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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC2E96 it is the complementary color #53D169. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC2E96. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC2E96 shade: #B12E91, #C240A4, #D352B7, #E464CA and #F576DD

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC2E96. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC2E96 shade: #AC2E96, #9B1C83, #8A0A70, #79005D and #68004A

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC2E96 shade: #AD2E97, #AD2E74, #AD2E52, #AD2E30 and #AD2E2E

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC2E96 shade: #AD2E97, #A12EAD, #7E2EAD, #5C2EAD and #3A2EAD

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC2E96 shade matches the following richer shades: #AD2E97, #BE1CA2 and #D00AAE

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC2E96 shade: #AD2E97, #9B3F8B, #89517F, #786374 and #667568

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC2E96 shade: #7E2EAD, #A02EAD, #AD2E98, #AD2E76 and #AD2E54

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC2E96 shade: #6C1C5E, #8C257A, #AD2E97, #CA39B1 and #D35ABE

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC2E96 shade: #AC2E96, #AD5C2E and #2EAD8F

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC2E96 shade: #AC2E96, #98AD2E and #2E98AD

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC2E96 shade: #AC2E96, #AD5C2E, #2EAD43 and #2E7EAD

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC2E96 shade: #AC2E96, #AD822E, #2EAD43 and #2E58AD

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 73 / 13 / 33

HEX #AC2E96

RGB 172 46 150

HSL 310.48, 0.58%, 0.43%

LAB 42.65, 60.99, -29.18

 

Complementary color

CMYK 60 / 0 / 50 / 18

HEX #53D169

RGB 83 209 105

HSL 130.48, 0.58%, 0.57%

LAB 75.11, -56.45, 41.18

 

CMYK 0 / 74 / 18 / 31

HEX #B12E91

RGB 177 46 145

HSL 314.66, 0.59%, 0.44%

LAB 43.28, 61.48, -25.11

 

CMYK 0 / 67 / 15 / 24

HEX #C240A4

RGB 194 64 164

HSL 313.85, 0.52%, 0.51%

LAB 49.27, 62.02, -26.95

 

CMYK 0 / 61 / 13 / 17

HEX #D352B7

RGB 211 82 183

HSL 313.02, 0.59%, 0.57%

LAB 55.38, 62.04, -28.37

 

CMYK 0 / 56 / 11 / 11

HEX #E464CA

RGB 228 100 202

HSL 312.19, 0.7%, 0.64%

LAB 61.54, 61.74, -29.5

 

CMYK 0 / 52 / 10 / 4

HEX #F576DD

RGB 245 118 221

HSL 311.34, 0.86%, 0.71%

LAB 67.72, 61.25, -30.42

 

CMYK 0 / 73 / 13 / 33

HEX #AC2E96

RGB 172 46 150

HSL 310.48, 0.58%, 0.43%

LAB 42.65, 60.99, -29.18

 

CMYK 0 / 82 / 15 / 39

HEX #9B1C83

RGB 155 28 131

HSL 311.34, 0.69%, 0.36%

LAB 36.81, 59.64, -26.91

 

CMYK 0 / 93 / 19 / 46

HEX #8A0A70

RGB 138 10 112

HSL 312.19, 0.86%, 0.29%

LAB 31.32, 56.98, -23.79

 

CMYK 0 / 100 / 23 / 53

HEX #79005D

RGB 121 0 93

HSL 313.88, 1%, 0.24%

LAB 26.32, 52.54, -19.54

 

CMYK 0 / 100 / 29 / 59

HEX #68004A

RGB 104 0 74

HSL 317.31, 1%, 0.2%

LAB 21.72, 46.46, -14.23

 

CMYK 0 / 73 / 13 / 32

HEX #AD2E97

RGB 173 46 151

HSL 310.39, 0.58%, 0.43%

LAB 42.87, 61.37, -29.42

 

CMYK 0 / 73 / 33 / 32

HEX #AD2E74

RGB 173 46 116

HSL 326.93, 0.58%, 0.43%

LAB 41.37, 56.7, -10.3

 

CMYK 0 / 73 / 53 / 32

HEX #AD2E52

RGB 173 46 82

HSL 342.99, 0.58%, 0.43%

LAB 40.32, 53.29, 9.5

 

CMYK 0 / 73 / 72 / 32

HEX #AD2E30

RGB 173 46 48

HSL 359.06, 0.58%, 0.43%

LAB 39.67, 51.09, 29.82

 

CMYK 0 / 73 / 73 / 32

HEX #AD2E2E

RGB 173 46 46

HSL 0, 0.58%, 0.43%

LAB 39.64, 51, 30.98

 

CMYK 0 / 73 / 13 / 32

HEX #AD2E97

RGB 173 46 151

HSL 310.39, 0.58%, 0.43%

LAB 42.87, 61.37, -29.42

 

CMYK 7 / 73 / 0 / 32

HEX #A12EAD

RGB 161 46 173

HSL 294.33, 0.58%, 0.43%

LAB 42.07, 62.24, -43.98

 

CMYK 27 / 73 / 0 / 32

HEX #7E2EAD

RGB 126 46 173

HSL 277.8, 0.58%, 0.43%

LAB 36.76, 55, -52.81

 

CMYK 47 / 73 / 0 / 32

HEX #5C2EAD

RGB 92 46 173

HSL 261.73, 0.58%, 0.43%

LAB 32.36, 48.72, -60.16

 

CMYK 66 / 73 / 0 / 32

HEX #3A2EAD

RGB 58 46 173

HSL 245.67, 0.58%, 0.43%

LAB 29.08, 43.78, -65.66

 

CMYK 0 / 73 / 13 / 32

HEX #AD2E97

RGB 173 46 151

HSL 310.39, 0.58%, 0.43%

LAB 42.87, 61.37, -29.42

 

CMYK 0 / 85 / 15 / 25

HEX #BE1CA2

RGB 190 28 162

HSL 310.37, 0.74%, 0.43%

LAB 44.78, 71.38, -32.82

 

CMYK 0 / 95 / 16 / 18

HEX #D00AAE

RGB 208 10 174

HSL 310.3, 0.91%, 0.43%

LAB 47.86, 78.85, -34.89

 

CMYK 0 / 73 / 13 / 32

HEX #AD2E97

RGB 173 46 151

HSL 310.39, 0.58%, 0.43%

LAB 42.87, 61.37, -29.42

 

CMYK 0 / 59 / 10 / 39

HEX #9B3F8B

RGB 155 63 139

HSL 310.43, 0.42%, 0.43%

LAB 41.83, 47.92, -24.01

 

CMYK 0 / 41 / 7 / 46

HEX #89517F

RGB 137 81 127

HSL 310.71, 0.26%, 0.43%

LAB 42.36, 30.65, -16.08

 

CMYK 0 / 18 / 3 / 53

HEX #786374

RGB 120 99 116

HSL 311.43, 0.1%, 0.43%

LAB 44.49, 11.63, -6.39

 

CMYK 13 / 0 / 11 / 54

HEX #667568

RGB 102 117 104

HSL 128, 0.07%, 0.43%

LAB 47.68, -8.32, 5.29

 

CMYK 27 / 73 / 0 / 32

HEX #7E2EAD

RGB 126 46 173

HSL 277.8, 0.58%, 0.43%

LAB 36.76, 55, -52.81

 

CMYK 8 / 73 / 0 / 32

HEX #A02EAD

RGB 160 46 173

HSL 293.86, 0.58%, 0.43%

LAB 41.91, 62.02, -44.25

 

CMYK 0 / 73 / 12 / 32

HEX #AD2E98

RGB 173 46 152

HSL 309.92, 0.58%, 0.43%

LAB 42.92, 61.52, -29.95

 

CMYK 0 / 73 / 32 / 32

HEX #AD2E76

RGB 173 46 118

HSL 325.98, 0.58%, 0.43%

LAB 41.45, 56.94, -11.43

 

CMYK 0 / 73 / 51 / 32

HEX #AD2E54

RGB 173 46 84

HSL 342.05, 0.58%, 0.43%

LAB 40.37, 53.46, 8.31

 

CMYK 0 / 74 / 13 / 58

HEX #6C1C5E

RGB 108 28 94

HSL 310.5, 0.59%, 0.27%

LAB 26.24, 42.59, -20.52

 

CMYK 0 / 74 / 13 / 45

HEX #8C257A

RGB 140 37 122

HSL 310.49, 0.58%, 0.35%

LAB 34.61, 52, -24.95

 

CMYK 0 / 73 / 13 / 32

HEX #AD2E97

RGB 173 46 151

HSL 310.39, 0.58%, 0.43%

LAB 42.87, 61.37, -29.42

 

CMYK 0 / 72 / 12 / 21

HEX #CA39B1

RGB 202 57 177

HSL 310.34, 0.58%, 0.51%

LAB 50.28, 68.38, -32.93

 

CMYK 0 / 57 / 10 / 17

HEX #D35ABE

RGB 211 90 190

HSL 310.41, 0.58%, 0.59%

LAB 56.96, 59.64, -29.96

 

CMYK 0 / 73 / 13 / 33

HEX #AC2E96

RGB 172 46 150

HSL 310.48, 0.58%, 0.43%

LAB 42.65, 60.99, -29.18

 

CMYK 0 / 47 / 73 / 32

HEX #AD5C2E

RGB 173 92 46

HSL 21.73, 0.58%, 0.43%

LAB 47.93, 29.37, 40.16

 

CMYK 73 / 0 / 17 / 32

HEX #2EAD8F

RGB 46 173 143

HSL 165.83, 0.58%, 0.43%

LAB 63.71, -41.19, 5.67

 

CMYK 0 / 73 / 13 / 33

HEX #AC2E96

RGB 172 46 150

HSL 310.48, 0.58%, 0.43%

LAB 42.65, 60.99, -29.18

 

CMYK 12 / 0 / 73 / 32

HEX #98AD2E

RGB 152 173 46

HSL 69.92, 0.58%, 0.43%

LAB 67.1, -23.96, 58.87

 

CMYK 73 / 12 / 0 / 32

HEX #2E98AD

RGB 46 152 173

HSL 189.92, 0.58%, 0.43%

LAB 58.09, -22.46, -19.58

 

CMYK 0 / 73 / 13 / 33

HEX #AC2E96

RGB 172 46 150

HSL 310.48, 0.58%, 0.43%

LAB 42.65, 60.99, -29.18

 

CMYK 0 / 47 / 73 / 32

HEX #AD5C2E

RGB 173 92 46

HSL 21.73, 0.58%, 0.43%

LAB 47.93, 29.37, 40.16

 

CMYK 73 / 0 / 61 / 32

HEX #2EAD43

RGB 46 173 67

HSL 129.92, 0.58%, 0.43%

LAB 62.4, -55.76, 43.84

 

CMYK 73 / 27 / 0 / 32

HEX #2E7EAD

RGB 46 126 173

HSL 202.2, 0.58%, 0.43%

LAB 50.12, -8.18, -31.89

 

CMYK 0 / 73 / 13 / 33

HEX #AC2E96

RGB 172 46 150

HSL 310.48, 0.58%, 0.43%

LAB 42.65, 60.99, -29.18

 

CMYK 0 / 25 / 73 / 32

HEX #AD822E

RGB 173 130 46

HSL 39.69, 0.58%, 0.43%

LAB 57.12, 8.18, 49.69

 

CMYK 73 / 0 / 61 / 32

HEX #2EAD43

RGB 46 173 67

HSL 129.92, 0.58%, 0.43%

LAB 62.4, -55.76, 43.84

 

CMYK 73 / 49 / 0 / 32

HEX #2E58AD

RGB 46 88 173

HSL 220.16, 0.58%, 0.43%

LAB 38.86, 15.47, -49.76

 

Description

Color code: HEX #AC2E96 | qconv.com Color code: HEX #AC2E96 | qconv.com - big

Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 46 green and 150 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 46 150 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 73 magenta, 13 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 73% 13% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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