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Color name
HEX #AC682F

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC682F it is the complementary color #5397D0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC682F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC682F shade: #B1682A, #C27A3D, #D38C50, #E49E63 and #F5B076

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC682F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC682F shade: #AC682F, #9B561C, #8A4409, #793200 and #682000

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC682F shade: #AC682F, #AC462F and #AC2F2F

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC682F shade: #AC682F, #AC892F, #ACAB2F, #8BAC2F and #69AC2F

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC682F shade matches the following richer shades: #AC682F, #BD661D and #CF650B

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC682F shade: #AC682F, #9A6940, #886B52, #766C64 and #656E76

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC682F shade: #AC2F39, #AC462F, #AC672F, #AC882F and #ACAA2F

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC682F shade: #6B401D, #8B5426, #AC682F, #C97C3B and #D2915B

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC682F shade: #AC682F, #5AAC2F and #352FAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC682F shade: #AC682F, #2FAC67 and #672FAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC682F shade: #AC682F, #5AAC2F, #2F73AC and #802FAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC682F shade: #AC682F, #35AC2F, #2F73AC and #A52FAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

Complementary color

CMYK 60 / 27 / 0 / 18

HEX #5397D0

RGB 83 151 208

HSL 207.36, 0.57%, 0.57%

LAB 60.36, -4.49, -35.71

 

CMYK 0 / 41 / 76 / 31

HEX #B1682A

RGB 177 104 42

HSL 27.56, 0.62%, 0.43%

LAB 51.17, 24.3, 45.65

 

CMYK 0 / 37 / 69 / 24

HEX #C27A3D

RGB 194 122 61

HSL 27.52, 0.52%, 0.5%

LAB 57.78, 22.62, 44.15

 

CMYK 0 / 34 / 62 / 17

HEX #D38C50

RGB 211 140 80

HSL 27.48, 0.6%, 0.57%

LAB 64.31, 21.18, 42.55

 

CMYK 0 / 31 / 57 / 11

HEX #E49E63

RGB 228 158 99

HSL 27.44, 0.7%, 0.64%

LAB 70.77, 19.91, 41

 

CMYK 0 / 28 / 52 / 4

HEX #F5B076

RGB 245 176 118

HSL 27.4, 0.86%, 0.71%

LAB 77.14, 18.81, 39.52

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 0 / 45 / 82 / 39

HEX #9B561C

RGB 155 86 28

HSL 27.4, 0.69%, 0.36%

LAB 43.81, 24.21, 43.77

 

CMYK 0 / 51 / 93 / 46

HEX #8A4409

RGB 138 68 9

HSL 27.44, 0.88%, 0.29%

LAB 37.04, 26.33, 44.15

 

CMYK 0 / 59 / 100 / 53

HEX #793200

RGB 121 50 0

HSL 24.79, 1%, 0.24%

LAB 30.27, 28.68, 41.47

 

CMYK 0 / 69 / 100 / 59

HEX #682000

RGB 104 32 0

HSL 18.46, 1%, 0.2%

LAB 23.59, 30.89, 34.39

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 0 / 59 / 73 / 33

HEX #AC462F

RGB 172 70 47

HSL 11.04, 0.57%, 0.43%

LAB 43.3, 40.4, 34.51

 

CMYK 0 / 73 / 73 / 33

HEX #AC2F2F

RGB 172 47 47

HSL 0, 0.57%, 0.43%

LAB 39.6, 50.35, 30.28

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 0 / 20 / 73 / 33

HEX #AC892F

RGB 172 137 47

HSL 43.2, 0.57%, 0.43%

LAB 58.85, 3.89, 50.97

 

CMYK 0 / 1 / 73 / 33

HEX #ACAB2F

RGB 172 171 47

HSL 59.52, 0.57%, 0.43%

LAB 68.1, -14.32, 60.01

 

CMYK 19 / 0 / 73 / 33

HEX #8BAC2F

RGB 139 172 47

HSL 75.84, 0.57%, 0.43%

LAB 65.9, -28.82, 57.04

 

CMYK 39 / 0 / 73 / 33

HEX #69AC2F

RGB 105 172 47

HSL 92.16, 0.57%, 0.43%

LAB 63.93, -41.81, 54.42

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 0 / 46 / 85 / 26

HEX #BD661D

RGB 189 102 29

HSL 27.38, 0.73%, 0.43%

LAB 52.3, 30.02, 52.78

 

CMYK 0 / 51 / 95 / 19

HEX #CF650B

RGB 207 101 11

HSL 27.55, 0.9%, 0.43%

LAB 54.65, 37.57, 60.92

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 0 / 32 / 58 / 40

HEX #9A6940

RGB 154 105 64

HSL 27.33, 0.41%, 0.43%

LAB 48.69, 15.07, 30.73

 

CMYK 0 / 21 / 40 / 47

HEX #886B52

RGB 136 107 82

HSL 27.78, 0.25%, 0.43%

LAB 47.44, 7.89, 18.41

 

CMYK 0 / 8 / 15 / 54

HEX #766C64

RGB 118 108 100

HSL 26.67, 0.08%, 0.43%

LAB 46.31, 2.44, 5.88

 

CMYK 14 / 7 / 0 / 54

HEX #656E76

RGB 101 110 118

HSL 208.24, 0.08%, 0.43%

LAB 45.94, -1.61, -5.61

 

CMYK 0 / 73 / 67 / 33

HEX #AC2F39

RGB 172 47 57

HSL 355.2, 0.57%, 0.43%

LAB 39.75, 50.87, 24.38

 

CMYK 0 / 59 / 73 / 33

HEX #AC462F

RGB 172 70 47

HSL 11.04, 0.57%, 0.43%

LAB 43.3, 40.4, 34.51

 

CMYK 0 / 40 / 73 / 33

HEX #AC672F

RGB 172 103 47

HSL 26.88, 0.57%, 0.43%

LAB 50.31, 22.93, 42.16

 

CMYK 0 / 21 / 73 / 33

HEX #AC882F

RGB 172 136 47

HSL 42.72, 0.57%, 0.43%

LAB 58.59, 4.45, 50.7

 

CMYK 0 / 1 / 73 / 33

HEX #ACAA2F

RGB 172 170 47

HSL 59.04, 0.57%, 0.43%

LAB 67.82, -13.81, 59.75

 

CMYK 0 / 40 / 73 / 58

HEX #6B401D

RGB 107 64 29

HSL 26.92, 0.57%, 0.27%

LAB 31.54, 15.31, 28.64

 

CMYK 0 / 40 / 73 / 45

HEX #8B5426

RGB 139 84 38

HSL 27.33, 0.57%, 0.35%

LAB 41.17, 18.7, 35.6

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 0 / 38 / 71 / 21

HEX #C97C3B

RGB 201 124 59

HSL 27.46, 0.57%, 0.51%

LAB 59.11, 24.38, 46.84

 

CMYK 0 / 31 / 57 / 18

HEX #D2915B

RGB 210 145 91

HSL 27.23, 0.57%, 0.59%

LAB 65.52, 18.86, 38.27

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 48 / 0 / 73 / 33

HEX #5AAC2F

RGB 90 172 47

HSL 99.36, 0.57%, 0.43%

LAB 63.25, -46.78, 53.51

 

CMYK 69 / 73 / 0 / 33

HEX #352FAC

RGB 53 47 172

HSL 242.88, 0.57%, 0.43%

LAB 28.82, 42.31, -65.51

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 73 / 0 / 40 / 33

HEX #2FAC67

RGB 47 172 103

HSL 146.88, 0.57%, 0.43%

LAB 62.58, -49.62, 26

 

CMYK 40 / 73 / 0 / 33

HEX #672FAC

RGB 103 47 172

HSL 266.88, 0.57%, 0.43%

LAB 33.76, 49.91, -57.22

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 48 / 0 / 73 / 33

HEX #5AAC2F

RGB 90 172 47

HSL 99.36, 0.57%, 0.43%

LAB 63.25, -46.78, 53.51

 

CMYK 73 / 33 / 0 / 33

HEX #2F73AC

RGB 47 115 172

HSL 207.36, 0.57%, 0.43%

LAB 46.77, -1.87, -36.56

 

CMYK 26 / 73 / 0 / 33

HEX #802FAC

RGB 128 47 172

HSL 278.88, 0.57%, 0.43%

LAB 37.12, 54.77, -51.62

 

CMYK 0 / 40 / 73 / 33

HEX #AC682F

RGB 172 104 47

HSL 27.36, 0.57%, 0.43%

LAB 50.54, 22.38, 42.41

 

CMYK 69 / 0 / 73 / 33

HEX #35AC2F

RGB 53 172 47

HSL 117.12, 0.57%, 0.43%

LAB 62.06, -56.21, 51.91

 

CMYK 73 / 33 / 0 / 33

HEX #2F73AC

RGB 47 115 172

HSL 207.36, 0.57%, 0.43%

LAB 46.77, -1.87, -36.56

 

CMYK 4 / 73 / 0 / 33

HEX #A52FAC

RGB 165 47 172

HSL 296.64, 0.57%, 0.43%

LAB 42.78, 62.58, -42.23

 

Description

Color code: HEX #AC682F | qconv.com Color code: HEX #AC682F | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 104 green and 47 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 104 47 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 40 magenta, 73 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 40% 73% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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