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Complementary means first and foremost complementary. With color tones there is always a direct complementary color that is exactly opposite to the other.

With this color tone #ABFF4F it is the complementary color #5400B0. Both colors form the strongest contrast to each other and are especially recommended for use in direct connection with each other.

If you display a text with its complementary color on a background with the displayed color, you will get a representation that is pleasant to the eyes and clearly too indistinguishable from each other. However, this is especially true for white, black and gray tones. With these, the contrasting colors are particularly natural, pleasant and common for our eyes.

Exposures are based on the same hue and represent lighter versions of the current color #ABFF4F. Besides the border colors white and black, almost all colors have lighter versions that can be used optimally in web design

The following lighter shades match the #ABFF4F shade: #B0FF4A, #C1FF5D, #D2FF70, #E3FF83 and #F4FF96

You can use them to modify buttons with mouse-over effects (called :hover in CSS) or to generate other color gradations like gradients.

Shades are based on the same hue and represent a darker version of the current color #ABFF4F. In addition to the border colors white and black, almost all colors have shades that can be used optimally in web design.

The following darker shades match the #ABFF4F shade: #ABFF4F, #9AED3C, #89DB29, #78C916 and #67B703

Among other things, you can use them to modify buttons with mouse-over effects (called :hover in CSS) or generate other color gradations.

Warmer colors are created when the hue is shifted towards red, orange and yellow. These colors convey warmth, energy and an inviting atmosphere.

The following warmer shades match the #ABFF4F shade: #A9FF4C, #D9FF4C, #FFF34C, #FFC34C and #FF934C

They are stimulating and dynamic and are often used to attract attention or create a friendly and lively mood. An example of this transition is a shift from a cool blue through purple to red and orange.

Colder colors are created by shifting the hue towards green, blue and violet.

The following colder shades match the #ABFF4F shade: #A9FF4C, #79FF4C, #4CFF4F, #4CFF7F and #4CFFAF

These colors have a cool, calming effect and create distance. They are often used to convey a sense of calm, freshness and stability. A classic example of this color range is a gradient from yellow to green to a deep blue or violet, reminiscent of water and sky.

Richer colors are created by increasing the saturation, which makes the colors appear more intense, brighter and stronger. A color with high saturation is more eye-catching and appears more vibrant and powerful. This effect can be used to emphasize important elements or to create a vibrant design.

The #ABFF4F shade matches the following richer shades: #A9FF4C

An example is the development from a pale pink to a strong and bright red.

Less saturated colors are created by reducing the saturation, which makes the colors more muted, subtle and pastel-like. As the saturation is reduced further, they become closer and closer to a shade of gray. These colors appear calmer and more elegant and are suitable for a restrained and harmonious design.

The following paler shades match the #ABFF4F shade: #A9FF4C, #A9F05A, #A8E269, #A7D377 and #A7C586

An example is the change of a strong blue to a subdued grey-blue or almost neutral shade.

The analog color scheme uses colors that are directly adjacent to each other in the color wheel. They usually fit together well and result in a calm and comfortable design.

The following analogous shades match the #ABFF4F shade: #FFF34C, #DBFF4C, #ABFF4C, #7CFF4C and #4CFF4C

Analog color schemes are often found in nature. They are harmonious and pleasant to the eye. It is important that they have enough contrast. Choose one color to dominate and a second to support. The third color is used (together with black, white or grey) as an accent

The monochromatic color scheme uses colors that are on the same wavelength. They usually fit together very well and result in a pleasant and evenly colored design.

The following monochrome shades match the #ABFF4F shade: #82F800, #96FF23, #A9FF4C, #BDFF75 and #D1FF9F

Monochromatic color schemes are often found in nature. They are harmonious and calm to the eye

The partial complementary color scheme is a variation of the complementary color scheme. In addition to the base color, the two colors adjacent to the complement are used.

The following split-complementary shades match the #ABFF4F shade: #ABFF4F, #4CFFC3 and #FF4CF3

This color scheme has the same strong visual contrast as the complementary color scheme, but is not as contrasting as the direct complementary color. The partial complementary color scheme is a good choice for designs. These colors usually complement each other very well.

A triadic color scheme uses colors evenly spaced around the color wheel. Triadic color harmonies are usually quite vivid, even if pale or unsaturated colors are used.

The following triaden shades match the #ABFF4F shade: #ABFF4F, #4CABFF and #FF4CAB

The colors should be well chosen to achieve triadic harmony. Let one color dominate and use the other two as accent colors.

The rectangular or tetradish color scheme uses four colors arranged in two complementary pairs. This rich color scheme offers many variation possibilities.

The following tetraden shades match the #ABFF4F shade: #ABFF4F, #4CFFC3, #9F4CFF and #FF4C87

It works best if you let one of these colors dominate. You should also pay attention to the balance between warm and cold colors in the design

The square color scheme is similar to the rectangular color scheme, with all four colors evenly distributed around the color circle. The square color scheme works best when one color dominates.

The following squaren shades match the #ABFF4F shade: #ABFF4F, #4CFFF9, #9F4CFF and #FF4C52

Again, pay attention to the balance between warm and cold colors in the design.

Note

Colors are displayed differently on each device. Please note that the colors do not always match 100%. Differences can occur when real colors are processed. We recommend a comparison of the real colors. We do not assume any liability.

Display options

Primary color

CMYK 33 / 0 / 69 / 0

HEX #ABFF4F

RGB 171 255 79

HSL 88.64, 1%, 0.65%

LAB 92.02, -51.56, 72.29

 

Complementary color

CMYK 52 / 100 / 0 / 31

HEX #5400B0

RGB 84 0 176

HSL 268.64, 1%, 0.35%

LAB 26.79, 62.81, -71.16

 

CMYK 31 / 0 / 71 / 0

HEX #B0FF4A

RGB 176 255 74

HSL 86.19, 1%, 0.65%

LAB 92.24, -50.15, 74.34

 

CMYK 24 / 0 / 64 / 0

HEX #C1FF5D

RGB 193 255 93

HSL 82.96, 1%, 0.68%

LAB 93.3, -42.84, 68.73

 

CMYK 18 / 0 / 56 / 0

HEX #D2FF70

RGB 210 255 112

HSL 78.88, 1%, 0.72%

LAB 94.48, -35.1, 62.45

 

CMYK 11 / 0 / 49 / 0

HEX #E3FF83

RGB 227 255 131

HSL 73.55, 1%, 0.76%

LAB 95.78, -27.02, 55.76

 

CMYK 4 / 0 / 41 / 0

HEX #F4FF96

RGB 244 255 150

HSL 66.29, 1%, 0.79%

LAB 97.21, -18.71, 48.85

 

CMYK 33 / 0 / 69 / 0

HEX #ABFF4F

RGB 171 255 79

HSL 88.64, 1%, 0.65%

LAB 92.02, -51.56, 72.29

 

CMYK 35 / 0 / 75 / 7

HEX #9AED3C

RGB 154 237 60

HSL 88.14, 0.83%, 0.58%

LAB 85.89, -51.14, 72.35

 

CMYK 37 / 0 / 81 / 14

HEX #89DB29

RGB 137 219 41

HSL 87.64, 0.71%, 0.51%

LAB 79.69, -50.55, 71.75

 

CMYK 40 / 0 / 89 / 21

HEX #78C916

RGB 120 201 22

HSL 87.15, 0.8%, 0.44%

LAB 73.43, -49.74, 70.12

 

CMYK 44 / 0 / 98 / 28

HEX #67B703

RGB 103 183 3

HSL 86.67, 0.97%, 0.36%

LAB 67.09, -48.66, 67.19

 

CMYK 34 / 0 / 70 / 0

HEX #A9FF4C

RGB 169 255 76

HSL 88.83, 1%, 0.65%

LAB 91.9, -52.43, 73.19

 

CMYK 15 / 0 / 70 / 0

HEX #D9FF4C

RGB 217 255 76

HSL 72.74, 1%, 0.65%

LAB 94.65, -34.9, 76.84

 

CMYK 0 / 5 / 70 / 0

HEX #FFF34C

RGB 255 243 76

HSL 55.98, 1%, 0.65%

LAB 94.26, -14.06, 77.41

 

CMYK 0 / 24 / 70 / 0

HEX #FFC34C

RGB 255 195 76

HSL 39.89, 1%, 0.65%

LAB 82.28, 10.16, 65.46

 

CMYK 0 / 42 / 70 / 0

HEX #FF934C

RGB 255 147 76

HSL 23.8, 1%, 0.65%

LAB 71.32, 35.12, 53.92

 

CMYK 34 / 0 / 70 / 0

HEX #A9FF4C

RGB 169 255 76

HSL 88.83, 1%, 0.65%

LAB 91.9, -52.43, 73.19

 

CMYK 53 / 0 / 70 / 0

HEX #79FF4C

RGB 121 255 76

HSL 104.92, 1%, 0.65%

LAB 89.91, -66.95, 70.53

 

CMYK 70 / 0 / 69 / 0

HEX #4CFF4F

RGB 76 255 79

HSL 121.01, 1%, 0.65%

LAB 88.74, -76.31, 67.87

 

CMYK 70 / 0 / 50 / 0

HEX #4CFF7F

RGB 76 255 127

HSL 137.09, 1%, 0.65%

LAB 89.2, -70.89, 48.09

 

CMYK 70 / 0 / 31 / 0

HEX #4CFFAF

RGB 76 255 175

HSL 153.18, 1%, 0.65%

LAB 89.93, -62.67, 25.5

 

CMYK 34 / 0 / 70 / 0

HEX #A9FF4C

RGB 169 255 76

HSL 88.83, 1%, 0.65%

LAB 91.9, -52.43, 73.19

 

CMYK 34 / 0 / 70 / 0

HEX #A9FF4C

RGB 169 255 76

HSL 88.83, 1%, 0.65%

LAB 91.9, -52.43, 73.19

 

CMYK 30 / 0 / 63 / 6

HEX #A9F05A

RGB 169 240 90

HSL 88.4, 0.83%, 0.65%

LAB 87.72, -45.17, 63.52

 

CMYK 26 / 0 / 54 / 11

HEX #A8E269

RGB 168 226 105

HSL 88.76, 0.68%, 0.65%

LAB 83.83, -38.03, 52.58

 

CMYK 21 / 0 / 44 / 17

HEX #A7D377

RGB 167 211 119

HSL 88.7, 0.51%, 0.65%

LAB 79.69, -29.94, 40.83

 

CMYK 15 / 0 / 32 / 23

HEX #A7C586

RGB 167 197 134

HSL 88.57, 0.35%, 0.65%

LAB 75.99, -21.17, 28.37

 

CMYK 0 / 5 / 70 / 0

HEX #FFF34C

RGB 255 243 76

HSL 55.98, 1%, 0.65%

LAB 94.26, -14.06, 77.41

 

CMYK 14 / 0 / 70 / 0

HEX #DBFF4C

RGB 219 255 76

HSL 72.07, 1%, 0.65%

LAB 94.78, -34.12, 77.02

 

CMYK 33 / 0 / 70 / 0

HEX #ABFF4C

RGB 171 255 76

HSL 88.16, 1%, 0.65%

LAB 92, -51.75, 73.32

 

CMYK 51 / 0 / 70 / 0

HEX #7CFF4C

RGB 124 255 76

HSL 103.91, 1%, 0.65%

LAB 90.01, -66.16, 70.67

 

CMYK 70 / 0 / 70 / 0

HEX #4CFF4C

RGB 76 255 76

HSL 120, 1%, 0.65%

LAB 88.72, -76.56, 68.93

 

CMYK 48 / 0 / 100 / 3

HEX #82F800

RGB 130 248 0

HSL 88.55, 1%, 0.49%

LAB 87.91, -64.73, 84.29

 

CMYK 41 / 0 / 86 / 0

HEX #96FF23

RGB 150 255 35

HSL 88.64, 1%, 0.57%

LAB 90.84, -60.57, 83

 

CMYK 34 / 0 / 70 / 0

HEX #A9FF4C

RGB 169 255 76

HSL 88.83, 1%, 0.65%

LAB 91.9, -52.43, 73.19

 

CMYK 26 / 0 / 54 / 0

HEX #BDFF75

RGB 189 255 117

HSL 88.7, 1%, 0.73%

LAB 93.29, -42.25, 58.56

 

CMYK 18 / 0 / 38 / 0

HEX #D1FF9F

RGB 209 255 159

HSL 88.75, 1%, 0.81%

LAB 94.98, -30.5, 41.17

 

CMYK 33 / 0 / 69 / 0

HEX #ABFF4F

RGB 171 255 79

HSL 88.64, 1%, 0.65%

LAB 92.02, -51.56, 72.29

 

CMYK 70 / 0 / 24 / 0

HEX #4CFFC3

RGB 76 255 195

HSL 159.89, 1%, 0.65%

LAB 90.32, -58.48, 15.84

 

CMYK 0 / 70 / 5 / 0

HEX #FF4CF3

RGB 255 76 243

HSL 304.02, 1%, 0.65%

LAB 64.08, 83.75, -48.21

 

CMYK 33 / 0 / 69 / 0

HEX #ABFF4F

RGB 171 255 79

HSL 88.64, 1%, 0.65%

LAB 92.02, -51.56, 72.29

 

CMYK 70 / 33 / 0 / 0

HEX #4CABFF

RGB 76 171 255

HSL 208.16, 1%, 0.65%

LAB 67.93, -1.39, -49.72

 

CMYK 0 / 70 / 33 / 0

HEX #FF4CAB

RGB 255 76 171

HSL 328.16, 1%, 0.65%

LAB 61.11, 74.41, -12.07

 

CMYK 33 / 0 / 69 / 0

HEX #ABFF4F

RGB 171 255 79

HSL 88.64, 1%, 0.65%

LAB 92.02, -51.56, 72.29

 

CMYK 70 / 0 / 24 / 0

HEX #4CFFC3

RGB 76 255 195

HSL 159.89, 1%, 0.65%

LAB 90.32, -58.48, 15.84

 

CMYK 38 / 70 / 0 / 0

HEX #9F4CFF

RGB 159 76 255

HSL 267.82, 1%, 0.65%

LAB 51.56, 66.93, -75.67

 

CMYK 0 / 70 / 47 / 0

HEX #FF4C87

RGB 255 76 135

HSL 340.22, 1%, 0.65%

LAB 60.05, 70.92, 7.33

 

CMYK 33 / 0 / 69 / 0

HEX #ABFF4F

RGB 171 255 79

HSL 88.64, 1%, 0.65%

LAB 92.02, -51.56, 72.29

 

CMYK 70 / 0 / 2 / 0

HEX #4CFFF9

RGB 76 255 249

HSL 177.99, 1%, 0.65%

LAB 91.64, -45.19, -10.18

 

CMYK 38 / 70 / 0 / 0

HEX #9F4CFF

RGB 159 76 255

HSL 267.82, 1%, 0.65%

LAB 51.56, 66.93, -75.67

 

CMYK 0 / 70 / 68 / 0

HEX #FF4C52

RGB 255 76 82

HSL 357.99, 1%, 0.65%

LAB 59.01, 67.38, 36.71

 

Description

Color code: HEX #ABFF4F | qconv.com Color code: HEX #ABFF4F | qconv.com - big

With this color yellow stands out from the other colors. The values representing the red and green hue are greater than the third value. They are close together and exceed the value of the blue hue. Since the color values are relatively high compared to others, this hue appears lighter to us.

The breakdown of the color into the RGB color system: of 255 maximum color components, 171 red, 255 green and 79 blue.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the illustration you can see how the color is composed of the three components: red (top),green (bottom right) and blue (bottom left). In the middle you can see the result color.
171 255 79 R G B
In the CMYK color system the color is composed as follows: In this color tone, out of 100 maximum color components, 33 cyan, none magenta, 69 yellow and none key.

The mixing ratio of these colors results in the displayed hue in the middle of the overlaps.

In the diagram you can see how the color is composed of the four components cyan (top left),magenta (top right),yellow (bottom right) and black or key (bottom left). In the middle you can see the result color.
33% 0% 69% 0% C M Y K

Verification of their color palette as a manufacturer!

Provide designers and agencies with accurate color values.

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