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Color name
HEX #AC6F4E

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6F4E it is the complementary color #5390B1. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6F4E. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6F4E shade: #B16F49, #C2815C, #D3936F, #E4A582 and #F5B795

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6F4E. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6F4E shade: #AC6F4E, #9B5D3B, #8A4B28, #793915 and #682702

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6F4E shade: #AC6E4D, #AC554D and #AC4D4D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6F4E shade: #AC6E4D, #AC884D, #ACA24D, #9DAC4D and #83AC4D

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6F4E shade matches the following richer shades: #AC6E4D, #C06839, #D46225 and #E95C10

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6F4E shade: #AC6E4D, #987461, #837A75, #6F808A and #5B869E

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6F4E shade: #AC4D5E, #AC554D, #AC6E4D, #AC884D and #ACA14D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6F4E shade: #734A33, #8F5C40, #AC6E4D, #BB8567 and #C79C84

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6F4E shade: #AC6F4E, #78AC4D and #4D52AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6F4E shade: #AC6F4E, #4DAC6E and #6E4DAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6F4E shade: #AC6F4E, #78AC4D, #4D8BAC and #814DAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6F4E shade: #AC6F4E, #5BAC4D, #4D8BAC and #9E4DAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 35 / 55 / 33

HEX #AC6F4E

RGB 172 111 78

HSL 21.06, 0.38%, 0.49%

LAB 52.61, 20.62, 28.26

 

Complementary color

CMYK 53 / 19 / 0 / 31

HEX #5390B1

RGB 83 144 177

HSL 201.06, 0.38%, 0.51%

LAB 57.04, -10.27, -23.36

 

CMYK 0 / 37 / 59 / 31

HEX #B16F49

RGB 177 111 73

HSL 21.92, 0.42%, 0.49%

LAB 53.16, 22.32, 31.88

 

CMYK 0 / 34 / 53 / 24

HEX #C2815C

RGB 194 129 92

HSL 21.76, 0.46%, 0.56%

LAB 59.84, 21.06, 30.22

 

CMYK 0 / 30 / 47 / 17

HEX #D3936F

RGB 211 147 111

HSL 21.6, 0.53%, 0.63%

LAB 66.42, 19.97, 28.7

 

CMYK 0 / 28 / 43 / 11

HEX #E4A582

RGB 228 165 130

HSL 21.43, 0.64%, 0.7%

LAB 72.9, 19.02, 27.32

 

CMYK 0 / 25 / 39 / 4

HEX #F5B795

RGB 245 183 149

HSL 21.25, 0.83%, 0.77%

LAB 79.3, 18.18, 26.05

 

CMYK 0 / 35 / 55 / 33

HEX #AC6F4E

RGB 172 111 78

HSL 21.06, 0.38%, 0.49%

LAB 52.61, 20.62, 28.26

 

CMYK 0 / 40 / 62 / 39

HEX #9B5D3B

RGB 155 93 59

HSL 21.25, 0.45%, 0.42%

LAB 45.79, 21.97, 30.03

 

CMYK 0 / 46 / 71 / 46

HEX #8A4B28

RGB 138 75 40

HSL 21.43, 0.55%, 0.35%

LAB 38.88, 23.56, 31.97

 

CMYK 0 / 53 / 83 / 53

HEX #793915

RGB 121 57 21

HSL 21.6, 0.7%, 0.28%

LAB 31.91, 25.4, 33.93

 

CMYK 0 / 63 / 98 / 59

HEX #682702

RGB 104 39 2

HSL 21.76, 0.96%, 0.21%

LAB 24.95, 27.4, 34.91

 

CMYK 0 / 36 / 55 / 33

HEX #AC6E4D

RGB 172 110 77

HSL 20.84, 0.38%, 0.49%

LAB 52.35, 21.1, 28.5

 

CMYK 0 / 51 / 55 / 33

HEX #AC554D

RGB 172 85 77

HSL 5.05, 0.38%, 0.49%

LAB 46.72, 34.8, 21.23

 

CMYK 0 / 55 / 55 / 33

HEX #AC4D4D

RGB 172 77 77

HSL 0, 0.38%, 0.49%

LAB 45.1, 38.94, 19.09

 

CMYK 0 / 36 / 55 / 33

HEX #AC6E4D

RGB 172 110 77

HSL 20.84, 0.38%, 0.49%

LAB 52.35, 21.1, 28.5

 

CMYK 0 / 21 / 55 / 33

HEX #AC884D

RGB 172 136 77

HSL 37.26, 0.38%, 0.49%

LAB 58.9, 6.49, 36.59

 

CMYK 0 / 6 / 55 / 33

HEX #ACA24D

RGB 172 162 77

HSL 53.68, 0.38%, 0.49%

LAB 65.86, -7.68, 44.84

 

CMYK 9 / 0 / 55 / 33

HEX #9DAC4D

RGB 157 172 77

HSL 69.47, 0.38%, 0.49%

LAB 67.43, -19.21, 46.33

 

CMYK 24 / 0 / 55 / 33

HEX #83AC4D

RGB 131 172 77

HSL 85.89, 0.38%, 0.49%

LAB 65.64, -29.64, 43.8

 

CMYK 0 / 36 / 55 / 33

HEX #AC6E4D

RGB 172 110 77

HSL 20.84, 0.38%, 0.49%

LAB 52.35, 21.1, 28.5

 

CMYK 0 / 46 / 70 / 25

HEX #C06839

RGB 192 104 57

HSL 20.89, 0.54%, 0.49%

LAB 53.39, 31.32, 41.24

 

CMYK 0 / 54 / 83 / 17

HEX #D46225

RGB 212 98 37

HSL 20.91, 0.7%, 0.49%

LAB 54.93, 41.55, 53.23

 

CMYK 0 / 61 / 93 / 9

HEX #E95C10

RGB 233 92 16

HSL 21.01, 0.87%, 0.49%

LAB 57.09, 51.76, 63.41

 

CMYK 0 / 36 / 55 / 33

HEX #AC6E4D

RGB 172 110 77

HSL 20.84, 0.38%, 0.49%

LAB 52.35, 21.1, 28.5

 

CMYK 0 / 24 / 36 / 40

HEX #987461

RGB 152 116 97

HSL 20.73, 0.22%, 0.49%

LAB 51.87, 11.41, 15.95

 

CMYK 0 / 7 / 11 / 49

HEX #837A75

RGB 131 122 117

HSL 21.43, 0.06%, 0.49%

LAB 51.87, 2.51, 3.96

 

CMYK 20 / 7 / 0 / 46

HEX #6F808A

RGB 111 128 138

HSL 202.22, 0.11%, 0.49%

LAB 52.57, -3.9, -7.49

 

CMYK 42 / 15 / 0 / 38

HEX #5B869E

RGB 91 134 158

HSL 201.49, 0.27%, 0.49%

LAB 53.75, -8.25, -17.44

 

CMYK 0 / 55 / 45 / 33

HEX #AC4D5E

RGB 172 77 94

HSL 349.26, 0.38%, 0.49%

LAB 45.48, 40.54, 9.26

 

CMYK 0 / 51 / 55 / 33

HEX #AC554D

RGB 172 85 77

HSL 5.05, 0.38%, 0.49%

LAB 46.72, 34.8, 21.23

 

CMYK 0 / 36 / 55 / 33

HEX #AC6E4D

RGB 172 110 77

HSL 20.84, 0.38%, 0.49%

LAB 52.35, 21.1, 28.5

 

CMYK 0 / 21 / 55 / 33

HEX #AC884D

RGB 172 136 77

HSL 37.26, 0.38%, 0.49%

LAB 58.9, 6.49, 36.59

 

CMYK 0 / 6 / 55 / 33

HEX #ACA14D

RGB 172 161 77

HSL 53.05, 0.38%, 0.49%

LAB 65.59, -7.14, 44.52

 

CMYK 0 / 36 / 56 / 55

HEX #734A33

RGB 115 74 51

HSL 21.56, 0.39%, 0.33%

LAB 35.56, 14.71, 20.82

 

CMYK 0 / 36 / 55 / 44

HEX #8F5C40

RGB 143 92 64

HSL 21.27, 0.38%, 0.41%

LAB 44.04, 17.76, 24.64

 

CMYK 0 / 36 / 55 / 33

HEX #AC6E4D

RGB 172 110 77

HSL 20.84, 0.38%, 0.49%

LAB 52.35, 21.1, 28.5

 

CMYK 0 / 29 / 45 / 27

HEX #BB8567

RGB 187 133 103

HSL 21.43, 0.38%, 0.57%

LAB 60.18, 17.04, 24.39

 

CMYK 0 / 22 / 34 / 22

HEX #C79C84

RGB 199 156 132

HSL 21.49, 0.37%, 0.65%

LAB 67.71, 12.63, 18.69

 

CMYK 0 / 35 / 55 / 33

HEX #AC6F4E

RGB 172 111 78

HSL 21.06, 0.38%, 0.49%

LAB 52.61, 20.62, 28.26

 

CMYK 30 / 0 / 55 / 33

HEX #78AC4D

RGB 120 172 77

HSL 92.84, 0.38%, 0.49%

LAB 64.99, -33.78, 42.87

 

CMYK 55 / 52 / 0 / 33

HEX #4D52AC

RGB 77 82 172

HSL 236.84, 0.38%, 0.49%

LAB 38.88, 24.47, -49.04

 

CMYK 0 / 35 / 55 / 33

HEX #AC6F4E

RGB 172 111 78

HSL 21.06, 0.38%, 0.49%

LAB 52.61, 20.62, 28.26

 

CMYK 55 / 0 / 36 / 33

HEX #4DAC6E

RGB 77 172 110

HSL 140.84, 0.38%, 0.49%

LAB 63.51, -42.26, 23.63

 

CMYK 36 / 55 / 0 / 33

HEX #6E4DAC

RGB 110 77 172

HSL 260.84, 0.38%, 0.49%

LAB 40.58, 35.24, -46.17

 

CMYK 0 / 35 / 55 / 33

HEX #AC6F4E

RGB 172 111 78

HSL 21.06, 0.38%, 0.49%

LAB 52.61, 20.62, 28.26

 

CMYK 30 / 0 / 55 / 33

HEX #78AC4D

RGB 120 172 77

HSL 92.84, 0.38%, 0.49%

LAB 64.99, -33.78, 42.87

 

CMYK 55 / 19 / 0 / 33

HEX #4D8BAC

RGB 77 139 172

HSL 200.84, 0.38%, 0.49%

LAB 55.09, -10.34, -23.51

 

CMYK 25 / 55 / 0 / 33

HEX #814DAC

RGB 129 77 172

HSL 272.84, 0.38%, 0.49%

LAB 42.69, 40.15, -42.66

 

CMYK 0 / 35 / 55 / 33

HEX #AC6F4E

RGB 172 111 78

HSL 21.06, 0.38%, 0.49%

LAB 52.61, 20.62, 28.26

 

CMYK 47 / 0 / 55 / 33

HEX #5BAC4D

RGB 91 172 77

HSL 111.16, 0.38%, 0.49%

LAB 63.56, -43.54, 40.83

 

CMYK 55 / 19 / 0 / 33

HEX #4D8BAC

RGB 77 139 172

HSL 200.84, 0.38%, 0.49%

LAB 55.09, -10.34, -23.51

 

CMYK 8 / 55 / 0 / 33

HEX #9E4DAC

RGB 158 77 172

HSL 291.16, 0.38%, 0.49%

LAB 46.39, 48, -36.58

 

Description

Color code: HEX #AC6F4E | qconv.com Color code: HEX #AC6F4E | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 111 green and 78 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 111 78 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 35 magenta, 55 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 35% 55% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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