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Color name
HEX #AC5152

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC5152 it is the complementary color #53AEAD. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC5152. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC5152 shade: #B1514D, #C26360, #D37573, #E48786 and #F59999

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC5152. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC5152 shade: #AC5152, #9B3F3F, #8A2D2C, #791B19 and #680906

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC5152 shade: #AD5152 and #AD5151

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC5152 shade: #AD5152, #AD516B, #AD5184, #AD519C and #A551AD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC5152 shade matches the following richer shades: #AD5152, #C23C3E, #D6282A and #EB1316

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC5152 shade: #AD5152, #986666, #847A7A, #6F8F8F and #5AA4A3

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC5152 shade: #AD5184, #AD516B, #AD5153, #AD6851 and #AD8151

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC5152 shade: #753737, #914445, #AD5152, #BA6D6E and #C7898A

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC5152 shade: #AC5152, #9CAD51 and #5177AD

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC5152 shade: #AC5152, #53AD51 and #5153AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC5152 shade: #AC5152, #9CAD51, #51ADAB and #6251AD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC5152 shade: #AC5152, #81AD51, #51ADAB and #7D51AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 53 / 52 / 33

HEX #AC5152

RGB 172 81 82

HSL 359.34, 0.36%, 0.5%

LAB 45.99, 37.33, 17.27

 

Complementary color

CMYK 52 / 0 / 1 / 32

HEX #53AEAD

RGB 83 174 173

HSL 179.34, 0.36%, 0.5%

LAB 65.85, -27.2, -7.78

 

CMYK 0 / 54 / 56 / 31

HEX #B1514D

RGB 177 81 77

HSL 2.4, 0.39%, 0.5%

LAB 46.67, 38.78, 21.31

 

CMYK 0 / 49 / 51 / 24

HEX #C26360

RGB 194 99 96

HSL 1.84, 0.45%, 0.57%

LAB 53.21, 37.6, 19.24

 

CMYK 0 / 45 / 45 / 17

HEX #D37573

RGB 211 117 115

HSL 1.25, 0.52%, 0.64%

LAB 59.72, 36.47, 17.48

 

CMYK 0 / 41 / 41 / 11

HEX #E48786

RGB 228 135 134

HSL 0.64, 0.64%, 0.71%

LAB 66.17, 35.41, 15.95

 

CMYK 0 / 38 / 38 / 4

HEX #F59999

RGB 245 153 153

HSL 0, 0.82%, 0.78%

LAB 72.56, 34.43, 14.6

 

CMYK 0 / 53 / 52 / 33

HEX #AC5152

RGB 172 81 82

HSL 359.34, 0.36%, 0.5%

LAB 45.99, 37.33, 17.27

 

CMYK 0 / 59 / 59 / 39

HEX #9B3F3F

RGB 155 63 63

HSL 0, 0.42%, 0.43%

LAB 39.38, 38.46, 19.59

 

CMYK 0 / 67 / 68 / 46

HEX #8A2D2C

RGB 138 45 44

HSL 0.64, 0.52%, 0.36%

LAB 32.84, 39.45, 22.5

 

CMYK 0 / 78 / 79 / 53

HEX #791B19

RGB 121 27 25

HSL 1.25, 0.66%, 0.29%

LAB 26.5, 39.98, 26.16

 

CMYK 0 / 91 / 94 / 59

HEX #680906

RGB 104 9 6

HSL 1.84, 0.89%, 0.22%

LAB 20.64, 39.36, 28.82

 

CMYK 0 / 53 / 53 / 32

HEX #AD5152

RGB 173 81 82

HSL 359.35, 0.36%, 0.5%

LAB 46.15, 37.71, 17.5

 

CMYK 0 / 53 / 53 / 32

HEX #AD5151

RGB 173 81 81

HSL 0, 0.36%, 0.5%

LAB 46.13, 37.62, 18.08

 

CMYK 0 / 53 / 53 / 32

HEX #AD5152

RGB 173 81 82

HSL 359.35, 0.36%, 0.5%

LAB 46.15, 37.71, 17.5

 

CMYK 0 / 53 / 38 / 32

HEX #AD516B

RGB 173 81 107

HSL 343.04, 0.36%, 0.5%

LAB 46.75, 40.33, 3.18

 

CMYK 0 / 53 / 24 / 32

HEX #AD5184

RGB 173 81 132

HSL 326.74, 0.36%, 0.5%

LAB 47.54, 43.64, -10.79

 

CMYK 0 / 53 / 10 / 32

HEX #AD519C

RGB 173 81 156

HSL 311.09, 0.36%, 0.5%

LAB 48.47, 47.41, -23.71

 

CMYK 5 / 53 / 0 / 32

HEX #A551AD

RGB 165 81 173

HSL 294.78, 0.36%, 0.5%

LAB 48.14, 48.14, -34.34

 

CMYK 0 / 53 / 53 / 32

HEX #AD5152

RGB 173 81 82

HSL 359.35, 0.36%, 0.5%

LAB 46.15, 37.71, 17.5

 

CMYK 0 / 69 / 68 / 24

HEX #C23C3E

RGB 194 60 62

HSL 359.1, 0.53%, 0.5%

LAB 45.7, 53.26, 29.61

 

CMYK 0 / 81 / 80 / 16

HEX #D6282A

RGB 214 40 42

HSL 359.31, 0.69%, 0.5%

LAB 46.95, 64.92, 43.45

 

CMYK 0 / 92 / 91 / 8

HEX #EB1316

RGB 235 19 22

HSL 359.17, 0.85%, 0.5%

LAB 49.72, 73.87, 56.9

 

CMYK 0 / 53 / 53 / 32

HEX #AD5152

RGB 173 81 82

HSL 359.35, 0.36%, 0.5%

LAB 46.15, 37.71, 17.5

 

CMYK 0 / 33 / 33 / 40

HEX #986666

RGB 152 102 102

HSL 0, 0.2%, 0.5%

LAB 48.43, 20.16, 8.21

 

CMYK 0 / 8 / 8 / 48

HEX #847A7A

RGB 132 122 122

HSL 0, 0.04%, 0.5%

LAB 52.1, 3.82, 1.37

 

CMYK 22 / 0 / 0 / 44

HEX #6F8F8F

RGB 111 143 143

HSL 180, 0.13%, 0.5%

LAB 57.08, -11.14, -3.69

 

CMYK 45 / 0 / 1 / 36

HEX #5AA4A3

RGB 90 164 163

HSL 179.19, 0.29%, 0.5%

LAB 62.82, -23.25, -6.67

 

CMYK 0 / 53 / 24 / 32

HEX #AD5184

RGB 173 81 132

HSL 326.74, 0.36%, 0.5%

LAB 47.54, 43.64, -10.79

 

CMYK 0 / 53 / 38 / 32

HEX #AD516B

RGB 173 81 107

HSL 343.04, 0.36%, 0.5%

LAB 46.75, 40.33, 3.18

 

CMYK 0 / 53 / 52 / 32

HEX #AD5153

RGB 173 81 83

HSL 358.7, 0.36%, 0.5%

LAB 46.17, 37.8, 16.92

 

CMYK 0 / 40 / 53 / 32

HEX #AD6851

RGB 173 104 81

HSL 15, 0.36%, 0.5%

LAB 51.13, 25.23, 24.67

 

CMYK 0 / 25 / 53 / 32

HEX #AD8151

RGB 173 129 81

HSL 31.3, 0.36%, 0.5%

LAB 57.25, 11.2, 32.46

 

CMYK 0 / 53 / 53 / 54

HEX #753737

RGB 117 55 55

HSL 0, 0.36%, 0.34%

LAB 31.32, 27.17, 12.81

 

CMYK 0 / 53 / 52 / 43

HEX #914445

RGB 145 68 69

HSL 359.22, 0.36%, 0.42%

LAB 38.87, 32.6, 14.9

 

CMYK 0 / 53 / 53 / 32

HEX #AD5152

RGB 173 81 82

HSL 359.35, 0.36%, 0.5%

LAB 46.15, 37.71, 17.5

 

CMYK 0 / 41 / 41 / 27

HEX #BA6D6E

RGB 186 109 110

HSL 359.22, 0.36%, 0.58%

LAB 54.56, 30.67, 12.72

 

CMYK 0 / 31 / 31 / 22

HEX #C7898A

RGB 199 137 138

HSL 359.03, 0.36%, 0.66%

LAB 63.23, 23.84, 9.06

 

CMYK 0 / 53 / 52 / 33

HEX #AC5152

RGB 172 81 82

HSL 359.34, 0.36%, 0.5%

LAB 45.99, 37.33, 17.27

 

CMYK 10 / 0 / 53 / 32

HEX #9CAD51

RGB 156 173 81

HSL 71.09, 0.36%, 0.5%

LAB 67.69, -19.76, 44.7

 

CMYK 53 / 31 / 0 / 32

HEX #5177AD

RGB 81 119 173

HSL 215.22, 0.36%, 0.5%

LAB 49.45, 2.52, -32.84

 

CMYK 0 / 53 / 52 / 33

HEX #AC5152

RGB 172 81 82

HSL 359.34, 0.36%, 0.5%

LAB 45.99, 37.33, 17.27

 

CMYK 52 / 0 / 53 / 32

HEX #53AD51

RGB 83 173 81

HSL 118.7, 0.36%, 0.5%

LAB 63.61, -45.76, 38.85

 

CMYK 53 / 52 / 0 / 32

HEX #5153AD

RGB 81 83 173

HSL 238.7, 0.36%, 0.5%

LAB 39.5, 25.01, -48.63

 

CMYK 0 / 53 / 52 / 33

HEX #AC5152

RGB 172 81 82

HSL 359.34, 0.36%, 0.5%

LAB 45.99, 37.33, 17.27

 

CMYK 10 / 0 / 53 / 32

HEX #9CAD51

RGB 156 173 81

HSL 71.09, 0.36%, 0.5%

LAB 67.69, -19.76, 44.7

 

CMYK 53 / 0 / 1 / 32

HEX #51ADAB

RGB 81 173 171

HSL 178.7, 0.36%, 0.5%

LAB 65.42, -27.67, -7.32

 

CMYK 43 / 53 / 0 / 32

HEX #6251AD

RGB 98 81 173

HSL 251.09, 0.36%, 0.5%

LAB 40.41, 30.16, -47.09

 

CMYK 0 / 53 / 52 / 33

HEX #AC5152

RGB 172 81 82

HSL 359.34, 0.36%, 0.5%

LAB 45.99, 37.33, 17.27

 

CMYK 25 / 0 / 53 / 32

HEX #81AD51

RGB 129 173 81

HSL 88.7, 0.36%, 0.5%

LAB 65.86, -30.46, 42.1

 

CMYK 53 / 0 / 1 / 32

HEX #51ADAB

RGB 81 173 171

HSL 178.7, 0.36%, 0.5%

LAB 65.42, -27.67, -7.32

 

CMYK 28 / 53 / 0 / 32

HEX #7D51AD

RGB 125 81 173

HSL 268.7, 0.36%, 0.5%

LAB 43.16, 37.08, -42.54

 

Description

Color code: HEX #AC5152 | qconv.com Color code: HEX #AC5152 | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 81 green and 82 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 81 82 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 53 magenta, 52 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 53% 52% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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