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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC548D it is the complementary color #53AB72. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC548D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC548D shade: #B15488, #C2669B, #D378AE, #E48AC1 and #F59CD4

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC548D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC548D shade: #AC548D, #9B427A, #8A3067, #791E54 and #680C41

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC548D shade: #AC528C, #AC5274, #AC525C and #AC5252

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC548D shade: #AC528C, #AC52A4, #9B52AC, #8352AC and #6B52AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC548D shade matches the following richer shades: #AC528C, #C03E92, #D52998, #EA149E and #FE00A5

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC548D shade: #AC528C, #976786, #827C80, #6E907A and #59A574

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC548D shade: #9B52AC, #AC52A4, #AC528C, #AC5275 and #AC525D

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC548D shade: #74385F, #904575, #AC528C, #B96E9F and #C68AB1

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC548D shade: #AC548D, #AC8352 and #52ACA7

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC548D shade: #AC548D, #8CAC52 and #528CAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC548D shade: #AC548D, #AC8352, #52AC72 and #527BAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC548D shade: #AC548D, #AC9E52, #52AC72 and #5260AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 51 / 18 / 33

HEX #AC548D

RGB 172 84 141

HSL 321.14, 0.35%, 0.5%

LAB 48.3, 43.15, -15.05

 

Complementary color

CMYK 51 / 0 / 33 / 33

HEX #53AB72

RGB 83 171 114

HSL 141.14, 0.35%, 0.5%

LAB 63.49, -39.56, 21.47

 

CMYK 0 / 53 / 23 / 31

HEX #B15488

RGB 177 84 136

HSL 326.45, 0.37%, 0.51%

LAB 48.84, 44.03, -11.17

 

CMYK 0 / 47 / 20 / 24

HEX #C2669B

RGB 194 102 155

HSL 325.43, 0.43%, 0.58%

LAB 55.42, 43.28, -12.26

 

CMYK 0 / 43 / 18 / 17

HEX #D378AE

RGB 211 120 174

HSL 324.4, 0.51%, 0.65%

LAB 61.94, 42.5, -13.17

 

CMYK 0 / 39 / 15 / 11

HEX #E48AC1

RGB 228 138 193

HSL 323.33, 0.63%, 0.72%

LAB 68.4, 41.72, -13.97

 

CMYK 0 / 36 / 13 / 4

HEX #F59CD4

RGB 245 156 212

HSL 322.25, 0.82%, 0.79%

LAB 74.79, 40.96, -14.68

 

CMYK 0 / 51 / 18 / 33

HEX #AC548D

RGB 172 84 141

HSL 321.14, 0.35%, 0.5%

LAB 48.3, 43.15, -15.05

 

CMYK 0 / 57 / 21 / 39

HEX #9B427A

RGB 155 66 122

HSL 322.25, 0.4%, 0.43%

LAB 41.64, 43.79, -13.89

 

CMYK 0 / 65 / 25 / 46

HEX #8A3067

RGB 138 48 103

HSL 323.33, 0.48%, 0.36%

LAB 35, 44.16, -12.38

 

CMYK 0 / 75 / 31 / 53

HEX #791E54

RGB 121 30 84

HSL 324.4, 0.6%, 0.3%

LAB 28.47, 43.97, -10.29

 

CMYK 0 / 88 / 38 / 59

HEX #680C41

RGB 104 12 65

HSL 325.43, 0.79%, 0.23%

LAB 22.26, 42.6, -7.22

 

CMYK 0 / 52 / 19 / 33

HEX #AC528C

RGB 172 82 140

HSL 321.33, 0.35%, 0.5%

LAB 47.88, 44.01, -15.09

 

CMYK 0 / 52 / 33 / 33

HEX #AC5274

RGB 172 82 116

HSL 337.33, 0.35%, 0.5%

LAB 47.06, 40.59, -1.85

 

CMYK 0 / 52 / 47 / 33

HEX #AC525C

RGB 172 82 92

HSL 353.33, 0.35%, 0.5%

LAB 46.42, 37.79, 11.79

 

CMYK 0 / 52 / 52 / 33

HEX #AC5252

RGB 172 82 82

HSL 0, 0.35%, 0.5%

LAB 46.2, 36.82, 17.54

 

CMYK 0 / 52 / 19 / 33

HEX #AC528C

RGB 172 82 140

HSL 321.33, 0.35%, 0.5%

LAB 47.88, 44.01, -15.09

 

CMYK 0 / 52 / 5 / 33

HEX #AC52A4

RGB 172 82 164

HSL 305.33, 0.35%, 0.5%

LAB 48.87, 47.99, -27.84

 

CMYK 10 / 52 / 0 / 33

HEX #9B52AC

RGB 155 82 172

HSL 288.67, 0.35%, 0.5%

LAB 46.95, 44.61, -35.71

 

CMYK 24 / 52 / 0 / 33

HEX #8352AC

RGB 131 82 172

HSL 272.67, 0.35%, 0.5%

LAB 44, 37.9, -40.57

 

CMYK 38 / 52 / 0 / 33

HEX #6B52AC

RGB 107 82 172

HSL 256.67, 0.35%, 0.5%

LAB 41.44, 31.51, -44.81

 

CMYK 0 / 52 / 19 / 33

HEX #AC528C

RGB 172 82 140

HSL 321.33, 0.35%, 0.5%

LAB 47.88, 44.01, -15.09

 

CMYK 0 / 68 / 24 / 25

HEX #C03E92

RGB 192 62 146

HSL 321.23, 0.51%, 0.5%

LAB 47.91, 59.75, -18.35

 

CMYK 0 / 81 / 29 / 16

HEX #D52998

RGB 213 41 152

HSL 321.28, 0.68%, 0.5%

LAB 49.49, 72.29, -19.2

 

CMYK 0 / 91 / 32 / 8

HEX #EA149E

RGB 234 20 158

HSL 321.31, 0.84%, 0.5%

LAB 52.35, 81.16, -18.06

 

CMYK 0 / 100 / 35 / 0

HEX #FE00A5

RGB 254 0 165

HSL 321.02, 1%, 0.5%

LAB 55.87, 87.44, -16.49

 

CMYK 0 / 52 / 19 / 33

HEX #AC528C

RGB 172 82 140

HSL 321.33, 0.35%, 0.5%

LAB 47.88, 44.01, -15.09

 

CMYK 0 / 32 / 11 / 41

HEX #976786

RGB 151 103 134

HSL 321.25, 0.19%, 0.5%

LAB 49.5, 24.29, -9.34

 

CMYK 0 / 5 / 2 / 49

HEX #827C80

RGB 130 124 128

HSL 320, 0.02%, 0.5%

LAB 52.64, 3.06, -1.37

 

CMYK 24 / 0 / 15 / 44

HEX #6E907A

RGB 110 144 122

HSL 141.18, 0.13%, 0.5%

LAB 56.75, -16.59, 7.85

 

CMYK 46 / 0 / 30 / 35

HEX #59A574

RGB 89 165 116

HSL 141.32, 0.3%, 0.5%

LAB 61.91, -34.85, 18.26

 

CMYK 10 / 52 / 0 / 33

HEX #9B52AC

RGB 155 82 172

HSL 288.67, 0.35%, 0.5%

LAB 46.95, 44.61, -35.71

 

CMYK 0 / 52 / 5 / 33

HEX #AC52A4

RGB 172 82 164

HSL 305.33, 0.35%, 0.5%

LAB 48.87, 47.99, -27.84

 

CMYK 0 / 52 / 19 / 33

HEX #AC528C

RGB 172 82 140

HSL 321.33, 0.35%, 0.5%

LAB 47.88, 44.01, -15.09

 

CMYK 0 / 52 / 32 / 33

HEX #AC5275

RGB 172 82 117

HSL 336.67, 0.35%, 0.5%

LAB 47.09, 40.72, -2.41

 

CMYK 0 / 52 / 46 / 33

HEX #AC525D

RGB 172 82 93

HSL 352.67, 0.35%, 0.5%

LAB 46.44, 37.89, 11.22

 

CMYK 0 / 52 / 18 / 55

HEX #74385F

RGB 116 56 95

HSL 321, 0.35%, 0.34%

LAB 32.63, 31.68, -11.2

 

CMYK 0 / 52 / 19 / 44

HEX #904575

RGB 144 69 117

HSL 321.6, 0.35%, 0.42%

LAB 40.36, 37.89, -12.91

 

CMYK 0 / 52 / 19 / 33

HEX #AC528C

RGB 172 82 140

HSL 321.33, 0.35%, 0.5%

LAB 47.88, 44.01, -15.09

 

CMYK 0 / 41 / 14 / 27

HEX #B96E9F

RGB 185 110 159

HSL 320.8, 0.35%, 0.58%

LAB 56.06, 36.67, -13.74

 

CMYK 0 / 30 / 11 / 22

HEX #C68AB1

RGB 198 138 177

HSL 321, 0.34%, 0.66%

LAB 64.45, 28.91, -11.27

 

CMYK 0 / 51 / 18 / 33

HEX #AC548D

RGB 172 84 141

HSL 321.14, 0.35%, 0.5%

LAB 48.3, 43.15, -15.05

 

CMYK 0 / 24 / 52 / 33

HEX #AC8352

RGB 172 131 82

HSL 32.67, 0.35%, 0.5%

LAB 57.67, 9.74, 32.41

 

CMYK 52 / 0 / 3 / 33

HEX #52ACA7

RGB 82 172 167

HSL 176.67, 0.35%, 0.5%

LAB 65.03, -28.04, -5.66

 

CMYK 0 / 51 / 18 / 33

HEX #AC548D

RGB 172 84 141

HSL 321.14, 0.35%, 0.5%

LAB 48.3, 43.15, -15.05

 

CMYK 19 / 0 / 52 / 33

HEX #8CAC52

RGB 140 172 82

HSL 81.33, 0.35%, 0.5%

LAB 66.28, -25.61, 42.28

 

CMYK 52 / 19 / 0 / 33

HEX #528CAC

RGB 82 140 172

HSL 201.33, 0.35%, 0.5%

LAB 55.61, -9.78, -22.69

 

CMYK 0 / 51 / 18 / 33

HEX #AC548D

RGB 172 84 141

HSL 321.14, 0.35%, 0.5%

LAB 48.3, 43.15, -15.05

 

CMYK 0 / 24 / 52 / 33

HEX #AC8352

RGB 172 131 82

HSL 32.67, 0.35%, 0.5%

LAB 57.67, 9.74, 32.41

 

CMYK 52 / 0 / 34 / 33

HEX #52AC72

RGB 82 172 114

HSL 141.33, 0.35%, 0.5%

LAB 63.77, -40.26, 21.84

 

CMYK 52 / 28 / 0 / 33

HEX #527BAC

RGB 82 123 172

HSL 212.67, 0.35%, 0.5%

LAB 50.61, 0.05, -30.43

 

CMYK 0 / 51 / 18 / 33

HEX #AC548D

RGB 172 84 141

HSL 321.14, 0.35%, 0.5%

LAB 48.3, 43.15, -15.05

 

CMYK 0 / 8 / 52 / 33

HEX #AC9E52

RGB 172 158 82

HSL 50.67, 0.35%, 0.5%

LAB 64.83, -5.11, 41.15

 

CMYK 52 / 0 / 34 / 33

HEX #52AC72

RGB 82 172 114

HSL 141.33, 0.35%, 0.5%

LAB 63.77, -40.26, 21.84

 

CMYK 52 / 44 / 0 / 33

HEX #5260AC

RGB 82 96 172

HSL 230.67, 0.35%, 0.5%

LAB 42.97, 16.67, -42.48

 

Description

Color code: HEX #AC548D | qconv.com Color code: HEX #AC548D | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 84 green and 141 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 84 141 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 51 magenta, 18 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 51% 18% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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