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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC4AD5 it is the complementary color #53B52A. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC4AD5. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC4AD5 shade: #B14AD0, #C25CE3, #D36EF6, #E480FF and #F592FF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC4AD5. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC4AD5 shade: #AC4AD5, #9B38C2, #8A26AF, #79149C and #680289

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC4AD5 shade: #AB49D4, #D049D4, #D449B2, #D4498C and #D44967

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC4AD5 shade: #AB49D4, #8549D4, #6049D4 and #4949D4

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC4AD5 shade matches the following richer shades: #AB49D4, #B237E6 and #BA24F8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC4AD5 shade: #AB49D4, #A35BC2, #9C6DB0, #947F9D and #8D918B

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC4AD5 shade: #6049D4, #8549D4, #AA49D4, #CF49D4 and #D449B3

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC4AD5 shade: #7F26A4, #992EC5, #AB49D4, #BA6ADC and #CA8CE4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC4AD5 shade: #AC4AD5, #D44957 and #49D472

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC4AD5 shade: #AC4AD5, #D4AA49 and #49D4AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC4AD5 shade: #AC4AD5, #D44957, #72D449 and #49D4C6

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC4AD5 shade: #AC4AD5, #D46549, #72D449 and #49B8D4

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 19 / 65 / 0 / 16

HEX #AC4AD5

RGB 172 74 213

HSL 282.3, 0.62%, 0.56%

LAB 50.06, 61.15, -54.38

 

Complementary color

CMYK 54 / 0 / 77 / 29

HEX #53B52A

RGB 83 181 42

HSL 102.3, 0.62%, 0.44%

LAB 65.79, -52.65, 57.69

 

CMYK 15 / 64 / 0 / 18

HEX #B14AD0

RGB 177 74 208

HSL 286.12, 0.59%, 0.55%

LAB 50.45, 61.28, -50.86

 

CMYK 15 / 59 / 0 / 11

HEX #C25CE3

RGB 194 92 227

HSL 285.33, 0.71%, 0.63%

LAB 56.75, 60.92, -51.45

 

CMYK 14 / 55 / 0 / 4

HEX #D36EF6

RGB 211 110 246

HSL 284.56, 0.88%, 0.7%

LAB 63.06, 60.36, -51.89

 

CMYK 11 / 50 / 0 / 0

HEX #E480FF

RGB 228 128 255

HSL 287.24, 1%, 0.75%

LAB 68.86, 57.74, -47.52

 

CMYK 4 / 43 / 0 / 0

HEX #F592FF

RGB 245 146 255

HSL 294.5, 1%, 0.79%

LAB 74.31, 53.46, -38.85

 

CMYK 19 / 65 / 0 / 16

HEX #AC4AD5

RGB 172 74 213

HSL 282.3, 0.62%, 0.56%

LAB 50.06, 61.15, -54.38

 

CMYK 20 / 71 / 0 / 24

HEX #9B38C2

RGB 155 56 194

HSL 283.04, 0.55%, 0.49%

LAB 43.79, 61.23, -53.63

 

CMYK 21 / 78 / 0 / 31

HEX #8A26AF

RGB 138 38 175

HSL 283.8, 0.64%, 0.42%

LAB 37.63, 60.72, -52.5

 

CMYK 22 / 87 / 0 / 39

HEX #79149C

RGB 121 20 156

HSL 284.56, 0.77%, 0.35%

LAB 31.73, 59.19, -50.75

 

CMYK 24 / 99 / 0 / 46

HEX #680289

RGB 104 2 137

HSL 285.33, 0.97%, 0.27%

LAB 26.14, 56.34, -48.25

 

CMYK 19 / 66 / 0 / 17

HEX #AB49D4

RGB 171 73 212

HSL 282.3, 0.62%, 0.56%

LAB 49.71, 61.17, -54.38

 

CMYK 2 / 66 / 0 / 17

HEX #D049D4

RGB 208 73 212

HSL 298.27, 0.62%, 0.56%

LAB 55, 69.53, -45.64

 

CMYK 0 / 66 / 16 / 17

HEX #D449B2

RGB 212 73 178

HSL 314.68, 0.62%, 0.56%

LAB 54, 65.21, -27.6

 

CMYK 0 / 66 / 34 / 17

HEX #D4498C

RGB 212 73 140

HSL 331.08, 0.62%, 0.56%

LAB 52.57, 60.3, -7.41

 

CMYK 0 / 66 / 51 / 17

HEX #D44967

RGB 212 73 103

HSL 347.05, 0.62%, 0.56%

LAB 51.54, 56.63, 13.26

 

CMYK 19 / 66 / 0 / 17

HEX #AB49D4

RGB 171 73 212

HSL 282.3, 0.62%, 0.56%

LAB 49.71, 61.17, -54.38

 

CMYK 37 / 66 / 0 / 17

HEX #8549D4

RGB 133 73 212

HSL 265.9, 0.62%, 0.56%

LAB 44.95, 53.05, -62.3

 

CMYK 55 / 66 / 0 / 17

HEX #6049D4

RGB 96 73 212

HSL 249.93, 0.62%, 0.56%

LAB 41.22, 46.16, -68.52

 

CMYK 66 / 66 / 0 / 17

HEX #4949D4

RGB 73 73 212

HSL 240, 0.62%, 0.56%

LAB 39.47, 42.69, -71.46

 

CMYK 19 / 66 / 0 / 17

HEX #AB49D4

RGB 171 73 212

HSL 282.3, 0.62%, 0.56%

LAB 49.71, 61.17, -54.38

 

CMYK 23 / 76 / 0 / 10

HEX #B237E6

RGB 178 55 230

HSL 282.17, 0.78%, 0.56%

LAB 49.39, 73.13, -65.08

 

CMYK 25 / 85 / 0 / 3

HEX #BA24F8

RGB 186 36 248

HSL 282.45, 0.94%, 0.56%

LAB 50.07, 82.98, -74.05

 

CMYK 19 / 66 / 0 / 17

HEX #AB49D4

RGB 171 73 212

HSL 282.3, 0.62%, 0.56%

LAB 49.71, 61.17, -54.38

 

CMYK 16 / 53 / 0 / 24

HEX #A35BC2

RGB 163 91 194

HSL 281.94, 0.46%, 0.56%

LAB 50.88, 46.72, -42.25

 

CMYK 11 / 38 / 0 / 31

HEX #9C6DB0

RGB 156 109 176

HSL 282.09, 0.3%, 0.56%

LAB 53.1, 30.89, -28.42

 

CMYK 6 / 19 / 0 / 38

HEX #947F9D

RGB 148 127 157

HSL 282, 0.13%, 0.56%

LAB 56, 13.78, -13.07

 

CMYK 3 / 0 / 4 / 43

HEX #8D918B

RGB 141 145 139

HSL 100, 0.03%, 0.56%

LAB 59.69, -2.62, 2.67

 

CMYK 55 / 66 / 0 / 17

HEX #6049D4

RGB 96 73 212

HSL 249.93, 0.62%, 0.56%

LAB 41.22, 46.16, -68.52

 

CMYK 37 / 66 / 0 / 17

HEX #8549D4

RGB 133 73 212

HSL 265.9, 0.62%, 0.56%

LAB 44.95, 53.05, -62.3

 

CMYK 20 / 66 / 0 / 17

HEX #AA49D4

RGB 170 73 212

HSL 281.87, 0.62%, 0.56%

LAB 49.57, 60.95, -54.6

 

CMYK 2 / 66 / 0 / 17

HEX #CF49D4

RGB 207 73 212

HSL 297.84, 0.62%, 0.56%

LAB 54.85, 69.31, -45.88

 

CMYK 0 / 66 / 16 / 17

HEX #D449B3

RGB 212 73 179

HSL 314.24, 0.62%, 0.56%

LAB 54.04, 65.36, -28.11

 

CMYK 23 / 77 / 0 / 36

HEX #7F26A4

RGB 127 38 164

HSL 282.38, 0.62%, 0.4%

LAB 35.16, 56.4, -50

 

CMYK 22 / 77 / 0 / 23

HEX #992EC5

RGB 153 46 197

HSL 282.52, 0.62%, 0.48%

LAB 42.4, 65.16, -57.64

 

CMYK 19 / 66 / 0 / 17

HEX #AB49D4

RGB 171 73 212

HSL 282.3, 0.62%, 0.56%

LAB 49.71, 61.17, -54.38

 

CMYK 15 / 52 / 0 / 14

HEX #BA6ADC

RGB 186 106 220

HSL 282.11, 0.62%, 0.64%

LAB 57.96, 50.6, -45.67

 

CMYK 11 / 39 / 0 / 11

HEX #CA8CE4

RGB 202 140 228

HSL 282.27, 0.62%, 0.72%

LAB 67.21, 38.77, -35.49

 

CMYK 19 / 65 / 0 / 16

HEX #AC4AD5

RGB 172 74 213

HSL 282.3, 0.62%, 0.56%

LAB 50.06, 61.15, -54.38

 

CMYK 0 / 66 / 59 / 17

HEX #D44957

RGB 212 73 87

HSL 353.96, 0.62%, 0.56%

LAB 51.21, 55.41, 22.38

 

CMYK 66 / 0 / 46 / 17

HEX #49D472

RGB 73 212 114

HSL 137.7, 0.62%, 0.56%

LAB 75.9, -58.23, 37.68

 

CMYK 19 / 65 / 0 / 16

HEX #AC4AD5

RGB 172 74 213

HSL 282.3, 0.62%, 0.56%

LAB 50.06, 61.15, -54.38

 

CMYK 0 / 20 / 66 / 17

HEX #D4AA49

RGB 212 170 73

HSL 41.87, 0.62%, 0.56%

LAB 71.71, 4.97, 54.29

 

CMYK 66 / 0 / 20 / 17

HEX #49D4AA

RGB 73 212 170

HSL 161.87, 0.62%, 0.56%

LAB 76.92, -47.18, 9.94

 

CMYK 19 / 65 / 0 / 16

HEX #AC4AD5

RGB 172 74 213

HSL 282.3, 0.62%, 0.56%

LAB 50.06, 61.15, -54.38

 

CMYK 0 / 66 / 59 / 17

HEX #D44957

RGB 212 73 87

HSL 353.96, 0.62%, 0.56%

LAB 51.21, 55.41, 22.38

 

CMYK 46 / 0 / 66 / 17

HEX #72D449

RGB 114 212 73

HSL 102.3, 0.62%, 0.56%

LAB 76.77, -53.17, 57.8

 

CMYK 66 / 0 / 7 / 17

HEX #49D4C6

RGB 73 212 198

HSL 173.96, 0.62%, 0.56%

LAB 77.63, -40.19, -4.03

 

CMYK 19 / 65 / 0 / 16

HEX #AC4AD5

RGB 172 74 213

HSL 282.3, 0.62%, 0.56%

LAB 50.06, 61.15, -54.38

 

CMYK 0 / 52 / 66 / 17

HEX #D46549

RGB 212 101 73

HSL 12.09, 0.62%, 0.56%

LAB 55.87, 41.65, 36.3

 

CMYK 46 / 0 / 66 / 17

HEX #72D449

RGB 114 212 73

HSL 102.3, 0.62%, 0.56%

LAB 76.77, -53.17, 57.8

 

CMYK 66 / 13 / 0 / 17

HEX #49B8D4

RGB 73 184 212

HSL 192.09, 0.62%, 0.56%

LAB 69.79, -22.78, -23.39

 

Description

Color code: HEX #AC4AD5 | qconv.com Color code: HEX #AC4AD5 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 74 green and 213 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 74 213 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 19 cyan, 65 magenta, none yellow and 16 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
19% 65% 0% 16% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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