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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC5E38 it is the complementary color #53A1C7. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC5E38. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC5E38 shade: #B15E33, #C27046, #D38259, #E4946C and #F5A67F

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC5E38. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC5E38 shade: #AC5E38, #9B4C25, #8A3A12, #792800 and #681600

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC5E38 shade: #AD5E38, #AD3F38 and #AD3838

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC5E38 shade: #AD5E38, #AD7E38, #AD9D38, #9DAD38 and #7DAD38

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC5E38 shade matches the following richer shades: #AD5E38, #BF5825, #D25113 and #E44B00

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC5E38 shade: #AD5E38, #9A644A, #886B5D, #75716F and #637882

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC5E38 shade: #AD3851, #AD3E38, #AD5D38, #AD7C38 and #AD9B38

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC5E38 shade: #6E3C24, #8E4D2E, #AD5E38, #C4724A and #CE8A69

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC5E38 shade: #AC5E38, #70AD38 and #3841AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC5E38 shade: #AC5E38, #38AD5D and #5D38AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC5E38 shade: #AC5E38, #70AD38, #3888AD and #7438AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC5E38 shade: #AC5E38, #4DAD38, #3888AD and #9738AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 45 / 67 / 33

HEX #AC5E38

RGB 172 94 56

HSL 19.66, 0.51%, 0.45%

LAB 48.34, 28.42, 35.29

 

Complementary color

CMYK 58 / 19 / 0 / 22

HEX #53A1C7

RGB 83 161 199

HSL 199.66, 0.51%, 0.55%

LAB 62.89, -12.89, -26.76

 

CMYK 0 / 47 / 71 / 31

HEX #B15E33

RGB 177 94 51

HSL 20.48, 0.55%, 0.45%

LAB 49, 30.2, 38.9

 

CMYK 0 / 42 / 64 / 24

HEX #C27046

RGB 194 112 70

HSL 20.32, 0.5%, 0.52%

LAB 55.58, 28.63, 36.97

 

CMYK 0 / 38 / 58 / 17

HEX #D38259

RGB 211 130 89

HSL 20.16, 0.58%, 0.59%

LAB 62.11, 27.23, 35.16

 

CMYK 0 / 35 / 53 / 11

HEX #E4946C

RGB 228 148 108

HSL 20, 0.69%, 0.66%

LAB 68.57, 25.99, 33.51

 

CMYK 0 / 32 / 48 / 4

HEX #F5A67F

RGB 245 166 127

HSL 19.83, 0.86%, 0.73%

LAB 74.96, 24.89, 31.99

 

CMYK 0 / 45 / 67 / 33

HEX #AC5E38

RGB 172 94 56

HSL 19.66, 0.51%, 0.45%

LAB 48.34, 28.42, 35.29

 

CMYK 0 / 51 / 76 / 39

HEX #9B4C25

RGB 155 76 37

HSL 19.83, 0.61%, 0.38%

LAB 41.64, 30.1, 37.33

 

CMYK 0 / 58 / 87 / 46

HEX #8A3A12

RGB 138 58 18

HSL 20, 0.77%, 0.31%

LAB 34.95, 31.94, 39.17

 

CMYK 0 / 67 / 100 / 53

HEX #792800

RGB 121 40 0

HSL 19.83, 1%, 0.24%

LAB 28.33, 33.76, 39.96

 

CMYK 0 / 79 / 100 / 59

HEX #681600

RGB 104 22 0

HSL 12.69, 1%, 0.2%

LAB 22.01, 35.22, 32.75

 

CMYK 0 / 46 / 68 / 32

HEX #AD5E38

RGB 173 94 56

HSL 19.49, 0.51%, 0.45%

LAB 48.48, 28.83, 35.49

 

CMYK 0 / 64 / 68 / 32

HEX #AD3F38

RGB 173 63 56

HSL 3.59, 0.51%, 0.45%

LAB 42.35, 44.54, 28.23

 

CMYK 0 / 68 / 68 / 32

HEX #AD3838

RGB 173 56 56

HSL 0, 0.51%, 0.45%

LAB 41.21, 47.59, 26.85

 

CMYK 0 / 46 / 68 / 32

HEX #AD5E38

RGB 173 94 56

HSL 19.49, 0.51%, 0.45%

LAB 48.48, 28.83, 35.49

 

CMYK 0 / 27 / 68 / 32

HEX #AD7E38

RGB 173 126 56

HSL 35.9, 0.51%, 0.45%

LAB 56.18, 10.98, 44.13

 

CMYK 0 / 9 / 68 / 32

HEX #AD9D38

RGB 173 157 56

HSL 51.79, 0.51%, 0.45%

LAB 64.39, -6.06, 52.84

 

CMYK 9 / 0 / 68 / 32

HEX #9DAD38

RGB 157 173 56

HSL 68.21, 0.51%, 0.45%

LAB 67.53, -21.28, 55.66

 

CMYK 28 / 0 / 68 / 32

HEX #7DAD38

RGB 125 173 56

HSL 84.62, 0.51%, 0.45%

LAB 65.38, -34.26, 52.76

 

CMYK 0 / 46 / 68 / 32

HEX #AD5E38

RGB 173 94 56

HSL 19.49, 0.51%, 0.45%

LAB 48.48, 28.83, 35.49

 

CMYK 0 / 54 / 81 / 25

HEX #BF5825

RGB 191 88 37

HSL 19.87, 0.68%, 0.45%

LAB 49.73, 38.38, 47.24

 

CMYK 0 / 61 / 91 / 18

HEX #D25113

RGB 210 81 19

HSL 19.48, 0.83%, 0.45%

LAB 51.42, 48.45, 56.9

 

CMYK 0 / 67 / 100 / 11

HEX #E44B00

RGB 228 75 0

HSL 19.74, 1%, 0.45%

LAB 53.52, 57.05, 64.29

 

CMYK 0 / 46 / 68 / 32

HEX #AD5E38

RGB 173 94 56

HSL 19.49, 0.51%, 0.45%

LAB 48.48, 28.83, 35.49

 

CMYK 0 / 35 / 52 / 40

HEX #9A644A

RGB 154 100 74

HSL 19.5, 0.35%, 0.45%

LAB 47.6, 18.84, 23.67

 

CMYK 0 / 21 / 32 / 47

HEX #886B5D

RGB 136 107 93

HSL 19.53, 0.19%, 0.45%

LAB 47.68, 9.37, 12.24

 

CMYK 0 / 3 / 5 / 54

HEX #75716F

RGB 117 113 111

HSL 20, 0.03%, 0.45%

LAB 47.93, 1.15, 1.65

 

CMYK 24 / 8 / 0 / 49

HEX #637882

RGB 99 120 130

HSL 199.35, 0.14%, 0.45%

LAB 49.13, -5.27, -8.02

 

CMYK 0 / 68 / 53 / 32

HEX #AD3851

RGB 173 56 81

HSL 347.18, 0.51%, 0.45%

LAB 41.7, 49.35, 12.04

 

CMYK 0 / 64 / 68 / 32

HEX #AD3E38

RGB 173 62 56

HSL 3.08, 0.51%, 0.45%

LAB 42.18, 44.99, 28.03

 

CMYK 0 / 46 / 68 / 32

HEX #AD5D38

RGB 173 93 56

HSL 18.97, 0.51%, 0.45%

LAB 48.26, 29.38, 35.24

 

CMYK 0 / 28 / 68 / 32

HEX #AD7C38

RGB 173 124 56

HSL 34.87, 0.51%, 0.45%

LAB 55.67, 12.1, 43.57

 

CMYK 0 / 10 / 68 / 32

HEX #AD9B38

RGB 173 155 56

HSL 50.77, 0.51%, 0.45%

LAB 63.85, -4.99, 52.28

 

CMYK 0 / 45 / 67 / 57

HEX #6E3C24

RGB 110 60 36

HSL 19.46, 0.51%, 0.29%

LAB 31.05, 19.59, 24.16

 

CMYK 0 / 46 / 68 / 44

HEX #8E4D2E

RGB 142 77 46

HSL 19.38, 0.51%, 0.37%

LAB 40.01, 24.53, 30.06

 

CMYK 0 / 46 / 68 / 32

HEX #AD5E38

RGB 173 94 56

HSL 19.49, 0.51%, 0.45%

LAB 48.48, 28.83, 35.49

 

CMYK 0 / 42 / 62 / 23

HEX #C4724A

RGB 196 114 74

HSL 19.67, 0.51%, 0.53%

LAB 56.35, 28.64, 35.79

 

CMYK 0 / 33 / 49 / 19

HEX #CE8A69

RGB 206 138 105

HSL 19.6, 0.51%, 0.61%

LAB 63.61, 22.26, 28.21

 

CMYK 0 / 45 / 67 / 33

HEX #AC5E38

RGB 172 94 56

HSL 19.66, 0.51%, 0.45%

LAB 48.34, 28.42, 35.29

 

CMYK 35 / 0 / 68 / 32

HEX #70AD38

RGB 112 173 56

HSL 91.28, 0.51%, 0.45%

LAB 64.66, -39.1, 51.77

 

CMYK 68 / 62 / 0 / 32

HEX #3841AD

RGB 56 65 173

HSL 235.38, 0.51%, 0.45%

LAB 33.22, 31.99, -58.89

 

CMYK 0 / 45 / 67 / 33

HEX #AC5E38

RGB 172 94 56

HSL 19.66, 0.51%, 0.45%

LAB 48.34, 28.42, 35.29

 

CMYK 68 / 0 / 46 / 32

HEX #38AD5D

RGB 56 173 93

HSL 138.97, 0.51%, 0.45%

LAB 62.94, -50.24, 31.76

 

CMYK 46 / 68 / 0 / 32

HEX #5D38AD

RGB 93 56 173

HSL 258.97, 0.51%, 0.45%

LAB 34.34, 43.71, -56.93

 

CMYK 0 / 45 / 67 / 33

HEX #AC5E38

RGB 172 94 56

HSL 19.66, 0.51%, 0.45%

LAB 48.34, 28.42, 35.29

 

CMYK 35 / 0 / 68 / 32

HEX #70AD38

RGB 112 173 56

HSL 91.28, 0.51%, 0.45%

LAB 64.66, -39.1, 51.77

 

CMYK 68 / 21 / 0 / 32

HEX #3888AD

RGB 56 136 173

HSL 198.97, 0.51%, 0.45%

LAB 53.46, -12.37, -26.68

 

CMYK 33 / 68 / 0 / 32

HEX #7438AD

RGB 116 56 173

HSL 270.77, 0.51%, 0.45%

LAB 37.04, 48.38, -52.42

 

CMYK 0 / 45 / 67 / 33

HEX #AC5E38

RGB 172 94 56

HSL 19.66, 0.51%, 0.45%

LAB 48.34, 28.42, 35.29

 

CMYK 55 / 0 / 68 / 32

HEX #4DAD38

RGB 77 173 56

HSL 109.23, 0.51%, 0.45%

LAB 63.14, -50.2, 49.7

 

CMYK 68 / 21 / 0 / 32

HEX #3888AD

RGB 56 136 173

HSL 198.97, 0.51%, 0.45%

LAB 53.46, -12.37, -26.68

 

CMYK 13 / 68 / 0 / 32

HEX #9738AD

RGB 151 56 173

HSL 288.72, 0.51%, 0.45%

LAB 41.88, 56.19, -44.38

 

Description

Color code: HEX #AC5E38 | qconv.com Color code: HEX #AC5E38 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 94 green and 56 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 94 56 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 45 magenta, 67 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 45% 67% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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