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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #AC0470 it is the complementary color #53FB8F. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #AC0470. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #AC0470 shade: #B1046B, #C2167E, #D32891, #E43AA4 and #F54CB7

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #AC0470. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #AC0470 shade: #AC0470, #9B005D, #8A004A, #790037 and #680024

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #AC0470 shade: #AE0471, #AE0443, #AE0416 and #AE0404

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #AC0470 shade: #AE0471, #AE049F, #8F04AE, #6104AE and #3304AE

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #AC0470 shade matches the following richer shades: #AE0471

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #AC0470 shade: #AE0471, #9F126D, #912169, #822F65 and #743E60

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #AC0470 shade: #8E04AE, #AE049F, #AE0472, #AE0445 and #AE0418

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #AC0470 shade: #5D023D, #850357, #AE0471, #D6058B and #F80CA4

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #AC0470 shade: #AC0470, #AE6104 and #04AEA5

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #AC0470 shade: #AC0470, #72AE04 and #0472AE

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #AC0470 shade: #AC0470, #AE6104, #04AE3F and #0450AE

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #AC0470 shade: #AC0470, #AE9404, #04AE3F and #041DAE

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 0 / 98 / 35 / 33

HEX #AC0470

RGB 172 4 112

HSL 321.43, 0.95%, 0.35%

LAB 37.89, 65.01, -13.09

 

Complementary color

CMYK 67 / 0 / 43 / 2

HEX #53FB8F

RGB 83 251 143

HSL 141.43, 0.95%, 0.65%

LAB 88.36, -65.92, 39.4

 

CMYK 0 / 98 / 40 / 31

HEX #B1046B

RGB 177 4 107

HSL 324.28, 0.96%, 0.35%

LAB 38.72, 65.6, -8.58

 

CMYK 0 / 89 / 35 / 24

HEX #C2167E

RGB 194 22 126

HSL 323.72, 0.8%, 0.42%

LAB 43.58, 69.01, -12.77

 

CMYK 0 / 81 / 31 / 17

HEX #D32891

RGB 211 40 145

HSL 323.16, 0.68%, 0.49%

LAB 48.77, 71.28, -16.14

 

CMYK 0 / 75 / 28 / 11

HEX #E43AA4

RGB 228 58 164

HSL 322.59, 0.76%, 0.56%

LAB 54.24, 72.59, -18.82

 

CMYK 0 / 69 / 25 / 4

HEX #F54CB7

RGB 245 76 183

HSL 322.01, 0.89%, 0.63%

LAB 59.89, 73.23, -20.98

 

CMYK 0 / 98 / 35 / 33

HEX #AC0470

RGB 172 4 112

HSL 321.43, 0.95%, 0.35%

LAB 37.89, 65.01, -13.09

 

CMYK 0 / 100 / 40 / 39

HEX #9B005D

RGB 155 0 93

HSL 324, 1%, 0.3%

LAB 33.48, 59.88, -7.95

 

CMYK 0 / 100 / 46 / 46

HEX #8A004A

RGB 138 0 74

HSL 327.83, 1%, 0.27%

LAB 29.15, 54.22, -2.27

 

CMYK 0 / 100 / 55 / 53

HEX #790037

RGB 121 0 55

HSL 332.73, 1%, 0.24%

LAB 24.77, 48.53, 3.8

 

CMYK 0 / 100 / 65 / 59

HEX #680024

RGB 104 0 36

HSL 339.23, 1%, 0.2%

LAB 20.32, 42.82, 10.35

 

CMYK 0 / 98 / 35 / 32

HEX #AE0471

RGB 174 4 113

HSL 321.53, 0.96%, 0.35%

LAB 38.34, 65.55, -13

 

CMYK 0 / 98 / 61 / 32

HEX #AE0443

RGB 174 4 67

HSL 337.76, 0.96%, 0.35%

LAB 36.91, 61.76, 14.42

 

CMYK 0 / 98 / 87 / 32

HEX #AE0416

RGB 174 4 22

HSL 353.65, 0.96%, 0.35%

LAB 36.26, 59.97, 41.18

 

CMYK 0 / 98 / 98 / 32

HEX #AE0404

RGB 174 4 4

HSL 0, 0.96%, 0.35%

LAB 36.17, 59.71, 48.81

 

CMYK 0 / 98 / 35 / 32

HEX #AE0471

RGB 174 4 113

HSL 321.53, 0.96%, 0.35%

LAB 38.34, 65.55, -13

 

CMYK 0 / 98 / 9 / 32

HEX #AE049F

RGB 174 4 159

HSL 305.29, 0.96%, 0.35%

LAB 40.55, 71.19, -37.89

 

CMYK 18 / 98 / 0 / 32

HEX #8F04AE

RGB 143 4 174

HSL 289.06, 0.96%, 0.35%

LAB 35.95, 68.49, -54.59

 

CMYK 44 / 98 / 0 / 32

HEX #6104AE

RGB 97 4 174

HSL 272.82, 0.96%, 0.35%

LAB 28.6, 62.79, -66.91

 

CMYK 71 / 98 / 0 / 32

HEX #3304AE

RGB 51 4 174

HSL 256.59, 0.96%, 0.35%

LAB 23.16, 59.52, -76.1

 

CMYK 0 / 98 / 35 / 32

HEX #AE0471

RGB 174 4 113

HSL 321.53, 0.96%, 0.35%

LAB 38.34, 65.55, -13

 

CMYK 0 / 98 / 35 / 32

HEX #AE0471

RGB 174 4 113

HSL 321.53, 0.96%, 0.35%

LAB 38.34, 65.55, -13

 

CMYK 0 / 89 / 31 / 38

HEX #9F126D

RGB 159 18 109

HSL 321.28, 0.8%, 0.35%

LAB 35.81, 59.92, -14.6

 

CMYK 0 / 77 / 28 / 43

HEX #912169

RGB 145 33 105

HSL 321.43, 0.63%, 0.35%

LAB 34.25, 52.24, -14.68

 

CMYK 0 / 64 / 22 / 49

HEX #822F65

RGB 130 47 101

HSL 320.96, 0.47%, 0.35%

LAB 33.39, 41.87, -13.68

 

CMYK 0 / 47 / 17 / 55

HEX #743E60

RGB 116 62 96

HSL 322.22, 0.3%, 0.35%

LAB 33.99, 28.46, -9.78

 

CMYK 18 / 98 / 0 / 32

HEX #8E04AE

RGB 142 4 174

HSL 288.71, 0.96%, 0.35%

LAB 35.78, 68.34, -54.88

 

CMYK 0 / 98 / 9 / 32

HEX #AE049F

RGB 174 4 159

HSL 305.29, 0.96%, 0.35%

LAB 40.55, 71.19, -37.89

 

CMYK 0 / 98 / 34 / 32

HEX #AE0472

RGB 174 4 114

HSL 321.18, 0.96%, 0.35%

LAB 38.38, 65.65, -13.57

 

CMYK 0 / 98 / 60 / 32

HEX #AE0445

RGB 174 4 69

HSL 337.06, 0.96%, 0.35%

LAB 36.96, 61.88, 13.19

 

CMYK 0 / 98 / 86 / 32

HEX #AE0418

RGB 174 4 24

HSL 352.94, 0.96%, 0.35%

LAB 36.27, 60.01, 40.14

 

CMYK 0 / 98 / 34 / 64

HEX #5D023D

RGB 93 2 61

HSL 321.1, 0.96%, 0.19%

LAB 18.83, 41.82, -9.87

 

CMYK 0 / 98 / 35 / 48

HEX #850357

RGB 133 3 87

HSL 321.23, 0.96%, 0.27%

LAB 28.75, 53.89, -11.63

 

CMYK 0 / 98 / 35 / 32

HEX #AE0471

RGB 174 4 113

HSL 321.53, 0.96%, 0.35%

LAB 38.34, 65.55, -13

 

CMYK 0 / 98 / 35 / 16

HEX #D6058B

RGB 214 5 139

HSL 321.53, 0.95%, 0.43%

LAB 47.33, 76.49, -14.67

 

CMYK 0 / 95 / 34 / 3

HEX #F80CA4

RGB 248 12 164

HSL 321.36, 0.94%, 0.51%

LAB 54.97, 85.36, -17.38

 

CMYK 0 / 98 / 35 / 33

HEX #AC0470

RGB 172 4 112

HSL 321.43, 0.95%, 0.35%

LAB 37.89, 65.01, -13.09

 

CMYK 0 / 44 / 98 / 32

HEX #AE6104

RGB 174 97 4

HSL 32.82, 0.96%, 0.35%

LAB 48.95, 25.86, 56.25

 

CMYK 98 / 0 / 5 / 32

HEX #04AEA5

RGB 4 174 165

HSL 176.82, 0.96%, 0.35%

LAB 64.17, -38.68, -5.97

 

CMYK 0 / 98 / 35 / 33

HEX #AC0470

RGB 172 4 112

HSL 321.43, 0.95%, 0.35%

LAB 37.89, 65.01, -13.09

 

CMYK 34 / 0 / 98 / 32

HEX #72AE04

RGB 114 174 4

HSL 81.18, 0.96%, 0.35%

LAB 64.85, -41.04, 65.53

 

CMYK 98 / 34 / 0 / 32

HEX #0472AE

RGB 4 114 174

HSL 201.18, 0.96%, 0.35%

LAB 45.79, -4.14, -39.32

 

CMYK 0 / 98 / 35 / 33

HEX #AC0470

RGB 172 4 112

HSL 321.43, 0.95%, 0.35%

LAB 37.89, 65.01, -13.09

 

CMYK 0 / 44 / 98 / 32

HEX #AE6104

RGB 174 97 4

HSL 32.82, 0.96%, 0.35%

LAB 48.95, 25.86, 56.25

 

CMYK 98 / 0 / 64 / 32

HEX #04AE3F

RGB 4 174 63

HSL 140.82, 0.96%, 0.35%

LAB 62.22, -60.59, 45.31

 

CMYK 98 / 54 / 0 / 32

HEX #0450AE

RGB 4 80 174

HSL 213.18, 0.96%, 0.35%

LAB 35.63, 17.8, -55.62

 

CMYK 0 / 98 / 35 / 33

HEX #AC0470

RGB 172 4 112

HSL 321.43, 0.95%, 0.35%

LAB 37.89, 65.01, -13.09

 

CMYK 0 / 15 / 98 / 32

HEX #AE9404

RGB 174 148 4

HSL 50.82, 0.96%, 0.35%

LAB 61.82, -2.45, 65.21

 

CMYK 98 / 0 / 64 / 32

HEX #04AE3F

RGB 4 174 63

HSL 140.82, 0.96%, 0.35%

LAB 62.22, -60.59, 45.31

 

CMYK 98 / 83 / 0 / 32

HEX #041DAE

RGB 4 29 174

HSL 231.18, 0.96%, 0.35%

LAB 23.54, 49.86, -75.52

 

Description

Color code: HEX #AC0470 | qconv.com Color code: HEX #AC0470 | qconv.com - big

This color makes magenta stand out from the other colors. The values representing the red and blue hue are greater than the third value. They are close together and exceed the value of the green hue. Since the color values are relatively low compared to others, this hue appears darker to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 172 red, 4 green and 112 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
172 4 112 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, none cyan, 98 magenta, 35 yellow and 33 key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
0% 98% 35% 33% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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