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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7AED it is the complementary color #538512. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7AED. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7AED shade: #B17AE8, #C28CFB, #D39EFF, #E4B0FF and #F5C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7AED. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7AED shade: #AC7AED, #9B68DA, #8A56C7, #7944B4 and #6832A1

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7AED shade: #AA78EC, #CA78EC, #E978EC, #EC78D0 and #EC78B0

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7AED shade: #AA78EC, #8B78EC and #7878EC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7AED shade matches the following richer shades: #AA78EC and #A96BF9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7AED shade: #AA78EC, #AC84E0, #AE91D3, #AF9DC7 and #B1A9BB

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7AED shade: #7883EC, #8B78EC, #AA78EC, #C978EC and #E878EC

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7AED shade: #7D2FE2, #9454E7, #AA78EC, #C19CF1 and #D8C0F6

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7AED shade: #AC7AED, #EC78A2 and #78EC7C

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7AED shade: #AC7AED, #ECAA78 and #78ECAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7AED shade: #AC7AED, #EC78A2, #BAEC78 and #78ECC2

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7AED shade: #AC7AED, #EC7880, #BAEC78 and #78ECE4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 27 / 49 / 0 / 7

HEX #AC7AED

RGB 172 122 237

HSL 266.09, 0.76%, 0.7%

LAB 60.61, 42.16, -51.06

 

Complementary color

CMYK 38 / 0 / 86 / 48

HEX #538512

RGB 83 133 18

HSL 86.09, 0.76%, 0.3%

LAB 50.28, -34.43, 50.46

 

CMYK 24 / 47 / 0 / 9

HEX #B17AE8

RGB 177 122 232

HSL 270, 0.71%, 0.69%

LAB 60.86, 42.31, -47.85

 

CMYK 23 / 44 / 0 / 2

HEX #C28CFB

RGB 194 140 251

HSL 269.19, 0.93%, 0.77%

LAB 67.42, 41.46, -47.86

 

CMYK 17 / 38 / 0 / 0

HEX #D39EFF

RGB 211 158 255

HSL 272.78, 1%, 0.81%

LAB 73.23, 37.36, -40.8

 

CMYK 11 / 31 / 0 / 0

HEX #E4B0FF

RGB 228 176 255

HSL 279.49, 1%, 0.85%

LAB 78.91, 32.72, -31.89

 

CMYK 4 / 24 / 0 / 0

HEX #F5C2FF

RGB 245 194 255

HSL 290.16, 1%, 0.88%

LAB 84.59, 28.43, -23.05

 

CMYK 27 / 49 / 0 / 7

HEX #AC7AED

RGB 172 122 237

HSL 266.09, 0.76%, 0.7%

LAB 60.61, 42.16, -51.06

 

CMYK 29 / 52 / 0 / 15

HEX #9B68DA

RGB 155 104 218

HSL 266.84, 0.61%, 0.63%

LAB 53.95, 43.1, -51.11

 

CMYK 31 / 57 / 0 / 22

HEX #8A56C7

RGB 138 86 199

HSL 267.61, 0.5%, 0.56%

LAB 47.21, 44.08, -51.14

 

CMYK 33 / 62 / 0 / 29

HEX #7944B4

RGB 121 68 180

HSL 268.39, 0.45%, 0.49%

LAB 40.4, 45.03, -51.11

 

CMYK 35 / 69 / 0 / 37

HEX #6832A1

RGB 104 50 161

HSL 269.19, 0.53%, 0.41%

LAB 33.56, 45.86, -50.93

 

CMYK 28 / 49 / 0 / 7

HEX #AA78EC

RGB 170 120 236

HSL 265.86, 0.75%, 0.7%

LAB 59.92, 42.5, -51.61

 

CMYK 14 / 49 / 0 / 7

HEX #CA78EC

RGB 202 120 236

HSL 282.41, 0.75%, 0.7%

LAB 63.38, 51.01, -45.91

 

CMYK 1 / 49 / 0 / 7

HEX #E978EC

RGB 233 120 236

HSL 298.45, 0.75%, 0.7%

LAB 67.14, 59.47, -39.76

 

CMYK 0 / 49 / 12 / 7

HEX #EC78D0

RGB 236 120 208

HSL 314.48, 0.75%, 0.7%

LAB 66.38, 55.65, -25.33

 

CMYK 0 / 49 / 25 / 7

HEX #EC78B0

RGB 236 120 176

HSL 331.03, 0.75%, 0.7%

LAB 65.28, 50.97, -8.98

 

CMYK 28 / 49 / 0 / 7

HEX #AA78EC

RGB 170 120 236

HSL 265.86, 0.75%, 0.7%

LAB 59.92, 42.5, -51.61

 

CMYK 41 / 49 / 0 / 7

HEX #8B78EC

RGB 139 120 236

HSL 249.83, 0.75%, 0.7%

LAB 57.05, 34.77, -56.35

 

CMYK 49 / 49 / 0 / 7

HEX #7878EC

RGB 120 120 236

HSL 240, 0.75%, 0.7%

LAB 55.57, 30.45, -58.82

 

CMYK 28 / 49 / 0 / 7

HEX #AA78EC

RGB 170 120 236

HSL 265.86, 0.75%, 0.7%

LAB 59.92, 42.5, -51.61

 

CMYK 32 / 57 / 0 / 2

HEX #A96BF9

RGB 169 107 249

HSL 266.2, 0.92%, 0.7%

LAB 57.84, 52.39, -62.15

 

CMYK 28 / 49 / 0 / 7

HEX #AA78EC

RGB 170 120 236

HSL 265.86, 0.75%, 0.7%

LAB 59.92, 42.5, -51.61

 

CMYK 23 / 41 / 0 / 12

HEX #AC84E0

RGB 172 132 224

HSL 266.09, 0.6%, 0.7%

LAB 62.22, 33.52, -41.3

 

CMYK 18 / 31 / 0 / 17

HEX #AE91D3

RGB 174 145 211

HSL 266.36, 0.43%, 0.7%

LAB 64.92, 23.8, -29.83

 

CMYK 12 / 21 / 0 / 22

HEX #AF9DC7

RGB 175 157 199

HSL 265.71, 0.27%, 0.7%

LAB 67.54, 14.75, -19.14

 

CMYK 5 / 10 / 0 / 27

HEX #B1A9BB

RGB 177 169 187

HSL 266.67, 0.12%, 0.7%

LAB 70.39, 6.29, -8.19

 

CMYK 49 / 44 / 0 / 7

HEX #7883EC

RGB 120 131 236

HSL 234.31, 0.75%, 0.7%

LAB 58.3, 23.91, -54.44

 

CMYK 41 / 49 / 0 / 7

HEX #8B78EC

RGB 139 120 236

HSL 249.83, 0.75%, 0.7%

LAB 57.05, 34.77, -56.35

 

CMYK 28 / 49 / 0 / 7

HEX #AA78EC

RGB 170 120 236

HSL 265.86, 0.75%, 0.7%

LAB 59.92, 42.5, -51.61

 

CMYK 15 / 49 / 0 / 7

HEX #C978EC

RGB 201 120 236

HSL 281.9, 0.75%, 0.7%

LAB 63.27, 50.74, -46.1

 

CMYK 2 / 49 / 0 / 7

HEX #E878EC

RGB 232 120 236

HSL 297.93, 0.75%, 0.7%

LAB 67.01, 59.2, -39.96

 

CMYK 45 / 79 / 0 / 11

HEX #7D2FE2

RGB 125 47 226

HSL 266.15, 0.76%, 0.54%

LAB 41.03, 66.66, -76.73

 

CMYK 36 / 64 / 0 / 9

HEX #9454E7

RGB 148 84 231

HSL 266.12, 0.75%, 0.62%

LAB 49.98, 55.28, -64.87

 

CMYK 28 / 49 / 0 / 7

HEX #AA78EC

RGB 170 120 236

HSL 265.86, 0.75%, 0.7%

LAB 59.92, 42.5, -51.61

 

CMYK 20 / 35 / 0 / 5

HEX #C19CF1

RGB 193 156 241

HSL 266.12, 0.75%, 0.78%

LAB 70.5, 30.13, -37.58

 

CMYK 12 / 22 / 0 / 4

HEX #D8C0F6

RGB 216 192 246

HSL 266.67, 0.75%, 0.86%

LAB 81.27, 18.55, -23.55

 

CMYK 27 / 49 / 0 / 7

HEX #AC7AED

RGB 172 122 237

HSL 266.09, 0.76%, 0.7%

LAB 60.61, 42.16, -51.06

 

CMYK 0 / 49 / 31 / 7

HEX #EC78A2

RGB 236 120 162

HSL 338.28, 0.75%, 0.7%

LAB 64.86, 49.16, -1.64

 

CMYK 49 / 0 / 47 / 7

HEX #78EC7C

RGB 120 236 124

HSL 122.07, 0.75%, 0.7%

LAB 84.71, -55.14, 44.19

 

CMYK 27 / 49 / 0 / 7

HEX #AC7AED

RGB 172 122 237

HSL 266.09, 0.76%, 0.7%

LAB 60.61, 42.16, -51.06

 

CMYK 0 / 28 / 49 / 7

HEX #ECAA78

RGB 236 170 120

HSL 25.86, 0.75%, 0.7%

LAB 74.79, 18.55, 35.28

 

CMYK 49 / 0 / 28 / 7

HEX #78ECAA

RGB 120 236 170

HSL 145.86, 0.75%, 0.7%

LAB 85.45, -47.58, 22.09

 

CMYK 27 / 49 / 0 / 7

HEX #AC7AED

RGB 172 122 237

HSL 266.09, 0.76%, 0.7%

LAB 60.61, 42.16, -51.06

 

CMYK 0 / 49 / 31 / 7

HEX #EC78A2

RGB 236 120 162

HSL 338.28, 0.75%, 0.7%

LAB 64.86, 49.16, -1.64

 

CMYK 21 / 0 / 49 / 7

HEX #BAEC78

RGB 186 236 120

HSL 85.86, 0.75%, 0.7%

LAB 87.87, -34.51, 50.7

 

CMYK 49 / 0 / 18 / 7

HEX #78ECC2

RGB 120 236 194

HSL 158.28, 0.75%, 0.7%

LAB 85.95, -42.7, 10.32

 

CMYK 27 / 49 / 0 / 7

HEX #AC7AED

RGB 172 122 237

HSL 266.09, 0.76%, 0.7%

LAB 60.61, 42.16, -51.06

 

CMYK 0 / 49 / 46 / 7

HEX #EC7880

RGB 236 120 128

HSL 355.86, 0.75%, 0.7%

LAB 64.02, 45.38, 16.52

 

CMYK 21 / 0 / 49 / 7

HEX #BAEC78

RGB 186 236 120

HSL 85.86, 0.75%, 0.7%

LAB 87.87, -34.51, 50.7

 

CMYK 49 / 0 / 3 / 7

HEX #78ECE4

RGB 120 236 228

HSL 175.86, 0.75%, 0.7%

LAB 86.79, -34.81, -6.28

 

Description

Color code: HEX #AC7AED | qconv.com Color code: HEX #AC7AED | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 122 green and 237 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 122 237 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 27 cyan, 49 magenta, none yellow and 7 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
27% 49% 0% 7% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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