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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC758E it is the complementary color #538A71. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC758E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC758E shade: #B17589, #C2879C, #D399AF, #E4ABC2 and #F5BDD5

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC758E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC758E shade: #AC758E, #9B637B, #8A5168, #793F55 and #682D42

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC758E shade: #AC758E, #AC7580 and #AC7575

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC758E shade: #AC758E, #AC759D, #AC75AC, #9E75AC and #8F75AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC758E shade matches the following richer shades: #AC758E, #BE648D, #D0528B, #E1408A and #F32E88

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC758E shade: #AC758E, #9B8790, #899992, #77AB93 and #65BC95

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC758E shade: #AC75AC, #AC759E, #AC758F, #AC7580 and #AC7975

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC758E shade: #824E65, #9B5D79, #AC758E, #BC8FA3 and #CBA9B9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC758E shade: #AC758E, #AC9E75 and #75A5AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC758E shade: #AC758E, #8FAC75 and #758FAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC758E shade: #AC758E, #AC9E75, #75AC93 and #7584AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC758E shade: #AC758E, #AAAC75, #75AC93 and #7775AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 32 / 17 / 33

HEX #AC758E

RGB 172 117 142

HSL 332.73, 0.25%, 0.57%

LAB 55.53, 25.39, -4.8

 

Complementary color

CMYK 40 / 0 / 18 / 46

HEX #538A71

RGB 83 138 113

HSL 152.73, 0.25%, 0.43%

LAB 53.18, -24.21, 7.72

 

CMYK 0 / 34 / 23 / 31

HEX #B17589

RGB 177 117 137

HSL 340, 0.28%, 0.58%

LAB 55.96, 26.45, -1.18

 

CMYK 0 / 30 / 20 / 24

HEX #C2879C

RGB 194 135 156

HSL 338.64, 0.33%, 0.65%

LAB 62.67, 25.68, -2.05

 

CMYK 0 / 27 / 17 / 17

HEX #D399AF

RGB 211 153 175

HSL 337.24, 0.4%, 0.71%

LAB 69.27, 24.98, -2.83

 

CMYK 0 / 25 / 15 / 11

HEX #E4ABC2

RGB 228 171 194

HSL 335.79, 0.51%, 0.78%

LAB 75.77, 24.34, -3.55

 

CMYK 0 / 23 / 13 / 4

HEX #F5BDD5

RGB 245 189 213

HSL 334.29, 0.74%, 0.85%

LAB 82.17, 23.75, -4.23

 

CMYK 0 / 32 / 17 / 33

HEX #AC758E

RGB 172 117 142

HSL 332.73, 0.25%, 0.57%

LAB 55.53, 25.39, -4.8

 

CMYK 0 / 36 / 21 / 39

HEX #9B637B

RGB 155 99 123

HSL 334.29, 0.22%, 0.5%

LAB 48.66, 26.19, -3.97

 

CMYK 0 / 41 / 25 / 46

HEX #8A5168

RGB 138 81 104

HSL 335.79, 0.26%, 0.43%

LAB 41.67, 27.05, -3.01

 

CMYK 0 / 48 / 30 / 53

HEX #793F55

RGB 121 63 85

HSL 337.24, 0.32%, 0.36%

LAB 34.55, 27.98, -1.85

 

CMYK 0 / 57 / 37 / 59

HEX #682D42

RGB 104 45 66

HSL 338.64, 0.4%, 0.29%

LAB 27.33, 28.91, -0.36

 

CMYK 0 / 32 / 17 / 33

HEX #AC758E

RGB 172 117 142

HSL 332.73, 0.25%, 0.57%

LAB 55.53, 25.39, -4.8

 

CMYK 0 / 32 / 26 / 33

HEX #AC7580

RGB 172 117 128

HSL 348, 0.25%, 0.57%

LAB 55.13, 23.2, 2.77

 

CMYK 0 / 32 / 32 / 33

HEX #AC7575

RGB 172 117 117

HSL 0, 0.25%, 0.57%

LAB 54.84, 21.64, 8.79

 

CMYK 0 / 32 / 17 / 33

HEX #AC758E

RGB 172 117 142

HSL 332.73, 0.25%, 0.57%

LAB 55.53, 25.39, -4.8

 

CMYK 0 / 32 / 9 / 33

HEX #AC759D

RGB 172 117 157

HSL 316.36, 0.25%, 0.57%

LAB 56.02, 27.97, -12.79

 

CMYK 0 / 32 / 0 / 33

HEX #AC75AC

RGB 172 117 172

HSL 300, 0.25%, 0.57%

LAB 56.56, 30.76, -20.64

 

CMYK 8 / 32 / 0 / 33

HEX #9E75AC

RGB 158 117 172

HSL 284.73, 0.25%, 0.57%

LAB 55.04, 26.11, -23.09

 

CMYK 17 / 32 / 0 / 33

HEX #8F75AC

RGB 143 117 172

HSL 268.36, 0.25%, 0.57%

LAB 53.54, 21.21, -25.54

 

CMYK 0 / 32 / 17 / 33

HEX #AC758E

RGB 172 117 142

HSL 332.73, 0.25%, 0.57%

LAB 55.53, 25.39, -4.8

 

CMYK 0 / 47 / 26 / 25

HEX #BE648D

RGB 190 100 141

HSL 332.67, 0.41%, 0.57%

LAB 54.01, 40.92, -6.22

 

CMYK 0 / 61 / 33 / 18

HEX #D0528B

RGB 208 82 139

HSL 332.86, 0.57%, 0.57%

LAB 53.29, 55.21, -5.82

 

CMYK 0 / 72 / 39 / 12

HEX #E1408A

RGB 225 64 138

HSL 332.42, 0.73%, 0.57%

LAB 53.5, 67.05, -4.6

 

CMYK 0 / 81 / 44 / 5

HEX #F32E88

RGB 243 46 136

HSL 332.59, 0.89%, 0.57%

LAB 54.85, 76.6, -1.05

 

CMYK 0 / 32 / 17 / 33

HEX #AC758E

RGB 172 117 142

HSL 332.73, 0.25%, 0.57%

LAB 55.53, 25.39, -4.8

 

CMYK 0 / 13 / 7 / 39

HEX #9B8790

RGB 155 135 144

HSL 333, 0.09%, 0.57%

LAB 58.33, 9.17, -2.03

 

CMYK 10 / 0 / 5 / 40

HEX #899992

RGB 137 153 146

HSL 153.75, 0.07%, 0.57%

LAB 61.81, -7.11, 1.73

 

CMYK 30 / 0 / 14 / 33

HEX #77AB93

RGB 119 171 147

HSL 152.31, 0.24%, 0.57%

LAB 65.87, -22.43, 6.89

 

CMYK 46 / 0 / 21 / 26

HEX #65BC95

RGB 101 188 149

HSL 153.1, 0.39%, 0.57%

LAB 70.11, -35.42, 11.7

 

CMYK 0 / 32 / 0 / 33

HEX #AC75AC

RGB 172 117 172

HSL 300, 0.25%, 0.57%

LAB 56.56, 30.76, -20.64

 

CMYK 0 / 32 / 8 / 33

HEX #AC759E

RGB 172 117 158

HSL 315.27, 0.25%, 0.57%

LAB 56.05, 28.15, -13.32

 

CMYK 0 / 32 / 17 / 33

HEX #AC758F

RGB 172 117 143

HSL 331.64, 0.25%, 0.57%

LAB 55.56, 25.56, -5.34

 

CMYK 0 / 32 / 26 / 33

HEX #AC7580

RGB 172 117 128

HSL 348, 0.25%, 0.57%

LAB 55.13, 23.2, 2.77

 

CMYK 0 / 30 / 32 / 33

HEX #AC7975

RGB 172 121 117

HSL 4.36, 0.25%, 0.57%

LAB 55.82, 19.38, 10.16

 

CMYK 0 / 40 / 22 / 49

HEX #824E65

RGB 130 78 101

HSL 333.46, 0.25%, 0.41%

LAB 39.81, 25.26, -4.02

 

CMYK 0 / 40 / 22 / 39

HEX #9B5D79

RGB 155 93 121

HSL 332.9, 0.25%, 0.49%

LAB 47.21, 29.27, -4.92

 

CMYK 0 / 32 / 17 / 33

HEX #AC758E

RGB 172 117 142

HSL 332.73, 0.25%, 0.57%

LAB 55.53, 25.39, -4.8

 

CMYK 0 / 24 / 13 / 26

HEX #BC8FA3

RGB 188 143 163

HSL 333.33, 0.25%, 0.65%

LAB 64.15, 20.2, -3.92

 

CMYK 0 / 17 / 9 / 20

HEX #CBA9B9

RGB 203 169 185

HSL 331.76, 0.25%, 0.73%

LAB 72.61, 15.04, -3.55

 

CMYK 0 / 32 / 17 / 33

HEX #AC758E

RGB 172 117 142

HSL 332.73, 0.25%, 0.57%

LAB 55.53, 25.39, -4.8

 

CMYK 0 / 8 / 32 / 33

HEX #AC9E75

RGB 172 158 117

HSL 44.73, 0.25%, 0.57%

LAB 65.36, -1.25, 23.32

 

CMYK 32 / 4 / 0 / 33

HEX #75A5AC

RGB 117 165 172

HSL 187.64, 0.25%, 0.57%

LAB 64.7, -14.22, -8.77

 

CMYK 0 / 32 / 17 / 33

HEX #AC758E

RGB 172 117 142

HSL 332.73, 0.25%, 0.57%

LAB 55.53, 25.39, -4.8

 

CMYK 17 / 0 / 32 / 33

HEX #8FAC75

RGB 143 172 117

HSL 91.64, 0.25%, 0.57%

LAB 67, -20.02, 25.11

 

CMYK 32 / 17 / 0 / 33

HEX #758FAC

RGB 117 143 172

HSL 211.64, 0.25%, 0.57%

LAB 58.42, -2.11, -18.23

 

CMYK 0 / 32 / 17 / 33

HEX #AC758E

RGB 172 117 142

HSL 332.73, 0.25%, 0.57%

LAB 55.53, 25.39, -4.8

 

CMYK 0 / 8 / 32 / 33

HEX #AC9E75

RGB 172 158 117

HSL 44.73, 0.25%, 0.57%

LAB 65.36, -1.25, 23.32

 

CMYK 32 / 0 / 15 / 33

HEX #75AC93

RGB 117 172 147

HSL 152.73, 0.25%, 0.57%

LAB 66.05, -23.56, 7.14

 

CMYK 32 / 23 / 0 / 33

HEX #7584AC

RGB 117 132 172

HSL 223.64, 0.25%, 0.57%

LAB 55.34, 4.22, -22.94

 

CMYK 0 / 32 / 17 / 33

HEX #AC758E

RGB 172 117 142

HSL 332.73, 0.25%, 0.57%

LAB 55.53, 25.39, -4.8

 

CMYK 1 / 0 / 32 / 33

HEX #AAAC75

RGB 170 172 117

HSL 62.18, 0.25%, 0.57%

LAB 68.99, -9.54, 28.12

 

CMYK 32 / 0 / 15 / 33

HEX #75AC93

RGB 117 172 147

HSL 152.73, 0.25%, 0.57%

LAB 66.05, -23.56, 7.14

 

CMYK 31 / 32 / 0 / 33

HEX #7775AC

RGB 119 117 172

HSL 242.18, 0.25%, 0.57%

LAB 51.41, 13.7, -29.01

 

Description

Color code: HEX #AC758E | qconv.com Color code: HEX #AC758E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 117 green and 142 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 117 142 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 32 magenta, 17 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 32% 17% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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