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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC51D0 it is the complementary color #53AE2F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC51D0. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC51D0 shade: #B151CB, #C263DE, #D375F1, #E487FF and #F599FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC51D0. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC51D0 shade: #AC51D0, #9B3FBD, #8A2DAA, #791B97 and #680984

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC51D0 shade: #AC52CF, #CE52CF, #CF52AF, #CF528E and #CF526C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC51D0 shade: #AC52CF, #8A52CF, #6852CF and #5252CF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC51D0 shade matches the following richer shades: #AC52CF, #B441E1 and #BB2FF3

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC51D0 shade: #AC52CF, #A464BE, #9D76AC, #95889A and #8D9988

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC51D0 shade: #6752CF, #8952CF, #AA52CF, #CB52CF and #CF52B2

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC51D0 shade: #812CA3, #9B35C3, #AC52CF, #BB73D8 and #CB93E1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC51D0 shade: #AC51D0, #CF525F and #52CF78

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC51D0 shade: #AC51D0, #CFAA52 and #52CFAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC51D0 shade: #AC51D0, #CF525F, #78CF52 and #52CFC3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC51D0 shade: #AC51D0, #CF6B52, #78CF52 and #52B6CF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 17 / 61 / 0 / 18

HEX #AC51D0

RGB 172 81 208

HSL 282.99, 0.57%, 0.57%

LAB 50.93, 56.93, -50.13

 

Complementary color

CMYK 52 / 0 / 73 / 32

HEX #53AE2F

RGB 83 174 47

HSL 102.99, 0.57%, 0.43%

LAB 63.6, -49.66, 53.78

 

CMYK 13 / 60 / 0 / 20

HEX #B151CB

RGB 177 81 203

HSL 287.21, 0.54%, 0.56%

LAB 51.32, 57.14, -46.61

 

CMYK 13 / 55 / 0 / 13

HEX #C263DE

RGB 194 99 222

HSL 286.34, 0.65%, 0.63%

LAB 57.72, 56.61, -47.11

 

CMYK 12 / 51 / 0 / 5

HEX #D375F1

RGB 211 117 241

HSL 285.48, 0.82%, 0.7%

LAB 64.1, 55.95, -47.48

 

CMYK 11 / 47 / 0 / 0

HEX #E487FF

RGB 228 135 255

HSL 286.5, 1%, 0.76%

LAB 70.21, 54.24, -45.41

 

CMYK 4 / 40 / 0 / 0

HEX #F599FF

RGB 245 153 255

HSL 294.12, 1%, 0.8%

LAB 75.71, 49.91, -36.68

 

CMYK 17 / 61 / 0 / 18

HEX #AC51D0

RGB 172 81 208

HSL 282.99, 0.57%, 0.57%

LAB 50.93, 56.93, -50.13

 

CMYK 18 / 67 / 0 / 26

HEX #9B3FBD

RGB 155 63 189

HSL 283.81, 0.5%, 0.49%

LAB 44.52, 57.28, -49.55

 

CMYK 19 / 74 / 0 / 33

HEX #8A2DAA

RGB 138 45 170

HSL 284.64, 0.58%, 0.42%

LAB 38.17, 57.2, -48.66

 

CMYK 20 / 82 / 0 / 41

HEX #791B97

RGB 121 27 151

HSL 285.48, 0.7%, 0.35%

LAB 32, 56.32, -47.27

 

CMYK 21 / 93 / 0 / 48

HEX #680984

RGB 104 9 132

HSL 286.34, 0.87%, 0.28%

LAB 26.17, 54.05, -45.06

 

CMYK 17 / 60 / 0 / 19

HEX #AC52CF

RGB 172 82 207

HSL 283.2, 0.57%, 0.57%

LAB 51.05, 56.25, -49.37

 

CMYK 0 / 60 / 0 / 19

HEX #CE52CF

RGB 206 82 207

HSL 299.52, 0.57%, 0.57%

LAB 55.75, 64.6, -41.63

 

CMYK 0 / 60 / 15 / 19

HEX #CF52AF

RGB 207 82 175

HSL 315.36, 0.57%, 0.57%

LAB 54.44, 59.75, -25.23

 

CMYK 0 / 60 / 31 / 19

HEX #CF528E

RGB 207 82 142

HSL 331.2, 0.57%, 0.57%

LAB 53.23, 55.27, -7.71

 

CMYK 0 / 60 / 48 / 19

HEX #CF526C

RGB 207 82 108

HSL 347.52, 0.57%, 0.57%

LAB 52.27, 51.6, 11.15

 

CMYK 17 / 60 / 0 / 19

HEX #AC52CF

RGB 172 82 207

HSL 283.2, 0.57%, 0.57%

LAB 51.05, 56.25, -49.37

 

CMYK 33 / 60 / 0 / 19

HEX #8A52CF

RGB 138 82 207

HSL 266.88, 0.57%, 0.57%

LAB 46.9, 48.22, -56.25

 

CMYK 50 / 60 / 0 / 19

HEX #6852CF

RGB 104 82 207

HSL 250.56, 0.57%, 0.57%

LAB 43.48, 40.95, -61.94

 

CMYK 60 / 60 / 0 / 19

HEX #5252CF

RGB 82 82 207

HSL 240, 0.57%, 0.57%

LAB 41.74, 36.96, -64.85

 

CMYK 17 / 60 / 0 / 19

HEX #AC52CF

RGB 172 82 207

HSL 283.2, 0.57%, 0.57%

LAB 51.05, 56.25, -49.37

 

CMYK 20 / 71 / 0 / 12

HEX #B441E1

RGB 180 65 225

HSL 283.13, 0.73%, 0.57%

LAB 50.59, 68.95, -60.29

 

CMYK 23 / 81 / 0 / 5

HEX #BB2FF3

RGB 187 47 243

HSL 282.86, 0.89%, 0.57%

LAB 50.77, 79.54, -70.11

 

CMYK 17 / 60 / 0 / 19

HEX #AC52CF

RGB 172 82 207

HSL 283.2, 0.57%, 0.57%

LAB 51.05, 56.25, -49.37

 

CMYK 14 / 47 / 0 / 25

HEX #A464BE

RGB 164 100 190

HSL 282.67, 0.41%, 0.57%

LAB 52.65, 41.34, -37.15

 

CMYK 9 / 31 / 0 / 33

HEX #9D76AC

RGB 157 118 172

HSL 283.33, 0.25%, 0.57%

LAB 55.18, 25.21, -22.89

 

CMYK 3 / 12 / 0 / 40

HEX #95889A

RGB 149 136 154

HSL 283.33, 0.08%, 0.57%

LAB 58.35, 8.34, -7.8

 

CMYK 8 / 0 / 11 / 40

HEX #8D9988

RGB 141 153 136

HSL 102.35, 0.08%, 0.57%

LAB 61.85, -7.59, 7.47

 

CMYK 50 / 60 / 0 / 19

HEX #6752CF

RGB 103 82 207

HSL 250.08, 0.57%, 0.57%

LAB 43.39, 40.76, -62.09

 

CMYK 34 / 60 / 0 / 19

HEX #8952CF

RGB 137 82 207

HSL 266.4, 0.57%, 0.57%

LAB 46.79, 47.99, -56.44

 

CMYK 18 / 60 / 0 / 19

HEX #AA52CF

RGB 170 82 207

HSL 282.24, 0.57%, 0.57%

LAB 50.79, 55.77, -49.8

 

CMYK 2 / 60 / 0 / 19

HEX #CB52CF

RGB 203 82 207

HSL 298.08, 0.57%, 0.57%

LAB 55.31, 63.86, -42.34

 

CMYK 0 / 60 / 14 / 19

HEX #CF52B2

RGB 207 82 178

HSL 313.92, 0.57%, 0.57%

LAB 54.57, 60.2, -26.78

 

CMYK 21 / 73 / 0 / 36

HEX #812CA3

RGB 129 44 163

HSL 282.86, 0.57%, 0.41%

LAB 36.2, 54.29, -47.7

 

CMYK 21 / 73 / 0 / 24

HEX #9B35C3

RGB 155 53 195

HSL 283.1, 0.57%, 0.49%

LAB 43.44, 62.61, -54.77

 

CMYK 17 / 60 / 0 / 19

HEX #AC52CF

RGB 172 82 207

HSL 283.2, 0.57%, 0.57%

LAB 51.05, 56.25, -49.37

 

CMYK 13 / 47 / 0 / 15

HEX #BB73D8

RGB 187 115 216

HSL 282.77, 0.56%, 0.65%

LAB 59.69, 45.34, -40.68

 

CMYK 10 / 35 / 0 / 12

HEX #CB93E1

RGB 203 147 225

HSL 283.08, 0.57%, 0.73%

LAB 68.75, 34.66, -31.44

 

CMYK 17 / 61 / 0 / 18

HEX #AC51D0

RGB 172 81 208

HSL 282.99, 0.57%, 0.57%

LAB 50.93, 56.93, -50.13

 

CMYK 0 / 60 / 54 / 19

HEX #CF525F

RGB 207 82 95

HSL 353.76, 0.57%, 0.57%

LAB 51.98, 50.47, 18.5

 

CMYK 60 / 0 / 42 / 19

HEX #52CF78

RGB 82 207 120

HSL 138.24, 0.57%, 0.57%

LAB 74.68, -53.56, 33.15

 

CMYK 17 / 61 / 0 / 18

HEX #AC51D0

RGB 172 81 208

HSL 282.99, 0.57%, 0.57%

LAB 50.93, 56.93, -50.13

 

CMYK 0 / 18 / 60 / 19

HEX #CFAA52

RGB 207 170 82

HSL 42.24, 0.57%, 0.57%

LAB 71.3, 3.43, 49.53

 

CMYK 60 / 0 / 18 / 19

HEX #52CFAA

RGB 82 207 170

HSL 162.24, 0.57%, 0.57%

LAB 75.65, -43.46, 8.16

 

CMYK 17 / 61 / 0 / 18

HEX #AC51D0

RGB 172 81 208

HSL 282.99, 0.57%, 0.57%

LAB 50.93, 56.93, -50.13

 

CMYK 0 / 60 / 54 / 19

HEX #CF525F

RGB 207 82 95

HSL 353.76, 0.57%, 0.57%

LAB 51.98, 50.47, 18.5

 

CMYK 42 / 0 / 60 / 19

HEX #78CF52

RGB 120 207 82

HSL 101.76, 0.57%, 0.57%

LAB 75.59, -48.48, 52.78

 

CMYK 60 / 0 / 6 / 19

HEX #52CFC3

RGB 82 207 195

HSL 174.24, 0.57%, 0.57%

LAB 76.29, -37.24, -4.37

 

CMYK 17 / 61 / 0 / 18

HEX #AC51D0

RGB 172 81 208

HSL 282.99, 0.57%, 0.57%

LAB 50.93, 56.93, -50.13

 

CMYK 0 / 48 / 60 / 19

HEX #CF6B52

RGB 207 107 82

HSL 12, 0.57%, 0.57%

LAB 56.48, 37.29, 31.88

 

CMYK 42 / 0 / 60 / 19

HEX #78CF52

RGB 120 207 82

HSL 101.76, 0.57%, 0.57%

LAB 75.59, -48.48, 52.78

 

CMYK 60 / 12 / 0 / 19

HEX #52B6CF

RGB 82 182 207

HSL 192, 0.57%, 0.57%

LAB 69.29, -21.74, -21.38

 

Description

Color code: HEX #AC51D0 | qconv.com Color code: HEX #AC51D0 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 81 green and 208 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 81 208 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 17 cyan, 61 magenta, none yellow and 18 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
17% 61% 0% 18% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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