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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC244D it is the complementary color #53DBB2. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC244D. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC244D shade: #B12448, #C2365B, #D3486E, #E45A81 and #F56C94

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC244D. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC244D shade: #AC244D, #9B123A, #8A0027, #790014 and #680001

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC244D shade: #AC244D, #AC2428 and #AC2424

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC244D shade: #AC244D, #AC2472, #AC2496, #9D24AC and #7824AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC244D shade matches the following richer shades: #AC244D, #BD1346 and #CE0240

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC244D shade: #AC244D, #9B3554, #8A465B, #795761 and #686868

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC244D shade: #AC2498, #AC2473, #AC244F, #AC242B and #AC4224

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC244D shade: #68162E, #8A1D3E, #AC244D, #CE2B5C and #D84A75

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC244D shade: #AC244D, #AC9C24 and #2485AC

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC244D shade: #AC244D, #4FAC24 and #244FAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC244D shade: #AC244D, #AC9C24, #24AC81 and #2434AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC244D shade: #AC244D, #93AC24, #24AC81 and #3D24AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 79 / 55 / 33

HEX #AC244D

RGB 172 36 77

HSL 341.91, 0.65%, 0.41%

LAB 38.84, 55.88, 10.58

 

Complementary color

CMYK 62 / 0 / 19 / 14

HEX #53DBB2

RGB 83 219 178

HSL 161.91, 0.65%, 0.59%

LAB 79.45, -46.56, 9.32

 

CMYK 0 / 80 / 59 / 31

HEX #B12448

RGB 177 36 72

HSL 344.68, 0.66%, 0.42%

LAB 39.71, 56.93, 15.11

 

CMYK 0 / 72 / 53 / 24

HEX #C2365B

RGB 194 54 91

HSL 344.14, 0.56%, 0.49%

LAB 45.45, 57.44, 11.61

 

CMYK 0 / 66 / 48 / 17

HEX #D3486E

RGB 211 72 110

HSL 343.6, 0.61%, 0.55%

LAB 51.39, 57.33, 8.82

 

CMYK 0 / 61 / 43 / 11

HEX #E45A81

RGB 228 90 129

HSL 343.04, 0.72%, 0.62%

LAB 57.45, 56.87, 6.54

 

CMYK 0 / 56 / 40 / 4

HEX #F56C94

RGB 245 108 148

HSL 342.48, 0.87%, 0.69%

LAB 63.57, 56.2, 4.64

 

CMYK 0 / 79 / 55 / 33

HEX #AC244D

RGB 172 36 77

HSL 341.91, 0.65%, 0.41%

LAB 38.84, 55.88, 10.58

 

CMYK 0 / 88 / 63 / 39

HEX #9B123A

RGB 155 18 58

HSL 342.48, 0.79%, 0.34%

LAB 33.36, 54.37, 14.82

 

CMYK 0 / 100 / 72 / 46

HEX #8A0027

RGB 138 0 39

HSL 343.04, 1%, 0.27%

LAB 28.25, 51.81, 20.06

 

CMYK 0 / 100 / 83 / 53

HEX #790014

RGB 121 0 20

HSL 350.08, 1%, 0.24%

LAB 24.05, 46.6, 26.7

 

CMYK 0 / 100 / 99 / 59

HEX #680001

RGB 104 0 1

HSL 359.42, 1%, 0.2%

LAB 19.82, 41.47, 29.94

 

CMYK 0 / 79 / 55 / 33

HEX #AC244D

RGB 172 36 77

HSL 341.91, 0.65%, 0.41%

LAB 38.84, 55.88, 10.58

 

CMYK 0 / 79 / 77 / 33

HEX #AC2428

RGB 172 36 40

HSL 358.24, 0.65%, 0.41%

LAB 38.17, 53.77, 32.84

 

CMYK 0 / 79 / 79 / 33

HEX #AC2424

RGB 172 36 36

HSL 0, 0.65%, 0.41%

LAB 38.13, 53.62, 35.12

 

CMYK 0 / 79 / 55 / 33

HEX #AC244D

RGB 172 36 77

HSL 341.91, 0.65%, 0.41%

LAB 38.84, 55.88, 10.58

 

CMYK 0 / 79 / 34 / 33

HEX #AC2472

RGB 172 36 114

HSL 325.59, 0.65%, 0.41%

LAB 39.99, 59.38, -11.15

 

CMYK 0 / 79 / 13 / 33

HEX #AC2496

RGB 172 36 150

HSL 309.71, 0.65%, 0.41%

LAB 41.59, 64.03, -30.85

 

CMYK 9 / 79 / 0 / 33

HEX #9D24AC

RGB 157 36 172

HSL 293.38, 0.65%, 0.41%

LAB 40.26, 64.41, -46.33

 

CMYK 30 / 79 / 0 / 33

HEX #7824AC

RGB 120 36 172

HSL 277.06, 0.65%, 0.41%

LAB 34.46, 57.54, -55.98

 

CMYK 0 / 79 / 55 / 33

HEX #AC244D

RGB 172 36 77

HSL 341.91, 0.65%, 0.41%

LAB 38.84, 55.88, 10.58

 

CMYK 0 / 90 / 63 / 26

HEX #BD1346

RGB 189 19 70

HSL 342, 0.82%, 0.41%

LAB 40.78, 63.76, 18.23

 

CMYK 0 / 99 / 69 / 19

HEX #CE0240

RGB 206 2 64

HSL 341.76, 0.98%, 0.41%

LAB 43.56, 69.51, 26.28

 

CMYK 0 / 79 / 55 / 33

HEX #AC244D

RGB 172 36 77

HSL 341.91, 0.65%, 0.41%

LAB 38.84, 55.88, 10.58

 

CMYK 0 / 66 / 46 / 39

HEX #9B3554

RGB 155 53 84

HSL 341.76, 0.49%, 0.41%

LAB 38.12, 45.04, 4.65

 

CMYK 0 / 49 / 34 / 46

HEX #8A465B

RGB 138 70 91

HSL 341.47, 0.33%, 0.41%

LAB 38.79, 31.36, 0.86

 

CMYK 0 / 28 / 20 / 53

HEX #795761

RGB 121 87 97

HSL 342.35, 0.16%, 0.41%

LAB 40.81, 15.7, -0.2

 

CMYK 0 / 0 / 0 / 59

HEX #686868

RGB 104 104 104

HSL 0, 0%, 0.41%

LAB 44.01, 0, -0.01

 

CMYK 0 / 79 / 12 / 33

HEX #AC2498

RGB 172 36 152

HSL 308.82, 0.65%, 0.41%

LAB 41.69, 64.32, -31.9

 

CMYK 0 / 79 / 33 / 33

HEX #AC2473

RGB 172 36 115

HSL 325.15, 0.65%, 0.41%

LAB 40.03, 59.5, -11.72

 

CMYK 0 / 79 / 54 / 33

HEX #AC244F

RGB 172 36 79

HSL 341.03, 0.65%, 0.41%

LAB 38.89, 56.03, 9.37

 

CMYK 0 / 79 / 75 / 33

HEX #AC242B

RGB 172 36 43

HSL 356.91, 0.65%, 0.41%

LAB 38.21, 53.89, 31.09

 

CMYK 0 / 62 / 79 / 33

HEX #AC4224

RGB 172 66 36

HSL 13.24, 0.65%, 0.41%

LAB 42.45, 41.83, 39.56

 

CMYK 0 / 79 / 56 / 59

HEX #68162E

RGB 104 22 46

HSL 342.44, 0.65%, 0.25%

LAB 22.7, 37.53, 6.59

 

CMYK 0 / 79 / 55 / 46

HEX #8A1D3E

RGB 138 29 62

HSL 341.83, 0.65%, 0.33%

LAB 30.95, 47, 8.31

 

CMYK 0 / 79 / 55 / 33

HEX #AC244D

RGB 172 36 77

HSL 341.91, 0.65%, 0.41%

LAB 38.84, 55.88, 10.58

 

CMYK 0 / 79 / 55 / 19

HEX #CE2B5C

RGB 206 43 92

HSL 341.96, 0.65%, 0.49%

LAB 46.47, 64.39, 12.76

 

CMYK 0 / 66 / 46 / 15

HEX #D84A75

RGB 216 74 117

HSL 341.83, 0.65%, 0.57%

LAB 52.71, 58.7, 6.6

 

CMYK 0 / 79 / 55 / 33

HEX #AC244D

RGB 172 36 77

HSL 341.91, 0.65%, 0.41%

LAB 38.84, 55.88, 10.58

 

CMYK 0 / 9 / 79 / 33

HEX #AC9C24

RGB 172 156 36

HSL 52.94, 0.65%, 0.41%

LAB 63.9, -6.93, 59.85

 

CMYK 79 / 23 / 0 / 33

HEX #2485AC

RGB 36 133 172

HSL 197.21, 0.65%, 0.41%

LAB 51.98, -13.76, -28.43

 

CMYK 0 / 79 / 55 / 33

HEX #AC244D

RGB 172 36 77

HSL 341.91, 0.65%, 0.41%

LAB 38.84, 55.88, 10.58

 

CMYK 54 / 0 / 79 / 33

HEX #4FAC24

RGB 79 172 36

HSL 101.03, 0.65%, 0.41%

LAB 62.76, -50.77, 56.65

 

CMYK 79 / 54 / 0 / 33

HEX #244FAC

RGB 36 79 172

HSL 221.03, 0.65%, 0.41%

LAB 35.88, 19.82, -54

 

CMYK 0 / 79 / 55 / 33

HEX #AC244D

RGB 172 36 77

HSL 341.91, 0.65%, 0.41%

LAB 38.84, 55.88, 10.58

 

CMYK 0 / 9 / 79 / 33

HEX #AC9C24

RGB 172 156 36

HSL 52.94, 0.65%, 0.41%

LAB 63.9, -6.93, 59.85

 

CMYK 79 / 0 / 25 / 33

HEX #24AC81

RGB 36 172 129

HSL 161.03, 0.65%, 0.41%

LAB 62.9, -45.47, 12.24

 

CMYK 79 / 70 / 0 / 33

HEX #2434AC

RGB 36 52 172

HSL 232.94, 0.65%, 0.41%

LAB 28.93, 37.59, -65.37

 

CMYK 0 / 79 / 55 / 33

HEX #AC244D

RGB 172 36 77

HSL 341.91, 0.65%, 0.41%

LAB 38.84, 55.88, 10.58

 

CMYK 15 / 0 / 79 / 33

HEX #93AC24

RGB 147 172 36

HSL 71.03, 0.65%, 0.41%

LAB 66.39, -26.04, 61.34

 

CMYK 79 / 0 / 25 / 33

HEX #24AC81

RGB 36 172 129

HSL 161.03, 0.65%, 0.41%

LAB 62.9, -45.47, 12.24

 

CMYK 65 / 79 / 0 / 33

HEX #3D24AC

RGB 61 36 172

HSL 251.03, 0.65%, 0.41%

LAB 27.39, 49.04, -67.85

 

Description

Color code: HEX #AC244D | qconv.com Color code: HEX #AC244D | qconv.com - big

Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 36 green and 77 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 36 77 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 79 magenta, 55 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 79% 55% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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