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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6BC5 it is the complementary color #53943A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6BC5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6BC5 shade: #B16BC0, #C27DD3, #D38FE6, #E4A1F9 and #F5B3FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6BC5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6BC5 shade: #AC6BC5, #9B59B2, #8A479F, #79358C and #682379

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6BC5 shade: #AC6CC5, #C56CC5, #C56CAE, #C56C96 and #C56C7D

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6BC5 shade: #AC6CC5, #946CC5, #7C6CC5 and #6C6CC5

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6BC5 shade matches the following richer shades: #AC6CC5, #B45BD6, #BB4BE6 and #C23AF7

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6BC5 shade: #AC6CC5, #A57CB5, #9E8DA4, #969D94 and #8FAE83

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6BC5 shade: #7C6CC5, #946CC5, #AC6CC5, #C46CC5 and #C56CAF

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6BC5 shade: #853EA0, #9C4EBA, #AC6CC5, #BD89D1 and #CEA7DC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6BC5 shade: #AC6BC5, #C56C73 and #6CC588

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6BC5 shade: #AC6BC5, #C5AC6C and #6CC5AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6BC5 shade: #AC6BC5, #C56C73, #85C56C and #6CC5BE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6BC5 shade: #AC6BC5, #C57F6C, #85C56C and #6CB2C5

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 13 / 46 / 0 / 23

HEX #AC6BC5

RGB 172 107 197

HSL 283.33, 0.44%, 0.6%

LAB 55.4, 41.35, -36.78

 

Complementary color

CMYK 44 / 0 / 61 / 42

HEX #53943A

RGB 83 148 58

HSL 103.33, 0.44%, 0.4%

LAB 55.4, -38.05, 40.34

 

CMYK 8 / 44 / 0 / 25

HEX #B16BC0

RGB 177 107 192

HSL 289.41, 0.4%, 0.59%

LAB 55.75, 41.79, -33.32

 

CMYK 8 / 41 / 0 / 17

HEX #C27DD3

RGB 194 125 211

HSL 288.14, 0.49%, 0.66%

LAB 62.37, 41.02, -33.62

 

CMYK 8 / 38 / 0 / 10

HEX #D38FE6

RGB 211 143 230

HSL 286.9, 0.64%, 0.73%

LAB 68.9, 40.27, -33.9

 

CMYK 8 / 35 / 0 / 2

HEX #E4A1F9

RGB 228 161 249

HSL 285.68, 0.88%, 0.8%

LAB 75.34, 39.54, -34.15

 

CMYK 4 / 30 / 0 / 0

HEX #F5B3FF

RGB 245 179 255

HSL 292.11, 1%, 0.85%

LAB 81.22, 36.37, -28.19

 

CMYK 13 / 46 / 0 / 23

HEX #AC6BC5

RGB 172 107 197

HSL 283.33, 0.44%, 0.6%

LAB 55.4, 41.35, -36.78

 

CMYK 13 / 50 / 0 / 30

HEX #9B59B2

RGB 155 89 178

HSL 284.49, 0.37%, 0.52%

LAB 48.67, 42.14, -36.52

 

CMYK 13 / 55 / 0 / 38

HEX #8A479F

RGB 138 71 159

HSL 285.68, 0.38%, 0.45%

LAB 41.87, 42.9, -36.18

 

CMYK 14 / 62 / 0 / 45

HEX #79358C

RGB 121 53 140

HSL 286.9, 0.45%, 0.38%

LAB 35.01, 43.5, -35.68

 

CMYK 14 / 71 / 0 / 53

HEX #682379

RGB 104 35 121

HSL 288.14, 0.55%, 0.31%

LAB 28.18, 43.71, -34.88

 

CMYK 13 / 45 / 0 / 23

HEX #AC6CC5

RGB 172 108 197

HSL 283.15, 0.43%, 0.6%

LAB 55.61, 40.8, -36.44

 

CMYK 0 / 45 / 0 / 23

HEX #C56CC5

RGB 197 108 197

HSL 300, 0.43%, 0.6%

LAB 58.63, 48.18, -31.51

 

CMYK 0 / 45 / 12 / 23

HEX #C56CAE

RGB 197 108 174

HSL 315.51, 0.43%, 0.6%

LAB 57.7, 44.17, -19.77

 

CMYK 0 / 45 / 24 / 23

HEX #C56C96

RGB 197 108 150

HSL 331.69, 0.43%, 0.6%

LAB 56.88, 40.44, -7.12

 

CMYK 0 / 45 / 37 / 23

HEX #C56C7D

RGB 197 108 125

HSL 348.54, 0.43%, 0.6%

LAB 56.16, 37.11, 6.43

 

CMYK 13 / 45 / 0 / 23

HEX #AC6CC5

RGB 172 108 197

HSL 283.15, 0.43%, 0.6%

LAB 55.61, 40.8, -36.44

 

CMYK 25 / 45 / 0 / 23

HEX #946CC5

RGB 148 108 197

HSL 266.97, 0.43%, 0.6%

LAB 53.01, 33.87, -40.72

 

CMYK 37 / 45 / 0 / 23

HEX #7C6CC5

RGB 124 108 197

HSL 250.79, 0.43%, 0.6%

LAB 50.74, 27.29, -44.46

 

CMYK 45 / 45 / 0 / 23

HEX #6C6CC5

RGB 108 108 197

HSL 240, 0.43%, 0.6%

LAB 49.43, 23.22, -46.61

 

CMYK 13 / 45 / 0 / 23

HEX #AC6CC5

RGB 172 108 197

HSL 283.15, 0.43%, 0.6%

LAB 55.61, 40.8, -36.44

 

CMYK 16 / 57 / 0 / 16

HEX #B45BD6

RGB 180 91 214

HSL 283.41, 0.6%, 0.6%

LAB 54.07, 55.33, -48.49

 

CMYK 19 / 67 / 0 / 10

HEX #BB4BE6

RGB 187 75 230

HSL 283.35, 0.76%, 0.6%

LAB 53.29, 67.39, -58.73

 

CMYK 21 / 77 / 0 / 3

HEX #C23AF7

RGB 194 58 247

HSL 283.17, 0.92%, 0.6%

LAB 53.18, 78.22, -68.39

 

CMYK 13 / 45 / 0 / 23

HEX #AC6CC5

RGB 172 108 197

HSL 283.15, 0.43%, 0.6%

LAB 55.61, 40.8, -36.44

 

CMYK 9 / 31 / 0 / 29

HEX #A57CB5

RGB 165 124 181

HSL 283.16, 0.28%, 0.6%

LAB 57.8, 26.31, -23.96

 

CMYK 4 / 14 / 0 / 36

HEX #9E8DA4

RGB 158 141 164

HSL 284.35, 0.11%, 0.6%

LAB 60.78, 10.71, -9.8

 

CMYK 4 / 0 / 6 / 38

HEX #969D94

RGB 150 157 148

HSL 106.67, 0.04%, 0.6%

LAB 63.95, -4.24, 3.83

 

CMYK 18 / 0 / 25 / 32

HEX #8FAE83

RGB 143 174 131

HSL 103.26, 0.21%, 0.6%

LAB 67.84, -18.82, 18.66

 

CMYK 37 / 45 / 0 / 23

HEX #7C6CC5

RGB 124 108 197

HSL 250.79, 0.43%, 0.6%

LAB 50.74, 27.29, -44.46

 

CMYK 25 / 45 / 0 / 23

HEX #946CC5

RGB 148 108 197

HSL 266.97, 0.43%, 0.6%

LAB 53.01, 33.87, -40.72

 

CMYK 13 / 45 / 0 / 23

HEX #AC6CC5

RGB 172 108 197

HSL 283.15, 0.43%, 0.6%

LAB 55.61, 40.8, -36.44

 

CMYK 1 / 45 / 0 / 23

HEX #C46CC5

RGB 196 108 197

HSL 299.33, 0.43%, 0.6%

LAB 58.5, 47.88, -31.72

 

CMYK 0 / 45 / 11 / 23

HEX #C56CAF

RGB 197 108 175

HSL 314.83, 0.43%, 0.6%

LAB 57.74, 44.33, -20.29

 

CMYK 17 / 61 / 0 / 37

HEX #853EA0

RGB 133 62 160

HSL 283.47, 0.44%, 0.44%

LAB 39.53, 46.39, -40.53

 

CMYK 16 / 58 / 0 / 27

HEX #9C4EBA

RGB 156 78 186

HSL 283.33, 0.44%, 0.52%

LAB 47.06, 49.83, -43.73

 

CMYK 13 / 45 / 0 / 23

HEX #AC6CC5

RGB 172 108 197

HSL 283.15, 0.43%, 0.6%

LAB 55.61, 40.8, -36.44

 

CMYK 10 / 34 / 0 / 18

HEX #BD89D1

RGB 189 137 209

HSL 283.33, 0.44%, 0.68%

LAB 64.41, 32.53, -29.38

 

CMYK 6 / 24 / 0 / 14

HEX #CEA7DC

RGB 206 167 220

HSL 284.15, 0.43%, 0.76%

LAB 73.5, 23.67, -21.4

 

CMYK 13 / 46 / 0 / 23

HEX #AC6BC5

RGB 172 107 197

HSL 283.33, 0.44%, 0.6%

LAB 55.4, 41.35, -36.78

 

CMYK 0 / 45 / 42 / 23

HEX #C56C73

RGB 197 108 115

HSL 355.28, 0.43%, 0.6%

LAB 55.92, 35.95, 11.92

 

CMYK 45 / 0 / 31 / 23

HEX #6CC588

RGB 108 197 136

HSL 138.88, 0.43%, 0.6%

LAB 72.82, -40.2, 22.51

 

CMYK 13 / 46 / 0 / 23

HEX #AC6BC5

RGB 172 107 197

HSL 283.33, 0.44%, 0.6%

LAB 55.4, 41.35, -36.78

 

CMYK 0 / 13 / 45 / 23

HEX #C5AC6C

RGB 197 172 108

HSL 43.15, 0.43%, 0.6%

LAB 71.19, 0.4, 36.16

 

CMYK 45 / 0 / 13 / 23

HEX #6CC5AC

RGB 108 197 172

HSL 163.15, 0.43%, 0.6%

LAB 73.61, -32.72, 4.26

 

CMYK 13 / 46 / 0 / 23

HEX #AC6BC5

RGB 172 107 197

HSL 283.33, 0.44%, 0.6%

LAB 55.4, 41.35, -36.78

 

CMYK 0 / 45 / 42 / 23

HEX #C56C73

RGB 197 108 115

HSL 355.28, 0.43%, 0.6%

LAB 55.92, 35.95, 11.92

 

CMYK 32 / 0 / 45 / 23

HEX #85C56C

RGB 133 197 108

HSL 103.15, 0.43%, 0.6%

LAB 73.55, -36.89, 38.18

 

CMYK 45 / 0 / 4 / 23

HEX #6CC5BE

RGB 108 197 190

HSL 175.28, 0.43%, 0.6%

LAB 74.09, -28.41, -4.81

 

CMYK 13 / 46 / 0 / 23

HEX #AC6BC5

RGB 172 107 197

HSL 283.33, 0.44%, 0.6%

LAB 55.4, 41.35, -36.78

 

CMYK 0 / 36 / 45 / 23

HEX #C57F6C

RGB 197 127 108

HSL 12.81, 0.43%, 0.6%

LAB 60.01, 24.94, 21.56

 

CMYK 32 / 0 / 45 / 23

HEX #85C56C

RGB 133 197 108

HSL 103.15, 0.43%, 0.6%

LAB 73.55, -36.89, 38.18

 

CMYK 45 / 10 / 0 / 23

HEX #6CB2C5

RGB 108 178 197

HSL 192.81, 0.43%, 0.6%

LAB 68.79, -17, -16.55

 

Description

Color code: HEX #AC6BC5 | qconv.com Color code: HEX #AC6BC5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 107 green and 197 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 107 197 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 13 cyan, 46 magenta, none yellow and 23 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
13% 46% 0% 23% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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