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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC51FA it is the complementary color #53AE05. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC51FA. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC51FA shade: #B151F5, #C263FF, #D375FF, #E487FF and #F599FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC51FA. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC51FA shade: #AC51FA, #9B3FE7, #8A2DD4, #791BC1 and #6809AE

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC51FA shade: #AC51F9, #D951F9, #F951EC, #F951BF and #F95192

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC51FA shade: #AC51F9, #7E51F9 and #5151F9

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC51FA shade matches the following richer shades: #AC51F9

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC51FA shade: #AC51F9, #AB60EB, #A96EDC, #A87DCE and #A78BBF

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC51FA shade: #5151F9, #7E51F9, #AB51F9, #D851F9 and #F951EE

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC51FA shade: #8507F1, #9929F8, #AC51F9, #BF79FA and #D2A1FC

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC51FA shade: #AC51FA, #F9517E and #51F968

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC51FA shade: #AC51FA, #F9AB51 and #51F9AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC51FA shade: #AC51FA, #F9517E, #A0F951 and #51F9CC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC51FA shade: #AC51FA, #F95751, #A0F951 and #51F4F9

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 31 / 68 / 0 / 2

HEX #AC51FA

RGB 172 81 250

HSL 272.31, 0.94%, 0.65%

LAB 53.55, 65.97, -69.59

 

Complementary color

CMYK 52 / 0 / 97 / 32

HEX #53AE05

RGB 83 174 5

HSL 92.31, 0.94%, 0.35%

LAB 63.44, -51.46, 63.69

 

CMYK 28 / 67 / 0 / 4

HEX #B151F5

RGB 177 81 245

HSL 275.12, 0.89%, 0.64%

LAB 53.84, 65.86, -66.32

 

CMYK 24 / 61 / 0 / 0

HEX #C263FF

RGB 194 99 255

HSL 276.54, 1%, 0.69%

LAB 59.54, 63.41, -62.59

 

CMYK 17 / 54 / 0 / 0

HEX #D375FF

RGB 211 117 255

HSL 280.87, 1%, 0.73%

LAB 64.8, 58.77, -54.08

 

CMYK 11 / 47 / 0 / 0

HEX #E487FF

RGB 228 135 255

HSL 286.5, 1%, 0.76%

LAB 70.21, 54.24, -45.41

 

CMYK 4 / 40 / 0 / 0

HEX #F599FF

RGB 245 153 255

HSL 294.12, 1%, 0.8%

LAB 75.71, 49.91, -36.68

 

CMYK 31 / 68 / 0 / 2

HEX #AC51FA

RGB 172 81 250

HSL 272.31, 0.94%, 0.65%

LAB 53.55, 65.97, -69.59

 

CMYK 33 / 73 / 0 / 9

HEX #9B3FE7

RGB 155 63 231

HSL 272.86, 0.78%, 0.58%

LAB 47.36, 66.28, -69.09

 

CMYK 35 / 79 / 0 / 17

HEX #8A2DD4

RGB 138 45 212

HSL 273.41, 0.66%, 0.5%

LAB 41.27, 66.09, -68.25

 

CMYK 37 / 86 / 0 / 24

HEX #791BC1

RGB 121 27 193

HSL 273.98, 0.75%, 0.43%

LAB 35.4, 65.07, -66.89

 

CMYK 40 / 95 / 0 / 32

HEX #6809AE

RGB 104 9 174

HSL 274.55, 0.9%, 0.36%

LAB 29.9, 62.7, -64.74

 

CMYK 31 / 67 / 0 / 2

HEX #AC51F9

RGB 172 81 249

HSL 272.5, 0.93%, 0.65%

LAB 53.49, 65.75, -69.15

 

CMYK 13 / 67 / 0 / 2

HEX #D951F9

RGB 217 81 249

HSL 288.57, 0.93%, 0.65%

LAB 59.41, 74.93, -59.3

 

CMYK 0 / 67 / 5 / 2

HEX #F951EC

RGB 249 81 236

HSL 304.64, 0.93%, 0.65%

LAB 63.41, 79.73, -45.45

 

CMYK 0 / 67 / 23 / 2

HEX #F951BF

RGB 249 81 191

HSL 320.71, 0.93%, 0.65%

LAB 61.47, 73.48, -23.09

 

CMYK 0 / 67 / 41 / 2

HEX #F95192

RGB 249 81 146

HSL 336.79, 0.93%, 0.65%

LAB 59.98, 68.45, 0.67

 

CMYK 31 / 67 / 0 / 2

HEX #AC51F9

RGB 172 81 249

HSL 272.5, 0.93%, 0.65%

LAB 53.49, 65.75, -69.15

 

CMYK 49 / 67 / 0 / 2

HEX #7E51F9

RGB 126 81 249

HSL 256.07, 0.93%, 0.65%

LAB 48.46, 57.38, -77.54

 

CMYK 67 / 67 / 0 / 2

HEX #5151F9

RGB 81 81 249

HSL 240, 0.93%, 0.65%

LAB 44.9, 51.01, -83.51

 

CMYK 31 / 67 / 0 / 2

HEX #AC51F9

RGB 172 81 249

HSL 272.5, 0.93%, 0.65%

LAB 53.49, 65.75, -69.15

 

CMYK 31 / 67 / 0 / 2

HEX #AC51F9

RGB 172 81 249

HSL 272.5, 0.93%, 0.65%

LAB 53.49, 65.75, -69.15

 

CMYK 27 / 59 / 0 / 8

HEX #AB60EB

RGB 171 96 235

HSL 272.37, 0.78%, 0.65%

LAB 55.09, 55.23, -58.75

 

CMYK 23 / 50 / 0 / 14

HEX #A96EDC

RGB 169 110 220

HSL 272.18, 0.61%, 0.65%

LAB 56.84, 43.95, -47.57

 

CMYK 18 / 39 / 0 / 19

HEX #A87DCE

RGB 168 125 206

HSL 271.85, 0.45%, 0.65%

LAB 59.39, 32.15, -35.67

 

CMYK 13 / 27 / 0 / 25

HEX #A78BBF

RGB 167 139 191

HSL 272.31, 0.29%, 0.65%

LAB 62.03, 20.57, -23.12

 

CMYK 67 / 67 / 0 / 2

HEX #5151F9

RGB 81 81 249

HSL 240, 0.93%, 0.65%

LAB 44.9, 51.01, -83.51

 

CMYK 49 / 67 / 0 / 2

HEX #7E51F9

RGB 126 81 249

HSL 256.07, 0.93%, 0.65%

LAB 48.46, 57.38, -77.54

 

CMYK 31 / 67 / 0 / 2

HEX #AB51F9

RGB 171 81 249

HSL 272.14, 0.93%, 0.65%

LAB 53.37, 65.55, -69.35

 

CMYK 13 / 67 / 0 / 2

HEX #D851F9

RGB 216 81 249

HSL 288.21, 0.93%, 0.65%

LAB 59.27, 74.72, -59.54

 

CMYK 0 / 67 / 4 / 2

HEX #F951EE

RGB 249 81 238

HSL 303.93, 0.93%, 0.65%

LAB 63.51, 80.04, -46.41

 

CMYK 45 / 97 / 0 / 5

HEX #8507F1

RGB 133 7 241

HSL 272.31, 0.94%, 0.49%

LAB 40.39, 79.94, -86.26

 

CMYK 38 / 83 / 0 / 3

HEX #9929F8

RGB 153 41 248

HSL 272.46, 0.94%, 0.57%

LAB 45.82, 77.24, -81.18

 

CMYK 31 / 67 / 0 / 2

HEX #AC51F9

RGB 172 81 249

HSL 272.5, 0.93%, 0.65%

LAB 53.49, 65.75, -69.15

 

CMYK 24 / 52 / 0 / 2

HEX #BF79FA

RGB 191 121 250

HSL 272.56, 0.93%, 0.73%

LAB 63.06, 50.61, -54.24

 

CMYK 17 / 36 / 0 / 1

HEX #D2A1FC

RGB 210 161 252

HSL 272.31, 0.94%, 0.81%

LAB 73.69, 34.8, -38.48

 

CMYK 31 / 68 / 0 / 2

HEX #AC51FA

RGB 172 81 250

HSL 272.31, 0.94%, 0.65%

LAB 53.55, 65.97, -69.59

 

CMYK 0 / 67 / 49 / 2

HEX #F9517E

RGB 249 81 126

HSL 343.93, 0.93%, 0.65%

LAB 59.46, 66.65, 11.62

 

CMYK 67 / 0 / 58 / 2

HEX #51F968

RGB 81 249 104

HSL 128.21, 0.93%, 0.65%

LAB 87.24, -71.04, 56.18

 

CMYK 31 / 68 / 0 / 2

HEX #AC51FA

RGB 172 81 250

HSL 272.31, 0.94%, 0.65%

LAB 53.55, 65.97, -69.59

 

CMYK 0 / 31 / 67 / 2

HEX #F9AB51

RGB 249 171 81

HSL 32.14, 0.93%, 0.65%

LAB 75.98, 20.47, 56.45

 

CMYK 67 / 0 / 31 / 2

HEX #51F9AB

RGB 81 249 171

HSL 152.14, 0.93%, 0.65%

LAB 88.18, -60.46, 25.16

 

CMYK 31 / 68 / 0 / 2

HEX #AC51FA

RGB 172 81 250

HSL 272.31, 0.94%, 0.65%

LAB 53.55, 65.97, -69.59

 

CMYK 0 / 67 / 49 / 2

HEX #F9517E

RGB 249 81 126

HSL 343.93, 0.93%, 0.65%

LAB 59.46, 66.65, 11.62

 

CMYK 36 / 0 / 67 / 2

HEX #A0F951

RGB 160 249 81

HSL 91.79, 0.93%, 0.65%

LAB 89.78, -52.68, 69.08

 

CMYK 67 / 0 / 18 / 2

HEX #51F9CC

RGB 81 249 204

HSL 163.93, 0.93%, 0.65%

LAB 88.86, -53.33, 9.13

 

CMYK 31 / 68 / 0 / 2

HEX #AC51FA

RGB 172 81 250

HSL 272.31, 0.94%, 0.65%

LAB 53.55, 65.97, -69.59

 

CMYK 0 / 65 / 67 / 2

HEX #F95751

RGB 249 87 81

HSL 2.14, 0.93%, 0.65%

LAB 59.48, 61.33, 37.6

 

CMYK 36 / 0 / 67 / 2

HEX #A0F951

RGB 160 249 81

HSL 91.79, 0.93%, 0.65%

LAB 89.78, -52.68, 69.08

 

CMYK 67 / 2 / 0 / 2

HEX #51F4F9

RGB 81 244 249

HSL 181.79, 0.93%, 0.65%

LAB 88.59, -39.66, -14.72

 

Description

Color code: HEX #AC51FA | qconv.com Color code: HEX #AC51FA | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 81 green and 250 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 81 250 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 31 cyan, 68 magenta, none yellow and 2 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
31% 68% 0% 2% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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