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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC7ADD it is the complementary color #538522. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC7ADD. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC7ADD shade: #B17AD8, #C28CEB, #D39EFE, #E4B0FF and #F5C2FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC7ADD. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC7ADD shade: #AC7ADD, #9B68CA, #8A56B7, #7944A4 and #683291

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC7ADD shade: #AB79DC, #C679DC, #DC79D8, #DC79BD and #DC79A2

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC7ADD shade: #AB79DC, #9079DC and #7979DC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC7ADD shade matches the following richer shades: #AB79DC, #AB6BEA and #AB5DF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC7ADD shade: #AB79DC, #AB86CE, #AB94C1, #AAA2B3 and #AAAFA6

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC7ADD shade: #797CDC, #9079DC, #AA79DC, #C579DC and #DC79D9

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC7ADD shade: #8237CB, #9658D4, #AB79DC, #BF9AE4 and #D4BAED

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC7ADD shade: #AC7ADD, #DC7996 and #79DC83

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC7ADD shade: #AC7ADD, #DCAA79 and #79DCAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC7ADD shade: #AC7ADD, #DC7996, #AADC79 and #79DCBE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC7ADD shade: #AC7ADD, #DC7979, #AADC79 and #79DCDC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 22 / 45 / 0 / 13

HEX #AC7ADD

RGB 172 122 221

HSL 270.3, 0.59%, 0.67%

LAB 59.81, 38.4, -43.41

 

Complementary color

CMYK 38 / 0 / 74 / 48

HEX #538522

RGB 83 133 34

HSL 90.3, 0.59%, 0.33%

LAB 50.37, -33.56, 45.37

 

CMYK 18 / 44 / 0 / 15

HEX #B17AD8

RGB 177 122 216

HSL 275.11, 0.55%, 0.66%

LAB 60.09, 38.7, -40.13

 

CMYK 17 / 40 / 0 / 8

HEX #C28CEB

RGB 194 140 235

HSL 274.11, 0.7%, 0.74%

LAB 66.69, 37.9, -40.23

 

CMYK 17 / 38 / 0 / 0

HEX #D39EFE

RGB 211 158 254

HSL 273.13, 0.98%, 0.81%

LAB 73.19, 37.15, -40.33

 

CMYK 11 / 31 / 0 / 0

HEX #E4B0FF

RGB 228 176 255

HSL 279.49, 1%, 0.85%

LAB 78.91, 32.72, -31.89

 

CMYK 4 / 24 / 0 / 0

HEX #F5C2FF

RGB 245 194 255

HSL 290.16, 1%, 0.88%

LAB 84.59, 28.43, -23.05

 

CMYK 22 / 45 / 0 / 13

HEX #AC7ADD

RGB 172 122 221

HSL 270.3, 0.59%, 0.67%

LAB 59.81, 38.4, -43.41

 

CMYK 23 / 49 / 0 / 21

HEX #9B68CA

RGB 155 104 202

HSL 271.22, 0.48%, 0.6%

LAB 53.1, 39.28, -43.39

 

CMYK 25 / 53 / 0 / 28

HEX #8A56B7

RGB 138 86 183

HSL 272.16, 0.4%, 0.53%

LAB 46.28, 40.19, -43.35

 

CMYK 26 / 59 / 0 / 36

HEX #7944A4

RGB 121 68 164

HSL 273.13, 0.41%, 0.45%

LAB 39.38, 41.09, -43.26

 

CMYK 28 / 66 / 0 / 43

HEX #683291

RGB 104 50 145

HSL 274.11, 0.49%, 0.38%

LAB 32.41, 41.89, -43.05

 

CMYK 22 / 45 / 0 / 14

HEX #AB79DC

RGB 171 121 220

HSL 270.3, 0.59%, 0.67%

LAB 59.43, 38.45, -43.45

 

CMYK 10 / 45 / 0 / 14

HEX #C679DC

RGB 198 121 220

HSL 286.67, 0.59%, 0.67%

LAB 62.38, 46.13, -38.62

 

CMYK 0 / 45 / 2 / 14

HEX #DC79D8

RGB 220 121 216

HSL 302.42, 0.59%, 0.67%

LAB 64.84, 51.77, -32.35

 

CMYK 0 / 45 / 14 / 14

HEX #DC79BD

RGB 220 121 189

HSL 318.79, 0.59%, 0.67%

LAB 63.81, 47.25, -18.76

 

CMYK 0 / 45 / 26 / 14

HEX #DC79A2

RGB 220 121 162

HSL 335.15, 0.59%, 0.67%

LAB 62.93, 43.26, -4.73

 

CMYK 22 / 45 / 0 / 14

HEX #AB79DC

RGB 171 121 220

HSL 270.3, 0.59%, 0.67%

LAB 59.43, 38.45, -43.45

 

CMYK 35 / 45 / 0 / 14

HEX #9079DC

RGB 144 121 220

HSL 253.94, 0.59%, 0.67%

LAB 56.85, 31.11, -47.7

 

CMYK 45 / 45 / 0 / 14

HEX #7979DC

RGB 121 121 220

HSL 240, 0.59%, 0.67%

LAB 54.98, 25.33, -50.79

 

CMYK 22 / 45 / 0 / 14

HEX #AB79DC

RGB 171 121 220

HSL 270.3, 0.59%, 0.67%

LAB 59.43, 38.45, -43.45

 

CMYK 27 / 54 / 0 / 8

HEX #AB6BEA

RGB 171 107 234

HSL 270.24, 0.75%, 0.67%

LAB 57.19, 49.31, -54.85

 

CMYK 31 / 62 / 0 / 3

HEX #AB5DF7

RGB 171 93 247

HSL 270.39, 0.91%, 0.67%

LAB 55.28, 59.47, -65.15

 

CMYK 22 / 45 / 0 / 14

HEX #AB79DC

RGB 171 121 220

HSL 270.3, 0.59%, 0.67%

LAB 59.43, 38.45, -43.45

 

CMYK 17 / 35 / 0 / 19

HEX #AB86CE

RGB 171 134 206

HSL 270.83, 0.42%, 0.67%

LAB 61.8, 27.97, -31.9

 

CMYK 11 / 23 / 0 / 24

HEX #AB94C1

RGB 171 148 193

HSL 270.67, 0.27%, 0.67%

LAB 64.71, 17.21, -20.12

 

CMYK 5 / 9 / 0 / 30

HEX #AAA2B3

RGB 170 162 179

HSL 268.24, 0.1%, 0.67%

LAB 67.76, 6.14, -7.73

 

CMYK 3 / 0 / 5 / 31

HEX #AAAFA6

RGB 170 175 166

HSL 93.33, 0.05%, 0.67%

LAB 70.84, -3.44, 3.99

 

CMYK 45 / 44 / 0 / 14

HEX #797CDC

RGB 121 124 220

HSL 238.18, 0.59%, 0.67%

LAB 55.73, 23.54, -49.59

 

CMYK 35 / 45 / 0 / 14

HEX #9079DC

RGB 144 121 220

HSL 253.94, 0.59%, 0.67%

LAB 56.85, 31.11, -47.7

 

CMYK 23 / 45 / 0 / 14

HEX #AA79DC

RGB 170 121 220

HSL 269.7, 0.59%, 0.67%

LAB 59.33, 38.17, -43.62

 

CMYK 10 / 45 / 0 / 14

HEX #C579DC

RGB 197 121 220

HSL 286.06, 0.59%, 0.67%

LAB 62.26, 45.84, -38.81

 

CMYK 0 / 45 / 1 / 14

HEX #DC79D9

RGB 220 121 217

HSL 301.82, 0.59%, 0.67%

LAB 64.88, 51.95, -32.84

 

CMYK 36 / 73 / 0 / 20

HEX #8237CB

RGB 130 55 203

HSL 270.41, 0.59%, 0.51%

LAB 40.88, 58.77, -63.73

 

CMYK 29 / 58 / 0 / 17

HEX #9658D4

RGB 150 88 212

HSL 270, 0.59%, 0.59%

LAB 49.76, 49.06, -54.45

 

CMYK 22 / 45 / 0 / 14

HEX #AB79DC

RGB 171 121 220

HSL 270.3, 0.59%, 0.67%

LAB 59.43, 38.45, -43.45

 

CMYK 16 / 32 / 0 / 11

HEX #BF9AE4

RGB 191 154 228

HSL 270, 0.58%, 0.75%

LAB 69.32, 27.76, -32.31

 

CMYK 11 / 22 / 0 / 7

HEX #D4BAED

RGB 212 186 237

HSL 270.59, 0.59%, 0.83%

LAB 79.17, 18.68, -21.94

 

CMYK 22 / 45 / 0 / 13

HEX #AC7ADD

RGB 172 122 221

HSL 270.3, 0.59%, 0.67%

LAB 59.81, 38.4, -43.41

 

CMYK 0 / 45 / 32 / 14

HEX #DC7996

RGB 220 121 150

HSL 342.42, 0.59%, 0.67%

LAB 62.59, 41.68, 1.63

 

CMYK 45 / 0 / 40 / 14

HEX #79DC83

RGB 121 220 131

HSL 126.06, 0.59%, 0.67%

LAB 80.12, -47.34, 34.9

 

CMYK 22 / 45 / 0 / 13

HEX #AC7ADD

RGB 172 122 221

HSL 270.3, 0.59%, 0.67%

LAB 59.81, 38.4, -43.41

 

CMYK 0 / 23 / 45 / 14

HEX #DCAA79

RGB 220 170 121

HSL 29.7, 0.59%, 0.67%

LAB 73.12, 12.21, 32.26

 

CMYK 45 / 0 / 23 / 14

HEX #79DCAA

RGB 121 220 170

HSL 149.7, 0.59%, 0.67%

LAB 80.82, -40.37, 15.67

 

CMYK 22 / 45 / 0 / 13

HEX #AC7ADD

RGB 172 122 221

HSL 270.3, 0.59%, 0.67%

LAB 59.81, 38.4, -43.41

 

CMYK 0 / 45 / 32 / 14

HEX #DC7996

RGB 220 121 150

HSL 342.42, 0.59%, 0.67%

LAB 62.59, 41.68, 1.63

 

CMYK 23 / 0 / 45 / 14

HEX #AADC79

RGB 170 220 121

HSL 90.3, 0.59%, 0.67%

LAB 82.44, -32.82, 43.33

 

CMYK 45 / 0 / 14 / 14

HEX #79DCBE

RGB 121 220 190

HSL 161.82, 0.59%, 0.67%

LAB 81.27, -36.13, 5.74

 

CMYK 22 / 45 / 0 / 13

HEX #AC7ADD

RGB 172 122 221

HSL 270.3, 0.59%, 0.67%

LAB 59.81, 38.4, -43.41

 

CMYK 0 / 45 / 45 / 14

HEX #DC7979

RGB 220 121 121

HSL 0, 0.59%, 0.67%

LAB 61.89, 38.36, 17.22

 

CMYK 23 / 0 / 45 / 14

HEX #AADC79

RGB 170 220 121

HSL 90.3, 0.59%, 0.67%

LAB 82.44, -32.82, 43.33

 

CMYK 45 / 0 / 0 / 14

HEX #79DCDC

RGB 121 220 220

HSL 180, 0.59%, 0.67%

LAB 82.07, -29.01, -9.05

 

Description

Color code: HEX #AC7ADD | qconv.com Color code: HEX #AC7ADD | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 122 green and 221 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 122 221 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 22 cyan, 45 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
22% 45% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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