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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC6847 it is the complementary color #5397B8. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC6847. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC6847 shade: #B16842, #C27A55, #D38C68, #E49E7B and #F5B08E

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC6847. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC6847 shade: #AC6847, #9B5634, #8A4421, #79320E and #682000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC6847 shade: #AD6846, #AD4C46 and #AD4646

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC6847 shade: #AD6846, #AD8446, #ADA046, #9FAD46 and #84AD46

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC6847 shade matches the following richer shades: #AD6846, #C16133, #D55A1F and #E9530B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC6847 shade: #AD6846, #9A6F5A, #86766E, #727D82 and #5E8496

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC6847 shade: #AD465D, #AD4C46, #AD6746, #AD8246 and #AD9E46

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC6847 shade: #73452F, #90563B, #AD6846, #BE7E60 and #CA967D

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC6847 shade: #AC6847, #78AD46 and #464FAD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC6847 shade: #AC6847, #46AD67 and #6746AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC6847 shade: #AC6847, #78AD46, #468DAD and #7C46AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC6847 shade: #AC6847, #59AD46, #468DAD and #9A46AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 59 / 33

HEX #AC6847

RGB 172 104 71

HSL 19.6, 0.42%, 0.48%

LAB 50.83, 23.95, 29.97

 

Complementary color

CMYK 55 / 18 / 0 / 28

HEX #5397B8

RGB 83 151 184

HSL 199.6, 0.42%, 0.52%

LAB 59.37, -12.02, -23.74

 

CMYK 0 / 41 / 63 / 31

HEX #B16842

RGB 177 104 66

HSL 20.54, 0.46%, 0.48%

LAB 51.43, 25.67, 33.63

 

CMYK 0 / 37 / 56 / 24

HEX #C27A55

RGB 194 122 85

HSL 20.37, 0.47%, 0.55%

LAB 58.08, 24.3, 31.85

 

CMYK 0 / 34 / 51 / 17

HEX #D38C68

RGB 211 140 104

HSL 20.19, 0.55%, 0.62%

LAB 64.65, 23.1, 30.22

 

CMYK 0 / 31 / 46 / 11

HEX #E49E7B

RGB 228 158 123

HSL 20, 0.66%, 0.69%

LAB 71.13, 22.05, 28.75

 

CMYK 0 / 28 / 42 / 4

HEX #F5B08E

RGB 245 176 142

HSL 19.81, 0.84%, 0.76%

LAB 77.53, 21.11, 27.39

 

CMYK 0 / 40 / 59 / 33

HEX #AC6847

RGB 172 104 71

HSL 19.6, 0.42%, 0.48%

LAB 50.83, 23.95, 29.97

 

CMYK 0 / 45 / 66 / 39

HEX #9B5634

RGB 155 86 52

HSL 19.81, 0.5%, 0.41%

LAB 44.05, 25.43, 31.88

 

CMYK 0 / 51 / 76 / 46

HEX #8A4421

RGB 138 68 33

HSL 20, 0.61%, 0.34%

LAB 37.2, 27.12, 33.95

 

CMYK 0 / 59 / 88 / 53

HEX #79320E

RGB 121 50 14

HSL 20.19, 0.79%, 0.26%

LAB 30.35, 29.01, 35.82

 

CMYK 0 / 69 / 100 / 59

HEX #682000

RGB 104 32 0

HSL 18.46, 1%, 0.2%

LAB 23.59, 30.89, 34.39

 

CMYK 0 / 40 / 60 / 32

HEX #AD6846

RGB 173 104 70

HSL 19.81, 0.42%, 0.48%

LAB 50.95, 24.29, 30.71

 

CMYK 0 / 56 / 60 / 32

HEX #AD4C46

RGB 173 76 70

HSL 3.5, 0.42%, 0.48%

LAB 44.94, 39.25, 23.11

 

CMYK 0 / 60 / 60 / 32

HEX #AD4646

RGB 173 70 70

HSL 0, 0.42%, 0.48%

LAB 43.81, 42.2, 21.66

 

CMYK 0 / 40 / 60 / 32

HEX #AD6846

RGB 173 104 70

HSL 19.81, 0.42%, 0.48%

LAB 50.95, 24.29, 30.71

 

CMYK 0 / 24 / 60 / 32

HEX #AD8446

RGB 173 132 70

HSL 36.12, 0.42%, 0.48%

LAB 57.87, 8.59, 39.04

 

CMYK 0 / 8 / 60 / 32

HEX #ADA046

RGB 173 160 70

HSL 52.43, 0.42%, 0.48%

LAB 65.33, -6.73, 47.6

 

CMYK 8 / 0 / 60 / 32

HEX #9FAD46

RGB 159 173 70

HSL 68.16, 0.42%, 0.48%

LAB 67.8, -19.46, 50.02

 

CMYK 24 / 0 / 60 / 32

HEX #84AD46

RGB 132 173 70

HSL 83.88, 0.42%, 0.48%

LAB 65.93, -30.4, 47.42

 

CMYK 0 / 40 / 60 / 32

HEX #AD6846

RGB 173 104 70

HSL 19.81, 0.42%, 0.48%

LAB 50.95, 24.29, 30.71

 

CMYK 0 / 50 / 74 / 24

HEX #C16133

RGB 193 97 51

HSL 19.44, 0.58%, 0.48%

LAB 51.98, 35.12, 42.83

 

CMYK 0 / 58 / 85 / 16

HEX #D55A1F

RGB 213 90 31

HSL 19.45, 0.75%, 0.48%

LAB 53.55, 45.64, 54.53

 

CMYK 0 / 64 / 95 / 9

HEX #E9530B

RGB 233 83 11

HSL 19.46, 0.91%, 0.48%

LAB 55.62, 55.58, 63.6

 

CMYK 0 / 40 / 60 / 32

HEX #AD6846

RGB 173 104 70

HSL 19.81, 0.42%, 0.48%

LAB 50.95, 24.29, 30.71

 

CMYK 0 / 28 / 42 / 40

HEX #9A6F5A

RGB 154 111 90

HSL 19.69, 0.26%, 0.48%

LAB 50.66, 14.25, 18.42

 

CMYK 0 / 12 / 18 / 47

HEX #86766E

RGB 134 118 110

HSL 20, 0.1%, 0.48%

LAB 50.86, 4.79, 6.67

 

CMYK 12 / 4 / 0 / 49

HEX #727D82

RGB 114 125 130

HSL 198.75, 0.07%, 0.48%

LAB 51.67, -2.97, -4.11

 

CMYK 37 / 12 / 0 / 41

HEX #5E8496

RGB 94 132 150

HSL 199.29, 0.23%, 0.48%

LAB 53.04, -8.49, -13.87

 

CMYK 0 / 60 / 46 / 32

HEX #AD465D

RGB 173 70 93

HSL 346.6, 0.42%, 0.48%

LAB 44.31, 44.21, 8.25

 

CMYK 0 / 56 / 60 / 32

HEX #AD4C46

RGB 173 76 70

HSL 3.5, 0.42%, 0.48%

LAB 44.94, 39.25, 23.11

 

CMYK 0 / 40 / 60 / 32

HEX #AD6746

RGB 173 103 70

HSL 19.22, 0.42%, 0.48%

LAB 50.72, 24.85, 30.42

 

CMYK 0 / 25 / 60 / 32

HEX #AD8246

RGB 173 130 70

HSL 34.95, 0.42%, 0.48%

LAB 57.36, 9.71, 38.44

 

CMYK 0 / 9 / 60 / 32

HEX #AD9E46

RGB 173 158 70

HSL 51.26, 0.42%, 0.48%

LAB 64.79, -5.66, 46.99

 

CMYK 0 / 40 / 59 / 55

HEX #73452F

RGB 115 69 47

HSL 19.41, 0.42%, 0.32%

LAB 34.2, 17.36, 21.53

 

CMYK 0 / 40 / 59 / 44

HEX #90563B

RGB 144 86 59

HSL 19.06, 0.42%, 0.4%

LAB 42.61, 21.22, 25.79

 

CMYK 0 / 40 / 60 / 32

HEX #AD6846

RGB 173 104 70

HSL 19.81, 0.42%, 0.48%

LAB 50.95, 24.29, 30.71

 

CMYK 0 / 34 / 49 / 25

HEX #BE7E60

RGB 190 126 96

HSL 19.15, 0.42%, 0.56%

LAB 58.71, 21.44, 26.44

 

CMYK 0 / 26 / 38 / 21

HEX #CA967D

RGB 202 150 125

HSL 19.48, 0.42%, 0.64%

LAB 66.41, 16.24, 20.82

 

CMYK 0 / 40 / 59 / 33

HEX #AC6847

RGB 172 104 71

HSL 19.6, 0.42%, 0.48%

LAB 50.83, 23.95, 29.97

 

CMYK 31 / 0 / 60 / 32

HEX #78AD46

RGB 120 173 70

HSL 90.87, 0.42%, 0.48%

LAB 65.22, -34.95, 46.42

 

CMYK 60 / 54 / 0 / 32

HEX #464FAD

RGB 70 79 173

HSL 234.76, 0.42%, 0.48%

LAB 37.68, 25.33, -51.6

 

CMYK 0 / 40 / 59 / 33

HEX #AC6847

RGB 172 104 71

HSL 19.6, 0.42%, 0.48%

LAB 50.83, 23.95, 29.97

 

CMYK 60 / 0 / 40 / 32

HEX #46AD67

RGB 70 173 103

HSL 139.22, 0.42%, 0.48%

LAB 63.48, -45.61, 27.29

 

CMYK 40 / 60 / 0 / 32

HEX #6746AD

RGB 103 70 173

HSL 259.22, 0.42%, 0.48%

LAB 38.34, 37.91, -50.39

 

CMYK 0 / 40 / 59 / 33

HEX #AC6847

RGB 172 104 71

HSL 19.6, 0.42%, 0.48%

LAB 50.83, 23.95, 29.97

 

CMYK 31 / 0 / 60 / 32

HEX #78AD46

RGB 120 173 70

HSL 90.87, 0.42%, 0.48%

LAB 65.22, -34.95, 46.42

 

CMYK 60 / 18 / 0 / 32

HEX #468DAD

RGB 70 141 173

HSL 198.64, 0.42%, 0.48%

LAB 55.45, -12.61, -23.56

 

CMYK 28 / 60 / 0 / 32

HEX #7C46AD

RGB 124 70 173

HSL 271.46, 0.42%, 0.48%

LAB 40.71, 42.94, -46.46

 

CMYK 0 / 40 / 59 / 33

HEX #AC6847

RGB 172 104 71

HSL 19.6, 0.42%, 0.48%

LAB 50.83, 23.95, 29.97

 

CMYK 49 / 0 / 60 / 32

HEX #59AD46

RGB 89 173 70

HSL 108.93, 0.42%, 0.48%

LAB 63.72, -45.37, 44.31

 

CMYK 60 / 18 / 0 / 32

HEX #468DAD

RGB 70 141 173

HSL 198.64, 0.42%, 0.48%

LAB 55.45, -12.61, -23.56

 

CMYK 11 / 60 / 0 / 32

HEX #9A46AD

RGB 154 70 173

HSL 288.93, 0.42%, 0.48%

LAB 44.61, 50.58, -40

 

Description

Color code: HEX #AC6847 | qconv.com Color code: HEX #AC6847 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 104 green and 71 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 104 71 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 59 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 59% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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