.53%

LAB 65.84, -27.69, 34.02

 

CMYK 44 / 16 / 0 / 33

HEX #6191AC

RGB 97 145 172

HSL 201.6, 0.31%, 0.53%

LAB 57.82, -8.87, -19.25

 

CMYK 19 / 44 / 0 / 33

HEX #8C61AC

RGB 140 97 172

HSL 274.4, 0.31%, 0.53%

LAB 48.39, 31.93, -33.57

 

CMYK 0 / 28 / 44 / 33

HEX #AC7C60

RGB 172 124 96

HSL 22.11, 0.31%, 0.53%

LAB 56.12, 15.1, 22.64

 

CMYK 38 / 0 / 44 / 33

HEX #6BAC61

RGB 107 172 97

HSL 112, 0.31%, 0.53%

LAB 64.56, -35.78, 32.13

 

CMYK 44 / 16 / 0 / 33

HEX #6191AC

RGB 97 145 172

HSL 201.6, 0.31%, 0.53%

LAB 57.82, -8.87, -19.25

 

CMYK 6 / 44 / 0 / 33

HEX #A261AC

RGB 162 97 172

HSL 292, 0.31%, 0.53%

LAB 50.93, 38.64, -29.42

 

Description

Color code: HEX #AC7C60 | qconv.com Color code: HEX #AC7C60 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 124 green and 96 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 124 96 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 28 magenta, 44 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 28% 44% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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