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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC4AFF it is the complementary color #53B500. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC4AFF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC4AFF shade: #B14AFA, #C25CFF, #D36EFF, #E480FF and #F592FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC4AFF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC4AFF shade: #AC4AFF, #9B38EC, #8A26D9, #7914C6 and #6802B3

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC4AFF shade: #AD4CFF, #DD4CFF, #FF4CF0, #FF4CC0 and #FF4C90

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC4AFF shade: #AD4CFF, #7D4CFF, #4C4CFF and #4C4CFF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC4AFF shade matches the following richer shades: #AD4CFF

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC4AFF shade: #AD4CFF, #AB5AF0, #AA69E2, #A977D3 and #A886C5

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC4AFF shade: #4C4CFF, #7C4CFF, #AB4CFF, #DB4CFF and #FF4CF3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC4AFF shade: #8600F8, #9A23FF, #AD4CFF, #C075FF and #D29FFF

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC4AFF shade: #AC4AFF, #FF4C7C and #4CFF64

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC4AFF shade: #AC4AFF, #FFAB4C and #4CFFAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC4AFF shade: #AC4AFF, #FF4C7C, #9FFF4C and #4CFFCF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC4AFF shade: #AC4AFF, #FF524C, #9FFF4C and #4CF9FF

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 71 / 0 / 0

HEX #AC4AFF

RGB 172 74 255

HSL 272.49, 1%, 0.65%

LAB 52.83, 70.09, -73.55

 

Complementary color

CMYK 54 / 0 / 100 / 29

HEX #53B500

RGB 83 181 0

HSL 92.49, 1%, 0.35%

LAB 65.66, -54.14, 66.09

 

CMYK 29 / 70 / 0 / 2

HEX #B14AFA

RGB 177 74 250

HSL 275.11, 0.95%, 0.64%

LAB 53.11, 69.92, -70.28

 

CMYK 24 / 64 / 0 / 0

HEX #C25CFF

RGB 194 92 255

HSL 277.55, 1%, 0.68%

LAB 58.36, 66.63, -64.47

 

CMYK 17 / 57 / 0 / 0

HEX #D36EFF

RGB 211 110 255

HSL 281.79, 1%, 0.72%

LAB 63.52, 62.16, -56.1

 

CMYK 11 / 50 / 0 / 0

HEX #E480FF

RGB 228 128 255

HSL 287.24, 1%, 0.75%

LAB 68.86, 57.74, -47.52

 

CMYK 4 / 43 / 0 / 0

HEX #F592FF

RGB 245 146 255

HSL 294.5, 1%, 0.79%

LAB 74.31, 53.46, -38.85

 

CMYK 33 / 71 / 0 / 0

HEX #AC4AFF

RGB 172 74 255

HSL 272.49, 1%, 0.65%

LAB 52.83, 70.09, -73.55

 

CMYK 34 / 76 / 0 / 7

HEX #9B38EC

RGB 155 56 236

HSL 273, 0.83%, 0.57%

LAB 46.78, 70.1, -72.85

 

CMYK 36 / 82 / 0 / 15

HEX #8A26D9

RGB 138 38 217

HSL 273.52, 0.7%, 0.5%

LAB 40.9, 69.46, -71.74

 

CMYK 39 / 90 / 0 / 22

HEX #7914C6

RGB 121 20 198

HSL 274.04, 0.82%, 0.43%

LAB 35.29, 67.8, -70.01

 

CMYK 42 / 99 / 0 / 30

HEX #6802B3

RGB 104 2 179

HSL 274.58, 0.98%, 0.35%

LAB 30.01, 64.89, -67.54

 

CMYK 32 / 70 / 0 / 0

HEX #AD4CFF

RGB 173 76 255

HSL 272.51, 1%, 0.65%

LAB 53.25, 69.44, -72.86

 

CMYK 13 / 70 / 0 / 0

HEX #DD4CFF

RGB 221 76 255

HSL 288.6, 1%, 0.65%

LAB 59.67, 78.67, -62.18

 

CMYK 0 / 70 / 6 / 0

HEX #FF4CF0

RGB 255 76 240

HSL 305.03, 1%, 0.65%

LAB 63.93, 83.31, -46.78

 

CMYK 0 / 70 / 25 / 0

HEX #FF4CC0

RGB 255 76 192

HSL 321.12, 1%, 0.65%

LAB 61.86, 76.83, -22.99

 

CMYK 0 / 70 / 44 / 0

HEX #FF4C90

RGB 255 76 144

HSL 337.21, 1%, 0.65%

LAB 60.29, 71.71, 2.41

 

CMYK 32 / 70 / 0 / 0

HEX #AD4CFF

RGB 173 76 255

HSL 272.51, 1%, 0.65%

LAB 53.25, 69.44, -72.86

 

CMYK 51 / 70 / 0 / 0

HEX #7D4CFF

RGB 125 76 255

HSL 256.42, 1%, 0.65%

LAB 47.94, 61.35, -81.74

 

CMYK 70 / 70 / 0 / 0

HEX #4C4CFF

RGB 76 76 255

HSL 240, 1%, 0.65%

LAB 44.13, 55.17, -88.15

 

CMYK 70 / 70 / 0 / 0

HEX #4C4CFF

RGB 76 76 255

HSL 240, 1%, 0.65%

LAB 44.13, 55.17, -88.15

 

CMYK 32 / 70 / 0 / 0

HEX #AD4CFF

RGB 173 76 255

HSL 272.51, 1%, 0.65%

LAB 53.25, 69.44, -72.86

 

CMYK 32 / 70 / 0 / 0

HEX #AD4CFF

RGB 173 76 255

HSL 272.51, 1%, 0.65%

LAB 53.25, 69.44, -72.86

 

CMYK 29 / 63 / 0 / 6

HEX #AB5AF0

RGB 171 90 240

HSL 272.4, 0.83%, 0.65%

LAB 54.3, 59.33, -62.82

 

CMYK 25 / 54 / 0 / 11

HEX #AA69E2

RGB 170 105 226

HSL 272.23, 0.68%, 0.65%

LAB 56.23, 48.27, -51.9

 

CMYK 20 / 44 / 0 / 17

HEX #A977D3

RGB 169 119 211

HSL 272.61, 0.51%, 0.65%

LAB 58.35, 36.94, -40.11

 

CMYK 15 / 32 / 0 / 23

HEX #A886C5

RGB 168 134 197

HSL 272.38, 0.35%, 0.65%

LAB 61.14, 25.04, -27.88

 

CMYK 70 / 70 / 0 / 0

HEX #4C4CFF

RGB 76 76 255

HSL 240, 1%, 0.65%

LAB 44.13, 55.17, -88.15

 

CMYK 51 / 70 / 0 / 0

HEX #7C4CFF

RGB 124 76 255

HSL 256.09, 1%, 0.65%

LAB 47.85, 61.2, -81.9

 

CMYK 33 / 70 / 0 / 0

HEX #AB4CFF

RGB 171 76 255

HSL 271.84, 1%, 0.65%

LAB 53, 69.07, -73.28

 

CMYK 14 / 70 / 0 / 0

HEX #DB4CFF

RGB 219 76 255

HSL 287.93, 1%, 0.65%

LAB 59.39, 78.27, -62.65

 

CMYK 0 / 70 / 5 / 0

HEX #FF4CF3

RGB 255 76 243

HSL 304.02, 1%, 0.65%

LAB 64.08, 83.75, -48.21

 

CMYK 46 / 100 / 0 / 3

HEX #8600F8

RGB 134 0 248

HSL 272.42, 1%, 0.49%

LAB 40.97, 82.21, -89.25

 

CMYK 40 / 86 / 0 / 0

HEX #9A23FF

RGB 154 35 255

HSL 272.45, 1%, 0.57%

LAB 46.03, 80.38, -84.74

 

CMYK 32 / 70 / 0 / 0

HEX #AD4CFF

RGB 173 76 255

HSL 272.51, 1%, 0.65%

LAB 53.25, 69.44, -72.86

 

CMYK 25 / 54 / 0 / 0

HEX #C075FF

RGB 192 117 255

HSL 272.61, 1%, 0.73%

LAB 62.63, 54.05, -57.65

 

CMYK 18 / 38 / 0 / 0

HEX #D29FFF

RGB 210 159 255

HSL 271.88, 1%, 0.81%

LAB 73.36, 36.53, -40.61

 

CMYK 33 / 71 / 0 / 0

HEX #AC4AFF

RGB 172 74 255

HSL 272.49, 1%, 0.65%

LAB 52.83, 70.09, -73.55

 

CMYK 0 / 70 / 51 / 0

HEX #FF4C7C

RGB 255 76 124

HSL 343.91, 1%, 0.65%

LAB 59.78, 70.03, 13.39

 

CMYK 70 / 0 / 61 / 0

HEX #4CFF64

RGB 76 255 100

HSL 128.04, 1%, 0.65%

LAB 88.91, -74.29, 59.78

 

CMYK 33 / 71 / 0 / 0

HEX #AC4AFF

RGB 172 74 255

HSL 272.49, 1%, 0.65%

LAB 52.83, 70.09, -73.55

 

CMYK 0 / 33 / 70 / 0

HEX #FFAB4C

RGB 255 171 76

HSL 31.84, 1%, 0.65%

LAB 76.62, 22.67, 59.59

 

CMYK 70 / 0 / 33 / 0

HEX #4CFFAB

RGB 76 255 171

HSL 151.84, 1%, 0.65%

LAB 89.86, -63.46, 27.43

 

CMYK 33 / 71 / 0 / 0

HEX #AC4AFF

RGB 172 74 255

HSL 272.49, 1%, 0.65%

LAB 52.83, 70.09, -73.55

 

CMYK 0 / 70 / 51 / 0

HEX #FF4C7C

RGB 255 76 124

HSL 343.91, 1%, 0.65%

LAB 59.78, 70.03, 13.39

 

CMYK 38 / 0 / 70 / 0

HEX #9FFF4C

RGB 159 255 76

HSL 92.18, 1%, 0.65%

LAB 91.42, -55.76, 72.55

 

CMYK 70 / 0 / 19 / 0

HEX #4CFFCF

RGB 76 255 207

HSL 163.91, 1%, 0.65%

LAB 90.58, -55.76, 10.03

 

CMYK 33 / 71 / 0 / 0

HEX #AC4AFF

RGB 172 74 255

HSL 272.49, 1%, 0.65%

LAB 52.83, 70.09, -73.55

 

CMYK 0 / 68 / 70 / 0

HEX #FF524C

RGB 255 82 76

HSL 2.01, 1%, 0.65%

LAB 59.72, 64.92, 40.91

 

CMYK 38 / 0 / 70 / 0

HEX #9FFF4C

RGB 159 255 76

HSL 92.18, 1%, 0.65%

LAB 91.42, -55.76, 72.55

 

CMYK 70 / 2 / 0 / 0

HEX #4CF9FF

RGB 76 249 255

HSL 182.01, 1%, 0.65%

LAB 90.09, -40.89, -15.6

 

Description

Color code: HEX #AC4AFF | qconv.com Color code: HEX #AC4AFF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 74 green and 255 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 74 255 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, 71 magenta, none yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 71% 0% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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