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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC02A9 it is the complementary color #53FD56. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC02A9. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC02A9 shade: #B102A4, #C214B7, #D326CA, #E438DD and #F54AF0

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC02A9. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC02A9 shade: #AC02A9, #9B0096, #8A0083, #790070 and #68005D

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC02A9 shade: #AB01A8, #AB017A, #AB014D, #AB011F and #AB0101

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC02A9 shade: #AB01A8, #8001AB, #5301AB, #2501AB and #0101AB

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC02A9 shade matches the following richer shades: #AB01A8

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC02A9 shade: #AB01A8, #9D0F9B, #8F1D8D, #812B80 and #733972

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC02A9 shade: #5301AB, #8101AB, #AB01A8, #AB017B and #AB014E

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC02A9 shade: #590058, #820180, #AB01A8, #D402D0 and #FC03F8

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC02A9 shade: #AC02A9, #AB2601 and #01AB6A

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC02A9 shade: #AC02A9, #A8AB01 and #01A8AB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC02A9 shade: #AC02A9, #AB2601, #01AB04 and #0186AB

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC02A9 shade: #AC02A9, #AB5901, #01AB04 and #0153AB

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 99 / 2 / 33

HEX #AC02A9

RGB 172 2 169

HSL 301.06, 0.98%, 0.34%

LAB 40.7, 72.49, -43.68

 

Complementary color

CMYK 67 / 0 / 66 / 1

HEX #53FD56

RGB 83 253 86

HSL 121.06, 0.98%, 0.66%

LAB 88.33, -73.86, 64.85

 

CMYK 0 / 99 / 7 / 31

HEX #B102A4

RGB 177 2 164

HSL 304.46, 0.98%, 0.35%

LAB 41.33, 72.63, -39.64

 

CMYK 0 / 90 / 6 / 24

HEX #C214B7

RGB 194 20 183

HSL 303.79, 0.81%, 0.42%

LAB 46.16, 76.4, -43.04

 

CMYK 0 / 82 / 4 / 17

HEX #D326CA

RGB 211 38 202

HSL 303.12, 0.69%, 0.49%

LAB 51.27, 79.1, -45.8

 

CMYK 0 / 75 / 3 / 11

HEX #E438DD

RGB 228 56 221

HSL 302.44, 0.76%, 0.56%

LAB 56.63, 80.82, -47.96

 

CMYK 0 / 70 / 2 / 4

HEX #F54AF0

RGB 245 74 240

HSL 301.75, 0.9%, 0.63%

LAB 62.17, 81.81, -49.67

 

CMYK 0 / 99 / 2 / 33

HEX #AC02A9

RGB 172 2 169

HSL 301.06, 0.98%, 0.34%

LAB 40.7, 72.49, -43.68

 

CMYK 0 / 100 / 3 / 39

HEX #9B0096

RGB 155 0 150

HSL 301.94, 1%, 0.3%

LAB 36.31, 66.99, -39.4

 

CMYK 0 / 100 / 5 / 46

HEX #8A0083

RGB 138 0 131

HSL 303.04, 1%, 0.27%

LAB 31.9, 61.17, -34.88

 

CMYK 0 / 100 / 7 / 53

HEX #790070

RGB 121 0 112

HSL 304.46, 1%, 0.24%

LAB 27.39, 55.21, -30.22

 

CMYK 0 / 100 / 11 / 59

HEX #68005D

RGB 104 0 93

HSL 306.35, 1%, 0.2%

LAB 22.77, 49.09, -25.37

 

CMYK 0 / 99 / 2 / 33

HEX #AB01A8

RGB 171 1 168

HSL 301.06, 0.99%, 0.34%

LAB 40.42, 72.28, -43.54

 

CMYK 0 / 99 / 29 / 33

HEX #AB017A

RGB 171 1 122

HSL 317.29, 0.99%, 0.34%

LAB 37.99, 66.23, -19.23

 

CMYK 0 / 99 / 55 / 33

HEX #AB014D

RGB 171 1 77

HSL 333.18, 0.99%, 0.34%

LAB 36.4, 62.06, 7.12

 

CMYK 0 / 99 / 82 / 33

HEX #AB011F

RGB 171 1 31

HSL 349.41, 0.99%, 0.34%

LAB 35.55, 59.79, 35.32

 

CMYK 0 / 99 / 99 / 33

HEX #AB0101

RGB 171 1 1

HSL 0, 0.99%, 0.34%

LAB 35.36, 59.27, 49.27

 

CMYK 0 / 99 / 2 / 33

HEX #AB01A8

RGB 171 1 168

HSL 301.06, 0.99%, 0.34%

LAB 40.42, 72.28, -43.54

 

CMYK 25 / 99 / 0 / 33

HEX #8001AB

RGB 128 1 171

HSL 284.82, 0.99%, 0.34%

LAB 33.03, 66.25, -57.66

 

CMYK 51 / 99 / 0 / 33

HEX #5301AB

RGB 83 1 171

HSL 268.94, 0.99%, 0.34%

LAB 26.16, 61.41, -69.2

 

CMYK 78 / 99 / 0 / 33

HEX #2501AB

RGB 37 1 171

HSL 252.71, 0.99%, 0.34%

LAB 21.41, 58.99, -77.22

 

CMYK 99 / 99 / 0 / 33

HEX #0101AB

RGB 1 1 171

HSL 240, 0.99%, 0.34%

LAB 19.92, 58.44, -79.76

 

CMYK 0 / 99 / 2 / 33

HEX #AB01A8

RGB 171 1 168

HSL 301.06, 0.99%, 0.34%

LAB 40.42, 72.28, -43.54

 

CMYK 0 / 99 / 2 / 33

HEX #AB01A8

RGB 171 1 168

HSL 301.06, 0.99%, 0.34%

LAB 40.42, 72.28, -43.54

 

CMYK 0 / 90 / 1 / 38

HEX #9D0F9B

RGB 157 15 155

HSL 300.85, 0.83%, 0.34%

LAB 37.62, 66.24, -40.33

 

CMYK 0 / 80 / 1 / 44

HEX #8F1D8D

RGB 143 29 141

HSL 301.05, 0.66%, 0.34%

LAB 35.28, 58.29, -35.65

 

CMYK 0 / 67 / 1 / 49

HEX #812B80

RGB 129 43 128

HSL 300.7, 0.5%, 0.34%

LAB 33.89, 47.86, -29.96

 

CMYK 0 / 50 / 1 / 55

HEX #733972

RGB 115 57 114

HSL 301.03, 0.34%, 0.34%

LAB 33.53, 34.3, -21.9

 

CMYK 51 / 99 / 0 / 33

HEX #5301AB

RGB 83 1 171

HSL 268.94, 0.99%, 0.34%

LAB 26.16, 61.41, -69.2

 

CMYK 25 / 99 / 0 / 33

HEX #8101AB

RGB 129 1 171

HSL 285.18, 0.99%, 0.34%

LAB 33.2, 66.38, -57.38

 

CMYK 0 / 99 / 2 / 33

HEX #AB01A8

RGB 171 1 168

HSL 301.06, 0.99%, 0.34%

LAB 40.42, 72.28, -43.54

 

CMYK 0 / 99 / 28 / 33

HEX #AB017B

RGB 171 1 123

HSL 316.94, 0.99%, 0.34%

LAB 38.04, 66.34, -19.79

 

CMYK 0 / 99 / 54 / 33

HEX #AB014E

RGB 171 1 78

HSL 332.82, 0.99%, 0.34%

LAB 36.42, 62.13, 6.51

 

CMYK 0 / 100 / 1 / 65

HEX #590058

RGB 89 0 88

HSL 300.67, 1%, 0.17%

LAB 19.34, 45.42, -27.67

 

CMYK 0 / 99 / 2 / 49

HEX #820180

RGB 130 1 128

HSL 300.93, 0.98%, 0.26%

LAB 30.22, 59.13, -35.77

 

CMYK 0 / 99 / 2 / 33

HEX #AB01A8

RGB 171 1 168

HSL 301.06, 0.99%, 0.34%

LAB 40.42, 72.28, -43.54

 

CMYK 0 / 99 / 2 / 17

HEX #D402D0

RGB 212 2 208

HSL 301.14, 0.98%, 0.42%

LAB 50.21, 84.75, -50.93

 

CMYK 0 / 99 / 2 / 1

HEX #FC03F8

RGB 252 3 248

HSL 300.96, 0.98%, 0.5%

LAB 59.47, 96.65, -58.35

 

CMYK 0 / 99 / 2 / 33

HEX #AC02A9

RGB 172 2 169

HSL 301.06, 0.98%, 0.34%

LAB 40.7, 72.49, -43.68

 

CMYK 0 / 78 / 99 / 33

HEX #AB2601

RGB 171 38 1

HSL 13.06, 0.99%, 0.34%

LAB 37.93, 51.97, 50.46

 

CMYK 99 / 0 / 38 / 33

HEX #01AB6A

RGB 1 171 106

HSL 157.06, 0.99%, 0.34%

LAB 61.8, -52.67, 23.26

 

CMYK 0 / 99 / 2 / 33

HEX #AC02A9

RGB 172 2 169

HSL 301.06, 0.98%, 0.34%

LAB 40.7, 72.49, -43.68

 

CMYK 2 / 0 / 99 / 33

HEX #A8AB01

RGB 168 171 1

HSL 61.06, 0.99%, 0.34%

LAB 67.62, -17.29, 69.62

 

CMYK 99 / 2 / 0 / 33

HEX #01A8AB

RGB 1 168 171

HSL 181.06, 0.99%, 0.34%

LAB 62.47, -34.2, -11.87

 

CMYK 0 / 99 / 2 / 33

HEX #AC02A9

RGB 172 2 169

HSL 301.06, 0.98%, 0.34%

LAB 40.7, 72.49, -43.68

 

CMYK 0 / 78 / 99 / 33

HEX #AB2601

RGB 171 38 1

HSL 13.06, 0.99%, 0.34%

LAB 37.93, 51.97, 50.46

 

CMYK 99 / 0 / 98 / 33

HEX #01AB04

RGB 1 171 4

HSL 121.06, 0.99%, 0.34%

LAB 60.91, -63.73, 61.12

 

CMYK 99 / 22 / 0 / 33

HEX #0186AB

RGB 1 134 171

HSL 193.06, 0.99%, 0.34%

LAB 51.83, -16.95, -28.11

 

CMYK 0 / 99 / 2 / 33

HEX #AC02A9

RGB 172 2 169

HSL 301.06, 0.98%, 0.34%

LAB 40.7, 72.49, -43.68

 

CMYK 0 / 48 / 99 / 33

HEX #AB5901

RGB 171 89 1

HSL 31.06, 0.99%, 0.34%

LAB 46.72, 28.9, 55.31

 

CMYK 99 / 0 / 98 / 33

HEX #01AB04

RGB 1 171 4

HSL 121.06, 0.99%, 0.34%

LAB 60.91, -63.73, 61.12

 

CMYK 99 / 51 / 0 / 33

HEX #0153AB

RGB 1 83 171

HSL 211.06, 0.99%, 0.34%

LAB 36.24, 14.41, -52.86

 

Description

Color code: HEX #AC02A9 | qconv.com Color code: HEX #AC02A9 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 2 green and 169 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 2 169 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 99 magenta, 2 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 99% 2% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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