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Color name
HEX #AC108C

Information

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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC108C it is the complementary color #53EF73. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC108C. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC108C shade: #B11087, #C2229A, #D334AD, #E446C0 and #F558D3

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC108C. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC108C shade: #AC108C, #9B0079, #8A0066, #790053 and #680040

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC108C shade: #AC108C, #AC1062, #AC1038 and #AC1010

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC108C shade: #AC108C, #A210AC, #7810AC, #4E10AC and #2310AC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC108C shade matches the following richer shades: #AC108C and #BB0095

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC108C shade: #AC108C, #9D1F83, #8E2E7A, #7E3D71 and #6F4D68

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC108C shade: #7810AC, #A210AC, #AC108D, #AC1063 and #AC1039

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC108C shade: #61094F, #860C6D, #AC108C, #D213AB and #EA24C2

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC108C shade: #AC108C, #AC4E10 and #10AC8D

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC108C shade: #AC108C, #8DAC10 and #108DAC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

Rectangular (tetradic) colors

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC108C shade: #AC108C, #AC4E10, #10AC2F and #106EAC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC108C shade: #AC108C, #AC7D10, #10AC2F and #103FAC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 91 / 19 / 33

HEX #AC108C

RGB 172 16 140

HSL 312.31, 0.83%, 0.37%

LAB 39.64, 66.86, -27.81

 

Complementary color

CMYK 65 / 0 / 52 / 6

HEX #53EF73

RGB 83 239 115

HSL 132.31, 0.83%, 0.63%

LAB 84.39, -65.88, 47.82

 

CMYK 0 / 91 / 24 / 31

HEX #B11087

RGB 177 16 135

HSL 315.65, 0.83%, 0.38%

LAB 40.36, 67.26, -23.55

 

CMYK 0 / 82 / 21 / 24

HEX #C2229A

RGB 194 34 154

HSL 315, 0.7%, 0.45%

LAB 45.56, 69.91, -26.76

 

CMYK 0 / 75 / 18 / 17

HEX #D334AD

RGB 211 52 173

HSL 314.34, 0.64%, 0.52%

LAB 51.06, 71.48, -29.25

 

CMYK 0 / 69 / 16 / 11

HEX #E446C0

RGB 228 70 192

HSL 313.67, 0.75%, 0.58%

LAB 56.76, 72.28, -31.21

 

CMYK 0 / 64 / 14 / 4

HEX #F558D3

RGB 245 88 211

HSL 312.99, 0.89%, 0.65%

LAB 62.59, 72.55, -32.77

 

CMYK 0 / 91 / 19 / 33

HEX #AC108C

RGB 172 16 140

HSL 312.31, 0.83%, 0.37%

LAB 39.64, 66.86, -27.81

 

CMYK 0 / 100 / 22 / 39

HEX #9B0079

RGB 155 0 121

HSL 313.16, 1%, 0.3%

LAB 34.7, 63.01, -23.97

 

CMYK 0 / 100 / 26 / 46

HEX #8A0066

RGB 138 0 102

HSL 315.65, 1%, 0.27%

LAB 30.31, 57.21, -18.94

 

CMYK 0 / 100 / 31 / 53

HEX #790053

RGB 121 0 83

HSL 318.84, 1%, 0.24%

LAB 25.83, 51.3, -13.66

 

CMYK 0 / 100 / 38 / 59

HEX #680040

RGB 104 0 64

HSL 323.08, 1%, 0.2%

LAB 21.26, 45.28, -8.05

 

CMYK 0 / 91 / 19 / 33

HEX #AC108C

RGB 172 16 140

HSL 312.31, 0.83%, 0.37%

LAB 39.64, 66.86, -27.81

 

CMYK 0 / 91 / 43 / 33

HEX #AC1062

RGB 172 16 98

HSL 328.46, 0.83%, 0.37%

LAB 37.88, 62.15, -4.21

 

CMYK 0 / 91 / 67 / 33

HEX #AC1038

RGB 172 16 56

HSL 344.62, 0.83%, 0.37%

LAB 36.79, 59.11, 21.28

 

CMYK 0 / 91 / 91 / 33

HEX #AC1010

RGB 172 16 16

HSL 0, 0.83%, 0.37%

LAB 36.33, 57.77, 43.92

 

CMYK 0 / 91 / 19 / 33

HEX #AC108C

RGB 172 16 140

HSL 312.31, 0.83%, 0.37%

LAB 39.64, 66.86, -27.81

 

CMYK 6 / 91 / 0 / 33

HEX #A210AC

RGB 162 16 172

HSL 296.15, 0.83%, 0.37%

LAB 39.63, 69.66, -47.29

 

CMYK 30 / 91 / 0 / 33

HEX #7810AC

RGB 120 16 172

HSL 280, 0.83%, 0.37%

LAB 32.57, 63.08, -59.06

 

CMYK 55 / 91 / 0 / 33

HEX #4E10AC

RGB 78 16 172

HSL 263.85, 0.83%, 0.37%

LAB 26.65, 58.16, -69.02

 

CMYK 80 / 91 / 0 / 33

HEX #2310AC

RGB 35 16 172

HSL 247.31, 0.83%, 0.37%

LAB 22.68, 55.34, -75.72

 

CMYK 0 / 91 / 19 / 33

HEX #AC108C

RGB 172 16 140

HSL 312.31, 0.83%, 0.37%

LAB 39.64, 66.86, -27.81

 

CMYK 0 / 100 / 20 / 27

HEX #BB0095

RGB 187 0 149

HSL 312.19, 1%, 0.37%

LAB 42.36, 72.68, -28.83

 

CMYK 0 / 91 / 19 / 33

HEX #AC108C

RGB 172 16 140

HSL 312.31, 0.83%, 0.37%

LAB 39.64, 66.86, -27.81

 

CMYK 0 / 80 / 17 / 38

HEX #9D1F83

RGB 157 31 131

HSL 312.38, 0.67%, 0.37%

LAB 37.46, 59.3, -25.88

 

CMYK 0 / 68 / 14 / 44

HEX #8E2E7A

RGB 142 46 122

HSL 312.5, 0.51%, 0.37%

LAB 36.2, 49.04, -22.45

 

CMYK 0 / 52 / 10 / 51

HEX #7E3D71

RGB 126 61 113

HSL 312, 0.35%, 0.37%

LAB 35.92, 35.5, -17.45

 

CMYK 0 / 31 / 6 / 56

HEX #6F4D68

RGB 111 77 104

HSL 312.35, 0.18%, 0.37%

LAB 37.27, 19.15, -9.93

 

CMYK 30 / 91 / 0 / 33

HEX #7810AC

RGB 120 16 172

HSL 280, 0.83%, 0.37%

LAB 32.57, 63.08, -59.06

 

CMYK 6 / 91 / 0 / 33

HEX #A210AC

RGB 162 16 172

HSL 296.15, 0.83%, 0.37%

LAB 39.63, 69.66, -47.29

 

CMYK 0 / 91 / 18 / 33

HEX #AC108D

RGB 172 16 141

HSL 311.92, 0.83%, 0.37%

LAB 39.69, 66.99, -28.34

 

CMYK 0 / 91 / 42 / 33

HEX #AC1063

RGB 172 16 99

HSL 328.08, 0.83%, 0.37%

LAB 37.92, 62.24, -4.8

 

CMYK 0 / 91 / 67 / 33

HEX #AC1039

RGB 172 16 57

HSL 344.23, 0.83%, 0.37%

LAB 36.81, 59.16, 20.66

 

CMYK 0 / 91 / 19 / 62

HEX #61094F

RGB 97 9 79

HSL 312.27, 0.83%, 0.21%

LAB 21.21, 43.43, -18.53

 

CMYK 0 / 91 / 19 / 47

HEX #860C6D

RGB 134 12 109

HSL 312.3, 0.84%, 0.29%

LAB 30.49, 55.41, -23.24

 

CMYK 0 / 91 / 19 / 33

HEX #AC108C

RGB 172 16 140

HSL 312.31, 0.83%, 0.37%

LAB 39.64, 66.86, -27.81

 

CMYK 0 / 91 / 19 / 18

HEX #D213AB

RGB 210 19 171

HSL 312.25, 0.83%, 0.45%

LAB 48.4, 77.93, -32.25

 

CMYK 0 / 85 / 17 / 8

HEX #EA24C2

RGB 234 36 194

HSL 312.12, 0.83%, 0.53%

LAB 54.71, 82.89, -35.49

 

CMYK 0 / 91 / 19 / 33

HEX #AC108C

RGB 172 16 140

HSL 312.31, 0.83%, 0.37%

LAB 39.64, 66.86, -27.81

 

CMYK 0 / 55 / 91 / 33

HEX #AC4E10

RGB 172 78 16

HSL 23.85, 0.83%, 0.37%

LAB 44.6, 35.35, 50.03

 

CMYK 91 / 0 / 18 / 33

HEX #10AC8D

RGB 16 172 141

HSL 168.08, 0.83%, 0.37%

LAB 62.96, -44.07, 5.64

 

CMYK 0 / 91 / 19 / 33

HEX #AC108C

RGB 172 16 140

HSL 312.31, 0.83%, 0.37%

LAB 39.64, 66.86, -27.81

 

CMYK 18 / 0 / 91 / 33

HEX #8DAC10

RGB 141 172 16

HSL 71.92, 0.83%, 0.37%

LAB 65.91, -29.18, 65.44

 

CMYK 91 / 18 / 0 / 33

HEX #108DAC

RGB 16 141 172

HSL 191.92, 0.83%, 0.37%

LAB 54.17, -19.74, -25.06

 

CMYK 0 / 91 / 19 / 33

HEX #AC108C

RGB 172 16 140

HSL 312.31, 0.83%, 0.37%

LAB 39.64, 66.86, -27.81

 

CMYK 0 / 55 / 91 / 33

HEX #AC4E10

RGB 172 78 16

HSL 23.85, 0.83%, 0.37%

LAB 44.6, 35.35, 50.03

 

CMYK 91 / 0 / 73 / 33

HEX #10AC2F

RGB 16 172 47

HSL 131.92, 0.83%, 0.37%

LAB 61.5, -61, 51.17

 

CMYK 91 / 36 / 0 / 33

HEX #106EAC

RGB 16 110 172

HSL 203.85, 0.83%, 0.37%

LAB 44.58, -1.94, -40.08

 

CMYK 0 / 91 / 19 / 33

HEX #AC108C

RGB 172 16 140

HSL 312.31, 0.83%, 0.37%

LAB 39.64, 66.86, -27.81

 

CMYK 0 / 27 / 91 / 33

HEX #AC7D10

RGB 172 125 16

HSL 41.92, 0.83%, 0.37%

LAB 55.56, 9.51, 58.4

 

CMYK 91 / 0 / 73 / 33

HEX #10AC2F

RGB 16 172 47

HSL 131.92, 0.83%, 0.37%

LAB 61.5, -61, 51.17

 

CMYK 91 / 63 / 0 / 33

HEX #103FAC

RGB 16 63 172

HSL 221.92, 0.83%, 0.37%

LAB 30.98, 29.02, -62.02

 

Description

Color code: HEX #AC108C | qconv.com Color code: HEX #AC108C | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 16 green and 140 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 16 140 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 91 magenta, 19 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 91% 19% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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