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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC587A it is the complementary color #53A785. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC587A. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC587A shade: #B15875, #C26A88, #D37C9B, #E48EAE and #F5A0C1

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC587A. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC587A shade: #AC587A, #9B4667, #8A3454, #792241 and #68102E

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC587A shade: #AC5779, #AC5763 and #AC5757

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC587A shade: #AC5779, #AC5790, #AC57A7, #9A57AC and #8357AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC587A shade matches the following richer shades: #AC5779, #C04376, #D42F72, #E91A6E and #FD066A

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC587A shade: #AC5779, #986B7D, #848081, #6F9485 and #5BA889

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC587A shade: #AC57A8, #AC5791, #AC577A, #AC5764 and #AC6157

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC587A shade: #763A53, #924866, #AC5779, #BA738F and #C78EA5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC587A shade: #AC587A, #AC9A57 and #579CAC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC587A shade: #AC587A, #7AAC57 and #577AAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC587A shade: #AC587A, #AC9A57, #57AC89 and #5769AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC587A shade: #AC587A, #A5AC57, #57AC89 and #5E57AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 49 / 29 / 33

HEX #AC587A

RGB 172 88 122

HSL 335.71, 0.34%, 0.51%

LAB 48.46, 38.28, -3.42

 

Complementary color

CMYK 50 / 0 / 20 / 35

HEX #53A785

RGB 83 167 133

HSL 155.71, 0.34%, 0.49%

LAB 62.65, -33.8, 9.85

 

CMYK 0 / 50 / 34 / 31

HEX #B15875

RGB 177 88 117

HSL 340.45, 0.36%, 0.52%

LAB 49.02, 39.38, 0.5

 

CMYK 0 / 45 / 30 / 24

HEX #C26A88

RGB 194 106 136

HSL 339.55, 0.42%, 0.59%

LAB 55.64, 38.49, -0.82

 

CMYK 0 / 41 / 27 / 17

HEX #D37C9B

RGB 211 124 155

HSL 338.62, 0.5%, 0.66%

LAB 62.19, 37.61, -1.94

 

CMYK 0 / 38 / 24 / 11

HEX #E48EAE

RGB 228 142 174

HSL 337.67, 0.61%, 0.73%

LAB 68.68, 36.77, -2.93

 

CMYK 0 / 35 / 21 / 4

HEX #F5A0C1

RGB 245 160 193

HSL 336.71, 0.81%, 0.79%

LAB 75.08, 35.98, -3.82

 

CMYK 0 / 49 / 29 / 33

HEX #AC587A

RGB 172 88 122

HSL 335.71, 0.34%, 0.51%

LAB 48.46, 38.28, -3.42

 

CMYK 0 / 55 / 34 / 39

HEX #9B4667

RGB 155 70 103

HSL 336.71, 0.38%, 0.44%

LAB 41.73, 39.11, -2.01

 

CMYK 0 / 62 / 39 / 46

HEX #8A3454

RGB 138 52 84

HSL 337.67, 0.45%, 0.37%

LAB 35, 39.81, -0.23

 

CMYK 0 / 72 / 46 / 53

HEX #792241

RGB 121 34 65

HSL 338.62, 0.56%, 0.3%

LAB 28.36, 40.13, 2.17

 

CMYK 0 / 85 / 56 / 59

HEX #68102E

RGB 104 16 46

HSL 339.55, 0.73%, 0.24%

LAB 21.98, 39.56, 5.58

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 49 / 42 / 33

HEX #AC5763

RGB 172 87 99

HSL 351.53, 0.34%, 0.51%

LAB 47.61, 35.92, 9.23

 

CMYK 0 / 49 / 49 / 33

HEX #AC5757

RGB 172 87 87

HSL 0, 0.34%, 0.51%

LAB 47.33, 34.66, 16.07

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 49 / 16 / 33

HEX #AC5790

RGB 172 87 144

HSL 319.76, 0.34%, 0.51%

LAB 49.01, 42.09, -15.76

 

CMYK 0 / 49 / 3 / 33

HEX #AC57A7

RGB 172 87 167

HSL 303.53, 0.34%, 0.51%

LAB 49.95, 46.02, -27.92

 

CMYK 10 / 49 / 0 / 33

HEX #9A57AC

RGB 154 87 172

HSL 287.29, 0.34%, 0.51%

LAB 47.84, 41.67, -34.33

 

CMYK 24 / 49 / 0 / 33

HEX #8357AC

RGB 131 87 172

HSL 271.06, 0.34%, 0.51%

LAB 45.11, 35.05, -38.81

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 65 / 39 / 25

HEX #C04376

RGB 192 67 118

HSL 335.52, 0.5%, 0.51%

LAB 47.66, 54.35, -1.82

 

CMYK 0 / 78 / 46 / 17

HEX #D42F72

RGB 212 47 114

HSL 335.64, 0.66%, 0.51%

LAB 48.57, 66.62, 2.37

 

CMYK 0 / 89 / 53 / 9

HEX #E91A6E

RGB 233 26 110

HSL 335.65, 0.82%, 0.51%

LAB 50.91, 75.99, 8.69

 

CMYK 0 / 98 / 58 / 1

HEX #FD066A

RGB 253 6 106

HSL 335.71, 0.98%, 0.51%

LAB 54.08, 82.27, 16.14

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 30 / 18 / 40

HEX #986B7D

RGB 152 107 125

HSL 336, 0.18%, 0.51%

LAB 50.3, 20.79, -2.78

 

CMYK 0 / 3 / 2 / 48

HEX #848081

RGB 132 128 129

HSL 345, 0.02%, 0.51%

LAB 53.95, 1.7, -0.01

 

CMYK 25 / 0 / 10 / 42

HEX #6F9485

RGB 111 148 133

HSL 155.68, 0.15%, 0.51%

LAB 58.28, -16.08, 3.77

 

CMYK 46 / 0 / 18 / 34

HEX #5BA889

RGB 91 168 137

HSL 155.84, 0.31%, 0.51%

LAB 63.37, -31.3, 8.69

 

CMYK 0 / 49 / 2 / 33

HEX #AC57A8

RGB 172 87 168

HSL 302.82, 0.34%, 0.51%

LAB 49.99, 46.2, -28.44

 

CMYK 0 / 49 / 16 / 33

HEX #AC5791

RGB 172 87 145

HSL 319.06, 0.34%, 0.51%

LAB 49.05, 42.25, -16.3

 

CMYK 0 / 49 / 29 / 33

HEX #AC577A

RGB 172 87 122

HSL 335.29, 0.34%, 0.51%

LAB 48.25, 38.8, -3.72

 

CMYK 0 / 49 / 42 / 33

HEX #AC5764

RGB 172 87 100

HSL 350.82, 0.34%, 0.51%

LAB 47.63, 36.04, 8.66

 

CMYK 0 / 44 / 49 / 33

HEX #AC6157

RGB 172 97 87

HSL 7.06, 0.34%, 0.51%

LAB 49.51, 29.26, 19.01

 

CMYK 0 / 51 / 30 / 54

HEX #763A53

RGB 118 58 83

HSL 335, 0.34%, 0.35%

LAB 32.92, 29.38, -3.01

 

CMYK 0 / 51 / 30 / 43

HEX #924866

RGB 146 72 102

HSL 335.68, 0.34%, 0.43%

LAB 40.74, 34.73, -3.01

 

CMYK 0 / 49 / 30 / 33

HEX #AC5779

RGB 172 87 121

HSL 336, 0.34%, 0.51%

LAB 48.22, 38.66, -3.17

 

CMYK 0 / 38 / 23 / 27

HEX #BA738F

RGB 186 115 143

HSL 336.34, 0.34%, 0.59%

LAB 56.77, 31.78, -3.37

 

CMYK 0 / 29 / 17 / 22

HEX #C78EA5

RGB 199 142 165

HSL 335.79, 0.34%, 0.67%

LAB 65.12, 25.07, -3.48

 

CMYK 0 / 49 / 29 / 33

HEX #AC587A

RGB 172 88 122

HSL 335.71, 0.34%, 0.51%

LAB 48.46, 38.28, -3.42

 

CMYK 0 / 10 / 49 / 33

HEX #AC9A57

RGB 172 154 87

HSL 47.29, 0.34%, 0.51%

LAB 63.81, -2.49, 37.37

 

CMYK 49 / 9 / 0 / 33

HEX #579CAC

RGB 87 156 172

HSL 191.29, 0.34%, 0.51%

LAB 60.59, -17.35, -15.09

 

CMYK 0 / 49 / 29 / 33

HEX #AC587A

RGB 172 88 122

HSL 335.71, 0.34%, 0.51%

LAB 48.46, 38.28, -3.42

 

CMYK 29 / 0 / 49 / 33

HEX #7AAC57

RGB 122 172 87

HSL 95.29, 0.34%, 0.51%

LAB 65.22, -31.9, 38.26

 

CMYK 49 / 29 / 0 / 33

HEX #577AAC

RGB 87 122 172

HSL 215.29, 0.34%, 0.51%

LAB 50.6, 1.85, -30.44

 

CMYK 0 / 49 / 29 / 33

HEX #AC587A

RGB 172 88 122

HSL 335.71, 0.34%, 0.51%

LAB 48.46, 38.28, -3.42

 

CMYK 0 / 10 / 49 / 33

HEX #AC9A57

RGB 172 154 87

HSL 47.29, 0.34%, 0.51%

LAB 63.81, -2.49, 37.37

 

CMYK 49 / 0 / 20 / 33

HEX #57AC89

RGB 87 172 137

HSL 155.29, 0.34%, 0.51%

LAB 64.43, -34.22, 10.18

 

CMYK 49 / 39 / 0 / 33

HEX #5769AC

RGB 87 105 172

HSL 227.29, 0.34%, 0.51%

LAB 45.78, 12.22, -38

 

CMYK 0 / 49 / 29 / 33

HEX #AC587A

RGB 172 88 122

HSL 335.71, 0.34%, 0.51%

LAB 48.46, 38.28, -3.42

 

CMYK 4 / 0 / 49 / 33

HEX #A5AC57

RGB 165 172 87

HSL 64.94, 0.34%, 0.51%

LAB 68.16, -14.97, 42.5

 

CMYK 49 / 0 / 20 / 33

HEX #57AC89

RGB 87 172 137

HSL 155.29, 0.34%, 0.51%

LAB 64.43, -34.22, 10.18

 

CMYK 45 / 49 / 0 / 33

HEX #5E57AC

RGB 94 87 172

HSL 244.94, 0.34%, 0.51%

LAB 41.49, 25.19, -44.79

 

Description

Color code: HEX #AC587A | qconv.com Color code: HEX #AC587A | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 88 green and 122 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 88 122 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 49 magenta, 29 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 49% 29% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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