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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC32B3 it is the complementary color #53CD4C. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC32B3. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC32B3 shade: #B132AE, #C244C1, #D356D4, #E468E7 and #F57AFA

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC32B3. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC32B3 shade: #AC32B3, #9B20A0, #8A0E8D, #79007A and #680067

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC32B3 shade: #AC32B3, #B33297, #B33274, #B33252 and #B33232

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC32B3 shade: #AC32B3, #8932B3, #6632B3, #4432B3 and #3232B3

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC32B3 shade matches the following richer shades: #AC32B3, #BC1FC5 and #CD0DD8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC32B3 shade: #AC32B3, #9B45A0, #8A578D, #7A6A7B and #697C68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC32B3 shade: #6532B3, #8832B3, #AA32B3, #B33299 and #B33277

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC32B3 shade: #6E2072, #8D2992, #AC32B3, #C344CA and #CD64D3

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC32B3 shade: #AC32B3, #B34332 and #32B377

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC32B3 shade: #AC32B3, #B3AA32 and #32B3AA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC32B3 shade: #AC32B3, #B34332, #3BB332 and #32A1B3

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC32B3 shade: #AC32B3, #B36A32, #3BB332 and #327BB3

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 4 / 72 / 0 / 30

HEX #AC32B3

RGB 172 50 179

HSL 296.74, 0.56%, 0.45%

LAB 44.67, 64.27, -43.29

 

Complementary color

CMYK 60 / 0 / 63 / 20

HEX #53CD4C

RGB 83 205 76

HSL 116.74, 0.56%, 0.55%

LAB 73.56, -58.56, 52.72

 

CMYK 0 / 72 / 2 / 31

HEX #B132AE

RGB 177 50 174

HSL 301.42, 0.56%, 0.45%

LAB 45.2, 64.54, -39.45

 

CMYK 0 / 65 / 1 / 24

HEX #C244C1

RGB 194 68 193

HSL 300.48, 0.51%, 0.51%

LAB 51.21, 65.01, -40.86

 

CMYK 0 / 59 / 0 / 17

HEX #D356D4

RGB 211 86 212

HSL 299.52, 0.59%, 0.58%

LAB 57.33, 65.01, -41.93

 

CMYK 1 / 55 / 0 / 9

HEX #E468E7

RGB 228 104 231

HSL 298.58, 0.73%, 0.66%

LAB 63.48, 64.7, -42.76

 

CMYK 2 / 51 / 0 / 2

HEX #F57AFA

RGB 245 122 250

HSL 297.66, 0.93%, 0.73%

LAB 69.64, 64.21, -43.43

 

CMYK 4 / 72 / 0 / 30

HEX #AC32B3

RGB 172 50 179

HSL 296.74, 0.56%, 0.45%

LAB 44.67, 64.27, -43.29

 

CMYK 3 / 80 / 0 / 37

HEX #9B20A0

RGB 155 32 160

HSL 297.66, 0.67%, 0.38%

LAB 38.79, 63.08, -41.5

 

CMYK 2 / 90 / 0 / 45

HEX #8A0E8D

RGB 138 14 141

HSL 298.58, 0.82%, 0.3%

LAB 33.22, 60.69, -38.99

 

CMYK 1 / 100 / 0 / 52

HEX #79007A

RGB 121 0 122

HSL 299.51, 1%, 0.24%

LAB 28.03, 56.76, -35.58

 

CMYK 0 / 100 / 1 / 59

HEX #680067

RGB 104 0 103

HSL 300.58, 1%, 0.2%

LAB 23.41, 50.66, -30.93

 

CMYK 4 / 72 / 0 / 30

HEX #AC32B3

RGB 172 50 179

HSL 296.74, 0.56%, 0.45%

LAB 44.67, 64.27, -43.29

 

CMYK 0 / 72 / 16 / 30

HEX #B33297

RGB 179 50 151

HSL 313.02, 0.56%, 0.45%

LAB 44.37, 61.47, -27

 

CMYK 0 / 72 / 35 / 30

HEX #B33274

RGB 179 50 116

HSL 329.3, 0.56%, 0.45%

LAB 42.95, 56.95, -7.82

 

CMYK 0 / 72 / 54 / 30

HEX #B33252

RGB 179 50 82

HSL 345.12, 0.56%, 0.45%

LAB 41.96, 53.66, 11.95

 

CMYK 0 / 72 / 72 / 30

HEX #B33232

RGB 179 50 50

HSL 0, 0.56%, 0.45%

LAB 41.37, 51.64, 30.9

 

CMYK 4 / 72 / 0 / 30

HEX #AC32B3

RGB 172 50 179

HSL 296.74, 0.56%, 0.45%

LAB 44.67, 64.27, -43.29

 

CMYK 23 / 72 / 0 / 30

HEX #8932B3

RGB 137 50 179

HSL 280.47, 0.56%, 0.45%

LAB 39.33, 56.86, -52.13

 

CMYK 43 / 72 / 0 / 30

HEX #6632B3

RGB 102 50 179

HSL 264.19, 0.56%, 0.45%

LAB 34.72, 50.1, -59.83

 

CMYK 62 / 72 / 0 / 30

HEX #4432B3

RGB 68 50 179

HSL 248.37, 0.56%, 0.45%

LAB 31.27, 44.72, -65.63

 

CMYK 72 / 72 / 0 / 30

HEX #3232B3

RGB 50 50 179

HSL 240, 0.56%, 0.45%

LAB 29.95, 42.57, -67.85

 

CMYK 4 / 72 / 0 / 30

HEX #AC32B3

RGB 172 50 179

HSL 296.74, 0.56%, 0.45%

LAB 44.67, 64.27, -43.29

 

CMYK 5 / 84 / 0 / 23

HEX #BC1FC5

RGB 188 31 197

HSL 296.75, 0.73%, 0.45%

LAB 46.58, 75.56, -50.61

 

CMYK 5 / 94 / 0 / 15

HEX #CD0DD8

RGB 205 13 216

HSL 296.75, 0.89%, 0.45%

LAB 49.77, 83.94, -56.29

 

CMYK 4 / 72 / 0 / 30

HEX #AC32B3

RGB 172 50 179

HSL 296.74, 0.56%, 0.45%

LAB 44.67, 64.27, -43.29

 

CMYK 3 / 57 / 0 / 37

HEX #9B45A0

RGB 155 69 160

HSL 296.7, 0.4%, 0.45%

LAB 43.89, 48.8, -33.42

 

CMYK 2 / 38 / 0 / 45

HEX #8A578D

RGB 138 87 141

HSL 296.67, 0.24%, 0.45%

LAB 44.44, 30.29, -21.36

 

CMYK 1 / 14 / 0 / 52

HEX #7A6A7B

RGB 122 106 123

HSL 296.47, 0.07%, 0.45%

LAB 46.81, 9.62, -7.11

 

CMYK 15 / 0 / 16 / 51

HEX #697C68

RGB 105 124 104

HSL 117, 0.09%, 0.45%

LAB 50, -11.12, 8.62

 

CMYK 44 / 72 / 0 / 30

HEX #6532B3

RGB 101 50 179

HSL 263.72, 0.56%, 0.45%

LAB 34.61, 49.92, -60.03

 

CMYK 24 / 72 / 0 / 30

HEX #8832B3

RGB 136 50 179

HSL 280, 0.56%, 0.45%

LAB 39.19, 56.66, -52.37

 

CMYK 5 / 72 / 0 / 30

HEX #AA32B3

RGB 170 50 179

HSL 295.81, 0.56%, 0.45%

LAB 44.35, 63.84, -43.81

 

CMYK 0 / 72 / 15 / 30

HEX #B33299

RGB 179 50 153

HSL 312.09, 0.56%, 0.45%

LAB 44.47, 61.76, -28.06

 

CMYK 0 / 72 / 34 / 30

HEX #B33277

RGB 179 50 119

HSL 327.91, 0.56%, 0.45%

LAB 43.06, 57.29, -9.51

 

CMYK 4 / 72 / 0 / 55

HEX #6E2072

RGB 110 32 114

HSL 297.07, 0.56%, 0.29%

LAB 28.28, 45.05, -30.21

 

CMYK 3 / 72 / 0 / 43

HEX #8D2992

RGB 141 41 146

HSL 297.14, 0.56%, 0.37%

LAB 36.6, 54.8, -36.64

 

CMYK 4 / 72 / 0 / 30

HEX #AC32B3

RGB 172 50 179

HSL 296.74, 0.56%, 0.45%

LAB 44.67, 64.27, -43.29

 

CMYK 3 / 66 / 0 / 21

HEX #C344CA

RGB 195 68 202

HSL 296.87, 0.56%, 0.53%

LAB 51.84, 66.77, -45.05

 

CMYK 3 / 53 / 0 / 17

HEX #CD64D3

RGB 205 100 211

HSL 296.76, 0.56%, 0.61%

LAB 58.79, 56.94, -39.13

 

CMYK 4 / 72 / 0 / 30

HEX #AC32B3

RGB 172 50 179

HSL 296.74, 0.56%, 0.45%

LAB 44.67, 64.27, -43.29

 

CMYK 0 / 63 / 72 / 30

HEX #B34332

RGB 179 67 50

HSL 7.91, 0.56%, 0.45%

LAB 43.99, 44.54, 33.91

 

CMYK 72 / 0 / 34 / 30

HEX #32B377

RGB 50 179 119

HSL 152.09, 0.56%, 0.45%

LAB 65.16, -48.69, 20.87

 

CMYK 4 / 72 / 0 / 30

HEX #AC32B3

RGB 172 50 179

HSL 296.74, 0.56%, 0.45%

LAB 44.67, 64.27, -43.29

 

CMYK 0 / 5 / 72 / 30

HEX #B3AA32

RGB 179 170 50

HSL 55.81, 0.56%, 0.45%

LAB 68.43, -10.61, 59.46

 

CMYK 72 / 0 / 5 / 30

HEX #32B3AA

RGB 50 179 170

HSL 175.81, 0.56%, 0.45%

LAB 66.38, -36.06, -5.42

 

CMYK 4 / 72 / 0 / 30

HEX #AC32B3

RGB 172 50 179

HSL 296.74, 0.56%, 0.45%

LAB 44.67, 64.27, -43.29

 

CMYK 0 / 63 / 72 / 30

HEX #B34332

RGB 179 67 50

HSL 7.91, 0.56%, 0.45%

LAB 43.99, 44.54, 33.91

 

CMYK 67 / 0 / 72 / 30

HEX #3BB332

RGB 59 179 50

HSL 115.81, 0.56%, 0.45%

LAB 64.48, -57.15, 53.32

 

CMYK 72 / 10 / 0 / 30

HEX #32A1B3

RGB 50 161 179

HSL 188.37, 0.56%, 0.45%

LAB 61.15, -24.65, -18.3

 

CMYK 4 / 72 / 0 / 30

HEX #AC32B3

RGB 172 50 179

HSL 296.74, 0.56%, 0.45%

LAB 44.67, 64.27, -43.29

 

CMYK 0 / 41 / 72 / 30

HEX #B36A32

RGB 179 106 50

HSL 26.05, 0.56%, 0.45%

LAB 51.97, 24.43, 42.73

 

CMYK 67 / 0 / 72 / 30

HEX #3BB332

RGB 59 179 50

HSL 115.81, 0.56%, 0.45%

LAB 64.48, -57.15, 53.32

 

CMYK 72 / 31 / 0 / 30

HEX #327BB3

RGB 50 123 179

HSL 206.05, 0.56%, 0.45%

LAB 49.62, -3.71, -36.14

 

Description

Color code: HEX #AC32B3 | qconv.com Color code: HEX #AC32B3 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 50 green and 179 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 50 179 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 4 cyan, 72 magenta, none yellow and 30 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
4% 72% 0% 30% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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