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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC25DF it is the complementary color #53DA20. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC25DF. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC25DF shade: #B125DA, #C237ED, #D349FF, #E45BFF and #F56DFF

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC25DF. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC25DF shade: #AC25DF, #9B13CC, #8A01B9, #7900A6 and #680093

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC25DF shade: #AB25DE, #DD25DE, #DE25AD, #DE257B and #DE2549

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC25DF shade: #AB25DE, #7925DE, #4825DE and #2525DE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC25DF shade matches the following richer shades: #AB25DE and #B411F2

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC25DF shade: #AB25DE, #A239CA, #994EB6, #9062A1 and #87768D

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC25DF shade: #4725DE, #7825DE, #AA25DE, #DB25DE and #DE25B0

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC25DF shade: #76179A, #911CBE, #AB25DE, #B949E3 and #C76DE9

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC25DF shade: #AC25DF, #DE2534 and #25DE60

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC25DF shade: #AC25DF, #DEAA25 and #25DEAA

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC25DF shade: #AC25DF, #DE2534, #59DE25 and #25DECF

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC25DF shade: #AC25DF, #DE4D25, #59DE25 and #25B6DE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 23 / 83 / 0 / 13

HEX #AC25DF

RGB 172 37 223

HSL 283.55, 0.74%, 0.51%

LAB 46.21, 76.02, -66.31

 

Complementary color

CMYK 62 / 0 / 85 / 15

HEX #53DA20

RGB 83 218 32

HSL 103.55, 0.74%, 0.49%

LAB 77.33, -66.08, 70.99

 

CMYK 19 / 83 / 0 / 15

HEX #B125DA

RGB 177 37 218

HSL 286.41, 0.71%, 0.5%

LAB 46.62, 75.9, -62.74

 

CMYK 18 / 77 / 0 / 7

HEX #C237ED

RGB 194 55 237

HSL 285.82, 0.83%, 0.57%

LAB 52.19, 77.29, -64.38

 

CMYK 17 / 71 / 0 / 0

HEX #D349FF

RGB 211 73 255

HSL 285.49, 1%, 0.64%

LAB 57.88, 77.77, -65.13

 

CMYK 11 / 64 / 0 / 0

HEX #E45BFF

RGB 228 91 255

HSL 290.12, 1%, 0.68%

LAB 62.67, 74.46, -57.32

 

CMYK 4 / 57 / 0 / 0

HEX #F56DFF

RGB 245 109 255

HSL 295.89, 1%, 0.71%

LAB 67.7, 70.91, -49.2

 

CMYK 23 / 83 / 0 / 13

HEX #AC25DF

RGB 172 37 223

HSL 283.55, 0.74%, 0.51%

LAB 46.21, 76.02, -66.31

 

CMYK 24 / 91 / 0 / 20

HEX #9B13CC

RGB 155 19 204

HSL 284.11, 0.83%, 0.44%

LAB 40.89, 73.65, -64.14

 

CMYK 25 / 99 / 0 / 27

HEX #8A01B9

RGB 138 1 185

HSL 284.67, 0.99%, 0.36%

LAB 35.84, 70.16, -61.34

 

CMYK 27 / 100 / 0 / 35

HEX #7900A6

RGB 121 0 166

HSL 283.73, 1%, 0.33%

LAB 31.39, 64.54, -57.37

 

CMYK 29 / 100 / 0 / 42

HEX #680093

RGB 104 0 147

HSL 282.45, 1%, 0.29%

LAB 26.88, 58.67, -53.26

 

CMYK 23 / 83 / 0 / 13

HEX #AB25DE

RGB 171 37 222

HSL 283.46, 0.74%, 0.51%

LAB 45.98, 75.68, -66.11

 

CMYK 0 / 83 / 0 / 13

HEX #DD25DE

RGB 221 37 222

HSL 299.68, 0.74%, 0.51%

LAB 53.99, 84.11, -52.79

 

CMYK 0 / 83 / 22 / 13

HEX #DE25AD

RGB 222 37 173

HSL 315.89, 0.74%, 0.51%

LAB 51.69, 77.63, -28.13

 

CMYK 0 / 83 / 45 / 13

HEX #DE257B

RGB 222 37 123

HSL 332.11, 0.74%, 0.51%

LAB 49.84, 72.41, -1.04

 

CMYK 0 / 83 / 67 / 13

HEX #DE2549

RGB 222 37 73

HSL 348.32, 0.74%, 0.51%

LAB 48.68, 69.01, 27.88

 

CMYK 23 / 83 / 0 / 13

HEX #AB25DE

RGB 171 37 222

HSL 283.46, 0.74%, 0.51%

LAB 45.98, 75.68, -66.11

 

CMYK 45 / 83 / 0 / 13

HEX #7925DE

RGB 121 37 222

HSL 267.24, 0.74%, 0.51%

LAB 39.01, 68.65, -77.79

 

CMYK 68 / 83 / 0 / 13

HEX #4825DE

RGB 72 37 222

HSL 251.35, 0.74%, 0.51%

LAB 33.93, 63.81, -86.34

 

CMYK 83 / 83 / 0 / 13

HEX #2525DE

RGB 37 37 222

HSL 240, 0.74%, 0.51%

LAB 31.78, 61.87, -89.97

 

CMYK 23 / 83 / 0 / 13

HEX #AB25DE

RGB 171 37 222

HSL 283.46, 0.74%, 0.51%

LAB 45.98, 75.68, -66.11

 

CMYK 26 / 93 / 0 / 5

HEX #B411F2

RGB 180 17 242

HSL 283.47, 0.9%, 0.51%

LAB 47.64, 84.23, -74.67

 

CMYK 23 / 83 / 0 / 13

HEX #AB25DE

RGB 171 37 222

HSL 283.46, 0.74%, 0.51%

LAB 45.98, 75.68, -66.11

 

CMYK 20 / 72 / 0 / 21

HEX #A239CA

RGB 162 57 202

HSL 283.45, 0.58%, 0.51%

LAB 45.46, 63.88, -55.53

 

CMYK 16 / 57 / 0 / 29

HEX #994EB6

RGB 153 78 182

HSL 283.27, 0.42%, 0.51%

LAB 46.44, 48.21, -42.39

 

CMYK 11 / 39 / 0 / 37

HEX #9062A1

RGB 144 98 161

HSL 283.81, 0.25%, 0.51%

LAB 48.56, 30.13, -26.82

 

CMYK 4 / 16 / 0 / 45

HEX #87768D

RGB 135 118 141

HSL 284.35, 0.09%, 0.51%

LAB 51.87, 11.05, -10.08

 

CMYK 68 / 83 / 0 / 13

HEX #4725DE

RGB 71 37 222

HSL 251.03, 0.74%, 0.51%

LAB 33.85, 63.74, -86.48

 

CMYK 46 / 83 / 0 / 13

HEX #7825DE

RGB 120 37 222

HSL 266.92, 0.74%, 0.51%

LAB 38.88, 68.53, -78

 

CMYK 23 / 83 / 0 / 13

HEX #AA25DE

RGB 170 37 222

HSL 283.14, 0.74%, 0.51%

LAB 45.83, 75.52, -66.36

 

CMYK 1 / 83 / 0 / 13

HEX #DB25DE

RGB 219 37 222

HSL 299.03, 0.74%, 0.51%

LAB 53.66, 83.75, -53.34

 

CMYK 0 / 83 / 21 / 13

HEX #DE25B0

RGB 222 37 176

HSL 314.92, 0.74%, 0.51%

LAB 51.82, 78, -29.68

 

CMYK 23 / 85 / 0 / 40

HEX #76179A

RGB 118 23 154

HSL 283.51, 0.74%, 0.35%

LAB 31.34, 57.53, -50.18

 

CMYK 24 / 85 / 0 / 25

HEX #911CBE

RGB 145 28 190

HSL 283.33, 0.74%, 0.43%

LAB 38.84, 67.72, -59.36

 

CMYK 23 / 83 / 0 / 13

HEX #AB25DE

RGB 171 37 222

HSL 283.46, 0.74%, 0.51%

LAB 45.98, 75.68, -66.11

 

CMYK 19 / 68 / 0 / 11

HEX #B949E3

RGB 185 73 227

HSL 283.64, 0.73%, 0.59%

LAB 52.54, 67.2, -58.26

 

CMYK 15 / 53 / 0 / 9

HEX #C76DE9

RGB 199 109 233

HSL 283.55, 0.74%, 0.67%

LAB 60.75, 55.18, -48.43

 

CMYK 23 / 83 / 0 / 13

HEX #AC25DF

RGB 172 37 223

HSL 283.55, 0.74%, 0.51%

LAB 46.21, 76.02, -66.31

 

CMYK 0 / 83 / 77 / 13

HEX #DE2534

RGB 222 37 52

HSL 355.14, 0.74%, 0.51%

LAB 48.39, 68.14, 39.9

 

CMYK 83 / 0 / 57 / 13

HEX #25DE60

RGB 37 222 96

HSL 139.14, 0.74%, 0.51%

LAB 78.16, -69.26, 48.92

 

CMYK 23 / 83 / 0 / 13

HEX #AC25DF

RGB 172 37 223

HSL 283.55, 0.74%, 0.51%

LAB 46.21, 76.02, -66.31

 

CMYK 0 / 23 / 83 / 13

HEX #DEAA25

RGB 222 170 37

HSL 43.14, 0.74%, 0.51%

LAB 72.5, 7.73, 68.97

 

CMYK 83 / 0 / 23 / 13

HEX #25DEAA

RGB 37 222 170

HSL 163.14, 0.74%, 0.51%

LAB 79.35, -55.57, 13.3

 

CMYK 23 / 83 / 0 / 13

HEX #AC25DF

RGB 172 37 223

HSL 283.55, 0.74%, 0.51%

LAB 46.21, 76.02, -66.31

 

CMYK 0 / 83 / 77 / 13

HEX #DE2534

RGB 222 37 52

HSL 355.14, 0.74%, 0.51%

LAB 48.39, 68.14, 39.9

 

CMYK 60 / 0 / 83 / 13

HEX #59DE25

RGB 89 222 37

HSL 103.14, 0.74%, 0.51%

LAB 78.75, -65.82, 71.19

 

CMYK 83 / 0 / 7 / 13

HEX #25DECF

RGB 37 222 207

HSL 175.14, 0.74%, 0.51%

LAB 80.26, -46.09, -5.03

 

CMYK 23 / 83 / 0 / 13

HEX #AC25DF

RGB 172 37 223

HSL 283.55, 0.74%, 0.51%

LAB 46.21, 76.02, -66.31

 

CMYK 0 / 65 / 83 / 13

HEX #DE4D25

RGB 222 77 37

HSL 12.97, 0.74%, 0.51%

LAB 52.92, 54.76, 52.05

 

CMYK 60 / 0 / 83 / 13

HEX #59DE25

RGB 89 222 37

HSL 103.14, 0.74%, 0.51%

LAB 78.75, -65.82, 71.19

 

CMYK 83 / 18 / 0 / 13

HEX #25B6DE

RGB 37 182 222

HSL 192.97, 0.74%, 0.51%

LAB 68.84, -22.72, -30.39

 

Description

Color code: HEX #AC25DF | qconv.com Color code: HEX #AC25DF | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 37 green and 223 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 37 223 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 23 cyan, 83 magenta, none yellow and 13 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
23% 83% 0% 13% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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