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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC0BA4 it is the complementary color #53F45B. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC0BA4. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC0BA4 shade: #B10B9F, #C21DB2, #D32FC5, #E441D8 and #F553EB

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC0BA4. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC0BA4 shade: #AC0BA4, #9B0091, #8A007E, #79006B and #680058

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC0BA4 shade: #AC0BA4, #AC0B78, #AC0B4D, #AC0B21 and #AC0B0B

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC0BA4 shade: #AC0BA4, #890BAC, #5D0BAC, #310BAC and #0B0BAC

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC0BA4 shade matches the following richer shades: #AC0BA4

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC0BA4 shade: #AC0BA4, #9D1997, #8E2889, #80377C and #71466F

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC0BA4 shade: #5B0BAC, #860BAC, #AC0BA7, #AC0B7C and #AC0B51

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC0BA4 shade: #5F065A, #85087F, #AC0BA4, #D30DC9 and #F019E5

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC0BA4 shade: #AC0BA4, #AC300B and #0BAC71

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC0BA4 shade: #AC0BA4, #A7AC0B and #0BA7AC

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC0BA4 shade: #AC0BA4, #AC300B, #0BAC10 and #0B86AC

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC0BA4 shade: #AC0BA4, #AC610B, #0BAC10 and #0B56AC

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 94 / 5 / 33

HEX #AC0BA4

RGB 172 11 164

HSL 302.98, 0.88%, 0.36%

LAB 40.72, 70.82, -40.66

 

Complementary color

CMYK 66 / 0 / 63 / 4

HEX #53F45B

RGB 83 244 91

HSL 122.98, 0.88%, 0.64%

LAB 85.65, -70.44, 59.9

 

CMYK 0 / 94 / 10 / 31

HEX #B10B9F

RGB 177 11 159

HSL 306.51, 0.88%, 0.37%

LAB 41.36, 71.01, -36.58

 

CMYK 0 / 85 / 8 / 24

HEX #C21DB2

RGB 194 29 178

HSL 305.82, 0.74%, 0.44%

LAB 46.4, 74.2, -39.73

 

CMYK 0 / 78 / 7 / 17

HEX #D32FC5

RGB 211 47 197

HSL 305.12, 0.65%, 0.51%

LAB 51.74, 76.23, -42.17

 

CMYK 0 / 71 / 5 / 11

HEX #E441D8

RGB 228 65 216

HSL 304.42, 0.75%, 0.57%

LAB 57.3, 77.4, -44.07

 

CMYK 0 / 66 / 4 / 4

HEX #F553EB

RGB 245 83 235

HSL 303.7, 0.89%, 0.64%

LAB 63.01, 77.97, -45.56

 

CMYK 0 / 94 / 5 / 33

HEX #AC0BA4

RGB 172 11 164

HSL 302.98, 0.88%, 0.36%

LAB 40.72, 70.82, -40.66

 

CMYK 0 / 100 / 6 / 39

HEX #9B0091

RGB 155 0 145

HSL 303.87, 1%, 0.3%

LAB 36.01, 66.26, -36.82

 

CMYK 0 / 100 / 9 / 46

HEX #8A007E

RGB 138 0 126

HSL 305.22, 1%, 0.27%

LAB 31.6, 60.43, -32.23

 

CMYK 0 / 100 / 12 / 53

HEX #79006B

RGB 121 0 107

HSL 306.94, 1%, 0.24%

LAB 27.09, 54.47, -27.47

 

CMYK 0 / 100 / 15 / 59

HEX #680058

RGB 104 0 88

HSL 309.23, 1%, 0.2%

LAB 22.47, 48.35, -22.51

 

CMYK 0 / 94 / 5 / 33

HEX #AC0BA4

RGB 172 11 164

HSL 302.98, 0.88%, 0.36%

LAB 40.72, 70.82, -40.66

 

CMYK 0 / 94 / 30 / 33

HEX #AC0B78

RGB 172 11 120

HSL 319.38, 0.88%, 0.36%

LAB 38.49, 65.09, -17.2

 

CMYK 0 / 94 / 55 / 33

HEX #AC0B4D

RGB 172 11 77

HSL 335.4, 0.88%, 0.36%

LAB 37.01, 61.11, 8.02

 

CMYK 0 / 94 / 81 / 33

HEX #AC0B21

RGB 172 11 33

HSL 351.8, 0.88%, 0.36%

LAB 36.21, 58.89, 34.88

 

CMYK 0 / 94 / 94 / 33

HEX #AC0B0B

RGB 172 11 11

HSL 0, 0.88%, 0.36%

LAB 36.05, 58.42, 45.81

 

CMYK 0 / 94 / 5 / 33

HEX #AC0BA4

RGB 172 11 164

HSL 302.98, 0.88%, 0.36%

LAB 40.72, 70.82, -40.66

 

CMYK 20 / 94 / 0 / 33

HEX #890BAC

RGB 137 11 172

HSL 286.96, 0.88%, 0.36%

LAB 35.08, 66.35, -54.86

 

CMYK 46 / 94 / 0 / 33

HEX #5D0BAC

RGB 93 11 172

HSL 270.56, 0.88%, 0.36%

LAB 28.23, 60.73, -66.33

 

CMYK 72 / 94 / 0 / 33

HEX #310BAC

RGB 49 11 172

HSL 254.16, 0.88%, 0.36%

LAB 23.24, 57.34, -74.76

 

CMYK 94 / 94 / 0 / 33

HEX #0B0BAC

RGB 11 11 172

HSL 240, 0.88%, 0.36%

LAB 21.17, 56.19, -78.27

 

CMYK 0 / 94 / 5 / 33

HEX #AC0BA4

RGB 172 11 164

HSL 302.98, 0.88%, 0.36%

LAB 40.72, 70.82, -40.66

 

CMYK 0 / 94 / 5 / 33

HEX #AC0BA4

RGB 172 11 164

HSL 302.98, 0.88%, 0.36%

LAB 40.72, 70.82, -40.66

 

CMYK 0 / 84 / 4 / 38

HEX #9D1997

RGB 157 25 151

HSL 302.73, 0.73%, 0.36%

LAB 38.02, 63.76, -37.27

 

CMYK 0 / 72 / 4 / 44

HEX #8E2889

RGB 142 40 137

HSL 302.94, 0.56%, 0.36%

LAB 36.13, 53.84, -31.86

 

CMYK 0 / 57 / 3 / 50

HEX #80377C

RGB 128 55 124

HSL 303.29, 0.4%, 0.36%

LAB 35.55, 41.27, -24.87

 

CMYK 0 / 38 / 2 / 56

HEX #71466F

RGB 113 70 111

HSL 302.79, 0.23%, 0.36%

LAB 36.06, 25.53, -16.13

 

CMYK 47 / 94 / 0 / 33

HEX #5B0BAC

RGB 91 11 172

HSL 269.81, 0.88%, 0.36%

LAB 27.96, 60.52, -66.79

 

CMYK 22 / 94 / 0 / 33

HEX #860BAC

RGB 134 11 172

HSL 285.84, 0.88%, 0.36%

LAB 34.57, 65.91, -55.7

 

CMYK 0 / 94 / 3 / 33

HEX #AC0BA7

RGB 172 11 167

HSL 301.86, 0.88%, 0.36%

LAB 40.9, 71.26, -42.18

 

CMYK 0 / 94 / 28 / 33

HEX #AC0B7C

RGB 172 11 124

HSL 317.89, 0.88%, 0.36%

LAB 38.66, 65.54, -19.43

 

CMYK 0 / 94 / 53 / 33

HEX #AC0B51

RGB 172 11 81

HSL 333.91, 0.88%, 0.36%

LAB 37.12, 61.41, 5.59

 

CMYK 0 / 94 / 5 / 63

HEX #5F065A

RGB 95 6 90

HSL 303.37, 0.88%, 0.2%

LAB 21.21, 45.42, -25.96

 

CMYK 0 / 94 / 5 / 48

HEX #85087F

RGB 133 8 127

HSL 302.88, 0.89%, 0.28%

LAB 31.1, 58.46, -33.71

 

CMYK 0 / 94 / 5 / 33

HEX #AC0BA4

RGB 172 11 164

HSL 302.98, 0.88%, 0.36%

LAB 40.72, 70.82, -40.66

 

CMYK 0 / 94 / 5 / 17

HEX #D30DC9

RGB 211 13 201

HSL 303.03, 0.88%, 0.44%

LAB 49.92, 82.74, -47.36

 

CMYK 0 / 90 / 5 / 6

HEX #F019E5

RGB 240 25 229

HSL 303.07, 0.88%, 0.52%

LAB 56.96, 90.3, -51.84

 

CMYK 0 / 94 / 5 / 33

HEX #AC0BA4

RGB 172 11 164

HSL 302.98, 0.88%, 0.36%

LAB 40.72, 70.82, -40.66

 

CMYK 0 / 72 / 94 / 33

HEX #AC300B

RGB 172 48 11

HSL 13.79, 0.88%, 0.36%

LAB 39.43, 48.92, 47.98

 

CMYK 94 / 0 / 34 / 33

HEX #0BAC71

RGB 11 172 113

HSL 158.01, 0.88%, 0.36%

LAB 62.31, -51.11, 20.17

 

CMYK 0 / 94 / 5 / 33

HEX #AC0BA4

RGB 172 11 164

HSL 302.98, 0.88%, 0.36%

LAB 40.72, 70.82, -40.66

 

CMYK 3 / 0 / 94 / 33

HEX #A7AC0B

RGB 167 172 11

HSL 61.86, 0.88%, 0.36%

LAB 67.83, -18.1, 68.51

 

CMYK 94 / 3 / 0 / 33

HEX #0BA7AC

RGB 11 167 172

HSL 181.86, 0.88%, 0.36%

LAB 62.24, -33.06, -12.77

 

CMYK 0 / 94 / 5 / 33

HEX #AC0BA4

RGB 172 11 164

HSL 302.98, 0.88%, 0.36%

LAB 40.72, 70.82, -40.66

 

CMYK 0 / 72 / 94 / 33

HEX #AC300B

RGB 172 48 11

HSL 13.79, 0.88%, 0.36%

LAB 39.43, 48.92, 47.98

 

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

CMYK 94 / 22 / 0 / 33

HEX #0B86AC

RGB 11 134 172

HSL 194.16, 0.88%, 0.36%

LAB 51.95, -16.18, -28.5

 

CMYK 0 / 94 / 5 / 33

HEX #AC0BA4

RGB 172 11 164

HSL 302.98, 0.88%, 0.36%

LAB 40.72, 70.82, -40.66

 

CMYK 0 / 44 / 94 / 33

HEX #AC610B

RGB 172 97 11

HSL 32.05, 0.88%, 0.36%

LAB 48.69, 25.09, 54.4

 

CMYK 94 / 0 / 91 / 33

HEX #0BAC10

RGB 11 172 16

HSL 121.86, 0.88%, 0.36%

LAB 61.32, -63.17, 59.75

 

CMYK 94 / 50 / 0 / 33

HEX #0B56AC

RGB 11 86 172

HSL 212.05, 0.88%, 0.36%

LAB 37.31, 13.24, -51.72

 

Description

Color code: HEX #AC0BA4 | qconv.com Color code: HEX #AC0BA4 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 11 green and 164 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 11 164 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 94 magenta, 5 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 94% 5% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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